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Best Famous Borne Poems

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Written by Henry Kendall | Create an image from this poem

Mountains

RIFTED mountains, clad with forests, girded round by gleaming pines, 
Where the morning, like an angel, robed in golden splendour shines; 
Shimmering mountains, throwing downward on the slopes a mazy glare 
Where the noonday glory sails through gulfs of calm and glittering air; 
Stately mountains, high and hoary, piled with blocks of amber cloud, 
Where the fading twilight lingers, when the winds are wailing loud; 

Grand old mountains, overbeetling brawling brooks and deep ravines, 
Where the moonshine, pale and mournful, flows on rocks and evergreens. 

Underneath these regal ridges - underneath the gnarly trees, 
I am sitting, lonely-hearted, listening to a lonely breeze! 
Sitting by an ancient casement, casting many a longing look 
Out across the hazy gloaming - out beyond the brawling brook! 
Over pathways leading skyward - over crag and swelling cone, 

Past long hillocks looking like to waves of ocean turned to stone; 
Yearning for a bliss unworldly, yearning for a brighter change, 
Yearning for the mystic Aidenn, built beyond this mountain range. 


Happy years, amongst these valleys, happy years have come and gone, 
And my youthful hopes and friendships withered with them one by one; 
Days and moments bearing onward many a bright and beauteous dream, 
All have passed me like to sunstreaks flying down a distant stream. 

Oh, the love returned by loved ones! Oh, the faces that I knew! 
Oh, the wrecks of fond affection! Oh, the hearts so warm and true! 
But their voices I remember, and a something lingers still, 
Like a dying echo roaming sadly round a far off hill. 


I would sojourn here contented, tranquil as I was of yore, 
And would never wish to clamber, seeking for an unknown shore; 
I have dwelt within this cottage twenty summers, and mine eyes 

Never wandered erewhile round in search of undiscovered skies; 
But a spirit sits beside me, veiled in robes of dazzling white, 
And a dear one's whisper wakens with the symphonies of night; 
And a low sad music cometh, borne along on windy wings, 
Like a strain familiar rising from a maze of slumbering springs. 


And the Spirit, by my window, speaketh to my restless soul, 
Telling of the clime she came from, where the silent moments roll; 

Telling of the bourne mysterious, where the sunny summers flee 
Cliffs and coasts, by man untrodden, ridging round a shipless sea. 

There the years of yore are blooming - there departed life-dreams dwell, 
There the faces beam with gladness that I loved in youth so well; 
There the songs of childhood travel, over wave-worn steep and strand - 
Over dale and upland stretching out behind this mountain land. 


``Lovely Being, can a mortal, weary of this changeless scene, 

Cross these cloudy summits to the land where man hath never been? 
Can he find a pathway leading through that wildering mass of pines, 
So that he shall reach the country where ethereal glory shines; 
So that he may glance at waters never dark with coming ships; 
Hearing round him gentle language floating from angelic lips; 
Casting off his earthly fetters, living there for evermore; 
All the blooms of Beauty near him, gleaming on that quiet shore? 


``Ere you quit this ancient casement, tell me, is it well to yearn 
For the evanescent visions, vanished never to return? 
Is it well that I should with to leave this dreary world behind, 
Seeking for your fair Utopia, which perchance I may not find? 
Passing through a gloomy forest, scaling steeps like prison walls, 
Where the scanty sunshine wavers and the moonlight seldom falls? 
Oh, the feelings re-awakened! Oh, the hopes of loftier range! 

Is it well, thou friendly Being, well to wish for such a change?'' 


But the Spirit answers nothing! and the dazzling mantle fades; 
And a wailing whisper wanders out from dismal seaside shades! 
``Lo, the trees are moaning loudly, underneath their hood-like shrouds, 
And the arch above us darkens, scarred with ragged thunder clouds!'' 
But the spirit answers nothing, and I linger all alone, 
Gazing through the moony vapours where the lovely Dream has flown; 

And my heart is beating sadly, and the music waxeth faint, 
Sailing up to holy Heaven, like the anthems of a Saint.


