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Best Famous Call For Poems

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Written by Alfred Lord Tennyson | Create an image from this poem

Crossing the Bar

Sunset and evening star, 
And one clear call for me! 
And may there be no moaning of the bar, 
When I put out to sea, 

But such a tide as moving seems asleep, 
Too full for sound and foam, 
When that which drew from out the boundless deep 
Turns again home. 

Twilight and evening bell, 
And after that the dark! 
And may there be no sadness of farewell, 
When I embark; 

For though from out our bourne of Time and Place 
The flood may bear me far, 
I hope to see my Pilot face to face 
When I have crossed the bar. 


Written by Sylvia Plath | Create an image from this poem

Love Is A Parallax

 'Perspective betrays with its dichotomy:
train tracks always meet, not here, but only
 in the impossible mind's eye;
horizons beat a retreat as we embark
on sophist seas to overtake that mark
 where wave pretends to drench real sky.' 

'Well then, if we agree, it is not odd
that one man's devil is another's god
 or that the solar spectrum is
a multitude of shaded grays; suspense
on the quicksands of ambivalence
 is our life's whole nemesis. 

So we could rave on, darling, you and I,
until the stars tick out a lullaby
 about each cosmic pro and con;
nothing changes, for all the blazing of
our drastic jargon, but clock hands that move
 implacably from twelve to one. 

We raise our arguments like sitting ducks
to knock them down with logic or with luck
 and contradict ourselves for fun;
the waitress holds our coats and we put on
the raw wind like a scarf; love is a faun
 who insists his playmates run. 

Now you, my intellectual leprechaun,
would have me swallow the entire sun
 like an enormous oyster, down
the ocean in one gulp: you say a mark
of comet hara-kiri through the dark
 should inflame the sleeping town. 

So kiss: the drunks upon the curb and dames
in dubious doorways forget their monday names,
 caper with candles in their heads;
the leaves applaud, and santa claus flies in
scattering candy from a zeppelin,
 playing his prodigal charades. 

The moon leans down to took; the tilting fish
in the rare river wink and laugh; we lavish
 blessings right and left and cry
hello, and then hello again in deaf
churchyard ears until the starlit stiff
 graves all carol in reply. 

Now kiss again: till our strict father leans
to call for curtain on our thousand scenes;
 brazen actors mock at him,
multiply pink harlequins and sing
in gay ventriloquy from wing to wing
 while footlights flare and houselights dim. 

Tell now, we taunq where black or white begins
and separate the flutes from violins:
 the algebra of absolutes
explodes in a kaleidoscope of shapes
that jar, while each polemic jackanapes
 joins his enemies' recruits. 

The paradox is that 'the play's the thing':
though prima donna pouts and critic stings,
 there burns throughout the line of words,
the cultivated act, a fierce brief fusion
which dreamers call real, and realists, illusion:
 an insight like the flight of birds: 

Arrows that lacerate the sky, while knowing
the secret of their ecstasy's in going;
 some day, moving, one will drop,
and, dropping, die, to trace a wound that heals
only to reopen as flesh congeals:
 cycling phoenix never stops. 

So we shall walk barefoot on walnut shells
of withered worlds, and stamp out puny hells
 and heavens till the spirits squeak
surrender: to build our bed as high as jack's
bold beanstalk; lie and love till sharp scythe hacks
 away our rationed days and weeks. 

Then jet the blue tent topple, stars rain down,
and god or void appall us till we drown
 in our own tears: today we start
to pay the piper with each breath, yet love
knows not of death nor calculus above
 the simple sum of heart plus heart.
Written by Czeslaw Milosz | Create an image from this poem

Child of Europe

 1
We, whose lungs fill with the sweetness of day.
Who in May admire trees flowering
Are better than those who perished.

We, who taste of exotic dishes,
And enjoy fully the delights of love,
Are better than those who were buried.

We, from the fiery furnaces, from behind barbed wires
On which the winds of endless autumns howled,
We, who remember battles where the wounded air roared in
paroxysms of pain.
We, saved by our own cunning and knowledge.

By sending others to the more exposed positions
Urging them loudly to fight on
Ourselves withdrawing in certainty of the cause lost.

