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Best Famous Broad Poems

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Written by Maya Angelou | Create an image from this poem

On the Pulse of Morning

(also referred to as The Rock Cries Out To Us Today)

A Rock, A River, A Tree
Hosts to species long since departed,
Mark the mastodon.
The dinosaur, who left dry tokens Of their sojourn here On our planet floor, Any broad alarm of their of their hastening doom Is lost in the gloom of dust and ages.
But today, the Rock cries out to us, clearly, forcefully, Come, you may stand upon my Back and face your distant destiny, But seek no haven in my shadow.
I will give you no hiding place down here.
You, created only a little lower than The angels, have crouched too long in The bruising darkness, Have lain too long Face down in ignorance.
Your mouths spelling words Armed for slaughter.
The rock cries out today, you may stand on me, But do not hide your face.
Across the wall of the world, A river sings a beautiful song, Come rest here by my side.
Each of you a bordered country, Delicate and strangely made proud, Yet thrusting perpetually under siege.
Your armed struggles for profit Have left collars of waste upon My shore, currents of debris upon my breast.
Yet, today I call you to my riverside, If you will study war no more.
Come, clad in peace and I will sing the songs The Creator gave to me when I And the tree and stone were one.
Before cynicism was a bloody sear across your brow And when you yet knew you still knew nothing.
The river sings and sings on.
There is a true yearning to respond to The singing river and the wise rock.
So say the Asian, the Hispanic, the Jew, The African and Native American, the Sioux, The Catholic, the Muslim, the French, the Greek, The Irish, the Rabbi, the Priest, the Sheikh, The Gay, the Straight, the Preacher, The privileged, the homeless, the teacher.
They hear.
They all hear The speaking of the tree.
Today, the first and last of every tree Speaks to humankind.
Come to me, here beside the river.
Plant yourself beside me, here beside the river.
Each of you, descendant of some passed on Traveller, has been paid for.
You, who gave me my first name, You Pawnee, Apache and Seneca, You Cherokee Nation, who rested with me, Then forced on bloody feet, Left me to the employment of other seekers-- Desperate for gain, starving for gold.
You, the Turk, the Swede, the German, the Scot.
.
.
You the Ashanti, the Yoruba, the Kru, Bought, sold, stolen, arriving on a nightmare Praying for a dream.
Here, root yourselves beside me.
I am the tree planted by the river, Which will not be moved.
I, the rock, I the river, I the tree I am yours--your passages have been paid.
Lift up your faces, you have a piercing need For this bright morning dawning for you.
History, despite its wrenching pain, Cannot be unlived, and if faced with courage, Need not be lived again.
Lift up your eyes upon The day breaking for you.
Give birth again To the dream.
Women, children, men, Take it into the palms of your hands.
Mold it into the shape of your most Private need.
Sculpt it into The image of your most public self.
Lift up your hearts.
Each new hour holds new chances For new beginnings.
Do not be wedded forever To fear, yoked eternally To brutishness.
The horizon leans forward, Offering you space to place new steps of change.
Here, on the pulse of this fine day You may have the courage To look up and out upon me, The rock, the river, the tree, your country.
No less to Midas than the mendicant.
No less to you now than the mastodon then.
Here on the pulse of this new day You may have the grace to look up and out And into your sister's eyes, Into your brother's face, your country And say simply Very simply With hope Good morning.