Written by Henry Wadsworth Longfellow | Create an image from this poem

Paul Revere's Ride

Listen, my children, and you shall hear 
Of the midnight ride of Paul Revere, 
On the eighteenth of April, in Seventy-Five: 
Hardly a man is now alive 
Who remembers that famous day and year.
He said to his friend, "If the British march By land or sea from the town to-night, Hang a lantern aloft in the belfry-arch Of the North-Church-tower, as a signal-light,-- One if by land, and two if by sea; And I on the opposite shore will be, Ready to ride and spread the alarm Through every Middlesex village and farm, For the country-folk to be up and to arm.
" Then he said "Good night!" and with muffled oar Silently rowed to the Charlestown shore, Just as the moon rose over the bay, Where swinging wide at her moorings lay The Somerset, British man-of-war: A phantom ship, with each mast and spar Across the moon, like a prison-bar, And a huge black hulk, that was magnified By its own reflection in the tide.
Meanwhile, his friend, through alley and street Wanders and watches with eager ears, Till in the silence around him he hears The muster of men at the barrack door, The sound of arms, and the tramp of feet, And the measured tread of the grenadiers Marching down to their boats on the shore.
Then he climbed to the tower of the church, Up the wooden stairs, with stealthy tread, To the belfry-chamber overhead, And startled the pigeons from their perch On the sombre rafters, that round him made Masses and moving shapes of shade,-- By the trembling ladder, steep and tall, To the highest window in the wall, Where he paused to listen and look down A moment on the roofs of the town, And the moonlight flowing over all.
Beneath, in the churchyard, lay the dead, In their night-encampment on the hill, Wrapped in silence so deep and still That he could hear, like a sentinel's tread, The watchful night-wind, as it went Creeping along from tent to tent, And seeming to whisper, "All is well!" A moment only he feels the spell Of the place and the hour, and the secret dread Of the lonely belfry and the dead; For suddenly all his thoughts are bent On a shadowy something far away, Where the river widens to meet the bay, -- A line of black, that bends and floats On the rising tide, like a bridge of boats.
Meanwhile, impatient to mount and ride, Booted and spurred, with a heavy stride, On the opposite shore walked Paul Revere.
Now he patted his horse's side, Now gazed on the landscape far and near, Then impetuous stamped the earth, And turned and tightened his saddle-girth; But mostly he watched with eager search The belfry-tower of the old North Church, As it rose above the graves on the hill, Lonely and spectral and sombre and still.
And lo! as he looks, on the belfry's height, A glimmer, and then a gleam of light! He springs to the saddle, the bridle he turns, But lingers and gazes, till full on his sight A second lamp in the belfry burns! A hurry of hoofs in a village-street, A shape in the moonlight, a bulk in the dark, And beneath from the pebbles, in passing, a spark Struck out by a steed that flies fearless and fleet: That was all! And yet, through the gloom and the light, The fate of a nation was riding that night; And the spark struck out by that steed, in his flight, Kindled the land into flame with its heat.
He has left the village and mounted the steep, And beneath him, tranquil and broad and deep, Is the Mystic, meeting the ocean tides; And under the alders, that skirt its edge, Now soft on the sand, now load on the ledge, Is heard the tramp of his steed as he rides.
It was twelve by the village clock When he crossed the bridge into Medford town.
He heard the crowing of the cock, And the barking of the farmer's dog, And felt the damp of the river-fog, That rises when the sun goes down.
It was one by the village clock, When he galloped into Lexington.
He saw the gilded weathercock Swim in the moonlight as he passed, And the meeting-house windows, blank and bare, Gaze at him with a spectral glare, As if they already stood aghast At the bloody work they would look upon.
It was two by the village clock, When be came to the bridge in Concord town.
He heard the bleating of the flock, And the twitter of birds among the trees, And felt the breath of the morning breeze Blowing over the meadows brown.
And one was safe and asleep in his bed Who at the bridge would be first to fall, Who that day would be lying dead, Pierced by a British musket-ball.
You know the rest.
In the books you have read, How the British Regulars fired and fled,-- How the farmers gave them ball for ball, From behind each fence and farmyard-wall, Chasing the red-coats down the lane, Then crossing the fields to emerge again Under the trees at the turn of the road, And only pausing to fire and load.
So through the night rode Paul Revere; And so through the night went his cry of alarm To every Middlesex village and farm,-- A cry of defiance, and not of fear, A voice in the darkness, a knock at the door, And a word that shall echo forevermore! For, borne on the night-wind of the Past, Through all our history, to the last, In the hour of darkness and peril and need, The people will waken and listen to hear The hurrying hoof-beats of that steed, And the midnight message of Paul Revere.
Written by Thomas Campbell | Create an image from this poem

