Written by
Ogden Nash |
The hands of the clock were reaching high
In an old midtown hotel;
I name no name, but its sordid fame
Is table talk in hell.
I name no name, but hell's own flame
Illumes the lobby garish,
A gilded snare just off Times Square
For the maidens of the parish.
The revolving door swept the grimy floor
Like a crinoline grotesque,
And a lowly bum from an ancient slum
Crept furtively past the desk.
His footsteps sift into the lift
As a knife in the sheath is slipped,
Stealthy and swift into the lift
As a vampire into a crypt.
Old Maxie, the elevator boy,
Was reading an ode by Shelley,
But he dropped the ode as it were a toad
When the gun jammed into his belly.
There came a whisper as soft as mud
In the bed of an old canal:
"Take me up to the suite of Pinball Pete,
The rat who betrayed my gal.
"
The lift doth rise with groans and sighs
Like a duchess for the waltz,
Then in middle shaft, like a duchess daft,
It changes its mind and halts.
The bum bites lip as the landlocked ship
Doth neither fall nor rise,
But Maxie the elevator boy
Regards him with burning eyes.
"First, to explore the thirteenth floor,"
Says Maxie, "would be wise.
"
Quoth the bum, "There is moss on your double cross,
I have been this way before,
I have cased the joint at every point,
And there is no thirteenth floor.
The architect he skipped direct
From twelve unto fourteen,
There is twelve below and fourteen above,
And nothing in between,
For the vermin who dwell in this hotel
Could never abide thirteen.
"
Said Max, "Thirteen, that floor obscene,
Is hidden from human sight;
But once a year it doth appear,
On this Walpurgis Night.
Ere you peril your soul in murderer's role,
Heed those who sinned of yore;
The path they trod led away from God,
And onto the thirteenth floor,
Where those they slew, a grisly crew,
Reproach them forevermore.
"We are higher than twelve and below fourteen,"
Said Maxie to the bum,
"And the sickening draft that taints the shaft
Is a whiff of kingdom come.
The sickening draft that taints the shaft
Blows through the devil's door!"
And he squashed the latch like a fungus patch,
And revealed the thirteenth floor.
It was cheap cigars like lurid scars
That glowed in the rancid gloom,
The murk was a-boil with fusel oil
And the reek of stale perfume.
And round and round there dragged and wound
A loathsome conga chain,
The square and the hep in slow lock step,
The slayer and the slain.
(For the souls of the victims ascend on high,
But their bodies below remain.
)
The clean souls fly to their home in the sky,
But their bodies remain below
To pursue the Cain who each has slain
And harry him to and fro.
When life is extinct each corpse is linked
To its gibbering murderer,
As a chicken is bound with wire around
The neck of a killer cur.
Handcuffed to Hate come Doctor Waite
(He tastes the poison now),
And Ruth and Judd and a head of blood
With horns upon its brow.
Up sashays Nan with her feathery fan
From Floradora bright;
She never hung for Caesar Young
But she's dancing with him tonight.
Here's the bulging hip and the foam-flecked lip
Of the mad dog, Vincent Coll,
And over there that ill-met pair,
Becker and Rosenthal,
Here's Legs and Dutch and a dozen such
Of braggart bullies and brutes,
And each one bends 'neath the weight of friends
Who are wearing concrete suits.
Now the damned make way for the double-damned
Who emerge with shuffling pace
From the nightmare zone of persons unknown,
With neither name nor face.
And poor Dot King to one doth cling,
Joined in a ghastly jig,
While Elwell doth jape at a goblin shape
And tickle it with his wig.
See Rothstein pass like breath on a glass,
The original Black Sox kid;
He riffles the pack, riding piggyback
On the killer whose name he hid.
And smeared like brine on a slavering swine,
Starr Faithful, once so fair,
Drawn from the sea to her debauchee,
With the salt sand in her hair.
And still they come, and from the bum
The icy sweat doth spray;
His white lips scream as in a dream,
"For God's sake, let's away!
If ever I meet with Pinball Pete
I will not seek his gore,
Lest a treadmill grim I must trudge with him
On the hideous thirteenth floor.
"
"For you I rejoice," said Maxie's voice,
"And I bid you go in peace,
But I am late for a dancing date
That nevermore will cease.
So remember, friend, as your way you wend,
That it would have happened to you,
But I turned the heat on Pinball Pete;
You see - I had a daughter, too!"
The bum reached out and he tried to shout,
But the door in his face was slammed,
And silent as stone he rode down alone
From the floor of the double-damned.
|
Written by
Walt Whitman |
1
A SONG of the good green grass!
A song no more of the city streets;
A song of farms—a song of the soil of fields.
A song with the smell of sun-dried hay, where the nimble pitchers handle the pitch-fork;
A song tasting of new wheat, and of fresh-husk’d maize.