Having the choice of our own death and that of a friend
We chose his, coldly thinking: Let it be done quickly.

We sealed gas chamber doors, stole bread
Knowing the next day would be harder to bear than the day before.

As befits human beings, we explored good and evil.
Our malignant wisdom has no like on this planet.

Accept it as proven that we are better than they,
The gullible, hot-blooded weaklings, careless with their lives.

2
Treasure your legacy of skills, child of Europe.
Inheritor of Gothic cathedrals, of baroque churches.
Of synagogues filled with the wailing of a wronged people.
Successor of Descartes, Spinoza, inheritor of the word 'honor',
Posthumous child of Leonidas
Treasure the skills acquired in the hour of terror.

You have a clever mind which sees instantly
The good and bad of any situation.
You have an elegant, skeptical mind which enjoys pleasures
Quite unknown to primitive races.

Guided by this mind you cannot fail to see
The soundness of the advice we give you:
Let the sweetness of day fill your lungs
For this we have strict but wise rules.

3
There can be no question of force triumphant
We live in the age of victorious justice.

Do not mention force, or you will be accused
Of upholding fallen doctrines in secret.

He who has power, has it by historical logic.
Respectfully bow to that logic.

Let your lips, proposing a hypothesis
Not know about the hand faking the experiment.

Let your hand, faking the experiment
No know about the lips proposing a hypothesis.

Learn to predict a fire with unerring precision
Then burn the house down to fulfill the prediction.

4
Grow your tree of falsehood from a single grain of truth.
Do not follow those who lie in contempt of reality.

Let your lie be even more logical than the truth itself
So the weary travelers may find repose in the lie.

After the Day of the Lie gather in select circles
Shaking with laughter when our real deeds are mentioned.

Dispensing flattery called: perspicacious thinking.
Dispensing flattery called: a great talent.

We, the last who can still draw joy from cynicism.
We, whose cunning is not unlike despair.

A new, humorless generation is now arising
It takes in deadly earnest all we received with laughter.

5
Let your words speak not through their meanings
But through them against whom they are used.

Fashion your weapon from ambiguous words.
Consign clear words to lexical limbo.

Judge no words before the clerks have checked
In their card index by whom they were spoken.

The voice of passion is better than the voice of reason.
The passionless cannot change history.

6
Love no country: countries soon disappear
Love no city: cities are soon rubble.

Throw away keepsakes, or from your desk
A choking, poisonous fume will exude.

Do not love people: people soon perish.
Or they are wronged and call for your help.

Do not gaze into the pools of the past.
Their corroded surface will mirror
A face different from the one you expected.

7
He who invokes history is always secure.
The dead will not rise to witness against him.

You can accuse them of any deeds you like.
Their reply will always be silence.

Their empty faces swim out of the deep dark.
You can fill them with any feature desired.

Proud of dominion over people long vanished,
Change the past into your own, better likeness.

8
The laughter born of the love of truth
Is now the laughter of the enemies of the people.

Gone is the age of satire. We no longer need mock.
The sensible monarch with false courtly phrases.

Stern as befits the servants of a cause,
We will permit ourselves sycophantic humor.

Tight-lipped, guided by reasons only
Cautiously let us step into the era of the unchained fire.
Written by Henry Lawson | Create an image from this poem

A Song of Brave Men

 Man, is the Sea your master? Sea, and is man your slave? – 
This is the song of brave men who never know they are brave: 
Ceaselessly watching to save you, stranger from foreign lands, 
Soundly asleep in your state room, full sail for the Goodwin Sands! 
Life is a dream, they tell us, but life seems very real, 
When the lifeboat puts out from Ramsgate, and the buggers put out from Deal! 

A gun from the lightship! – a rocket! – a cry of, "Turn out, me lad!" 
"Ship on the Sands!" they're shouting, and a rush of the oilskin-clad. 
The lifeboat leaping and swooping, in the wake of the fighting tug, 
And the luggers afloat in Hell's water – Oh, "tourist", with cushion and rug! – 
Think of the freezing fury, without one minute's relief, 
When they stood all night in the blackness by the wreck of the Indian Chief! 

