Written by
Tupac Shakur |
Can You See the Pride In the Panther
As he grows in splendor and grace
Topling obstacles placed in the way,
of the progression of his race.
Can You See the Pride In the Panther
as she nurtures her young all alone
The seed must grow regardless
of the fact that it is planted in stone.
Can You See the Pride In the Panthers
as they unify as one.
The flower blooms with brilliance,
and outshines the rays of the sun.
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Written by
Billy Collins |
I wonder how it all got started, this business
about seeing your life flash before your eyes
while you drown, as if panic, or the act of submergence,
could startle time into such compression, crushing
decades in the vice of your desperate, final seconds.
After falling off a steamship or being swept away
in a rush of floodwaters, wouldn't you hope
for a more leisurely review, an invisible hand
turning the pages of an album of photographs-
you up on a pony or blowing out candles in a conic hat.
How about a short animated film, a slide presentation?
Your life expressed in an essay, or in one model photograph?
Wouldn't any form be better than this sudden flash?
Your whole existence going off in your face
in an eyebrow-singeing explosion of biography-
nothing like the three large volumes you envisioned.
Survivors would have us believe in a brilliance
here, some bolt of truth forking across the water,
an ultimate Light before all the lights go out,
dawning on you with all its megalithic tonnage.
But if something does flash before your eyes
as you go under, it will probably be a fish,
a quick blur of curved silver darting away,
having nothing to do with your life or your death.
The tide will take you, or the lake will accept it all
as you sink toward the weedy disarray of the bottom,
leaving behind what you have already forgotten,
the surface, now overrun with the high travel of clouds.
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Written by
Richard Wilbur |
A ball will bounce; but less and less. It's not
A light-hearted thing, resents its own resilience.
Falling is what it loves, and the earth falls
So in our hearts from brilliance,
Settles and is forgot.
It takes a sky-blue juggler with five red balls
To shake our gravity up. Whee, in the air
The balls roll around, wheel on his wheeling hands,
Learning the ways of lightness, alter to spheres
Grazing his finger ends,
Cling to their courses there,
Swinging a small heaven about his ears.
But a heaven is easier made of nothing at all
Than the earth regained, and still and sole within
The spin of worlds, with a gesture sure and noble
He reels that heaven in,
Landing it ball by ball,
And trades it all for a broom, a plate, a table.
Oh, on his toe the table is turning, the broom's
Balancing up on his nose, and the plate whirls
On the tip of the broom! Damn, what a show, we cry:
The boys stamp, and the girls
Shriek, and the drum booms
And all come down, and he bows and says good-bye.
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Written by
Anais Nin |
"Am I, at bottom, that fervent little Spanish Catholic child who chastised herself for loving toys, who forbade herself the enjoyment of sweet foods, who practiced silence, who humiliated her pride, who adored symbols, statues, burning candles, incense, the caress of nuns, organ music, for whom Communion was a great event? I was so exalted by the idea of eating Jesus's flesh and drinking His blood that I couldn't swallow the host well, and I dreaded harming the it. I visualized Christ descending into my heart so realistically (I was a realist then!) that I could see Him walking down the stairs and entering the room of my heart like a sacred Visitor. That state of this room was a subject of great preoccupation for me. . . At the ages of nine, ten, eleven, I believe I approximated sainthood. And then, at sixteen, resentful of controls, disillusioned with a God who had not granted my prayers (the return of my father), who performed no miracles, who left me fatherless in a strange country, I rejected all Catholicism with exaggeration. Goodness, virtue, charity, submission, stifled me. I took up the words of Lawrence: "They stress only pain, sacrifice, suffering and death. They do not dwell enough on the resurrection, on joy and life in the present." Today I feel my past like an unbearable weight, I feel that it interferes with my present life, that it must be the cause for this withdrawal, this closing of doors. . . I am embalmed because a nun leaned over me, enveloped me in her veils, kissed me. The chill curse of Christianity. I do not confess any more, I have no remorse, yet am I doing penance for my enjoyments? Nobody knows what a magnificent prey I was for Christian legends, because of my compassion and my tenderness for human beings. Today it divides me from enjoyment in life."