2
For the lands, and for these passionate days, and for myself,
Now I awhile return to thee, O soil of Autumn fields,
Reclining on thy breast, giving myself to thee,
Answering the pulses of thy sane and equable heart,
Tuning a verse for thee.
O Earth, that hast no voice, confide to me a voice!
O harvest of my lands! O boundless summer growths!
O lavish, brown, parturient earth! O infinite, teeming womb!
A verse to seek, to see, to narrate thee.
3
Ever upon this stage,
Is acted God’s calm, annual drama,
Gorgeous processions, songs of birds,
Sunrise, that fullest feeds and freshens most the soul,
The heaving sea, the waves upon the shore, the musical, strong waves,
The woods, the stalwart trees, the slender, tapering trees,
The flowers, the grass, the lilliput, countless armies of the grass,
The heat, the showers, the measureless pasturages,
The scenery of the snows, the winds’ free orchestra,
The stretching, light-hung roof of clouds—the clear cerulean, and the bulging,
silvery
fringes,
The high dilating stars, the placid, beckoning stars,
The moving flocks and herds, the plains and emerald meadows,
The shows of all the varied lands, and all the growths and products.
4
Fecund America! To-day,
Thou art all over set in births and joys!
Thou groan’st with riches! thy wealth clothes thee as with a swathing garment!
Thou laughest loud with ache of great possessions!
A myriad-twining life, like interlacing vines, binds all thy vast demesne!
As some huge ship, freighted to water’s edge, thou ridest into port!
As rain falls from the heaven, and vapors rise from earth, so have the precious values
fallen
upon thee, and risen out of thee!
Thou envy of the globe! thou miracle!
Thou, bathed, choked, swimming in plenty!
Thou lucky Mistress of the tranquil barns!
Thou Prairie Dame that sittest in the middle, and lookest out upon thy world, and lookest
East,
and lookest West!
Dispensatress, that by a word givest a thousand miles—that giv’st a million
farms,
and missest nothing!
Thou All-Acceptress—thou Hospitable—(thou only art hospitable, as God is
hospitable.
)
5
When late I sang, sad was my voice;
Sad were the shows around me, with deafening noises of hatred, and smoke of conflict;
In the midst of the armies, the Heroes, I stood,
Or pass’d with slow step through the wounded and dying.
But now I sing not War,
Nor the measur’d march of soldiers, nor the tents of camps,
Nor the regiments hastily coming up, deploying in line of battle.
No more the dead and wounded;
No more the sad, unnatural shows of War.
Ask’d room those flush’d immortal ranks? the first forth-stepping armies?
Ask room, alas, the ghastly ranks—the armies dread that follow’d.
6
(Pass—pass, ye proud brigades!
So handsome, dress’d in blue—with your tramping, sinewy legs;
With your shoulders young and strong—with your knapsacks and your muskets;
—How elate I stood and watch’d you, where, starting off, you march’d!
Pass;—then rattle, drums, again!
Scream, you steamers on the river, out of whistles loud and shrill, your salutes!
For an army heaves in sight—O another gathering army!
Swarming, trailing on the rear—O you dread, accruing army!
O you regiments so piteous, with your mortal diarrhoea! with your fever!
O my land’s maimed darlings! with the plenteous bloody bandage and the crutch!
Lo! your pallid army follow’d!)
7
But on these days of brightness,
On the far-stretching beauteous landscape, the roads and lanes, the high-piled
farm-wagons, and
the fruits and barns,
Shall the dead intrude?
Ah, the dead to me mar not—they fit well in Nature;
They fit very well in the landscape, under the trees and grass,
And along the edge of the sky, in the horizon’s far margin.
Nor do I forget you, departed;
Nor in winter or summer, my lost ones;
But most, in the open air, as now, when my soul is rapt and at peace—like pleasing
phantoms,
Your dear memories, rising, glide silently by me.
8
I saw the day, the return of the Heroes;
(Yet the Heroes never surpass’d, shall never return;
Them, that day, I saw not.
)
I saw the interminable Corps—I saw the processions of armies,
I saw them approaching, defiling by, with divisions,
Streaming northward, their work done, camping awhile in clusters of mighty camps.
No holiday soldiers!—youthful, yet veterans;
Worn, swart, handsome, strong, of the stock of homestead and workshop,
Harden’d of many a long campaign and sweaty march,
Inured on many a hard-fought, bloody field.
9
A pause—the armies wait;
A million flush’d, embattled conquerors wait;
The world, too, waits—then, soft as breaking night, and sure as dawn,
They melt—they disappear.
Exult, indeed, O lands! victorious lands!
Not there your victory, on those red, shuddering fields;
But here and hence your victory.
Melt, melt away, ye armies! disperse, ye blue-clad soldiers!