Lashed to their seats, and crouching, to the spray that froze as it flew, 
Twenty-six hours in midwinter! That was the lifeboat's crew. 
Twice she was swamped, and she righted, in the rush of the heavy seas, 
And her tug was mostly buried; but these were common things, these. 
And the luggers go out whenever there's a hope to get them afloat, 
And these things they do for nothing, and those fishermen say, "Oh! it's nowt!" 

(Enemy, Friend or Stranger! In every sea or land, 
And across the lives of most men run stretches of Goodwin Sand; 
And across the life of a nation, as across the track of a ship, 
Lies the hidden rock, or the iceberg, within the horizon dip. 
And wise men know them, and warn us, with lightship, or voice, or pen; 
But we strike, and the fool survivors sail on to strike again.) 

But this is a song of brave men, wherever is aught to save, 
Christian or Jew or Wowser – and I knew one who was brave; 
British or French or German, Dane or Latin or Dutch: 
"Scandies" that ignorant British reckon with "Dagoes and such" – 
(Where'er, on a wreck titanic, in a scene of wild despair, 
The officers call for assistance, a Swede or a Norse is there.) 

Tale of a wreck titanic, with the last boat over the side, 
And a brave young husband fighting his clinging, hysterical bride; 
He strikes her fair on the temple, while the decks are scarce afloat, 
And he kisses her once on the forehead, and he drops her into the boat. 
So he goes to his death to save her; and she lives to remember and lie – 
Or be true to his love and courage. But that's how brave men die. 

(I hate the slander: "Be British" – and I don't believe it, that's flat: 
No British sailor and captain would stoop to such cant as that. 
What – in the rush of cowards – of the help from before the mast – 
Of the two big Swedes and the Norse, who stood by the mate to the last? – 
In every mining disaster, in a New-World mining town, 
In one of the rescue parties an Olsen or Hans goes down.) 

Men who fought for their village, away on their country's edge: 
The priest with his cross – and a musket, and the blacksmith with his sledge; 
The butcher with cleaver and pistols, and the notary with his pike. 
And the clerk with what he laid hands on; but all were ready to strike. 
And – Tennyson notwithstanding – when the hour of danger was come, 
The shopman has struck full often with his "cheating yard-wand" home! 

This is a song of brave men, ever, the wide world o'er – 
Starved and crippled and murdered by the land they are fighting for. 
Left to freeze in the trenches, sent to drown by the Cape, 
Throttled by army contractors, and strangled bv old red-tape. 
Fighting for "Home" and "Country", or "Glory", or what you choose – 
Sacrificed for the Syndicates, and a monarch "in" with the Jews. 

Australia! your trial is coming! Down with the party strife: 
Send Your cackling, lying women back to the old Home Life. 
Brush trom your Parliament benches the legal chaff and dust: 
Make Federation perfect, as sooner or later you must. 
Scatter your crowded cities, cut up your States – and so 
Give your brave sons of the future the ghost of a White Man's show.
Written by Walt Whitman | Create an image from this poem

A Boston Ballad 1854

 TO get betimes in Boston town, I rose this morning early; 
Here’s a good place at the corner—I must stand and see the show. 

Clear the way there, Jonathan! 
Way for the President’s marshal! Way for the government cannon! 
Way for the Federal foot and dragoons—and the apparitions copiously tumbling.

I love to look on the stars and stripes—I hope the fifes will play Yankee Doodle. 

How bright shine the cutlasses of the foremost troops! 
Every man holds his revolver, marching stiff through Boston town. 

A fog follows—antiques of the same come limping, 
Some appear wooden-legged, and some appear bandaged and bloodless.

Why this is indeed a show! It has called the dead out of the earth! 
The old grave-yards of the hills have hurried to see! 
Phantoms! phantoms countless by flank and rear! 
Cock’d hats of mothy mould! crutches made of mist! 
Arms in slings! old men leaning on young men’s shoulders!

What troubles you, Yankee phantoms? What is all this chattering of bare gums? 
Does the ague convulse your limbs? Do you mistake your crutches for fire-locks, and level
 them?


If you blind your eyes with tears, you will not see the President’s marshal; 
If you groan such groans, you might balk the government cannon. 

