Written by
Amy Clampitt |
While the sun stops, or
seems to, to define a term
for the indeterminable,
the human aspect, here
in the West Village, spindles
to a mutilated dazzle—
niched shards of solitude
embedded in these brownstone
walkups such that the Hudson
at the foot of Twelfth Street
might be a thing that's
done with mirrors: definition
by deracination—grunge,
hip-hop, Chinese takeout,
co-ops—while the globe's
elixir caters, year by year,
to the resurgence of this
climbing tentpole, frilled and stippled
yet again with bloom
to greet the solstice:
What year was it it over-
took the fire escape? The
roof's its next objective.
Will posterity (if there
is any)pause to regret
such layerings of shade,
their cadenced crests' trans-
valuation of decay, the dust
and perfume of an all
too terminable process?
|
Written by
Allen Ginsberg |
Elan that lifts me above the clouds
into pure space, timeless, yea eternal
Breath transmuted into words
Transmuted back to breath
in one hundred two hundred years
nearly Immortal, Sappho's 26 centuries
of cadenced breathing -- beyond time, clocks, empires, bodies, cars,
chariots, rocket ships skyscrapers, Nation empires
brass walls, polished marble, Inca Artwork
of the mind -- but where's it come from?
Inspiration? The muses drawing breath for you? God?
Nah, don't believe it, you'll get entangled in Heaven or Hell --
Guilt power, that makes the heart beat wake all night
flooding mind with space, echoing through future cities, Megalopolis or
Cretan village, Zeus' birth cave Lassithi Plains -- Otsego County
farmhouse, Kansas front porch?
Buddha's a help, promises ordinary mind no nirvana --
coffee, alcohol, cocaine, mushrooms, marijuana, laughing gas?
Nope, too heavy for this lightness lifts the brain into blue sky
at May dawn when birds start singing on East 12th street --
Where does it come from, where does it go forever?
May 1996
|
Written by
C K Williams |
I was walking home down a hill near our house
on a balmy afternoon
under the blossoms
Of the pear trees that go flamboyantly mad here
every spring with
their burgeoning forth
When a young man turned in from a corner singing
no it was more of
a cadenced shouting
Most of which I couldn't catch I thought because
the young man was
black speaking black
It didn't matter I could tell he was making his
song up which pleased
me he was nice-looking
Husky dressed in some style of big pants obviously
full of himself
hence his lyrical flowing over
We went along in the same direction then he noticed
me there almost
beside him and "Big"
He shouted-sang "Big" and I thought how droll
to have my height
incorporated in his song
So I smiled but the face of the young man showed nothing
he looked
in fact pointedly away
And his song changed "I'm not a nice person"
he chanted "I'm not
I'm not a nice person"
No menace was meant I gathered no particular threat
but he did want
to be certain I knew
That if my smile implied I conceived of anything like concord
between us I should forget it
That's all nothing else happened his song became
indecipherable to
me again he arrived
Where he was going a house where a girl in braids
waited for him on
the porch that was all
No one saw no one heard all the unasked and
unanswered questions
were left where they were
It occurred to me to sing back "I'm not a nice
person either" but I
couldn't come up with a tune
Besides I wouldn't have meant it nor he have believed
it both of us
knew just where we were
In the duet we composed the equation we made
the conventions to
which we were condemned
Sometimes it feels even when no one is there that
someone something
is watching and listening
Someone to rectify redo remake this time again though
no one saw nor
heard no one was there
|
Written by
Christina Rossetti |
There's blood between us, love, my love,
There's father's blood, there's brother's blood,
And blood's a bar I cannot pass.
I choose the stairs that mount above,
Stair after golden sky-ward stair,
To city and to sea of glass.
My lily feet are soiled with mud,
With scarlet mud which tells a tale
Of hope that was, of guilt that was,
Of love that shall not yet avail;
Alas, my heart, if I could bare
My heart, this selfsame stain is there:
I seek the sea of glass and fire
To wash the spot, to burn the snare;
Lo, stairs are meant to lift us higher--
Mount with me, mount the kindled stair.
Your eyes look earthward, mine look up.
I see the far-off city grand,
Beyond the hills a watered land,
Beyond the gulf a gleaming strand
Of mansions where the righteous sup;
Who sleep at ease among their trees,
Or wake to sing a cadenced hymn
With Cherubim and Seraphim;
They bore the Cross, they drained the cup,
Racked, roasted, crushed, wrenched limb from limb,
They the offscouring of the world.
The heaven of starry heavens unfurled,
The sun before their face is dim.