Resolve ye back again—give up, for good, your deadly arms;
Other the arms, the fields henceforth for you, or South or North, or East or West,
With saner wars—sweet wars—life-giving wars.
10
Loud, O my throat, and clear, O soul!
The season of thanks, and the voice of full-yielding;
The chant of joy and power for boundless fertility.
All till’d and untill’d fields expand before me;
I see the true arenas of my race—or first, or last,
Man’s innocent and strong arenas.
I see the Heroes at other toils;
I see, well-wielded in their hands, the better weapons.
11
I see where America, Mother of All,
Well-pleased, with full-spanning eye, gazes forth, dwells long,
And counts the varied gathering of the products.
Busy the far, the sunlit panorama;
Prairie, orchard, and yellow grain of the North,
Cotton and rice of the South, and Louisianian cane;
Open, unseeded fallows, rich fields of clover and timothy,
Kine and horses feeding, and droves of sheep and swine,
And many a stately river flowing, and many a jocund brook,
And healthy uplands with their herby-perfumed breezes,
And the good green grass—that delicate miracle, the ever-recurring grass.
12
Toil on, Heroes! harvest the products!
Not alone on those warlike fields, the Mother of All,
With dilated form and lambent eyes, watch’d you.
Toil on, Heroes! toil well! Handle the weapons well!
The Mother of All—yet here, as ever, she watches you.
Well-pleased, America, thou beholdest,
Over the fields of the West, those crawling monsters,
The human-divine inventions, the labor-saving implements:
Beholdest, moving in every direction, imbued as with life, the revolving hay-rakes,
The steam-power reaping-machines, and the horse-power machines,
The engines, thrashers of grain, and cleaners of grain, well separating the straw—the
nimble work of the patent pitch-fork;
Beholdest the newer saw-mill, the southern cotton-gin, and the rice-cleanser.
Beneath thy look, O Maternal,
With these, and else, and with their own strong hands, the Heroes harvest.
All gather, and all harvest;
(Yet but for thee, O Powerful! not a scythe might swing, as now, in security;
Not a maize-stalk dangle, as now, its silken tassels in peace.
)
13
Under Thee only they harvest—even but a wisp of hay, under thy great face, only;
Harvest the wheat of Ohio, Illinois, Wisconsin—every barbed spear, under thee;
Harvest the maize of Missouri, Kentucky, Tennessee—each ear in its light-green
sheath,
Gather the hay to its myriad mows, in the odorous, tranquil barns,
Oats to their bins—the white potato, the buckwheat of Michigan, to theirs;
Gather the cotton in Mississippi or Alabama—dig and hoard the golden, the sweet
potato of
Georgia and the Carolinas,
Clip the wool of California or Pennsylvania,
Cut the flax in the Middle States, or hemp, or tobacco in the Borders,
Pick the pea and the bean, or pull apples from the trees, or bunches of grapes from the
vines,
Or aught that ripens in all These States, or North or South,
Under the beaming sun, and under Thee.
|
Written by
Derek Walcott |
There were still shards of an ancient pastoral
in those shires of the island where the cattle drank
their pools of shadow from an older sky,
surviving from when the landscape copied such objects as
"Herefords at Sunset in the valley of the Wye.
"
The mountain water that fell white from the mill wheel
sprinkling like petals from the star-apple trees,
and all of the windmills and sugar mills moved by mules
on the treadmill of Monday to Monday, would repeat
in tongues of water and wind and fire, in tongues
of Mission School pickaninnies, like rivers remembering
their source, Parish Trelawny, Parish St David, Parish
St Andrew, the names afflicting the pastures,
the lime groves and fences of marl stone and the cattle
with a docile longing, an epochal content.
And there were, like old wedding lace in an attic,
among the boas and parasols and the tea-colored
daguerreotypes, hints of an epochal happiness
as ordered and infinite to the child
as the great house road to the Great House
down a perspective of casuarinas plunging green manes
in time to the horses, an orderly life
reduced by lorgnettes day and night, one disc the sun,
the other the moon, reduced into a pier glass:
nannies diminished to dolls, mahogany stairways
no larger than those of an album in which
the flash of cutlery yellows, as gamboge as
the piled cakes of teatime on that latticed
bougainvillea verandah that looked down toward
a prospect of Cuyp-like Herefords under a sky
lurid as a porcelain souvenir with these words:
"Herefords at Sunset in the Valley of the Wye.
"
Strange, that the rancor of hatred hid in that dream
of slow rivers and lily-like parasols, in snaps
of fine old colonial families, curled at the edge
not from age of from fire or the chemicals, no, not at all,
but because, off at its edges, innocently excluded
stood the groom, the cattle boy, the housemaid, the gardeners,
the tenants, the good ******* down in the village,
their mouth in the locked jaw of a silent scream.