Written by Maya Angelou | Create an image from this poem

Inaugural Poem

A Rock, A River, A Tree
Hosts to species long since departed,
Marked the mastodon.
The dinosaur, who left dry tokens Of their sojourn here On our planet floor, Any broad alarm of their hastening doom Is lost in the gloom of dust and ages.
But today, the Rock cries out to us, clearly, forcefully, Come, you may stand upon my Back and face your distant destiny, But seek no haven in my shadow.
I will give you no more hiding place down here.
You, created only a little lower than The angels, have crouched too long in The bruising darkness, Have lain too long Face down in ignorance.
Your mouths spilling words Armed for slaughter.
The Rock cries out today, you may stand on me, But do not hide your face.
Across the wall of the world, A River sings a beautiful song, Come rest here by my side.
Each of you a bordered country, Delicate and strangely made proud, Yet thrusting perpetually under siege.
Your armed struggles for profit Have left collars of waste upon My shore, currents of debris upon my breast.
Yet, today I call you to my riverside, If you will study war no more.
Come, Clad in peace and I will sing the songs The Creator gave to me when I and the Tree and the stone were one.
Before cynicism was a bloody sear across your Brow and when you yet knew you still Knew nothing.
The River sings and sings on.
There is a true yearning to respond to The singing River and the wise Rock.
So say the Asian, the Hispanic, the Jew The African and Native American, the Sioux, The Catholic, the Muslim, the French, the Greek The Irish, the Rabbi, the Priest, the Sheikh, The Gay, the Straight, the Preacher, The privileged, the homeless, the Teacher.
They hear.
They all hear The speaking of the Tree.
Today, the first and last of every Tree Speaks to humankind.
Come to me, here beside the River.
Plant yourself beside me, here beside the River.
Each of you, descendant of some passed On traveller, has been paid for.
You, who gave me my first name, you Pawnee, Apache and Seneca, you Cherokee Nation, who rested with me, then Forced on bloody feet, left me to the employment of Other seekers--desperate for gain, Starving for gold.
You, the Turk, the Swede, the German, the Scot .
.
.
You the Ashanti, the Yoruba, the Kru, bought Sold, stolen, arriving on a nightmare Praying for a dream.
Here, root yourselves beside me.
I am the Tree planted by the River, Which will not be moved.
I, the Rock, I the River, I the Tree I am yours--your Passages have been paid.
Lift up your faces, you have a piercing need For this bright morning dawning for you.
History, despite its wrenching pain, Cannot be unlived, and if faced With courage, need not be lived again.
Lift up your eyes upon The day breaking for you.
Give birth again To the dream.
Women, children, men, Take it into the palms of your hands.
Mold it into the shape of your most Private need.
Sculpt it into The image of your most public self.
Lift up your hearts Each new hour holds new chances For new beginnings.
Do not be wedded forever To fear, yoked eternally To brutishness.
The horizon leans forward, Offering you space to place new steps of change.
Here, on the pulse of this fine day You may have the courage To look up and out upon me, the Rock, the River, the Tree, your country.
No less to Midas than the mendicant.
No less to you now than the mastodon then.
Here on the pulse of this new day You may have the grace to look up and out And into your sister's eyes, into Your brother's face, your country And say simply Very simply With hope Good morning.
Written by Maya Angelou | Create an image from this poem

The Rock Cries Out to Us Today

 A Rock, A River, A Tree
Hosts to species long since departed,
Mark the mastodon.
The dinosaur, who left dry tokens Of their sojourn here On our planet floor, Any broad alarm of their of their hastening doom Is lost in the gloom of dust and ages.
But today, the Rock cries out to us, clearly, forcefully, Come, you may stand upon my Back and face your distant destiny, But seek no haven in my shadow.
I will give you no hiding place down here.
You, created only a little lower than The angels, have crouched too long in The bruising darkness, Have lain too long Face down in ignorance.
Your mouths spelling words Armed for slaughter.
The rock cries out today, you may stand on me, But do not hide your face.
Across the wall of the world, A river sings a beautiful song, Come rest here by my side.
Each of you a bordered country, Delicate and strangely made proud, Yet thrusting perpetually under siege.
Your armed struggles for profit Have left collars of waste upon My shore, currents of debris upon my breast.
Yet, today I call you to my riverside, If you will study war no more.
Come, clad in peace and I will sing the songs The Creator gave to me when I And the tree and stone were one.
Before cynicism was a bloody sear across your brow And when you yet knew you still knew nothing.
The river sings and sings on.
There is a true yearning to respond to The singing river and the wise rock.
So say the Asian, the Hispanic, the Jew, The African and Native American, the Sioux, The Catholic, the Muslim, the French, the Greek, The Irish, the Rabbi, the Priest, the Sheikh, The Gay, the Straight, the Preacher, The privileged, the homeless, the teacher.
They hear.
They all hear The speaking of the tree.
Today, the first and last of every tree Speaks to humankind.
Come to me, here beside the river.
Plant yourself beside me, here beside the river.
Each of you, descendant of some passed on Traveller, has been paid for.
You, who gave me my first name, You Pawnee, Apache and Seneca, You Cherokee Nation, who rested with me, Then forced on bloody feet, Left me to the employment of other seekers-- Desperate for gain, starving for gold.
You, the Turk, the Swede, the German, the Scot.
.
.
You the Ashanti, the Yoruba, the Kru, Bought, sold, stolen, arriving on a nightmare Praying for a dream.
Here, root yourselves beside me.
I am the tree planted by the river, Which will not be moved.
I, the rock, I the river, I the tree I am yours--your passages have been paid.
Lift up your faces, you have a piercing need For this bright morning dawning for you.
History, despite its wrenching pain, Cannot be unlived, and if faced with courage, Need not be lived again.
Lift up your eyes upon The day breaking for you.
Give birth again To the dream.
Women, children, men, Take it into the palms of your hands.
Mold it into the shape of your most Private need.
Sculpt it into The image of your most public self.
Lift up your hearts.
Each new hour holds new chances For new beginnings.
Do not be wedded forever To fear, yoked eternally To brutishness.
The horizon leans forward, Offering you space to place new steps of change.
Here, on the pulse of this fine day You may have the courage To look up and out upon me, The rock, the river, the tree, your country.
No less to Midas than the mendicant.
No less to you now than the mastodon then.
Here on the pulse of this new day You may have the grace to look up and out And into your sister's eyes, Into your brother's face, your country And say simply Very simply With hope Good morning.
Written by Henry Wadsworth Longfellow | Create an image from this poem