You looking earthward, what see you?
Milk-white, wine-flushed among the vines,
Up and down leaping, to and fro,
Most glad, most full, made strong with wines,
Blooming as peaches pearled with dew,
Their golden windy hair afloat,
Love-music warbling in their throat,
Young men and women come and go.
You linger, yet the time is short:
Flee for your life, gird up your strength
To flee; the shadows stretched at length
Show that day wanes, that night draws nigh;
Flee to the mountain, tarry not.
Is this a time for smile and sigh,
For songs among the secret trees
Where sudden blue birds nest and sport?
The time is short and yet you stay:
To-day, while it is called to-day,
Kneel, wrestle, knock, do violence, pray;
To-day is short, to-morrow nigh:
Why will you die? why will you die?
You sinned with me a pleasant sin:
Repent with me, for I repent.
Woe's me the lore I must unlearn!
Woe's me that easy way we went,
So rugged when I would return!
How long until my sleep begin
How long shall stretch these nights and days?
Surely, clean Angels cry, she prays;
She laves her soul with tedious tears:
How long must stretch these years and years?
I turn from you my cheeks and eyes,
My hair which you shall see no more--
Alas for joy that went before,
For joy that dies, for love that dies.
Only my lips still turn to you,
My livid lips that cry, Repent.
O weary life, O weary Lent,
O weary time whose stars are few.
How shall I rest in Paradise,
Or sit on steps of heaven alone
If Saints and Angels spoke of love
Should I not answer from my throne:
Have pity upon me, ye my friends,
For I have heard the sound thereof:
Should I not turn with yearning eyes,
Turn earthwards with a pitiful pang?
Oh save me from a pang in heaven.
By all the gifts we took and gave,
Repent, repent, and be forgiven:
This life is long, but yet it ends;
Repent and purge your soul and save:
No gladder song the morning stars
Upon their birthday morning sang
Than Angels sing when one repents.
I tell you what I dreamed last night:
A spirit with transfigured face
Fire-footed clomb an infinite space.
I heard his hundred pinions clang,
Heaven-bells rejoicing rang and rang,
Heaven-air was thrilled with subtle scents,
Worlds spun upon their rushing cars.
He mounted, shrieking, "Give me light!"
Still light was poured on him, more light;
Angels, Archangels he outstripped,
Exulting in exceeding might,
And trod the skirts of Cherubim.
Still "Give me light," he shrieked; and dipped
His thirsty face, and drank a sea,
Athirst with thirst it could not slake.
I saw him, drunk with knowledge, take
From aching brows the aureole crown--
His locks writhe like a cloven snake--
He left his throne to grovel down
And lick the dust of Seraphs' feet;
For what is knowledge duly weighed?
Knowledge is strong, but love is sweet;
Yea, all the progress he had made
Was but to learn that all is small
Save love, for love is all in all.
I tell you what I dreamed last night:
It was not dark, it was not light,
Cold dews had drenched my plenteous hair
Through clay; you came to seek me there.
And "Do you dream of me?" you said.
My heart was dust that used to leap
To you; I answered half asleep:
"My pillow is damp, my sheets are red,
There's a leaden tester to my bed;
Find you a warmer playfellow,
A warmer pillow for your head,
A kinder love to love than mine."
You wrung your hands, while I, like lead,
Crushed downwards through the sodden earth;
You smote your hands but not in mirth,
And reeled but were not drunk with wine.
For all night long I dreamed of you;
I woke and prayed against my will,
Then slept to dream of you again.
At length I rose and knelt and prayed.
I cannot write the words I said,
My words were slow, my tears were few;
But through the dark my silence spoke
Like thunder. When this morning broke,
My face was pinched, my hair was grey,
And frozen blood was on the sill
Where stifling in my struggle I lay.
If now you saw me you would say:
Where is the face I used to love?
And I would answer: Gone before;
It tarries veiled in paradise.
When once the morning star shall rise,
When earth with shadow flees away
And we stand safe within the door,
Then you shall lift the veil thereof.
Look up, rise up: for far above
Our palms are grown, our place is set;
There we shall meet as once we met,
And love with old familiar love.
|
Written by
Adela Florence Cory Nicolson |
The Desert is parched in the burning sun
And the grass is scorched and white.
But the sand is passed, and the march is done,
We are camping here to-night.
I sit in the shade of the Temple walls,
While the cadenced water evenly falls,
And a peacock out of the Jungle calls
To another, on yonder tomb.