For shame, old maniacs! Bring down those toss’d arms, and let your white hair be;
Here gape your great grand-sons—their wives gaze at them from the windows, 
See how well dress’d—see how orderly they conduct themselves. 

Worse and worse! Can’t you stand it? Are you retreating? 
Is this hour with the living too dead for you? 

Retreat then! Pell-mell!
To your graves! Back! back to the hills, old limpers! 
I do not think you belong here, anyhow. 

But there is one thing that belongs here—shall I tell you what it is, gentlemen of
 Boston?

I will whisper it to the Mayor—he shall send a committee to England; 
They shall get a grant from the Parliament, go with a cart to the royal vault—haste!

Dig out King George’s coffin, unwrap him quick from the grave-clothes, box up his
 bones
 for a
 journey; 
Find a swift Yankee clipper—here is freight for you, black-bellied clipper, 
Up with your anchor! shake out your sails! steer straight toward Boston bay. 

Now call for the President’s marshal again, bring out the government cannon, 
Fetch home the roarers from Congress, make another procession, guard it with foot and
 dragoons.

This centre-piece for them: 
Look! all orderly citizens—look from the windows, women! 

The committee open the box, set up the regal ribs, glue those that will not stay, 
Clap the skull on top of the ribs, and clap a crown on top of the skull. 

You have got your revenge, old buster! The crown is come to its own, and more than its
 own.

Stick your hands in your pockets, Jonathan—you are a made man from this day; 
You are mighty cute—and here is one of your bargains.


Written by Rudyard Kipling | Create an image from this poem

A Smugglers Song

 If you wake at midnight, and hear a horse's feet,
Don't go drawing back the blind, or looking in the street.
Them that ask no questions isn't told a lie.
Watch the wall, my darling, while the Gentlemen go by!
 Five and twenty ponies,
 Trotting through the dark --
 Brandy for the Parson,
 'Baccy for the Clerk;
 Laces for a lady, letters for a spy,
And watch the wall, my darling, while the Gentlemen go by!

Running round the woodlump if you chance to find
Little barrels, roped and tarred, all full of brandy-wine,
Don't you shout to come and look, nor use 'em for your play.
Put the brishwood back again -- and they'll be gone next day!

If you see the stable-door setting open wide;
If you see a tired horse lying down inside;
If your mother mends a coat cut about and tore;
If the lining's wet and warm -- don't you ask no more!

If you meet King George's men, dressed in blue and red,
You be carefull what you say, and mindful what is said.
If they call you "pretty maid," and chuck you 'neath the chin,
Don't you tell where no one is, nor yet where no one's been!

Knocks and footsteps round the house -- whistles after dark --
You've no call for running out till the house-dogs bark.
Trusty's here, and Pincher's here, and see how dumb they lie --
They don't fret to follow when the Gentlemen go by!

If you do as you've been told, 'likely there's a chance,
You'll be given a dainty doll, all the way from France,
With a cap of Valenciennes, and a velvet hood --
A present from the Gentlemen, along o' being good!
 Five and twenty ponies,
 Trotting through the dark --
 Brandy for the Parson,
 'Baccy for the Clerk;
Them that asks no questions isn't told a lie --
Watch the wall, my darling, while the Gentlemen bo by!
Written by Delmore Schwartz | Create an image from this poem

Prothalamion

 "little soul, little flirting,
 little perverse one
 where are you off to now?
 little wan one, firm one
 little exposed one...
 and never make fun of me again."


Now I must betray myself.
The feast of bondage and unity is near,
And none engaged in that great piety
When each bows to the other, kneels, and takes
Hand in hand, glance and glance, care and care,
None may wear masks or enigmatic clothes,
For weakness blinds the wounded face enough.
In sense, see my shocking nakedness.

I gave a girl an apple when five years old,
Saying, Will you be sorry when I am gone?
Ravenous for such courtesies, my name
Is fed like a raving fire, insatiate still.
But do not be afraid.
For I forget myself. I do indeed
Before each genuine beauty, and I will
Forget myself before your unknown heart.