The Childrens Hour

Between the dark and the daylight, 
When the night is beginning to lower, 
Comes a pause in the day's occupations, 
That is known as the Children's Hour.
I hear in the chamber above me The patter of little feet, The sound of a door that is opened, And voices soft and sweet.
From my study I see in the lamplight, Descending the broad hall stair, Grave Alice, and laughing Allegra, And Edith with golden hair.
A whisper, and then a silence: Yet I know by their merry eyes They are plotting and planning together To take me by surprise.
A sudden rush from the stairway, A sudden raid from the hall! By three doors left unguarded They enter my castle wall! They climb up into my turret O'er the arms and back of my chair; If I try to escape, they surround me; They seem to be everywhere.
They almost devour me with kisses, Their arms about me entwine, Till I think of the Bishop of Bingen In his Mouse-Tower on the Rhine! Do you think, O blue-eyed banditti, Because you have scaled the wall, Such an old mustache as I am Is not a match for you all! I have you fast in my fortress, And will not let you depart, But put you down into the dungeon In the round-tower of my heart.
And there will I keep you forever, Yes, forever and a day, Till the walls shall crumble to ruin, And moulder in dust away!
Written by Marianne Moore | Create an image from this poem

Marriage

 This institution,
perhaps one should say enterprise
out of respect for which
one says one need not change one's mind
about a thing one has believed in,
requiring public promises
of one's intention
to fulfill a private obligation:
I wonder what Adam and Eve
think of it by this time,
this firegilt steel
alive with goldenness;
how bright it shows --
"of circular traditions and impostures,
committing many spoils,"
requiring all one's criminal ingenuity
to avoid!
Psychology which explains everything
explains nothing
and we are still in doubt.
Eve: beautiful woman -- I have seen her when she was so handsome she gave me a start, able to write simultaneously in three languages -- English, German and French and talk in the meantime; equally positive in demanding a commotion and in stipulating quiet: "I should like to be alone;" to which the visitor replies, "I should like to be alone; why not be alone together?" Below the incandescent stars below the incandescent fruit, the strange experience of beauty; its existence is too much; it tears one to pieces and each fresh wave of consciousness is poison.
"See her, see her in this common world," the central flaw in that first crystal-fine experiment, this amalgamation which can never be more than an interesting possibility, describing it as "that strange paradise unlike flesh, gold, or stately buildings, the choicest piece of my life: the heart rising in its estate of peace as a boat rises with the rising of the water;" constrained in speaking of the serpent -- that shed snakeskin in the history of politeness not to be returned to again -- that invaluable accident exonerating Adam.
And he has beauty also; it's distressing -- the O thou to whom, from whom, without whom nothing -- Adam; "something feline, something colubrine" -- how true! a crouching mythological monster in that Persian miniature of emerald mines, raw silk -- ivory white, snow white, oyster white and six others -- that paddock full of leopards and giraffes -- long lemonyellow bodies sown with trapezoids of blue.
Alive with words, vibrating like a cymbal touched before it has been struck, he has prophesied correctly -- the industrious waterfall, "the speedy stream which violently bears all before it, at one time silent as the air and now as powerful as the wind.
" "Treading chasms on the uncertain footing of a spear," forgetting that there is in woman a quality of mind which is an instinctive manifestation is unsafe, he goes on speaking in a formal, customary strain of "past states," the present state, seals, promises, the evil one suffered, the good one enjoys, hell, heaven, everything convenient to promote one's joy.
" There is in him a state of mind by force of which, perceiving what it was not intended that he should, "he experiences a solemn joy in seeing that he has become an idol.
" Plagued by the nightingale in the new leaves, with its silence -- not its silence but its silences, he says of it: "It clothes me with a shirt of fire.
" "He dares not clap his hands to make it go on lest it should fly off; if he does nothing, it will sleep; if he cries out, it will not understand.
" Unnerved by the nightingale and dazzled by the apple, impelled by "the illusion of a fire effectual to extinguish fire," compared with which the shining of the earth is but deformity -- a fire "as high as deep as bright as broad as long as life itself," he stumbles over marriage, "a very trivial object indeed" to have destroyed the attitude in which he stood -- the ease of the philosopher unfathered by a woman.