p. 70-71
"As June walked towards me from the darkness of the garden into the light of the door, I saw for the first time the most beautiful woman on earth. A startling white face, burning dark eyes, a face so alive I felt it would consume itself before my eyes. Years ago I tried to imagine true beauty; I created in my mind an image of just such a woman. I had never seen her until last night. Yet I knew long ago the phosphorescent color of her skin, her huntress profile, the evenness of her teeth. She is bizarre, fantastic, nervous, like someone in a high fever. Her beauty drowned me. As I sat before her, I felt I would do anything she asked of me. Henry suddenly faded. She was color and brilliance and strangeness. By the end of the evening I had extricated myself from her power. She killed my admiration by her talk. Her talk. The enormous ego, false, weak, posturing. She lacks the courage of her personality, which is sensual, heavy with experience. Her role alone preoccupies her. She invents dramas in which she always stars. I am sure she creates genuine dramas, genuine chaos and whirlpools of feelings, but I feel that her share in it is a pose. That night, in spite of my response to her, she sought to be whatever she felt I wanted her to be. She is an actress every moment. I cannot grasp the core of June. Everything Henry has said about her is true."
I wanted to run out and kiss her fanatastic beauty and say: 'June, you have killed my sincerity too. I will never know again who I am, what I am, what I love, what I want. Your beauty has drowned me, the core of me. You carry away with you a part of me reflected in you. When your beauty struck me, it dissolved me. Deep down, I am not different from you. I dreamed you, I wished for your existance. You are the woman I want to be. I see in you that part of me which is you. I feel compassion for your childlike pride, for your trembling unsureness, your dramatization of events, your enhancing of the loves given to you. I surrender my sincerity because if I love you it means we share the same fantasies, the same madnesses"
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Written by
W. E. B. Du Bois |
O Truce of God!
And primal meeting of the Sons of Man,
Foreshadowing the union of the World!
From all the ends of earth we come!
Old Night, the elder sister of the Day,
Mother of Dawn in the golden East,
Meets in the misty twilight with her brood,
Pale and black, tawny, red and brown,
The mighty human rainbow of the world,
Spanning its wilderness of storm.
Softly in sympathy the sunlight falls,
Rare is the radiance of the moon;
And on the darkest midnight blaze the stars—
The far-flown shadows of whose brilliance
Drop like a dream on the dim shores of Time,
Forecasting Days that are to these
As day to night.
So sit we all as one.
So, gloomed in tall and stone-swathed groves,
The Buddha walks with Christ!
And Al-Koran and Bible both be holy!
Almighty Word!
In this Thine awful sanctuary,
First and flame-haunted City of the Widened World,
Assoil us, Lord of Lands and Seas!
We are but weak and wayward men,
Distraught alike with hatred and vainglory;
Prone to despise the Soul that breathes within—
High visioned hordes that lie and steal and kill,
Sinning the sin each separate heart disclaims,
Clambering upon our riven, writhing selves,
Besieging Heaven by trampling men to Hell!
We be blood-guilty! Lo, our hands be red!
Not one may blame the other in this sin!
But here—here in the white Silence of the Dawn,
Before the Womb of Time,
With bowed hearts all flame and shame,
We face the birth-pangs of a world:
We hear the stifled cry of Nations all but born—
The wail of women ravished of their stunted brood!
We see the nakedness of Toil, the poverty of Wealth,
We know the Anarchy of Empire, and doleful Death of Life!
And hearing, seeing, knowing all, we cry:
Save us, World-Spirit, from our lesser selves!
Grant us that war and hatred cease,
Reveal our souls in every race and hue!
Help us, O Human God, in this Thy Truce,
To make Humanity divine!
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Written by
D. H. Lawrence |
You know what it is to be born alone,
Baby tortoise!
The first day to heave your feet little by little from the shell,
Not yet awake,
And remain lapsed on earth,
Not quite alive.
A tiny, fragile, half-animate bean.