I will forget the speech my mother made
In a restaurant, trapping my father there
At dinner with his whore. Her spoken rage
Struck down the child of seven years
With shame for all three, with pity for
The helpless harried waiter, with anger for
The diners gazing, avid, and contempt
And great disgust for every human being.
I will remember this. My mother's rhetoric
Has charmed my various tongue, but now I know
Love's metric seeks a rhyme more pure and sure.

For thus it is that I betray myself,
Passing the terror of childhood at second hand
Through nervous, learned fingertips.
At thirteen when a little girl died,
I walked for three weeks neither alive nor dead,
And could not understand and still cannot
The adult blind to the nearness of the dead,
Or carefully ignorant of their own death.
--This sense could shadow all the time's curving fruits,
But we will taste of them the whole night long,
Forgetting no twelfth night, no fete of June,
But in the daylight knowing our nothingness.

Let Freud and Marx be wedding guests indeed!
Let them mark out masks that face us there,
For of all anguish, weakness, loss and failure,
No form is cruel as self-deception, none
Shows day-by-day a bad dream long lived
And unbroken like the lies
We tell each other because we are rich or poor.
Though from the general guilt not free
We can keep honor by being poor.

The waste, the evil, the abomination
Is interrupted. the perfect stars persist
Small in the guilty night,
 and Mozart shows
The irreducible incorruptible good
Risen past birth and death, though he is dead.
Hope, like a face reflected on the windowpane,
Remote and dim, fosters a myth or dream,
And in that dream, I speak, I summon all
Who are our friends somehow and thus I say:

"Bid the jewellers come with monocles,
Exclaiming, Pure! Intrinsic! Final!
Summon the children eating ice cream
To speak the chill thrill of immediacy.
Call for the acrobats who tumble
The ecstasy of the somersault.
Bid the self-sufficient stars be piercing
In the sublime and inexhaustible blue.

"Bring a mathematician, there is much to count,
The unending continuum of my attention:
Infinity will hurry his multiplied voice!
Bring the poised impeccable diver,
Summon the skater, precise in figure,
He knows the peril of circumstance,
The risk of movement and the hard ground.
Summon the florist! And the tobacconist!
All who have known a plant-like beauty:
Summon the charming bird for ignorant song.

"You, Athena, with your tired beauty,
Will you give me away? For you must come
In a bathing suit with that white owl
Whom, as I walk, I will hold in my hand.
You too, Crusoe, to utter the emotion
Of finding Friday, no longer alone;
You too, Chaplin, muse of the curbstone,
Mummer of hope, you understand!"

But this is fantastic and pitiful,
And no one comes, none will, we are alone,
And what is possible is my own voice,
Speaking its wish, despite its lasting fear;
Speaking of its hope, its promise and its fear,
The voice drunk with itself and rapt in fear,
Exaggeration, braggadocio,
Rhetoric and hope, and always fear:

"For fifty-six or for a thousand years,
I will live with you and be your friend,
And what your body and what your spirit bears
I will like my own body cure and tend.
But you are heavy and my body's weight
Is great and heavy: when I carry you
I lift upon my back time like a fate
Near as my heart, dark when I marry you.
"The voice's promise is easy, and hope
Is drunk, and wanton, and unwilled;
In time's quicksilver, where our desires grope,
The dream is warped or monstrously fulfilled,
In this sense, listen, listen, and draw near:
Love is inexhaustible and full of fear."

This life is endless and my eyes are tired,
So that, again and again, I touch a chair,
Or go to the window, press my face
Against it, hoping with substantial touch,
Colorful sight, or turning things to gain once more
The look of actuality, the certainty
Of those who run down stairs and drive a car.
Then let us be each other's truth, let us
Affirm the other's self, and be
The other's audience, the other's state,
Each to the other his sonorous fame.

Now you will be afraid, when, waking up,
Before familiar morning, by my mute side
Wan and abandoned then, when, waking up,
You see the lion or lamb upon my face
Or see the daemon breathing heavily
His sense of ignorance, his wish to die,
For I am nothing because my circus self
Divides its love a million times.