Unhelpful Hymen! "a kind of overgrown cupid" reduced to insignificance by the mechanical advertising parading as involuntary comment, by that experiment of Adam's with ways out but no way in -- the ritual of marriage, augmenting all its lavishness; its fiddle-head ferns, lotus flowers, opuntias, white dromedaries, its hippopotamus -- nose and mouth combined in one magnificent hopper, "the crested screamer -- that huge bird almost a lizard," its snake and the potent apple.
He tells us that "for love that will gaze an eagle blind, that is like a Hercules climbing the trees in the garden of the Hesperides, from forty-five to seventy is the best age," commending it as a fine art, as an experiment, a duty or as merely recreation.
One must not call him ruffian nor friction a calamity -- the fight to be affectionate: "no truth can be fully known until it has been tried by the tooth of disputation.
" The blue panther with black eyes, the basalt panther with blue eyes, entirely graceful -- one must give them the path -- the black obsidian Diana who "darkeneth her countenance as a bear doth, causing her husband to sigh," the spiked hand that has an affection for one and proves it to the bone, impatient to assure you that impatience is the mark of independence not of bondage.
"Married people often look that way" -- "seldom and cold, up and down, mixed and malarial with a good day and bad.
" "When do we feed?" We occidentals are so unemotional, we quarrel as we feed; one's self is quite lost, the irony preserved in "the Ahasuerus t?te ? t?te banquet" with its "good monster, lead the way," with little laughter and munificence of humor in that quixotic atmosphere of frankness in which "Four o'clock does not exist but at five o'clock the ladies in their imperious humility are ready to receive you"; in which experience attests that men have power and sometimes one is made to feel it.
He says, "what monarch would not blush to have a wife with hair like a shaving-brush? The fact of woman is not `the sound of the flute but every poison.
'" She says, "`Men are monopolists of stars, garters, buttons and other shining baubles' -- unfit to be the guardians of another person's happiness.
" He says, "These mummies must be handled carefully -- `the crumbs from a lion's meal, a couple of shins and the bit of an ear'; turn to the letter M and you will find that `a wife is a coffin,' that severe object with the pleasing geometry stipulating space and not people, refusing to be buried and uniquely disappointing, revengefully wrought in the attitude of an adoring child to a distinguished parent.
" She says, "This butterfly, this waterfly, this nomad that has `proposed to settle on my hand for life.
' -- What can one do with it? There must have been more time in Shakespeare's day to sit and watch a play.
You know so many artists are fools.
" He says, "You know so many fools who are not artists.
" The fact forgot that "some have merely rights while some have obligations," he loves himself so much, he can permit himself no rival in that love.
She loves herself so much, she cannot see herself enough -- a statuette of ivory on ivory, the logical last touch to an expansive splendor earned as wages for work done: one is not rich but poor when one can always seem so right.
What can one do for them -- these savages condemned to disaffect all those who are not visionaries alert to undertake the silly task of making people noble? This model of petrine fidelity who "leaves her peaceful husband only because she has seen enough of him" -- that orator reminding you, "I am yours to command.
" "Everything to do with love is mystery; it is more than a day's work to investigate this science.
" One sees that it is rare -- that striking grasp of opposites opposed each to the other, not to unity, which in cycloid inclusiveness has dwarfed the demonstration of Columbus with the egg -- a triumph of simplicity -- that charitive Euroclydon of frightening disinterestedness which the world hates, admitting: "I am such a cow, if I had a sorrow, I should feel it a long time; I am not one of those who have a great sorrow in the morning and a great joy at noon;" which says: "I have encountered it among those unpretentious proteg?s of wisdom, where seeming to parade as the debater and the Roman, the statesmanship of an archaic Daniel Webster persists to their simplicity of temper as the essence of the matter: `Liberty and union now and forever;' the book on the writing-table; the hand in the breast-pocket.
"