A scream which would open the doors to swing wildly
all night, that was bringing in heavier clouds,
more black smoke than cloud, frightening the cattle
in whose bulging eyes the Great House diminished;
a scorching wind of a scream
that began to extinguish the fireflies,
that dried the water mill creaking to a stop
as it was about to pronounce Parish Trelawny
all over, in the ancient pastoral voice,
a wind that blew all without bending anything,
neither the leaves of the album nor the lime groves;
blew Nanny floating back in white from a feather
to a chimerical, chemical pin speck that shrank
the drinking Herefords to brown porcelain cows
on a mantelpiece, Trelawny trembling with dusk,
the scorched pastures of the old benign Custos; blew
far the decent servants and the lifelong cook,
and shriveled to a shard that ancient pastoral
of dusk in a gilt-edged frame now catching the evening sun
in Jamaica, making both epochs one.
He looked out from the Great House windows on
clouds that still held the fragrance of fire,
he saw the Botanical Gardens officially drown
in a formal dusk, where governors had strolled
and black gardeners had smiled over glinting shears
at the lilies of parasols on the floating lawns,
the flame trees obeyed his will and lowered their wicks,
the flowers tightened their fists in the name of thrift,
the porcelain lamps of ripe cocoa, the magnolia's jet
dimmed on the one circuit with the ginger lilies
and left a lonely bulb on the verandah,
and, had his mandate extended to that ceiling
of star-apple candelabra, he would have ordered
the sky to sleep, saying, I'm tired,
save the starlight for victories, we can't afford it,
leave the moon on for one more hour,and that's it.
But though his power, the given mandate, extended
from tangerine daybreaks to star-apple dusks,
his hand could not dam that ceaseless torrent of dust
that carried the shacks of the poor, to their root-rock music,
down the gullies of Yallahs and August Town,
to lodge them on thorns of maca, with their rags
crucified by cactus, tins, old tires, cartons;
from the black Warieka Hills the sky glowed fierce as
the dials of a million radios,
a throbbing sunset that glowed like a grid
where the dread beat rose from the jukebox of Kingston.
He saw the fountains dried of quadrilles, the water-music
of the country dancers, the fiddlers like fifes
put aside.
He had to heal
this malarial island in its bath of bay leaves,
its forests tossing with fever, the dry cattle
groaning like winches, the grass that kept shaking
its head to remember its name.
No vowels left
in the mill wheel, the river.
Rock stone.
Rock stone.
The mountains rolled like whales through phosphorous stars,
as he swayed like a stone down fathoms into sleep,
drawn by that magnet which pulls down half the world
between a star and a star, by that black power
that has the assassin dreaming of snow,
that poleaxes the tyrant to a sleeping child.
The house is rocking at anchor, but as he falls
his mind is a mill wheel in moonlight,
and he hears, in the sleep of his moonlight, the drowned
bell of Port Royal's cathedral, sees the copper pennies
of bubbles rising from the empty eye-pockets
of green buccaneers, the parrot fish floating
from the frayed shoulders of pirates, sea horses
drawing gowned ladies in their liquid promenade
across the moss-green meadows of the sea;
he heard the drowned choirs under Palisadoes,
a hymn ascending to earth from a heaven inverted
by water, a crab climbing the steeple,
and he climbed from that submarine kingdom
as the evening lights came on in the institute,
the scholars lamplit in their own aquarium,
he saw them mouthing like parrot fish, as he passed
upward from that baptism, their history lessons,
the bubbles like ideas which he could not break:
Jamaica was captured by Penn and Venables,
Port Royal perished in a cataclysmic earthquake.
Before the coruscating façades of cathedrals
from Santiago to Caracas, where penitential archbishops
washed the feet of paupers (a parenthetical moment
that made the Caribbean a baptismal font,
turned butterflies to stone, and whitened like doves
the buzzards circling municipal garbage),
the Caribbean was borne like an elliptical basin
in the hands of acolytes, and a people were absolved
of a history which they did not commit;
the slave pardoned his whip, and the dispossessed
said the rosary of islands for three hundred years,
a hymn that resounded like the hum of the sea
inside a sea cave, as their knees turned to stone,
while the bodies of patriots were melting down walls
still crusted with mute outcries of La Revolucion!
"San Salvador, pray for us,St.
Thomas, San Domingo,
ora pro nobis, intercede for us, Sancta Lucia
of no eyes," and when the circular chaplet
reached the last black bead of Sancta Trinidad
they began again, their knees drilled into stone,
where Colon had begun, with San Salvador's bead,
beads of black colonies round the necks of Indians.
And while they prayed for an economic miracle,
ulcers formed on the municipal portraits,
the hotels went up, and the casinos and brothels,
and the empires of tobacco, sugar, and bananas,
until a black woman, shawled like a buzzard,
climbed up the stairs and knocked at the door
of his dream, whispering in the ear of the keyhole:
"Let me in, I'm finished with praying, I'm the Revolution.