Ode to Winter

 When first the fiery-mantled sun 
His heavenly race begun to run; 
Round the earth and ocean blue, 
His children four the Seasons flew.
First, in green apparel dancing, The young Spring smiled with angel grace; Rosy summer next advancing, Rushed into her sire's embrace:- Her blue-haired sire, who bade her keep For ever nearest to his smile, On Calpe's olive-shaded steep, On India's citron-covered isles: More remote and buxom-brown, The Queen of vintage bowed before his throne, A rich pomegranate gemmed her gown, A ripe sheaf bound her zone.
But howling Winter fled afar, To hills that prop the polar star, And lives on deer-borne car to ride With barren darkness at his side, Round the shore where loud Lofoden Whirls to death the roaring whale, Round the hall where runic Odin Howls his war-song to the gale; Save when adown the ravaged globe He travels on his native storm, Deflowering Nature's grassy robe, And trampling on her faded form:- Till light's returning lord assume The shaft the drives him to his polar field, Of power to pierce his raven plume And crystal-covered shield.
Oh, sire of storms! whose savage ear The Lapland drum delights to hear, When frenzy with her blood-shot eye Implores thy dreadful deity, Archangel! power of desolation! Fast descending as thou art, Say, hath mortal invocation Spells to touch thy stony heart? Then, sullen Winter, hear my prayer, And gently rule the ruined year; Nor chill the wanders bosom bare, Nor freeze the wretch's falling tear;- To shuddering Want's unmantled bed Thy horror-breathing agues cease to lead, And gently on the orphan head Of innocence descend.
- But chiefly spare, O king of clouds! The sailor on his airy shrouds; When wrecks and beacons strew the steep, And specters walk along the deep.
Milder yet thy snowy breezes Pour on yonder tented shores, Where the Rhine's broad billow freezes, Or the Dark-brown Danube roars.
Oh, winds of winter! List ye there To many a deep and dying groan; Or start, ye demons of the midnight air, At shrieks and thunders louder than your own.
Alas! Even unhallowed breath May spare the victim fallen low; But man will ask no truce of death,- No bounds to human woe.
Written by Sarojini Naidu | Create an image from this poem

Life

 CHILDREN, ye have not lived, to you it seems 
Life is a lovely stalactite of dreams, 
Or carnival of careless joys that leap 
About your hearts like billows on the deep 
In flames of amber and of amethyst.
Children, ye have not lived, ye but exist Till some resistless hour shall rise and move Your hearts to wake and hunger after love, And thirst with passionate longing for the things That burn your brows with blood-red sufferings.
Till ye have battled with great grief and fears, And borne the conflict of dream-shattering years, Wounded with fierce desire and worn with strife, Children, ye have not lived: for this is life.
Written by Nikki Giovanni | Create an image from this poem

Life Cycles

Life Cycles


she realized
she wasn't one
of life's winners
when she wasn't sure
life to her was some dark
dirty secret that
like some unwanted child
too late for an abortion
was to be borne
alone


she had so many private habits
she would masturbate sometimes
she always picked her nose when upset
she liked to sit with silence
in the dark
sadness is not an unusual state
for the black woman
or writers


she took to sneaking drinks
a habit which displeased her
both for its effects
and taste
yet eventually sleep
would wrestle her in triumph
onto the bed