Written by Henry Wadsworth Longfellow | Create an image from this poem

Paul Revere's Ride

Listen, my children, and you shall hear 
Of the midnight ride of Paul Revere, 
On the eighteenth of April, in Seventy-Five: 
Hardly a man is now alive 
Who remembers that famous day and year.
He said to his friend, "If the British march By land or sea from the town to-night, Hang a lantern aloft in the belfry-arch Of the North-Church-tower, as a signal-light,-- One if by land, and two if by sea; And I on the opposite shore will be, Ready to ride and spread the alarm Through every Middlesex village and farm, For the country-folk to be up and to arm.
" Then he said "Good night!" and with muffled oar Silently rowed to the Charlestown shore, Just as the moon rose over the bay, Where swinging wide at her moorings lay The Somerset, British man-of-war: A phantom ship, with each mast and spar Across the moon, like a prison-bar, And a huge black hulk, that was magnified By its own reflection in the tide.
Meanwhile, his friend, through alley and street Wanders and watches with eager ears, Till in the silence around him he hears The muster of men at the barrack door, The sound of arms, and the tramp of feet, And the measured tread of the grenadiers Marching down to their boats on the shore.
Then he climbed to the tower of the church, Up the wooden stairs, with stealthy tread, To the belfry-chamber overhead, And startled the pigeons from their perch On the sombre rafters, that round him made Masses and moving shapes of shade,-- By the trembling ladder, steep and tall, To the highest window in the wall, Where he paused to listen and look down A moment on the roofs of the town, And the moonlight flowing over all.
Beneath, in the churchyard, lay the dead, In their night-encampment on the hill, Wrapped in silence so deep and still That he could hear, like a sentinel's tread, The watchful night-wind, as it went Creeping along from tent to tent, And seeming to whisper, "All is well!" A moment only he feels the spell Of the place and the hour, and the secret dread Of the lonely belfry and the dead; For suddenly all his thoughts are bent On a shadowy something far away, Where the river widens to meet the bay, -- A line of black, that bends and floats On the rising tide, like a bridge of boats.
Meanwhile, impatient to mount and ride, Booted and spurred, with a heavy stride, On the opposite shore walked Paul Revere.
Now he patted his horse's side, Now gazed on the landscape far and near, Then impetuous stamped the earth, And turned and tightened his saddle-girth; But mostly he watched with eager search The belfry-tower of the old North Church, As it rose above the graves on the hill, Lonely and spectral and sombre and still.
And lo! as he looks, on the belfry's height, A glimmer, and then a gleam of light! He springs to the saddle, the bridle he turns, But lingers and gazes, till full on his sight A second lamp in the belfry burns! A hurry of hoofs in a village-street, A shape in the moonlight, a bulk in the dark, And beneath from the pebbles, in passing, a spark Struck out by a steed that flies fearless and fleet: That was all! And yet, through the gloom and the light, The fate of a nation was riding that night; And the spark struck out by that steed, in his flight, Kindled the land into flame with its heat.
He has left the village and mounted the steep, And beneath him, tranquil and broad and deep, Is the Mystic, meeting the ocean tides; And under the alders, that skirt its edge, Now soft on the sand, now load on the ledge, Is heard the tramp of his steed as he rides.
It was twelve by the village clock When he crossed the bridge into Medford town.
He heard the crowing of the cock, And the barking of the farmer's dog, And felt the damp of the river-fog, That rises when the sun goes down.
It was one by the village clock, When he galloped into Lexington.
He saw the gilded weathercock Swim in the moonlight as he passed, And the meeting-house windows, blank and bare, Gaze at him with a spectral glare, As if they already stood aghast At the bloody work they would look upon.
It was two by the village clock, When be came to the bridge in Concord town.
He heard the bleating of the flock, And the twitter of birds among the trees, And felt the breath of the morning breeze Blowing over the meadows brown.
And one was safe and asleep in his bed Who at the bridge would be first to fall, Who that day would be lying dead, Pierced by a British musket-ball.
You know the rest.
In the books you have read, How the British Regulars fired and fled,-- How the farmers gave them ball for ball, From behind each fence and farmyard-wall, Chasing the red-coats down the lane, Then crossing the fields to emerge again Under the trees at the turn of the road, And only pausing to fire and load.
So through the night rode Paul Revere; And so through the night went his cry of alarm To every Middlesex village and farm,-- A cry of defiance, and not of fear, A voice in the darkness, a knock at the door, And a word that shall echo forevermore! For, borne on the night-wind of the Past, Through all our history, to the last, In the hour of darkness and peril and need, The people will waken and listen to hear The hurrying hoof-beats of that steed, And the midnight message of Paul Revere.
Written by Thomas Campbell | Create an image from this poem