I am the darker, the older America.
"
She was as beautiful as a stone in the sunrise,
her voice had the gutturals of machine guns
across khaki deserts where the cactus flower
detonates like grenades, her sex was the slit throat
of an Indian, her hair had the blue-black sheen of the crow.
She was a black umbrella blown inside out
by the wind of revolution, La Madre Dolorosa,
a black rose of sorrow, a black mine of silence,
raped wife, empty mother, Aztec virgin
transfixed by arrows from a thousand guitars,
a stone full of silence, which, if it gave tongue
to the tortures done in the name of the Father,
would curdle the blood of the marauding wolf,
the fountain of generals, poets, and cripples
who danced without moving over their graves
with each revolution; her Caesarean was stitched
by the teeth of machine guns,and every sunset
she carried the Caribbean's elliptical basin
as she had once carried the penitential napkins
to be the footbath of dictators, Trujillo, Machado,
and those whose faces had yellowed like posters
on municipal walls.
Now she stroked his hair
until it turned white, but she would not understand
that he wanted no other power but peace,
that he wanted a revolution without any bloodshed,
he wanted a history without any memory,
streets without statues,
and a geography without myth.
He wanted no armies
but those regiments of bananas, thick lances of cane,
and he sobbed,"I am powerless, except for love.
"
She faded from him, because he could not kill;
she shrunk to a bat that hung day and night
in the back of his brain.
He rose in his dream.
(to be continued)
|
Written by
Alan Seeger |
To see the clouds his spirit yearned toward so
Over new mountains piled and unploughed waves,
Back of old-storied spires and architraves
To watch Arcturus rise or Fomalhaut,
And roused by street-cries in strange tongues when day
Flooded with gold some domed metropolis,
Between new towers to waken and new bliss
Spread on his pillow in a wondrous way:
These were his joys.
Oft under bulging crates,
Coming to market with his morning load,
The peasant found him early on his road
To greet the sunrise at the city-gates,---
There where the meadows waken in its rays,
Golden with mist, and the great roads commence,
And backward, where the chimney-tops are dense,
Cathedral-arches glimmer through the haze.
White dunes that breaking show a strip of sea,
A plowman and his team against the blue
Swiss pastures musical with cowbells, too,
And poplar-lined canals in Picardie,
And coast-towns where the vultures back and forth
Sail in the clear depths of the tropic sky,
And swallows in the sunset where they fly
Over gray Gothic cities in the north,
And the wine-cellar and the chorus there,
The dance-hall and a face among the crowd,---
Were all delights that made him sing aloud
For joy to sojourn in a world so fair.
Back of his footsteps as he journeyed fell
Range after range; ahead blue hills emerged.
Before him tireless to applaud it surged
The sweet interminable spectacle.
And like the west behind a sundown sea
Shone the past joys his memory retraced,
And bright as the blue east he always faced
Beckoned the loves and joys that were to be.
From every branch a blossom for his brow
He gathered, singing down Life's flower-lined road,
And youth impelled his spirit as he strode
Like winged Victory on the galley's prow.
That Loveliness whose being sun and star,
Green Earth and dawn and amber evening robe,
That lamp whereof the opalescent globe
The season's emulative splendors are,
That veiled divinity whose beams transpire
From every pore of universal space,
As the fair soul illumes the lovely face---
That was his guest, his passion, his desire.
His heart the love of Beauty held as hides
One gem most pure a casket of pure gold.
It was too rich a lesser thing to bold;
It was not large enough for aught besides.
|
Written by
John Greenleaf Whittier |
In the outskirts of the village
On the river's winding shores
Stand the Occidental plane-trees,
Stand the ancient sycamores.
One long century hath been numbered,
And another half-way told
Since the rustic Irish gleeman
Broke for them the virgin mould.
Deftly set to Celtic music
At his violin's sound they grew,
Through the moonlit eves of summer,
Making Amphion's fable true.
Rise again, thou poor Hugh Tallant!
Pass in erkin green along
With thy eyes brim full of laughter,
And thy mouth as full of song.
Pioneer of Erin's outcasts
With his fiddle and his pack-
Little dreamed the village Saxons
Of the myriads at his back.
How he wrought with spade and fiddle,
Delved by day and sang by night,
With a hand that never wearied
And a heart forever light,---
Still the gay tradition mingles
With a record grave and drear
Like the rollic air of Cluny
With the solemn march of Mear.
When the box-tree, white with blossoms,
Made the sweet May woodlands glad,
And the Aronia by the river
Lighted up the swarming shad,
And the bulging nets swept shoreward
With their silver-sided haul,
Midst the shouts of dripping fishers,
He was merriest of them all.
When, among the jovial huskers
Love stole in at Labor's side
With the lusty airs of England
Soft his Celtic measures vied.