To open your tiny beak-mouth, that looks as if it would never open,
Like some iron door;
To lift the upper hawk-beak from the lower base
And reach your skinny little neck
And take your first bite at some dim bit of herbage,
Alone, small insect,
Tiny bright-eye,
Slow one.
To take your first solitary bite
And move on your slow, solitary hunt.
Your bright, dark little eye,
Your eye of a dark disturbed night,
Under its slow lid, tiny baby tortoise,
So indomitable.
No one ever heard you complain.
You draw your head forward, slowly, from your little wimple
And set forward, slow-dragging, on your four-pinned toes, Rowing slowly forward.
Whither away, small bird?
Rather like a baby working its limbs,
Except that you make slow, ageless progress
And a baby makes none.
The touch of sun excites you,
And the long ages, and the lingering chill
Make you pause to yawn,
Opening your impervious mouth,
Suddenly beak-shaped, and very wide, like some suddenly gaping pincers;
Soft red tongue, and hard thin gums,
Then close the wedge of your little mountain front,
Your face, baby tortoise.
Do you wonder at the world, as slowly you turn your head in its wimple
And look with laconic, black eyes?
Or is sleep coming over you again,
The non-life?
You are so hard to wake.
Are you able to wonder?
Or is it just your indomitable will and pride of the first life
Looking round
And slowly pitching itself against the inertia
Which had seemed invincible?
The vast inanimate,
And the fine brilliance of your so tiny eye,
Challenger.
Nay, tiny shell-bird,
What a huge vast inanimate it is, that you must row against,
What an incalculable inertia.
Challenger,
Little Ulysses, fore-runner,
No bigger than my thumb-nail,
Buon viaggio.
All animate creation on your shoulder,
Set forth, little Titan, under your battle-shield.
The ponderous, preponderate,
Inanimate universe;
And you are slowly moving, pioneer, you alone.
How vivid your travelling seems now, in the troubled sunshine,
Stoic, Ulyssean atom;
Suddenly hasty, reckless, on high toes.
Voiceless little bird,
Resting your head half out of your wimple
In the slow dignity of your eternal pause.
Alone, with no sense of being alone,
And hence six times more solitary;
Fulfilled of the slow passion of pitching through immemorial ages
Your little round house in the midst of chaos.
Over the garden earth,
Small bird,
Over the edge of all things.
Traveller,
With your tail tucked a little on one side
Like a gentleman in a long-skirted coat.
All life carried on your shoulder,
Invincible fore-runner.
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Written by
Aleister Crowley |
Come, my darling, let us dance
To the moon that beckons us
To dissolve our love in trance
Heedless of the hideous
Heat & hate of Sirius-
Shun his baneful brilliance!
Let us dance beneath the palm
Moving in the moonlight, frond
Wooing frond above the calm
Of the ocean diamond
Sparkling to the sky beyond
The enchantment of our psalm.
Let us dance, my mirror of
Perfect passion won to peace,
Let us dance, my treasure trove,
On the marble terraces
Carven in pallid embroeideries
For the vestal veil of Love.
Heaven awakes to encompass us,
Hell awakes its jubilance
In our hearts mysterious
Marriage of the azure expanse,
With the scarlet brilliance
Of the Moon with Sirius.
Velvet swatches our lissome limbs
Languid lapped by sky & sea
Soul through sense & spirit swims
Through the pregnant porphyry
Dome of lapiz-lazuli:-
Heart of silence, hush our hymns.
Come my darling; let us dance
Through the golden galaxies
Rythmic swell of circumstance
Beaming passion’s argosies:
Ecstacy entwined with ease,
Terrene joy transcending trance!
Thou my scarlet concubine
Draining heart’s blood to the lees
To empurple those divine
Lips with living luxuries
Life importunate to appease
Drought insatiable of wine!
Tunis in the tremendous trance
Rests from day’s incestuous
Traffic with the radiance
Of her sire-& over us
Gleams the intoxicating glance
Of the Moon & Sirius.
Take the ardour of my impearled
Essence that my shoulders seek
To intensify the curled
Candour of the eyes oblique,
Eyes that see the seraphic sleek
Lust bewitch the wanton world.