Ode to Winter

 When first the fiery-mantled sun 
His heavenly race begun to run; 
Round the earth and ocean blue, 
His children four the Seasons flew.
First, in green apparel dancing, The young Spring smiled with angel grace; Rosy summer next advancing, Rushed into her sire's embrace:- Her blue-haired sire, who bade her keep For ever nearest to his smile, On Calpe's olive-shaded steep, On India's citron-covered isles: More remote and buxom-brown, The Queen of vintage bowed before his throne, A rich pomegranate gemmed her gown, A ripe sheaf bound her zone.
But howling Winter fled afar, To hills that prop the polar star, And lives on deer-borne car to ride With barren darkness at his side, Round the shore where loud Lofoden Whirls to death the roaring whale, Round the hall where runic Odin Howls his war-song to the gale; Save when adown the ravaged globe He travels on his native storm, Deflowering Nature's grassy robe, And trampling on her faded form:- Till light's returning lord assume The shaft the drives him to his polar field, Of power to pierce his raven plume And crystal-covered shield.
Oh, sire of storms! whose savage ear The Lapland drum delights to hear, When frenzy with her blood-shot eye Implores thy dreadful deity, Archangel! power of desolation! Fast descending as thou art, Say, hath mortal invocation Spells to touch thy stony heart? Then, sullen Winter, hear my prayer, And gently rule the ruined year; Nor chill the wanders bosom bare, Nor freeze the wretch's falling tear;- To shuddering Want's unmantled bed Thy horror-breathing agues cease to lead, And gently on the orphan head Of innocence descend.
- But chiefly spare, O king of clouds! The sailor on his airy shrouds; When wrecks and beacons strew the steep, And specters walk along the deep.
Milder yet thy snowy breezes Pour on yonder tented shores, Where the Rhine's broad billow freezes, Or the Dark-brown Danube roars.
Oh, winds of winter! List ye there To many a deep and dying groan; Or start, ye demons of the midnight air, At shrieks and thunders louder than your own.
Alas! Even unhallowed breath May spare the victim fallen low; But man will ask no truce of death,- No bounds to human woe.
Written by William Wordsworth | Create an image from this poem

WE ARE SEVEN

  A simple child, dear brother Jim,
  That lightly draws its breath,
  And feels its life in every limb,
  What should it know of death?

  I met a little cottage girl,
  She was eight years old, she said;
  Her hair was thick with many a curl
  That cluster'd round her head.

  She had a rustic, woodland air,
  And she was wildly clad;
  Her eyes were fair, and very fair,
  —Her beauty made me glad.

  "Sisters and brothers, little maid,
  How many may you be?"
  "How many? seven in all," she said,
  And wondering looked at me.

  "And where are they, I pray you tell?"
  She answered, "Seven are we,
  And two of us at Conway dwell,
  And two are gone to sea.
"

  "Two of us in the church-yard lie,
  My sister and my brother,
  And in the church-yard cottage, I
  Dwell near them with my mother.
"

  "You say that two at Conway dwell,
  And two are gone to sea,
  Yet you are seven; I pray you tell
  Sweet Maid, how this may be?"

  Then did the little Maid reply,
  "Seven boys and girls are we;
  Two of us in the church-yard lie,
  Beneath the church-yard tree.
"

  "You run about, my little maid,
  Your limbs they are alive;
  If two are in the church-yard laid,
  Then ye are only five.
"

  "Their graves are green, they may be seen,"
  The little Maid replied,
  "Twelve steps or more from my mother's door,
  And they are side by side.
"

  "My stockings there I often knit,
  My 'kerchief there I hem;
  And there upon the ground I sit—
  I sit and sing to them.
"

  "And often after sunset, Sir,
  When it is light and fair,
  I take my little porringer,
  And eat my supper there.
"

  "The first that died was little Jane;
  In bed she moaning lay,
  Till God released her of her pain,
  And then she went away.
"

  "So in the church-yard she was laid,
  And all the summer dry,
  Together round her grave we played,
  My brother John and I.
"

  "And when the ground was white with snow,
  And I could run and slide,
  My brother John was forced to go,
  And he lies by her side.
"

  "How many are you then," said I,
  "If they two are in Heaven?"
  The little Maiden did reply,
  "O Master! we are seven.
"

  "But they are dead; those two are dead!
  Their spirits are in heaven!"
  'Twas throwing words away; for still
  The little Maid would have her will,
  And said, "Nay, we are seven!"

ANECDOTE for FATHERS,
   Shewing how the practice of Lying may be taught.

  I have a boy of five years old,
  His face is fair and fresh to see;
  His limbs are cast in beauty's mould,
  And dearly he loves me.

  One morn we stroll'd on our dry walk,
  Our quiet house all full in view,
  And held such intermitted talk
  As we are wont to do.