Songs of love and wailing lyke-wake
And the merry fair's carouse;
Of the wild Red Fox of Erin
And the Woman of Three Cows,
By the blazing hearths of winter
Pleasant seemed his simple tales,
Midst the grimmer Yorkshire legends
And the mountain myths of Wales.
How the souls in Purgatory
Scrambled up from fate forlorn
On St.
Keven's sackcloth ladder
Slyly hitched to Satan's horn.
Of the fiddler who at Tara
Played all night to ghosts of kings;
Of the brown dwarfs, and the fairies
Dancing in their moorland rings!
Jolliest of our birds of singing
Best he loved the Bob-o-link.
"Hush!" he'd say, "the tipsy fairies!
Hear the little folks in drink!"
Merry-faced, with spade and fiddle,
Singing through the ancient town,
Only this, of poor Hugh Tallant
Hath Tradtion handed down.
Not a stone his grave discloses;
But if yet his spirit walks
Tis beneath the trees he planted
And when Bob-o-Lincoln talks.
Green memorials of the gleeman!
Linking still the river-shores,
With their shadows cast by sunset
Stand Hugh Tallant's sycamores!
When the Father of his Country
Through the north-land riding came
And the roofs were starred with banners,
And the steeples rang acclaim,---
When each war-scarred Continental
Leaving smithy, mill,.
and farm,
Waved his rusted sword in welcome,
And shot off his old king's-arm,---
Slowly passed that august Presence
Down the thronged and shouting street;
Village girls as white as angels
Scattering flowers around his feet.
Midway, where the plane-tree's shadow
Deepest fell, his rein he drew:
On his stately head, uncovered,
Cool and soft the west-wind blew.
And he stood up in his stirrups,
Looking up and looking down
On the hills of Gold and Silver
Rimming round the little town,---
On the river, full of sunshine,
To the lap of greenest vales
Winding down from wooded headlands,
Willow-skirted, white with sails.
And he said, the landscape sweeping
Slowly with his ungloved hand
"I have seen no prospect fairer
In this goodly Eastern land.
"
Then the bugles of his escort
Stirred to life the cavalcade:
And that head, so bare and stately
Vanished down the depths of shade.
Ever since, in town and farm-house,
Life has had its ebb and flow;
Thrice hath passed the human harvest
To its garner green and low.
But the trees the gleeman planted,
Through the changes, changeless stand;
As the marble calm of Tadmor
Mocks the deserts shifting sand.
Still the level moon at rising
Silvers o'er each stately shaft;
Still beneath them, half in shadow,
Singing, glides the pleasure craft;
Still beneath them, arm-enfolded,
Love and Youth together stray;
While, as heart to heart beats faster,
More and more their feet delay.
Where the ancient cobbler, Keezar,
On the open hillside justice wrought,
Singing, as he drew his stitches,
Songs his German masters taught.
Singing, with his gray hair floating
Round a rosy ample face,---
Now a thousand Saxon craftsmen
Stitch and hammer in his place.
All the pastoral lanes so grassy
Now are Traffic's dusty streets;
From the village, grown a city,
Fast the rural grace retreats.
But, still green and tall and stately,
On the river's winding shores,
Stand the occidental plane-trees,
Stand Hugh Tallant's sycamores.
|
Written by
Sylvia Plath |
(1)
This is the sea, then, this great abeyance.
How the sun's poultice draws on my inflammation.
Electrifyingly-colored sherbets, scooped from the freeze
By pale girls, travel the air in scorched hands.
Why is it so quiet, what are they hiding?
I have two legs, and I move smilingly.
.
A sandy damper kills the vibrations;
It stretches for miles, the shrunk voices
Waving and crutchless, half their old size.
The lines of the eye, scalded by these bald surfaces,
Boomerang like anchored elastics, hurting the owner.
Is it any wonder he puts on dark glasses?
Is it any wonder he affects a black cassock?
Here he comes now, among the mackerel gatherers
Who wall up their backs against him.
They are handling the black and green lozenges like the parts of a body.
The sea, that crystallized these,
Creeps away, many-snaked, with a long hiss of distress.
(2)
This black boot has no mercy for anybody.
Why should it, it is the hearse of a dad foot,
The high, dead, toeless foot of this priest
Who plumbs the well of his book,
The bent print bulging before him like scenery.
Obscene bikinis hid in the dunes,
Breasts and hips a confectioner's sugar
Of little crystals, titillating the light,
While a green pool opens its eye,
Sick with what it has swallowed----
Limbs, images, shrieks.
Behind the concrete bunkers
Two lovers unstick themselves.
O white sea-crockery,
What cupped sighs, what salt in the throat.
.
.
.
And the onlooker, trembling,
Drawn like a long material
Through a still virulence,
And a weed, hairy as privates.
(3)
On the balconies of the hotel, things are glittering.
Things, things----
Tubular steel wheelchairs, aluminum crutches.
