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Best Famous Breasts Poems

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Written by Pablo Neruda | Create an image from this poem

Always

 I am not jealous
of what came before me.
Come with a man on your shoulders, come with a hundred men in your hair, come with a thousand men between your breasts and your feet, come like a river full of drowned men which flows down to the wild sea, to the eternal surf, to Time! Bring them all to where I am waiting for you; we shall always be alone, we shall always be you and I alone on earth to start our life!


Written by Sylvia Plath | Create an image from this poem

A Birthday Present

 What is this, behind this veil, is it ugly, is it beautiful?
It is shimmering, has it breasts, has it edges?

I am sure it is unique, I am sure it is what I want.
When I am quiet at my cooking I feel it looking, I feel it thinking 'Is this the one I am too appear for, Is this the elect one, the one with black eye-pits and a scar? Measuring the flour, cutting off the surplus, Adhering to rules, to rules, to rules.
Is this the one for the annunciation? My god, what a laugh!' But it shimmers, it does not stop, and I think it wants me.
I would not mind if it were bones, or a pearl button.
I do not want much of a present, anyway, this year.
After all I am alive only by accident.
I would have killed myself gladly that time any possible way.
Now there are these veils, shimmering like curtains, The diaphanous satins of a January window White as babies' bedding and glittering with dead breath.
O ivory! It must be a tusk there, a ghost column.
Can you not see I do not mind what it is.
Can you not give it to me? Do not be ashamed--I do not mind if it is small.
Do not be mean, I am ready for enormity.
Let us sit down to it, one on either side, admiring the gleam, The glaze, the mirrory variety of it.
Let us eat our last supper at it, like a hospital plate.
I know why you will not give it to me, You are terrified The world will go up in a shriek, and your head with it, Bossed, brazen, an antique shield, A marvel to your great-grandchildren.
Do not be afraid, it is not so.
I will only take it and go aside quietly.
You will not even hear me opening it, no paper crackle, No falling ribbons, no scream at the end.
I do not think you credit me with this discretion.
If you only knew how the veils were killing my days.
To you they are only transparencies, clear air.
But my god, the clouds are like cotton.
Armies of them.
They are carbon monoxide.
Sweetly, sweetly I breathe in, Filling my veins with invisibles, with the million Probable motes that tick the years off my life.
You are silver-suited for the occasion.
O adding machine----- Is it impossible for you to let something go and have it go whole? Must you stamp each piece purple, Must you kill what you can? There is one thing I want today, and only you can give it to me.
It stands at my window, big as the sky.
It breathes from my sheets, the cold dead center Where split lives congeal and stiffen to history.
Let it not come by the mail, finger by finger.
Let it not come by word of mouth, I should be sixty By the time the whole of it was delivered, and to numb to use it.
Only let down the veil, the veil, the veil.
If it were death I would admire the deep gravity of it, its timeless eyes.
I would know you were serious.
There would be a nobility then, there would be a birthday.
And the knife not carve, but enter Pure and clean as the cry of a baby, And the universe slide from my side.
Written by Charles Bukowski | Create an image from this poem