  My thoughts on former pleasures ran;
  I thought of Kilve's delightful shore,
  My pleasant home, when Spring began,
  A long, long year before.

  A day it was when I could bear
  To think, and think, and think again;
  With so much happiness to spare,
  I could not feel a pain.

  My boy was by my side, so slim
  And graceful in his rustic dress!
  And oftentimes I talked to him
  In very idleness.

  The young lambs ran a pretty race;
  The morning sun shone bright and warm;
  "Kilve," said I, "was a pleasant place,
  And so is Liswyn farm.
"

  "My little boy, which like you more,"
  I said and took him by the arm—
  "Our home by Kilve's delightful shore,
  Or here at Liswyn farm?"

  "And tell me, had you rather be,"
  I said and held-him by the arm,
  "At Kilve's smooth shore by the green sea,
  Or here at Liswyn farm?"

  In careless mood he looked at me,
  While still I held him by the arm,
  And said, "At Kilve I'd rather be
  Than here at Liswyn farm.
"

  "Now, little Edward, say why so;
  My little Edward, tell me why;"
  "I cannot tell, I do not know.
"
  "Why this is strange," said I.

  "For, here are woods and green hills warm:
  There surely must some reason be
  Why you would change sweet Liswyn farm,
  For Kilve by the green sea.
"

  At this, my boy hung down his head,
  He blush'd with shame, nor made reply;
  And five times to the child I said,
  "Why, Edward, tell me, why?"

  His head he raised—there was in sight,
  It caught his eye, he saw it plain—
  Upon the house-top, glittering bright,
  A broad and gilded vane.

  Then did the boy his tongue unlock,
  And thus to me he made reply;
  "At Kilve there was no weather-cock,
  And that's the reason why.
"

  Oh dearest, dearest boy! my heart
  For better lore would seldom yearn
  Could I but teach the hundredth part
  Of what from thee I learn.

LINES
  Written at a small distance from my House, and sent by
  my little boy to the person to whom they are addressed.

  It is the first mild day of March:
  Each minute sweeter than before,
  The red-breast sings from the tall larch
  That stands beside our door.

  There is a blessing in the air,
  Which seems a sense of joy to yield
  To the bare trees, and mountains bare,
  And grass in the green field.

  My Sister! ('tis a wish of mine)
  Now that our morning meal is done,
  Make haste, your morning task resign;
  Come forth and feel the sun.

  Edward will come with you, and pray,
  Put on with speed your woodland dress,
  And bring no book, for this one day
  We'll give to idleness.

  No joyless forms shall regulate
  Our living Calendar:
  We from to-day, my friend, will date
  The opening of the year.

  Love, now an universal birth,
  From heart to heart is stealing,
  From earth to man, from man to earth,
  —It is the hour of feeling.

  One moment now may give us more
  Than fifty years of reason;
  Our minds shall drink at every pore
  The spirit of the season.

  Some silent laws our hearts may make,
  Which they shall long obey;
  We for the year to come may take
  Our temper from to-day.

  And from the blessed power that rolls
  About, below, above;
  We'll frame the measure of our souls,
  They shall be tuned to love.

  Then come, my sister I come, I pray,
  With speed put on your woodland dress,
  And bring no book; for this one day
  We'll give to idleness.