Written by Anne Bronte | Create an image from this poem

Power of Love

 Love, indeed thy strength is mighty
Thus, alone, such strife to bear --
Three 'gainst one, and never ceasing --
Death, and Madness, and Despair! 
'Tis not my own strength has saved me;
Health, and hope, and fortitude,
But for love, had long since failed me;
Heart and soul had sunk subdued.
Often, in my wild impatience, I have lost my trust in Heaven, And my soul has tossed and struggled, Like a vessel tempest-driven; But the voice of my beloved In my ear has seemed to say -- 'O, be patient if thou lov'st me!' And the storm has passed away.
When outworn with weary thinking, Sight and thought were waxing dim, And my mind began to wander, And my brain began to swim, Then those hands outstretched to save me Seemed to call me back again -- Those dark eyes did so implore me To resume my reason's reign, That I could not but remember How her hopes were fixed on me, And, with one determined effort, Rose, and shook my spirit free.
When hope leaves my weary spirit -- All the power to hold it gone -- That loved voice so loudly prays me, 'For my sake, keep hoping on,' That, at once my strength renewing, Though Despair had crushed me down, I can burst his bonds asunder, And defy his deadliest frown.
When, from nights of restless tossing, Days of gloom and pining care, Pain and weakness, still increasing, Seem to whisper 'Death is near,' And I almost bid him welcome, Knowing he would bring release, Weary of this restless struggle -- Longing to repose in peace, Then a glance of fond reproval Bids such selfish longings flee And a voice of matchless music Murmurs 'Cherish life for me!' Roused to newborn strength and courage, Pain and grief, I cast away, Health and life, I keenly follow, Mighty Death is held at bay.
Yes, my love, I will be patient! Firm and bold my heart shall be: Fear not -- though this life is dreary, I can bear it well for thee.
Let our foes still rain upon me Cruel wrongs and taunting scorn; 'Tis for thee their hate pursues me, And for thee, it shall be borne!
Written by John Trumbull | Create an image from this poem

To A Young Lady

 In vain, fair Maid, you ask in vain,
My pen should try th' advent'rous strain,
And following truth's unalter'd law,
Attempt your character to draw.
I own indeed, that generous mind That weeps the woes of human kind, That heart by friendship's charms inspired, That soul with sprightly fancy fired, The air of life, the vivid eye, The flowing wit, the keen reply-- To paint these beauties as they shine, Might ask a nobler pen than mine.
Yet what sure strokes can draw the Fair, Who vary, like the fleeting air, Like willows bending to the force, Where'er the gales direct their course, Opposed to no misfortune's power, And changing with the changing hour.
Now gaily sporting on the plain, They charm the grove with pleasing strain; Anon disturb'd, they know not why, The sad tear trembles in their eye: Led through vain life's uncertain dance, The dupes of whim, the slaves of chance.
From me, not famed for much goodnature, Expect not compliment, but satire; To draw your picture quite unable, Instead of fact accept a Fable.
One morn, in Æsop's noisy time, When all things talk'd, and talk'd in rhyme, A cloud exhaled by vernal beams Rose curling o'er the glassy streams.
The dawn her orient blushes spread, And tinged its lucid skirts with red, Wide waved its folds with glitt'ring dies, And gaily streak'd the eastern skies; Beneath, illumed with rising day, The sea's broad mirror floating lay.
Pleased, o'er the wave it hung in air, Survey'd its glittering glories there, And fancied, dress'd in gorgeous show, Itself the brightest thing below: For clouds could raise the vaunting strain, And not the fair alone were vain.
Yet well it knew, howe'er array'd, That beauty, e'en in clouds, might fade, That nothing sure its charms could boast Above the loveliest earthly toast; And so, like them, in early dawn Resolved its picture should be drawn, That when old age with length'ning day Should brush the vivid rose away, The world should from the portrait own Beyond all clouds how bright it shone.
Hard by, a painter raised his stage, Far famed, the Copley[1] of his age.
So just a form his colours drew, Each eye the perfect semblance knew; Yet still on every blooming face He pour'd the pencil's flowing grace; Each critic praised the artist rare, Who drew so like, and yet so fair.
To him, high floating in the sky Th' elated Cloud advanced t' apply.
The painter soon his colours brought, The Cloud then sat, the artist wrought; Survey'd her form, with flatt'ring strictures, Just as when ladies sit for pictures, Declared "whatever art can do, My utmost skill shall try for you: But sure those strong and golden dies Dipp'd in the radiance of the skies, Those folds of gay celestial dress, No mortal colours can express.
Not spread triumphal o'er the plain, The rainbow boasts so fair a train, Nor e'en the morning sun so bright, Who robes his face in heav'nly light.
To view that form of angel make, Again Ixion would mistake,[2] And justly deem so fair a prize, The sovereign Mistress of the skies," He said, and drew a mazy line, With crimson touch his pencils shine, The mingling colours sweetly fade, And justly temper light and shade.
He look'd; the swelling Cloud on high With wider circuit spread the sky, Stretch'd to the sun an ampler train, And pour'd new glories on the main.
As quick, effacing every ground, His pencil swept the canvas round, And o'er its field, with magic art, Call'd forth new forms in every part.
But now the sun, with rising ray, Advanced with speed his early way; Each colour takes a differing die, The orange glows, the purples fly.
The artist views the alter'd sight, And varies with the varying light; In vain! a sudden gust arose, New folds ascend, new shades disclose, And sailing on with swifter pace, The Cloud displays another face.
In vain the painter, vex'd at heart, Tried all the wonders of his art; In vain he begg'd, her form to grace, One moment she would keep her place: For, "changing thus with every gale, Now gay with light, with gloom now pale, Now high in air with gorgeous train, Now settling on the darken'd main, With looks more various than the moon; A French coquette were drawn as soon.
" He spoke; again the air was mild, The Cloud with opening radiance smiled; With canvas new his art he tries, Anew he joins the glitt'ring dies; Th' admiring Cloud with pride beheld Her image deck the pictured field, And colours half-complete adorn The splendor of the painted morn.
When lo, the stormy winds arise, Deep gloom invests the changing skies; The sounding tempest shakes the plain, And lifts in billowy surge the main.
The Cloud's gay dies in darkness fade, Its folds condense in thicker shade, And borne by rushing blasts, its form With lowering vapour joins the storm.
Written by John Keats | Create an image from this poem