Above, half seen, in the lofty gloom,
Strange works of a long dead people loom,
Obscene and savage and half effaced—
An elephant hunt, a musicians' feast—
And curious matings of man and beast;
What did they mean to the men who are long since dust?
Whose fingers traced,
In this arid waste,
These rioting, twisted, figures of love and lust.
Strange, weird things that no man may say,
Things Humanity hides away;—
Secretly done,—
Catch the light of the living day,
Smile in the sun.
Cruel things that man may not name,
Naked here, without fear or shame,
Laughed in the carven stone.
Deep in the Temple's innermost Shrine is set,
Where the bats and shadows dwell,
The worn and ancient Symbol of Life, at rest
In its oval shell,
By which the men, who, of old, the land possessed,
Represented their Great Destroying Power.
I cannot forget
That, just as my life was touching its fullest flower,
Love came and destroyed it all in a single hour,
Therefore the dual Mystery suits me well.
Sitting alone,
The tank's deep water is cool and sweet,
Soothing and fresh to the wayworn feet,
Dreaming, under the Tamarind shade,
One silently thanks the men who made
So green a place in this bitter land
Of sunburnt sand.
The peacocks scream and the grey Doves coo,
Little green, talkative Parrots woo,
And small grey Squirrels, with fear askance,
At alien me, in their furtive glance,
Come shyly, with quivering fur, to see
The stranger under their Tamarind tree.
Daylight dies,
The Camp fires redden like angry eyes,
The Tents show white,
In the glimmering light,
Spirals of tremulous smoke arise, to the purple skies,
And the hum of the Camp sounds like the sea,
Drifting over the sand to me.
Afar, in the Desert some wild voice sings
To a jangling zither with minor strings,
And, under the stars growing keen above,
I think of the thing that I love.
A beautiful thing, alert, serene,
With passionate, dreaming, wistful eyes,
Dark and deep as mysterious skies,
Seen from a vessel at sea.
Alas, you drifted away from me,
And Time and Space have rushed in between,
But they cannot undo the Thing-that-has-been,
Though it never again may be.
You were mine, from dusk until dawning light,
For the perfect whole of that bygone night
You belonged to me!
They say that Love is a light thing,
A foolish thing and a slight thing,
A ripe fruit, rotten at core;
They speak in this futile fashion
To me, who am wracked with passion,
Tormented beyond compassion,
For ever and ever more.
They say that Possession lessens a lover's delight,
As radiant mornings fade into afternoon.
I held what I loved in my arms for many a night,
Yet ever the morning lightened the sky too soon.
Beyond our tents the sands stretch level and far,
Around this little oasis of Tamarind trees.
A curious, Eastern fragrance fills the breeze
From the ruinous Temple garden where roses are.
I dream of the rose-like perfume that fills your hair,
Of times when my lips were free of your soft closed eyes,
While down in the tank the waters ripple and rise
And the flying foxes silently cleave the air.
The present is subtly welded into the past,
My love of you with the purple Indian dusk,
With its clinging scent of sandal incense and musk,
And withering jasmin flowers.
My eyes grow dim and my senses fail at last,
While the lonely hours
Follow each other, silently, one by one,
Till the night is almost done.
Then weary, and drunk with dreams, with my garments damp
And heavy with dew, I wander towards the camp.
Tired, with a brain in which fancy and fact are blent,
I stumble across the ropes till I reach my tent
And then to rest. To ensweeten my sleep with lies,
To dream I lie in the light of your long lost eyes,
My lips set free.
To love and linger over your soft loose hair—
To dream I lay your delicate beauty bare
To solace my fevered eyes.
Ah,—if my life might end in a night like this—
Drift into death from dreams of your granted kiss!
|
Written by
Amy Lowell |
The tall yellow hollyhocks stand,
Still and straight,
With their round blossoms spread open,
In the quiet sunshine.
And still is the old Roman wall,
Rough with jagged bits of flint,
And jutting stones,
Old and cragged,
Quite still in its antiquity.
The pear-trees press their branches against it,
And feeling it warm and kindly,
The little pears ripen to yellow and red.
They hang heavy, bursting with juice,
Against the wall.
So old, so still!
The sky is still.
The clouds make no sound
As they slide away
Beyond the Cathedral Tower,
To the river,
And the sea.
It is very quiet,
Very sunny.
The myrtle flowers stretch themselves in the sunshine,
But make no sound.
The roses push their little tendrils up,
And climb higher and higher.
In spots they have climbed over the wall.
But they are very still,
They do not seem to move.