Let It Enfold You

 either peace or happiness,
let it enfold you

when i was a young man
I felt these things were
dumb,unsophisticated.
I had bad blood,a twisted mind, a pecarious upbringing.
I was hard as granite,I leered at the sun.
I trusted no man and especially no woman.
I was living a hell in small rooms, I broke things, smashed things, walked through glass, cursed.
I challenged everything, was continually being evicted,jailed,in and out of fights,in and aout of my mind.
women were something to screw and rail at,i had no male freinds, I changed jobs and cities,I hated holidays, babies,history, newspapers, museums, grandmothers, marriage, movies, spiders, garbagemen, english accents,spain, france,italy,walnuts and the color orange.
algebra angred me, opera sickened me, charlie chaplin was a fake and flowers were for pansies.
peace an happiness to me were signs of inferiority, tenants of the weak an addled mind.
but as I went on with my alley fights, my suicidal years, my passage through any number of women-it gradually began to occur to me that I wasn't diffrent from the others, I was the same, they were all fulsome with hatred, glossed over with petty greivances, the men I fought in alleys had hearts of stone.
everybody was nudging, inching, cheating for some insignificant advantage, the lie was the weapon and the plot was emptey, darkness was the dictator.
cautiously, I allowed myself to feel good at times.
I found moments of peace in cheap rooms just staring at the knobs of some dresser or listening to the rain in the dark.
the less i needed the better i felt.
maybe the other life had worn me down.
I no longer found glamour in topping somebody in conversation.
or in mounting the body of some poor drunken female whose life had slipped away into sorrow.
I could never accept life as it was, i could never gobble down all its poisons but there were parts, tenous magic parts open for the asking.
I re formulated I don't know when, date,time,all that but the change occured.
something in me relaxed, smoothed out.
i no longer had to prove that i was a man, I did'nt have to prove anything.
I began to see things: coffe cups lined up behind a counter in a cafe.
or a dog walking along a sidewalk.
or the way the mouse on my dresser top stopped there with its body, its ears, its nose, it was fixed, a bit of life caught within itself and its eyes looked at me and they were beautiful.
then- it was gone.
I began to feel good, I began to feel good in the worst situations and there were plenty of those.
like say, the boss behind his desk, he is going to have to fire me.
I've missed too many days.
he is dressed in a suit, necktie, glasses, he says, "i am going to have to let you go" "it's all right" i tell him.
He must do what he must do, he has a wife, a house, children.
expenses, most probably a girlfreind.
I am sorry for him he is caught.
I walk onto the blazing sunshine.
the whole day is mine temporailiy, anyhow.
(the whole world is at the throat of the world, everybody feels angry, short-changed, cheated, everybody is despondent, dissillusioned) I welcomed shots of peace, tattered shards of happiness.
I embraced that stuff like the hottest number, like high heels,breasts, singing,the works.
(dont get me wrong, there is such a thing as cockeyed optimism that overlooks all basic problems justr for the sake of itself- this is a sheild and a sickness.
) The knife got near my throat again, I almost turned on the gas again but when the good moments arrived again I did'nt fight them off like an alley adversary.
I let them take me, i luxuriated in them, I bade them welcome home.
I even looked into the mirror once having thought myself to be ugly, I now liked what I saw,almost handsome,yes, a bit ripped and ragged, scares,lumps, odd turns, but all in all, not too bad, almost handsome, better at least than some of those movie star faces like the cheeks of a babys butt.
and finally I discovered real feelings fo others, unhearleded, like latley, like this morning, as I was leaving, for the track, i saw my wif in bed, just the shape of her head there (not forgetting centuries of the living and the dead and the dying, the pyarimids, Mozart dead but his music still there in the room, weeds growing, the earth turning, the toteboard waiting for me) I saw the shape of my wife's head, she so still, i ached for her life, just being there under the covers.
i kissed her in the, forehead, got down the stairway, got outside, got into my marvelous car, fixed the seatbelt, backed out the drive.
feeling warm to the fingertips, down to my foot on the gas pedal, I entered the world once more, drove down the hill past the houses full and emptey of people, i saw the mailman, honked, he waved back at me.
Written by Federico García Lorca | Create an image from this poem

Ballad of the Moon

 The moon came into the forge
in her bustle of flowering nard.
The little boy stares at her, stares.
The boy is staring hard.
In the shaken air the moon moves her amrs, and shows lubricious and pure, her breasts of hard tin.
"Moon, moon, moon, run! If the gypsies come, they will use your heart to make white necklaces and rings.
" "Let me dance, my little one.
When the gypsies come, they'll find you on the anvil with your lively eyes closed tight.
"Moon, moon, moon, run! I can feelheir horses come.
" "Let me be, my little one, don't step on me, all starched and white!" Closer comes the the horseman, drumming on the plain.
The boy is in the forge; his eyes are closed.
Through the olive grove come the gypsies, dream and bronze, their heads held high, their hooded eyes.
Oh, how the night owl calls, calling, calling from its tree! The moon is climbing through the sky with the child by the hand.
They are crying in the forge, all the gypsies, shouting, crying.
The air is veiwing all, views all.
The air is at the viewing.
Written by Maya Angelou | Create an image from this poem