To Autumn

SEASON of mists and mellow fruitfulness! 
Close bosom-friend of the maturing sun; 
Conspiring with him how to load and bless 
With fruit the vines that round the thatch-eaves run; 
To bend with apples the moss'd cottage-trees 5 
And fill all fruit with ripeness to the core; 
To swell the gourd and plump the hazel shells 
With a sweet kernel; to set budding more  
And still more later flowers for the bees  
Until they think warm days will never cease 10 
For Summer has o'er-brimm'd their clammy cells.
Who hath not seen thee oft amid thy store? Sometimes whoever seeks abroad may find Thee sitting careless on a granary floor Thy hair soft-lifted by the winnowing wind; 15 Or on a half-reap'd furrow sound asleep Drowsed with the fume of poppies while thy hook Spares the next swath and all its twin¨¨d flowers; And sometimes like a gleaner thou dost keep Steady thy laden head across a brook; 20 Or by a cider-press with patient look Thou watchest the last oozings hours by hours.
Where are the songs of Spring? Ay where are they? Think not of them thou hast thy music too ¡ª While barr¨¨d clouds bloom the soft-dying day 25 And touch the stubble-plains with rosy hue; Then in a wailful choir the small gnats mourn Among the river sallows borne aloft Or sinking as the light wind lives or dies; And full-grown lambs loud bleat from hilly bourn; 30 Hedge-crickets sing; and now with treble soft The redbreast whistles from a garden-croft; And gathering swallows twitter in the skies.
Written by John Wilmot | Create an image from this poem