Written by William Cullen Bryant | Create an image from this poem

A Forest Hymn

The groves were God's first temples.
Ere man learned To hew the shaft, and lay the architrave, And spread the roof above them,---ere he framed The lofty vault, to gather and roll back The sound of anthems; in the darkling wood, Amidst the cool and silence, he knelt down, And offered to the Mightiest solemn thanks And supplication.
For his simple heart Might not resist the sacred influences, Which, from the stilly twilight of the place, And from the gray old trunks that high in heaven Mingled their mossy boughs, and from the sound Of the invisible breath that swayed at once All their green tops, stole over him, and bowed His spirit with the thought of boundless power And inaccessible majesty.
Ah, why Should we, in the world's riper years, neglect God's ancient sanctuaries, and adore Only among the crowd, and under roofs, That our frail hands have raised? Let me, at least, Here, in the shadow of this aged wood, Offer one hymn---thrice happy, if it find Acceptance in His ear.
Father, thy hand Hath reared these venerable columns, thou Didst weave this verdant roof.
Thou didst look down Upon the naked earth, and, forthwith, rose All these fair ranks of trees.
They, in thy sun, Budded, and shook their green leaves in the breeze, And shot towards heaven.
The century-living crow, Whose birth was in their tops, grew old and died Among their branches, till, at last, they stood, As now they stand, massy, and tall, and dark, Fit shrine for humble worshipper to hold Communion with his Maker.
These dim vaults, These winding aisles, of human pomp and pride Report not.
No fantastic carvings show The boast of our vain race to change the form Of thy fair works.
But thou art here---thou fill'st The solitude.
Thou art in the soft winds That run along the summit of these trees In music; thou art in the cooler breath That from the inmost darkness of the place Comes, scarcely felt; the barky trunks, the ground, The fresh moist ground, are all instinct with thee.
Here is continual worship;---Nature, here, In the tranquility that thou dost love, Enjoys thy presence.
Noiselessly, around, From perch to perch, the solitary bird Passes; and yon clear spring, that, midst its herbs, Wells softly forth and wandering steeps the roots Of half the mighty forest, tells no tale Of all the good it does.
Thou hast not left Thyself without a witness, in these shades, Of thy perfections.
Grandeur, strength, and grace Are here to speak of thee.
This mighty oak--- By whose immovable stem I stand and seem Almost annihilated---not a prince, In all that proud old world beyond the deep, E'er wore his crown as lofty as he Wears the green coronal of leaves with which Thy hand has graced him.
Nestled at his root Is beauty, such as blooms not in the glare Of the broad sun.
That delicate forest flower With scented breath, and look so like a smile, Seems, as it issues from the shapeless mould, An emanation of the indwelling Life, A visible token of the upholding Love, That are the soul of this wide universe.
My heart is awed within me when I think Of the great miracle that still goes on, In silence, round me---the perpetual work Of thy creation, finished, yet renewed Forever.
Written on thy works I read The lesson of thy own eternity.
Lo! all grow old and die---but see again, How on the faltering footsteps of decay Youth presses----ever gay and beautiful youth In all its beautiful forms.
These lofty trees Wave not less proudly that their ancestors Moulder beneath them.
Oh, there is not lost One of earth's charms: upon her bosom yet, After the flight of untold centuries, The freshness of her far beginning lies And yet shall lie.
Life mocks the idle hate Of his arch enemy Death---yea, seats himself Upon the tyrant's throne---the sepulchre, And of the triumphs of his ghastly foe Makes his own nourishment.
For he came forth From thine own bosom, and shall have no end.
There have been holy men who hid themselves Deep in the woody wilderness, and gave Their lives to thought and prayer, till they outlived The generation born with them, nor seemed Less aged than the hoary trees and rocks Around them;---and there have been holy men Who deemed it were not well to pass life thus.
But let me often to these solitudes Retire, and in thy presence reassure My feeble virtue.
Here its enemies, The passions, at thy plainer footsteps shrink And tremble and are still.
Oh, God! when thou Dost scare the world with falling thunderbolts, or fill, With all the waters of the firmament, The swift dark whirlwind that uproots the woods And drowns the village; when, at thy call, Uprises the great deep and throws himself Upon the continent, and overwhelms Its cities---who forgets not, at the sight Of these tremendous tokens of thy power, His pride, and lays his strifes and follies by? Oh, from these sterner aspects of thy face Spare me and mine, nor let us need the wrath Of the mad unchained elements to teach Who rules them.
Be it ours to meditate, In these calm shades, thy milder majesty, And to the beautiful order of the works Learn to conform the order of our lives.
Written by Henry Wadsworth Longfellow | Create an image from this poem

A Psalm of Life

What the Heart of the Young Man Said to the Psalmist


TELL me not in mournful numbers  
Life is but an empty dream!¡ª 
For the soul is dead that slumbers  
And things are not what they seem.
Life is real! Life is earnest! 5 And the grave is not its goal; Dust thou art to dust returnest Was not spoken of the soul.
Not enjoyment and not sorrow Is our destined end or way; 10 But to act that each to-morrow Find us farther than to-day.
Art is long and Time is fleeting And our hearts though stout and brave Still like muffled drums are beating 15 Funeral marches to the grave.
In the world's broad field of battle In the bivouac of Life Be not like dumb driven cattle! Be a hero in the strife! 20 Trust no Future howe'er pleasant! Let the dead Past bury its dead! Act ¡ªact in the living Present! Heart within and God o'erhead! Lives of great men all remind us 25 We can make our lives sublime And departing leave behind us Footprints on the sands of time; Footprints that perhaps another Sailing o'er life's solemn main 30 A forlorn and shipwrecked brother Seeing shall take heart again.
Let us then be up and doing With a heart for any fate; Still achieving still pursuing 35 Learn to labor and to wait.

Book: Reflection on the Important Things