Phenomenal Woman

Pretty women wonder where my secret lies.
I'm not cute or built to suit a fashion model's size
But when I start to tell them,
They think I'm telling lies.
I say,
It's in the reach of my arms
The span of my hips,
The stride of my step,
The curl of my lips.
I'm a woman
Phenomenally.
Phenomenal woman,
That's me.

I walk into a room
Just as cool as you please,
And to a man,
The fellows stand or
Fall down on their knees.
Then they swarm around me,
A hive of honey bees.
I say,
It's the fire in my eyes,
And the flash of my teeth,
The swing in my waist,
And the joy in my feet.
I'm a woman
Phenomenally.
Phenomenal woman,
That's me.

Men themselves have wondered
What they see in me.
They try so much
But they can't touch
My inner mystery.
When I try to show them
They say they still can't see.
I say,
It's in the arch of my back,
The sun of my smile,
The ride of my breasts,
The grace of my style.
I'm a woman

Phenomenally.
Phenomenal woman,
That's me.

Now you understand
Just why my head's not bowed.
I don't shout or jump about
Or have to talk real loud.
When you see me passing
It ought to make you proud.
I say,
It's in the click of my heels,
The bend of my hair,
the palm of my hand,
The need of my care,
'Cause I'm a woman
Phenomenally.
Phenomenal woman,
That's me.


Written by Gwendolyn Brooks | Create an image from this poem

The Mother

 Abortions will not let you forget.
You remember the children you got that you did not get, The damp small pulps with a little or with no hair, The singers and workers that never handled the air.
You will never neglect or beat Them, or silence or buy with a sweet.
You will never wind up the sucking-thumb Or scuttle off ghosts that come.
You will never leave them, controlling your luscious sigh, Return for a snack of them, with gobbling mother-eye.
I have heard in the voices of the wind the voices of my dim killed children.
I have contracted.
I have eased My dim dears at the breasts they could never suck.
I have said, Sweets, if I sinned, if I seized Your luck And your lives from your unfinished reach, If I stole your births and your names, Your straight baby tears and your games, Your stilted or lovely loves, your tumults, your marriages, aches, and your deaths, If I poisoned the beginnings of your breaths, Believe that even in my deliberateness I was not deliberate.
Though why should I whine, Whine that the crime was other than mine?-- Since anyhow you are dead.
Or rather, or instead, You were never made.
But that too, I am afraid, Is faulty: oh, what shall I say, how is the truth to be said? You were born, you had body, you died.
It is just that you never giggled or planned or cried.
Believe me, I loved you all.
Believe me, I knew you, though faintly, and I loved, I loved you All.
Written by Maya Angelou | Create an image from this poem

Men

When I was young, I used to
Watch behind the curtains
As men walked up and down the street.
Wino men, old men.
Young men sharp as mustard.
See them.
Men are always Going somewhere.
They knew I was there.
Fifteen Years old and starving for them.
Under my window, they would pauses, Their shoulders high like the Breasts of a young girl, Jacket tails slapping over Those behinds, Men.
One day they hold you in the Palms of their hands, gentle, as if you Were the last raw egg in the world.
Then They tighten up.
Just a little.
The First squeeze is nice.
A quick hug.
Soft into your defenselessness.
A little More.
The hurt begins.
Wrench out a Smile that slides around the fear.
When the Air disappears, Your mind pops, exploding fiercely, briefly, Like the head of a kitchen match.
Shattered.
It is your juice That runs down their legs.
Staining their shoes.
When the earth rights itself again, And taste tries to return to the tongue, Your body has slammed shut.
Forever.
No keys exist.
Then the window draws full upon Your mind.
There, just beyond The sway of curtains, men walk.
Knowing something.
Going someplace.
But this time, I will simply Stand and watch.
Maybe.
Written by Marilyn Hacker | Create an image from this poem