A Satyre Against Mankind

 Were I - who to my cost already am
One of those strange, prodigious creatures, man -
A spirit free to choose for my own share
What sort of flesh and blood I pleased to wear,
I'd be a dog, a monkey, or a bear,
Or anything but that vain animal,
Who is so proud of being rational.
His senses are too gross; and he'll contrive A sixth, to contradict the other five; And before certain instinct will prefer Reason, which fifty times for one does err.
Reason, an ignis fatuus of the mind, Which leaving light of nature, sense, behind, Pathless and dangerous wand'ring ways it takes, Through Error's fenny bogs and thorny brakes; Whilst the misguided follower climbs with pain Mountains of whimsey's, heaped in his own brain; Stumbling from thought to thought, falls headlong down, Into Doubt's boundless sea where, like to drown, Books bear him up awhile, and make him try To swim with bladders of Philosophy; In hopes still to o'ertake the escaping light; The vapour dances, in his dancing sight, Till spent, it leaves him to eternal night.
Then old age and experience, hand in hand, Lead him to death, make him to understand, After a search so painful, and so long, That all his life he has been in the wrong: Huddled In dirt the reasoning engine lies, Who was so proud, so witty, and so wise.
Pride drew him in, as cheats their bubbles catch, And made him venture; to be made a wretch.
His wisdom did has happiness destroy, Aiming to know that world he should enjoy; And Wit was his vain, frivolous pretence Of pleasing others, at his own expense.
For wits are treated just like common whores, First they're enjoyed, and then kicked out of doors; The pleasure past, a threatening doubt remains, That frights th' enjoyer with succeeding pains: Women and men of wit are dangerous tools, And ever fatal to admiring fools.
Pleasure allures, and when the fops escape, 'Tis not that they're beloved, but fortunate, And therefore what they fear, at heart they hate: But now, methinks some formal band and beard Takes me to task; come on sir, I'm prepared: "Then by your Favour, anything that's writ Against this jibing, jingling knack called Wit Likes me abundantly: but you take care Upon this point not to be too severe.
Perhaps my Muse were fitter for this part, For I profess I can be very smart On Wit, which I abhor with all my heart; I long to lash it in some sharp essay, But your grand indiscretion bids me stay, And turns my tide of ink another way.
What rage Torments in your degenerate mind, To make you rail at reason, and mankind Blessed glorious man! To whom alone kind heaven An everlasting soul hath freely given; Whom his great maker took such care to make, That from himself he did the image take; And this fair frame in shining reason dressed, To dignify his nature above beast.
Reason, by whose aspiring influence We take a flight beyond material sense, Dive into mysteries, then soaring pierce The flaming limits of the universe, Search heaven and hell, Find out what's acted there, And give the world true grounds of hope and fear.
" Hold mighty man, I cry, all this we know, From the pathetic pen of Ingelo; From Patrlck's Pilgrim, Sibbes' Soliloquies, And 'tis this very reason I despise, This supernatural gift that makes a mite Think he's an image of the infinite; Comparing his short life, void of all rest, To the eternal, and the ever-blessed.
This busy, pushing stirrer-up of doubt, That frames deep mysteries, then finds them out; Filling with frantic crowds of thinking fools The reverend bedlam's, colleges and schools; Borne on whose wings each heavy sot can pierce The limits of the boundless universe; So charming ointments make an old witch fly, And bear a crippled carcass through the sky.
'Tis the exalted power whose business lies In nonsense and impossibilities.
This made a whimsical philosopher Before the spacious world his tub prefer, And we have modern cloistered coxcombs, who Retire to think 'cause they have nought to do.
But thoughts are given for action's government; Where action ceases, thought's impertinent: Our sphere of action is life's happiness, And he that thinks beyond thinks like an ass.
Thus, whilst against false reasoning I inveigh.
I own right reason, which I would obey: That reason which distinguishes by sense, And gives us rules of good and ill from thence; That bounds desires.
with a reforming will To keep 'em more in vigour, not to kill.
- Your reason hinders, mine helps to enjoy, Renewing appetites yours would destroy.
My reason is my friend, yours is a cheat, Hunger calls out, my reason bids me eat; Perversely.
yours your appetite does mock: This asks for food, that answers, 'what's o'clock' This plain distinction, sir, your doubt secures, 'Tis not true reason I despise, but yours.