I am the octopus in love with God,
For thus is my desire inconclusible,
Until my mind, deranged in swimming tubes,
Issues its own darkness, clutching seas
---O God of my perfect ignorance,
Bring the New Year to my only sister soon,
Take from me strength and power to bless her head,
Give her the magnitude of secular trust,
Until she turns to me in her troubled sleep,
Seeing me in my wish, free from self-wrongs.
Written by William Blake | Create an image from this poem

The Song of Los

 AFRICA 

I will sing you a song of Los. the Eternal Prophet: 
He sung it to four harps at the tables of Eternity. 
In heart-formed Africa. 
Urizen faded! Ariston shudderd! 
And thus the Song began 

Adam stood in the garden of Eden: 
And Noah on the mountains of Ararat; 
They saw Urizen give his Laws to the Nations 
By the hands of the children of Los. 

Adam shudderd! Noah faded! black grew the sunny African 
When Rintrah gave Abstract Philosophy to Brama in the East: 
(Night spoke to the Cloud! 
Lo these Human form'd spirits in smiling hipocrisy. War 
Against one another; so let them War on; slaves to the eternal Elements) 
Noah shrunk, beneath the waters; 
Abram fled in fires from Chaldea; 
Moses beheld upon Mount Sinai forms of dark delusion: 

To Trismegistus. Palamabron gave an abstract Law: 
To Pythagoras Socrates & Plato. 

Times rolled on o'er all the sons of Har, time after time 
Orc on Mount Atlas howld, chain'd down with the Chain of Jealousy 
Then Oothoon hoverd over Judah & Jerusalem 
And Jesus heard her voice (a man of sorrows) he recievd 
A Gospel from wretched Theotormon. 

The human race began to wither, for the healthy built 
Secluded places, fearing the joys of Love 
And the disease'd only propagated: 
So Antamon call'd up Leutha from her valleys of delight: 
And to Mahomet a loose Bible gave. 
But in the North, to Odin, Sotha gave a Code of War, 
Because of Diralada thinking to reclaim his joy. 

These were the Churches: Hospitals: Castles: Palaces: 
Like nets & gins & traps to catch the joys of Eternity 
And all the rest a desart; 
Till like a dream Eternity was obliterated & erased. 

Since that dread day when Har and Heva fled. 
Because their brethren & sisters liv'd in War & Lust; 
And as they fled they shrunk 
Into two narrow doleful forms: 
Creeping in reptile flesh upon 
The bosom of the ground: 
And all the vast of Nature shrunk 
Before their shrunken eyes. 

Thus the terrible race of Los & Enitharmon gave 
Laws & Religions to the sons of Har binding them more 
And more to Earth: closing and restraining: 
Till a Philosophy of Five Senses was complete 
Urizen wept & gave it into the hands of Newton & Locke 

Clouds roll heavy upon the Alps round Rousseau & Voltaire: 
And on the mountains of Lebanon round the deceased Gods 
Of Asia; & on the deserts of Africa round the Fallen Angels 
The Guardian Prince of Albion burns in his nightly tent 


ASIA 

The Kings of Asia heard 
The howl rise up from Europe! 
And each ran out from his Web; 
From his ancient woven Den; 
For the darkness of Asia was startled 
At the thick-flaming, thought-creating fires of Orc. 

And the Kings of Asia stood 
And cried in bitterness of soul. 

Shall not the King call for Famine from the heath? 
Nor the Priest, for Pestilence from the fen? 
To restrain! to dismay! to thin! 
The inhabitants of mountain and plain; 
In the day, of full-feeding prosperity; 
And the night of delicious songs. 

Shall not the Councellor throw his curb 
Of Poverty on the laborious? 
To fix the price of labour; 
To invent allegoric riches: 

And the privy admonishers of men 
Call for fires in the City 
For heaps of smoking ruins, 
In the night of prosperity & wantonness 

To turn man from his path, 
To restrain the child from the womb, 

To cut off the bread from the city, 
That the remnant may learn to obey. 
That the pride of the heart may fail; 
That the lust of the eyes may be quench'd: 
That the delicate ear in its infancy 

May be dull'd; and the nostrils clos'd up; 
To teach mortal worms the path 
That leads from the gates of the Grave. 

Urizen heard them cry! 
And his shudd'ring waving wings 
Went enormous above the red flames 
Drawing clouds of despair thro' the heavens 
Of Europe as he went: 
And his Books of brass iron & gold 
Melted over the land as he flew, 

Heavy-waving, howling, weeping. 