Scars on Paper

 An unwrapped icon, too potent to touch,
she freed my breasts from the camp Empire dress.
Now one of them's the shadow of a breast with a lost object's half-life, with as much life as an anecdotal photograph: me, Kim and Iva, all stripped to the waist, hiking near Russian River on June first '79: Iva's five-and-a-half.
While she was almost twenty, wearing black T-shirts in D.
C.
, where we hadn't met.
You lay your palm, my love, on my flat chest.
In lines alive with what is not regret, she takes her own path past, doesn't turn back.
Persistently, on paper, we exist.
Persistently, on paper, we exist.
You'd touch me if you could, but you're, in fact, three thousand miles away.
And my intact body is eighteen months paper: the past a fragile eighteen months regime of trust in slash-and-burn, in vitamin pills, backed by no statistics.
Each day I enact survivor's rituals, blessing the crust I tear from the warm loaf, blessing the hours in which I didn't or in which I did consider my own death.
I am not yet statistically a survivor (that is sixty months).
On paper, someone flowers and flares alive.
I knew her.
But she's dead.
She flares alive.
I knew her.
But she's dead.
I flirted with her, might have been her friend, but transatlantic schedules intervened.
She wrote a book about her Freedom Ride, the wary elders whom she taught to read, — herself half-British, twenty-six, white-blonde, with thirty years to live.
And I happened to open up The Nation to that bad news which I otherwise might not have known (not breast cancer: cancer of the brain).
Words take the absent friend away again.
Alone, I think, she called, alone, upon her courage, tried in ways she'd not have wished by pain and fear: her courage, extinguished.
The pain and fear some courage extinguished at disaster's denouement come back daily, banal: is that brownish-black mole the next chapter? Was the ache enmeshed between my chest and armpit when I washed rogue cells' new claw, or just a muscle ache? I'm not yet desperate enough to take comfort in being predeceased: the anguish when the Harlem doctor, the Jewish dancer, die of AIDS, the Boston seminary's dean succumbs "after brief illness" to cancer.
I like mossed slabs in country cemeteries with wide-paced dates, candles in jars, whose tallow glows on summer evenings, desk-lamp yellow.
Aglow in summer evening, a desk-lamp's yellow moonlight peruses notebooks, houseplants, texts, while an aging woman thinks of sex in the present tense.
Desire may follow, urgent or elegant, cut raw or mellow with wine and ripe black figs: a proof, the next course, a simple question, the complex response, a burning sweetness she will swallow.
The opening mind is sexual and ready to embrace, incarnate in its prime.
Rippling concentrically from summer's gold disc, desire's iris expands, steady with blood beat.
Each time implies the next time.
The aging woman hopes she will grow old.
The aging woman hopes she will grow old.
A younger woman has a dazzling vision of bleeding wrists, her own, the clean incisions suddenly there, two open mouths.
They told their speechless secrets, witnesses not called to what occurred with as little volition of hers as these phantom wounds.
Intense precision of scars, in flesh, in spirit.
I'm enrolled by mine in ranks where now I'm "being brave" if I take off my shirt in a hot crowd sunbathing, or demonstrating for Dyke Pride.
Her bravery counters the kitchen knives' insinuation that the scars be made.
With, or despite our scars, we stay alive.
"With, or despite our scars, we stayed alive until the Contras or the Government or rebel troops came, until we were sent to 'relocation camps' until the archives burned, until we dug the ditch, the grave beside the aspen grove where adolescent boys used to cut class, until we went to the precinct house, eager to behave like citizens.
.
.
" I count my hours and days, finger for luck the word-scarred table which is not my witness, shares all innocent objects' silence: a tin plate, a basement door, a spade, barbed wire, a ring of keys, an unwrapped icon, too potent to touch.
Written by Rita Dove | Create an image from this poem