And the old wall carries them
Without effort, and quietly
Ripens and shields the vines and blossoms.
A bird in a plane-tree
Sings a few notes,
Cadenced and perfect
They weave into the silence.
The Cathedral bell knocks,
One, two, three, and again,
And then again.
It is a quiet sound,
Calling to prayer,
Hardly scattering the stillness,
Only making it close in more densely.
The gardener picks ripe gooseberries
For the Dean's supper to-night.
It is very quiet,
Very regulated and mellow.
But the wall is old,
It has known many days.
It is a Roman wall,
Left-over and forgotten.
Beyond the Cathedral Close
Yelp and mutter the discontents of people not mellow,
Not well-regulated.
People who care more for bread than for beauty,
Who would break the tombs of saints,
And give the painted windows of churches
To their children for toys.
People who say:
"They are dead, we live!
The world is for the living."
Fools! It is always the dead who breed.
Crush the ripe fruit, and cast it aside,
Yet its seeds shall fructify,
And trees rise where your huts were standing.
But the little people are ignorant,
They chaffer, and swarm.
They gnaw like rats,
And the foundations of the Cathedral are honeycombed.
The Dean is in the Chapter House;
He is reading the architect's bill
For the completed restoration of the Cathedral.
He will have ripe gooseberries for supper,
And then he will walk up and down the path
By the wall,
And admire the snapdragons and dahlias,
Thinking how quiet and peaceful
The garden is.
The old wall will watch him,
Very quietly and patiently it will watch.
For the wall is old,
It is a Roman wall.
|
Written by
Adela Florence Cory Nicolson |
Alas! alas! this wasted Night
With all its Jasmin-scented air,
Its thousand stars, serenely bright!
I lie alone, and long for you,
Long for your Champa-scented hair,
Your tranquil eyes of twilight hue;
Long for the close-curved, delicate lips
—Their sinuous sweetness laid on mine—
Here, where the slender fountain drips,
Here, where the yellow roses glow,
Pale in the tender silver shine
The stars across the garden throw.
Alas! alas! poor passionate Youth!
Why must we spend these lonely nights?
The poets hardly speak the truth,—
Despite their praiseful litany,
His season is not all delights
Nor every night an ecstasy!
The very power and passion that make—
Might make—his days one golden dream,
How he must suffer for their sake!
Till, in their fierce and futile rage,
The baffled senses almost deem
They might be happier in old age.
Age that can find red roses sweet,
And yet not crave a rose-red mouth;
Hear Bulbuls, with no wish that feet
Of sweeter singers went his way;
Inhale warm breezes from the South,
Yet never fed his fancy stray.
From some near Village I can hear
The cadenced throbbing of a drum,
Now softly distant, now more near;
And in an almost human fashion,
It, plaintive, wistful, seems to come
Laden with sighs of fitful passion,
To mock me, lying here alone
Among the thousand useless flowers
Upon the fountain's border-stone—
Cold stone, that chills me as I lie
Counting the slowly passing hours
By the white spangles in the sky.
Some feast the Tom-toms celebrate,
Where, close together, side by side,
Gay in their gauze and tinsel state
With lips serene and downcast eyes,
Sit the young bridegroom and his bride,
While round them songs and laughter rise.
They are together; Why are we
So hopelessly, so far apart?
Oh, I implore you, come to me!
Come to me, Solace of mine eyes!
Come Consolation of my heart!
Light of my senses! What replies?
A little, languid, mocking breeze
That rustles through the Jasmin flowers
And stirs among the Tamarind trees;
A little gurgle of the spray
That drips, unheard, though silent hours,
Then breaks in sudden bubbling play.
Wind, have you never loved a rose?
And water, seek you not the Sea?
Why, therefore, mock at my repose?
Is it my fault I am alone
Beneath the feathery Tamarind tree
Whose shadows over me are thrown?
Nay, I am mad indeed, with thirst
For all to me this night denied
And drunk with longing, and accurst
Beyond all chance of sleep or rest,
With love, unslaked, unsatisfied,
And dreams of beauty unpossessed.
Hating the hour that brings you not,
Mad at the space betwixt us twain,
Sad for my empty arms, so hot
And fevered, even the chilly stone
Can scarcely cool their burning pain,—
And oh, this sense of being alone!
Take hence, O Night, your wasted hours,
You bring me not my Life's Delight,
My Star of Stars, my Flower of Flowers!
You leave me loveless and forlorn,
Pass on, most false and futile night,
Pass on, and perish in the Dawn!
|