And he stood over Judea: 
And stay'd in his ancient place: 
And stretch'd his clouds over Jerusalem; 

For Adam, a mouldering skeleton 
Lay bleach'd on the garden of Eden; 
And Noah as white as snow 
On the mountains of Ararat. 

Then the thunders of Urizen bellow'd aloud 
From his woven darkness above. 

Orc raging in European darkness 
Arose like a pillar of fire above the Alps 
Like a serpent of fiery flame! 
The sullen Earth 
Shrunk! 

Forth from the dead dust rattling bones to bones 
Join: shaking convuls'd the shivring clay breathes 
And all flesh naked stands: Fathers and Friends; 
Mothers & Infants; Kings & Warriors: 

The Grave shrieks with delight, & shakes 
Her hollow womb, & clasps the solid stem: 
Her bosom swells with wild desire: 
And milk & blood & glandous wine.
Written by Sir Walter Scott | Create an image from this poem

Patriotism 02 Nelson Pitt Fox

 TO mute and to material things
New life revolving summer brings;
The genial call dead Nature hears,
And in her glory reappears.
But oh, my Country's wintry state
What second spring shall renovate?
What powerful call shall bid arise
The buried warlike and the wise;

The mind that thought for Britain's weal,
The hand that grasp'd the victor steel?
The vernal sun new life bestows
Even on the meanest flower that blows;
But vainly, vainly may he shine
Where glory weeps o'er NELSON'S shrine;
And vainly pierce the solemn gloom
That shrouds, O PITT, thy hallow'd tomb!

Deep graved in every British heart,
O never let those names depart!
Say to your sons,--Lo, here his grave,
Who victor died on Gadite wave!
To him, as to the burning levin,
Short, bright, resistless course was given.
Where'er his country's foes were found
Was heard the fated thunder's sound,
Till burst the bolt on yonder shore,
Roll'd, blazed, destroy'd--and was no more.

Nor mourn ye less his perish'd worth,
Who bade the conqueror go forth,
And launch'd that thunderbolt of war
On Egypt, Hafnia, Trafalgar;
Who, born to guide such high emprise,
For Britain's weal was early wise;
Alas! to whom the Almighty gave,
For Britain's sins, an early grave!
--His worth, who in his mightiest hour
A bauble held the pride of power,
Spurn'd at the sordid lust of pelf,
And served his Albion for herself;
Who, when the frantic crowd amain
Strain'd at subjection's bursting rein,
O'er their wild mood full conquest gain'd,
The pride he would not crush, restrain'd,
Show'd their fierce zeal a worthier cause,
And brought the freeman's arm to aid the freeman's laws.

Hadst thou but lived, though stripp'd of power,
A watchman on the lonely tower,
Thy thrilling trump had roused the land,
When fraud or danger were at hand;
By thee, as by the beacon-light,
Our pilots had kept course aright;
As some proud column, though alone,
Thy strength had propp'd the tottering throne.
Now is the stately column broke,
The beacon-light is quench'd in smoke,
The trumpet's silver voice is still,
The warder silent on the hill!

O think, how to his latest day,
When Death, just hovering, claim'd his prey,
With Palinure's unalter'd mood
Firm at his dangerous post he stood;
Each call for needful rest repell'd,
With dying hand the rudder held,
Till in his fall with fateful sway
The steerage of the realm gave way.
Then--while on Britain's thousand plains
One polluted church remains,
Whose peaceful bells ne'er sent around
The bloody tocsin's maddening sound,
But still upon the hallow'd day
Convoke the swains to praise and pray;
While faith and civil peace are dear,
Grace this cold marble with a tear:--
He who preserved them, PITT, lies here!