Thus I think reason righted, but for man, I'll ne'er recant, defend him if you can: For all his pride, and his philosophy, 'Tis evident: beasts are in their own degree As wise at least, and better far than he.
Those creatures are the wisest who attain.
- By surest means.
the ends at which they aim.
If therefore Jowler finds and kills the hares, Better than Meres supplies committee chairs; Though one's a statesman, th' other but a hound, Jowler in justice would be wiser found.
You see how far man's wisdom here extends.
Look next if human nature makes amends; Whose principles are most generous and just, - And to whose morals you would sooner trust: Be judge yourself, I'll bring it to the test, Which is the basest creature, man or beast Birds feed on birds, beasts on each other prey, But savage man alone does man betray: Pressed by necessity; they kill for food, Man undoes man, to do himself no good.
With teeth and claws, by nature armed, they hunt Nature's allowance, to supply their want.
But man, with smiles, embraces.
friendships.
Praise, Inhumanely his fellow's life betrays; With voluntary pains works his distress, Not through necessity, but wantonness.
For hunger or for love they bite, or tear, Whilst wretched man is still in arms for fear.
For fear he arms, and is of arms afraid: From fear, to fear, successively betrayed.
Base fear, the source whence his best passions came.
His boasted honour, and his dear-bought fame.
The lust of power, to whom he's such a slave, And for the which alone he dares be brave; To which his various projects are designed, Which makes him generous, affable, and kind.
For which he takes such pains to be thought wise, And screws his actions, in a forced disguise; Leads a most tedious life in misery, Under laborious, mean hypocrisy.
Look to the bottom of his vast design, Wherein man's wisdom, power, and glory join: The good he acts.
the ill he does endure.
'Tis all from fear, to make himself secure.
Merely for safety after fame they thirst, For all men would be cowards if they durst.
And honesty's against all common sense, Men must be knaves, 'tis in their own defence.
Mankind's dishonest: if you think it fair Among known cheats to play upon the square, You'll be undone.
Nor can weak truth your reputation save, The knaves will all agree to call you knave.
Wronged shall he live, insulted o'er, oppressed, Who dares be less a villain than the rest.
Thus sir, you see what human nature craves, Most men are cowards, all men should be knaves; The difference lies, as far as I can see.
Not in the thing itself, but the degree; And all the subject matter of debate Is only, who's a knave of the first rate All this with indignation have I hurled At the pretending part of the proud world, Who, swollen with selfish vanity, devise, False freedoms, holy cheats, and formal lies, Over their fellow slaves to tyrannise.
But if in Court so just a man there be, (In Court, a just man - yet unknown to me) Who does his needful flattery direct Not to oppress and ruin, but protect: Since flattery, which way soever laid, Is still a tax: on that unhappy trade.
If so upright a statesman you can find, Whose passions bend to his unbiased mind, Who does his arts and policies apply To raise his country, not his family; Nor while his pride owned avarice withstands, Receives close bribes, from friends corrupted hands.
Is there a churchman who on God relies Whose life, his faith and doctrine justifies Not one blown up, with vain prelatic pride, Who for reproofs of sins does man deride; Whose envious heart makes preaching a pretence With his obstreperous, saucy eloquence, To chide at kings, and rail at men of sense; Who from his pulpit vents more peevlsh lies, More bitter railings, scandals, calumnies, Than at a gossiping are thrown about When the good wives get drunk, and then fall out.
None of that sensual tribe, whose talents lie In avarice, pride, sloth, and gluttony.
Who hunt good livings; but abhor good lives, Whose lust exalted, to that height arrives, They act adultery with their own wives.
And ere a score of years completed be, Can from the loftiest pulpit proudly see, Half a large parish their own progeny.
Nor doting bishop, who would be adored For domineering at the Council board; A greater fop, in business at fourscore, Fonder of serious toys, affected more, Than the gay, glittering fool at twenty proves, With all his noise, his tawdry clothes and loves.
But a meek, humble man, of honest sense, Who preaching peace does practise continence; Whose pious life's a proof he does believe Mysterious truths which no man can conceive.
If upon Earth there dwell such god-like men, I'll here recant my paradox to them, Adores those shrines of virtue, homage pay, And with the rabble world their laws obey.
If such there are, yet grant me this at least, Man differs more from man than man from beast.
Written by Derek Walcott | Create an image from this poem