Adolescence II

 Although it is night, I sit in the bathroom, waiting.
Sweat prickles behind my knees, the baby-breasts are alert.
Venetian blinds slice up the moon; the tiles quiver in pale strips.
Then they come, the three seal men with eyes as round As dinner plates and eyelashes like sharpened tines.
They bring the scent of licorice.
One sits in the washbowl, One on the bathtub edge; one leans against the door.
"Can you feel it yet?" they whisper.
I don't know what to say, again.
They chuckle, Patting their sleek bodies with their hands.
"Well, maybe next time.
" And they rise, Glittering like pools of ink under moonlight, And vanish.
I clutch at the ragged holes They leave behind, here at the edge of darkness.
Night rests like a ball of fur on my tongue.
Written by Walt Whitman | Create an image from this poem

As a Strong Bird on Pinions Free

 1
AS a strong bird on pinions free, 
Joyous, the amplest spaces heavenward cleaving, 
Such be the thought I’d think to-day of thee, America, 
Such be the recitative I’d bring to-day for thee.
The conceits of the poets of other lands I bring thee not, Nor the compliments that have served their turn so long, Nor rhyme—nor the classics—nor perfume of foreign court, or indoor library; But an odor I’d bring to-day as from forests of pine in the north, in Maine—or breath of an Illinois prairie, With open airs of Virginia, or Georgia, or Tennessee—or from Texas uplands, or Florida’s glades, With presentment of Yellowstone’s scenes, or Yosemite; And murmuring under, pervading all, I’d bring the rustling sea-sound, That endlessly sounds from the two great seas of the world.
And for thy subtler sense, subtler refrains, O Union! Preludes of intellect tallying these and thee—mind-formulas fitted for thee—real, and sane, and large as these and thee; Thou, mounting higher, diving deeper than we knew—thou transcendental Union! By thee Fact to be justified—blended with Thought; Thought of Man justified—blended with God: Through thy Idea—lo! the immortal Reality! Through thy Reality—lo! the immortal Idea! 2 Brain of the New World! what a task is thine! To formulate the Modern.
.
.
.
.
Out of the peerless grandeur of the modern, Out of Thyself—comprising Science—to recast Poems, Churches, Art, (Recast—may-be discard them, end them—May-be their work is done—who knows?) By vision, hand, conception, on the background of the mighty past, the dead, To limn, with absolute faith, the mighty living present.
(And yet, thou living, present brain! heir of the dead, the Old World brain! Thou that lay folded, like an unborn babe, within its folds so long! Thou carefully prepared by it so long!—haply thou but unfoldest it—only maturest it; It to eventuate in thee—the essence of the by-gone time contain’d in thee; Its poems, churches, arts, unwitting to themselves, destined with reference to thee, The fruit of all the Old, ripening to-day in thee.
) 3 Sail—sail thy best, ship of Democracy! Of value is thy freight—’tis not the Present only, The Past is also stored in thee! Thou holdest not the venture of thyself alone—not of thy western continent alone; Earth’s résumé entire floats on thy keel, O ship—is steadied by thy spars; With thee Time voyages in trust—the antecedent nations sink or swim with thee; With all their ancient struggles, martyrs, heroes, epics, wars, thou bear’st the other continents; Theirs, theirs as much as thine, the destination-port triumphant: —Steer, steer with good strong hand and wary eye, O helmsman—thou carryest great companions, Venerable, priestly Asia sails this day with thee, And royal, feudal Europe sails with thee.
4 Beautiful World of new, superber Birth, that rises to my eyes, Like a limitless golden cloud, filling the western sky; Emblem of general Maternity, lifted above all; Sacred shape of the bearer of daughters and sons; Out of thy teeming womb, thy giant babes in ceaseless procession issuing, Acceding from such gestation, taking and giving continual strength and life; World of the Real! world of the twain in one! World of the Soul—born by the world of the real alone—led to identity, body, by it alone; Yet in beginning only—incalculable masses of composite, precious materials, By history’s cycles forwarded—by every nation, language, hither