Nor yet suppress the generous sigh,
Because his rival slumbers nigh;
Nor be thy Requiescat dumb
Lest it be said o'er Fox's tomb.
For talents mourn, untimely lost,
When best employ'd, and wanted most;
Mourn genius high, and lore profound,
And wit that loved to play, not wound;
And all the reasoning powers divine
To penetrate, resolve, combine;
And feelings keen, and fancy's glow--
They sleep with him who sleeps below:
And, if thou mourn'st they could not save
From error him who owns this grave,
Be every harsher thought suppress'd,
And sacred be the last long rest.
Here, where the end of earthly things
Lays heroes, patriots, bards, and kings;
Where stiff the hand, and still the tongue,
Of those who fought, and spoke, and sung;
Here, where the fretted vaults prolong
The distant notes of holy song,
As if some angel spoke agen,
'All peace on earth, good-will to men';
If ever from an English heart,
O, here let prejudice depart,
And, partial feeling cast aside,
Record that Fox a Briton died!
When Europe crouch'd to France's yoke,
And Austria bent, and Prussia broke,
And the firm Russian's purpose brave
Was barter'd by a timorous slave--
Even then dishonour's peace he spurn'd,
The sullied olive-branch return'd,
Stood for his country's glory fast,
And nail'd her colours to the mast!
Heaven, to reward his firmness, gave
A portion in this honour'd grave;
And ne'er held marble in its trust
Of two such wondrous men the dust.

With more than mortal powers endow'd,
How high they soar'd above the crowd!
Theirs was no common party race,
Jostling by dark intrigue for place;
Like fabled gods, their mighty war
Shook realms and nations in its jar;
Beneath each banner proud to stand,
Look'd up the noblest of the land,
Till through the British world were known
The names of PITT and Fox alone.
Spells of such force no wizard grave
E'er framed in dark Thessalian cave,
Though his could drain the ocean dry,
And force the planets from the sky.
These spells are spent, and, spent with these,
The wine of life is on the lees.
Genius, and taste, and talent gone,
For ever tomb'd beneath the stone,
Where--taming thought to human pride!--
The mighty chiefs sleep side by side.
Drop upon Fox's grave the tear,
'Twill trickle to his rival's bier;
O'er PITT'S the mournful requiem sound,
And Fox's shall the notes rebound.
The solemn echo seems to cry,
'Here let their discord with them die.
Speak not for those a separate doom
Whom fate made Brothers in the tomb;
But search the land of living men,
Where wilt thou find their like agen?'
Written by Edwin Arlington Robinson | Create an image from this poem

The Wilderness

 Come away! come away! there’s a frost along the marshes, 
And a frozen wind that skims the shoal where it shakes the dead black water;
There’s a moan across the lowland and a wailing through the woodland 
Of a dirge that sings to send us back to the arms of those that love us. 
There is nothing left but ashes now where the crimson chills of autumn
Put off the summer’s languor with a touch that made us glad 
For the glory that is gone from us, with a flight we cannot follow, 
To the slopes of other valleys and the sounds of other shores. 

Come away! come away! you can hear them calling, calling, 
Calling us to come to them, and roam no more.
Over there beyond the ridges and the land that lies between us,
There’s an old song calling us to come!

Come away! come away!—for the scenes we leave behind us 
Are barren for the lights of home and a flame that’s young forever; 
And the lonely trees around us creak the warning of the night-wind,
That love and all the dreams of love are away beyond the mountains. 
The songs that call for us to-night, they have called for men before us, 
And the winds that blow the message, they have blown ten thousand years; 
But this will end our wander-time, for we know the joy that waits us 
In the strangeness of home-coming, and a woman’s waiting eyes.

Come away! come away! there is nothing now to cheer us— 
Nothing now to comfort us, but love’s road home:— 
Over there beyond the darkness there’s a window gleams to greet us, 
And a warm hearth waits for us within.

Come away! come away!—or the roving-fiend will hold us,
And make us all to dwell with him to the end of human faring: 
There are no men yet may leave him when his hands are clutched upon them, 
There are none will own his enmity, there are none will call him brother. 
So we’ll be up and on the way, and the less we boast the better 
For the freedom that God gave us and the dread we do not know:— 
The frost that skips the willow-leaf will again be back to blight it, 
And the doom we cannot fly from is the doom we do not see. 

Come away! come away! there are dead men all around us— 
Frozen men that mock us with a wild, hard laugh 
That shrieks and sinks and whimpers in the shrill November rushes,
And the long fall wind on the lake.

Book: Reflection on the Important Things