Come, my love, my dove, & pour
From thy cup the serpent wine
Brimmed & breathless -secret store
Of my crimson concubine
Surfeit spirit in the shrine-
Devil -Godess -Virgin -Whore.
Afric sands ensorcel us,
Afric seas & skies entrance
Velvet, lewd & luminous
Night surveys our soul askance!
Come my love, & let us dance
To the Moon and Sirius!
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Written by
Amy Lowell |
Streaks of green and yellow iridescence,
Silver shiftings,
Rings veering out of rings,
Silver -- gold --
Grey-green opaqueness sliding down,
With sharp white bubbles
Shooting and dancing,
Flinging quickly outward.
Nosing the bubbles,
Swallowing them,
Fish.
Blue shadows against silver-saffron water,
The light rippling over them
In steel-bright tremors.
Outspread translucent fins
Flute, fold, and relapse;
The threaded light prints through them on the pebbles
In scarcely tarnished twinklings.
Curving of spotted spines,
Slow up-shifts,
Lazy convolutions:
Then a sudden swift straightening
And darting below:
Oblique grey shadows
Athwart a pale casement.
Roped and curled,
Green man-eating eels
Slumber in undulate rhythms,
With crests laid horizontal on their backs.
Barred fish,
Striped fish,
Uneven disks of fish,
Slip, slide, whirl, turn,
And never touch.
Metallic blue fish,
With fins wide and yellow and swaying
Like Oriental fans,
Hold the sun in their bellies
And glow with light:
Blue brilliance cut by black bars.
An oblong pane of straw-coloured shimmer,
Across it, in a tangent,
A smear of rose, black, silver.
Short twists and upstartings,
Rose-black, in a setting of bubbles:
Sunshine playing between red and black flowers
On a blue and gold lawn.
Shadows and polished surfaces,
Facets of mauve and purple,
A constant modulation of values.
Shaft-shaped,
With green bead eyes;
Thick-nosed,
Heliotrope-coloured;
Swift spots of chrysolite and coral;
In the midst of green, pearl, amethyst irradiations.
Outside,
A willow-tree flickers
With little white jerks,
And long blue waves
Rise steadily beyond the outer islands.
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Written by
Federico García Lorca |
So I took her to the river
believing she was a maiden,
but she already had a husband.
It was on St. James night
and almost as if I was obliged to.
The lanterns went out
and the crickets lighted up.
In the farthest street corners
I touched her sleeping breasts
and they opened to me suddenly
like spikes of hyacinth.
The starch of her petticoat
sounded in my ears
like a piece of silk
rent by ten knives.
Without silver light on their foliage
the trees had grown larger
and a horizon of dogs
barked very far from the river.
Past the blackberries,
the reeds and the hawthorne
underneath her cluster of hair
I made a hollow in the earth
I took off my tie,
she too off her dress.
I, my belt with the revolver,
She, her four bodices.
Nor nard nor mother-o’-pearl
have skin so fine,
nor does glass with silver
shine with such brilliance.
Her thighs slipped away from me
like startled fish,
half full of fire,
half full of cold.
That night I ran
on the best of roads
mounted on a nacre mare
without bridle stirrups.
As a man, I won’t repeat
the things she said to me.
The light of understanding
has made me more discreet.
Smeared with sand and kisses
I took her away from the river.
The swords of the lilies
battled with the air.
I behaved like what I am,
like a proper gypsy.
I gave her a large sewing basket,
of straw-colored satin,
but I did not fall in love
for although she had a husband
she told me she was a maiden
when I took her to the river.
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Written by
Rainer Maria Rilke |
We cannot know his legendary head
with eyes like ripening fruit. And yet his torso
is still suffused with brilliance from inside,
like a lamp, in which his gaze, now turned to low,
gleams in all its power. Otherwise
the curved breast could not dazzle you so, nor could
a smile run through the placid hips and thighs
to that dark center where procreation flared.
Otherwise this stone would seem defaced
beneath the translucent cascade of the shoulders
and would not glisten like a wild beast's fur:
would not, from all the borders of itself,
burst like a star: for here there is no place
that does not see you. You must change your life.
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