sent, Ready, collected here—a freer, vast, electric World, to be constructed here, (The true New World—the world of orbic Science, Morals, Literatures to come,) Thou Wonder World, yet undefined, unform’d—neither do I define thee; How can I pierce the impenetrable blank of the future? I feel thy ominous greatness, evil as well as good; I watch thee, advancing, absorbing the present, transcending the past; I see thy light lighting and thy shadow shadowing, as if the entire globe; But I do not undertake to define thee—hardly to comprehend thee; I but thee name—thee prophecy—as now! I merely thee ejaculate! Thee in thy future; Thee in thy only permanent life, career—thy own unloosen’d mind—thy soaring spirit; Thee as another equally needed sun, America—radiant, ablaze, swift-moving, fructifying all; Thee! risen in thy potent cheerfulness and joy—thy endless, great hilarity! (Scattering for good the cloud that hung so long—that weigh’d so long upon the mind of man, The doubt, suspicion, dread, of gradual, certain decadence of man;) Thee in thy larger, saner breeds of Female, Male—thee in thy athletes, moral, spiritual, South, North, West, East, (To thy immortal breasts, Mother of All, thy every daughter, son, endear’d alike, forever equal;) Thee in thy own musicians, singers, artists, unborn yet, but certain; Thee in thy moral wealth and civilization (until which thy proudest material wealth and civilization must remain in vain;) Thee in thy all-supplying, all-enclosing Worship—thee in no single bible, saviour, merely, Thy saviours countless, latent within thyself—thy bibles incessant, within thyself, equal to any, divine as any; Thee in an education grown of thee—in teachers, studies, students, born of thee; Thee in thy democratic fetes, en masse—thy high original festivals, operas, lecturers, preachers; Thee in thy ultimata, (the preparations only now completed—the edifice on sure foundations tied,) Thee in thy pinnacles, intellect, thought—thy topmost rational joys—thy love, and godlike aspiration, In thy resplendent coming literati—thy full-lung’d orators—thy sacerdotal bards—kosmic savans, These! these in thee, (certain to come,) to-day I prophecy.
5 Land tolerating all—accepting all—not for the good alone—all good for thee; Land in the realms of God to be a realm unto thyself; Under the rule of God to be a rule unto thyself.
(Lo! where arise three peerless stars, To be thy natal stars, my country—Ensemble—Evolution—Freedom, Set in the sky of Law.
) Land of unprecedented faith—God’s faith! Thy soil, thy very subsoil, all upheav’d; The general inner earth, so long, so sedulously draped over, now and hence for what it is, boldly laid bare, Open’d by thee to heaven’s light, for benefit or bale.
Not for success alone; Not to fair-sail unintermitted always; The storm shall dash thy face—the murk of war, and worse than war, shall cover thee all over; (Wert capable of war—its tug and trials? Be capable of peace, its trials; For the tug and mortal strain of nations come at last in peace—not war;) In many a smiling mask death shall approach, beguiling thee—thou in disease shalt swelter; The livid cancer spread its hideous claws, clinging upon thy breasts, seeking to strike thee deep within; Consumption of the worst—moral consumption—shall rouge thy face with hectic: But thou shalt face thy fortunes, thy diseases, and surmount them all, Whatever they are to-day, and whatever through time they may be, They each and all shall lift, and pass away, and cease from thee; While thou, Time’s spirals rounding—out of thyself, thyself still extricating, fusing, Equable, natural, mystical Union thou—(the mortal with immortal blent,) Shalt soar toward the fulfilment of the future—the spirit of the body and the mind, The Soul—its destinies.
The Soul, its destinies—the real real, (Purport of all these apparitions of the real;) In thee, America, the Soul, its destinies; Thou globe of globes! thou wonder nebulous! By many a throe of heat and cold convuls’d—(by these thyself solidifying;) Thou mental, moral orb! thou New, indeed new, Spiritual World! The Present holds thee not—for such vast growth as thine—for such unparallel’d flight as thine, The Future only holds thee, and can hold thee.

Book: Shattered Sighs