Such salt-sweetness.
Why should I walk
Beyond the breakwater, spotty with barnacles?
I am not a nurse, white and attendant,
I am not a smile.
These children are after something, with hooks and cries,
And my heart too small to bandage their terrible faults.
This is the side of a man: his red ribs,
The nerves bursting like trees, and this is the surgeon:
One mirrory eye----
A facet of knowledge.
On a striped mattress in one room
An old man is vanishing.
There is no help in his weeping wife.
Where are the eye-stones, yellow and vvaluable,
And the tongue, sapphire of ash.
(4)
A wedding-cake face in a paper frill.
How superior he is now.
It is like possessing a saint.
The nurses in their wing-caps are no longer so beautiful;
They are browning, like touched gardenias.
The bed is rolled from the wall.
This is what it is to be complete.
It is horrible.
Is he wearing pajamas or an evening suit
Under the glued sheet from which his powdery beak
Rises so whitely unbuffeted?
They propped his jaw with a book until it stiffened
And folded his hands, that were shaking: goodbye, goodbye.
Now the washed sheets fly in the sun,
The pillow cases are sweetening.
It is a blessing, it is a blessing:
The long coffin of soap-colored oak,
The curious bearers and the raw date
Engraving itself in silver with marvelous calm.
(5)
The gray sky lowers, the hills like a green sea
Run fold upon fold far off, concealing their hollows,
The hollows in which rock the thoughts of the wife----
Blunt, practical boats
Full of dresses and hats and china and married daughters.
In the parlor of the stone house
One curtain is flickering from the open window,
Flickering and pouring, a pitiful candle.
This is the tongue of the dead man: remember, remember.
How far he is now, his actions
Around him like livingroom furniture, like a décor.
As the pallors gather----
The pallors of hands and neighborly faces,
The elate pallors of flying iris.
They are flying off into nothing: remember us.
The empty benches of memory look over stones,
Marble facades with blue veins, and jelly-glassfuls of daffodils.
It is so beautiful up here: it is a stopping place.
(6)
The natural fatness of these lime leaves!----
Pollarded green balls, the trees march to church.
The voice of the priest, in thin air,
Meets the corpse at the gate,
Addressing it, while the hills roll the notes of the dead bell;
A glittler of wheat and crude earth.
What is the name of that color?----
Old blood of caked walls the sun heals,
Old blood of limb stumps, burnt hearts.
The widow with her black pocketbook and three daughters,
Necessary among the flowers,
Enfolds her lace like fine linen,
Not to be spread again.
While a sky, wormy with put-by smiles,
Passes cloud after cloud.
And the bride flowers expend a fershness,
And the soul is a bride
In a still place, and the groom is red and forgetful, he is featureless.
(7)
Behind the glass of this car
The world purrs, shut-off and gentle.
And I am dark-suited and stil, a member of the party,
Gliding up in low gear behind the cart.
And the priest is a vessel,
A tarred fabric,sorry and dull,
Following the coffin on its flowery cart like a beautiful woman,
A crest of breasts, eyelids and lips
Storming the hilltop.
Then, from the barred yard, the children
Smell the melt of shoe-blacking,
Their faces turning, wordless and slow,
Their eyes opening
On a wonderful thing----
Six round black hats in the grass and a lozenge of wood,
And a naked mouth, red and awkward.
For a minute the sky pours into the hole like plasma.
There is no hope, it is given up.
|
Written by
Stephen Vincent Benet |
He lay within a warm, soft world
Of motion.
Colors bloomed and fled,
Maroon and turquoise, saffron, red,
Wave upon wave that broke and whirled
To vanish in the grey-green gloom,
Perspectiveless and shadowy.
A bulging world that had no walls,
A flowing world, most like the sea,
Compassing all infinity
Within a shapeless, ebbing room,
An endless tide that swells and falls .
.
.
He slept and woke and slept again.
As a veil drops Time dropped away;
Space grew a toy for children's play,
Sleep bolted fast the gates of Sense --
He lay in naked impotence;
Like a drenched moth that creeps and crawls
Heavily up brown, light-baked walls,
To fall in wreck, her task undone,
Yet somehow striving toward the sun.
So, as he slept, his hands clenched tighter,
Shut in the old way of the fighter,
His feet curled up to grip the ground,
His muscles tautened for a bound;
And though he felt, and felt alone,
Strange brightness stirred him to the bone,
Cravings to rise -- till deeper sleep
Buried the hope, the call, the leap;
A wind puffed out his mind's faint spark.
He was absorbed into the dark.
He woke again and felt a surge
Within him, a mysterious urge
That grew one hungry flame of passion;
The whole world altered shape and fashion.
Deceived, befooled, bereft and torn,
He scourged the heavens with his scorn,
Lifting a bitter voice to cry
Against the eternal treachery --
Till, suddenly, he found the breast,
And ceased, and all things were at rest,
The earth grew one warm languid sea
And he a wave.
Joy, tingling, crept
Throughout him.
He was quenched and slept.
So, while the moon made broad her ring,
He slept and cried and was a king.
So, worthily, he acted o'er
The endless miracle once more.
Facing immense adventures daily,
He strove still onward, weeping, gaily,
Conquered or fled from them, but grew
As soil-starved, rough pine-saplings do.
Till, one day, crawling seemed suspect.
He gripped the air and stood erect
And splendid.
With immortal rage
He entered on man's heritage!
|
Written by
Denise Duhamel |
They decide to exchange heads.
Barbie squeezes the small opening under her chin
over Ken's bulging neck socket.
His wide jaw line jostles
atop his girlfriend's body, loosely,
like one of those novelty dogs
destined to gaze from the back windows of cars.
The two dolls chase each other around the orange Country Camper
unsure what they'll do when they're within touching distance.
Ken wants to feel Barbie's toes between his lips,
take off one of her legs and force his whole arm inside her.
With only the vaguest suggestion of genitals,
all the alluring qualities they possess as fashion dolls,
up until now, have done neither of them much good.
But suddenly Barbie is excited looking at her own body
under the weight of Ken's face.
He is part circus freak,
part thwarted hermaphrodite.
And she is imagining
she is somebody else-- maybe somebody middle class and ordinary,
maybe another teenage model being caught in a scandal.
The night had begun with Barbie getting angry
at finding Ken's blow up doll, folded and stuffed
under the couch.
He was defensive and ashamed, especially about
not having the breath to inflate her.
But after a round
of pretend-tears, Barbie and Ken vowed to try
to make their relationship work.
With their good memories
as sustaining as good food, they listened to late-night radio
talk shows, one featuring Doctor Ruth.
When all else fails,
just hold each other, the small sex therapist crooned.
Barbie and Ken, on cue, groped in the dark,
their interchangeable skin glowing, the color of Band-Aids.
Then, they let themselves go-- Soon Barbie was begging Ken
to try on her spandex miniskirt.
She showed him how
to pivot as though he was on a runway.
Ken begged
to tie Barbie onto his yellow surfboard and spin her
on the kitcen table until she grew dizzy.
Anything,
anything, they both said to the other's requests,
their mirrored desires bubbling from the most unlikely places.
|
Written by
Robinson Jeffers |
The Atlantic is a stormy moat; and the Mediterranean,
The blue pool in the old garden,
More than five thousand years has drunk sacrifice
Of ships and blood, and shines in the sun; but here the Pacific--
Our ships, planes, wars are perfectly irrelevant.
Neither our present blood-feud with the brave dwarfs
Nor any future world-quarrel of westering
And eastering man, the bloody migrations, greed of power, clash of
faiths--
Is a speck of dust on the great scale-pan.
Here from this mountain shore, headland beyond stormy headland
plunging like dolphins through the blue sea-smoke
Into pale sea--look west at the hill of water: it is half the
planet:
this dome, this half-globe, this bulging
Eyeball of water, arched over to Asia,
Australia and white Antartica: those are the eyelids that never
close;
this is the staring unsleeping
Eye of the earth; and what it watches is not our wars.
|
Written by
Barry Tebb |
Empty chocolate boxes, a pillowcase with an orange at the bottom,
Nuts and tinsel with its idiosyncratic rustle and brilliant sheen
And the reflection in it of paper-chains hand-made and stuck with
Flour-paste stretching from the light-bowl to every corner of the room.
Father Christmas himself was plastic and his vast stomach painted red
With a bulging sack behind his back and he was stuck in the middle
Of a very large cake.
The icing was royal and you could see the
Whites of many eggs in the glister of its surface and on the
Upright piano the music of Jingle Bells lay open.
With aching hands I wrote thank you notes for socks to sainted aunts
And played on Nutwood Common with Rupert until Tiger Lily’s father,
The Great Conjuror, waved his wand and brought me home to the last
Coal fire in Leeds, suddenly dying.
I got through a whole packet of sweet cigarettes with pink tips
Dipped in cochineal and a whole quarter of sherbet lemons at a sitting
And there was a full bottle of Portello to go at, the colour
Of violet ink and tasting of night air and threepenny bits
Which lasted until the last gas-lamp in Leeds went out.
I had collected enough cardboard milk-tops to make a set of
Matchstick spinners and with my box of Rainbow Chalks drew circles
On my top, red, white and Festival of Britain blue and made it spin
All the way to the last bin-yard in Leeds while they pulled it down.
I was a very small teddy-bear crouched on a huge and broken chair
Ready to be put out into the wide world and my mother was there
To see me off.
The light in her eyes was out, there was no fire
In her heart and the binyard where I played was empty space.
|