The Star-Apple Kingdom

 There were still shards of an ancient pastoral 
in those shires of the island where the cattle drank 
their pools of shadow from an older sky, 
surviving from when the landscape copied such objects as 
"Herefords at Sunset in the valley of the Wye.
" The mountain water that fell white from the mill wheel sprinkling like petals from the star-apple trees, and all of the windmills and sugar mills moved by mules on the treadmill of Monday to Monday, would repeat in tongues of water and wind and fire, in tongues of Mission School pickaninnies, like rivers remembering their source, Parish Trelawny, Parish St David, Parish St Andrew, the names afflicting the pastures, the lime groves and fences of marl stone and the cattle with a docile longing, an epochal content.
And there were, like old wedding lace in an attic, among the boas and parasols and the tea-colored daguerreotypes, hints of an epochal happiness as ordered and infinite to the child as the great house road to the Great House down a perspective of casuarinas plunging green manes in time to the horses, an orderly life reduced by lorgnettes day and night, one disc the sun, the other the moon, reduced into a pier glass: nannies diminished to dolls, mahogany stairways no larger than those of an album in which the flash of cutlery yellows, as gamboge as the piled cakes of teatime on that latticed bougainvillea verandah that looked down toward a prospect of Cuyp-like Herefords under a sky lurid as a porcelain souvenir with these words: "Herefords at Sunset in the Valley of the Wye.
" Strange, that the rancor of hatred hid in that dream of slow rivers and lily-like parasols, in snaps of fine old colonial families, curled at the edge not from age of from fire or the chemicals, no, not at all, but because, off at its edges, innocently excluded stood the groom, the cattle boy, the housemaid, the gardeners, the tenants, the good ******* down in the village, their mouth in the locked jaw of a silent scream.
A scream which would open the doors to swing wildly all night, that was bringing in heavier clouds, more black smoke than cloud, frightening the cattle in whose bulging eyes the Great House diminished; a scorching wind of a scream that began to extinguish the fireflies, that dried the water mill creaking to a stop as it was about to pronounce Parish Trelawny all over, in the ancient pastoral voice, a wind that blew all without bending anything, neither the leaves of the album nor the lime groves; blew Nanny floating back in white from a feather to a chimerical, chemical pin speck that shrank the drinking Herefords to brown porcelain cows on a mantelpiece, Trelawny trembling with dusk, the scorched pastures of the old benign Custos; blew far the decent servants and the lifelong cook, and shriveled to a shard that ancient pastoral of dusk in a gilt-edged frame now catching the evening sun in Jamaica, making both epochs one.
He looked out from the Great House windows on clouds that still held the fragrance of fire, he saw the Botanical Gardens officially drown in a formal dusk, where governors had strolled and black gardeners had smiled over glinting shears at the lilies of parasols on the floating lawns, the flame trees obeyed his will and lowered their wicks, the flowers tightened their fists in the name of thrift, the porcelain lamps of ripe cocoa, the magnolia's jet dimmed on the one circuit with the ginger lilies and left a lonely bulb on the verandah, and, had his mandate extended to that ceiling of star-apple candelabra, he would have ordered the sky to sleep, saying, I'm tired, save the starlight for victories, we can't afford it, leave the moon on for one more hour,and that's it.
But though his power, the given mandate, extended from tangerine daybreaks to star-apple dusks, his hand could not dam that ceaseless torrent of dust that carried the shacks of the poor, to their root-rock music, down the gullies of Yallahs and August Town, to lodge them on thorns of maca, with their rags crucified by cactus, tins, old tires, cartons; from the black Warieka Hills the sky glowed fierce as the dials of a million radios, a throbbing sunset that glowed like a grid where the dread beat rose from the jukebox of Kingston.
He saw the fountains dried of quadrilles, the water-music of the country dancers, the fiddlers like fifes put aside.
He had to heal this malarial island in its bath of bay leaves, its forests tossing with fever, the dry cattle groaning like winches, the grass that kept shaking its head to remember its name.
No vowels left in the mill wheel, the river.
Rock stone.
Rock stone.
The mountains rolled like whales through phosphorous stars, as he swayed like a stone down fathoms into sleep, drawn by that magnet which pulls down half the world between a star and a star, by that black power that has the assassin dreaming of snow, that poleaxes the tyrant to a sleeping child.
The house is rocking at anchor, but as he falls his mind is a mill wheel in moonlight, and he hears, in the sleep of his moonlight, the drowned bell of Port Royal's cathedral, sees the copper pennies of bubbles rising from the empty eye-pockets of green buccaneers, the parrot fish floating from the frayed shoulders of pirates, sea horses drawing gowned ladies in their liquid promenade across the moss-green meadows of the sea; he heard the drowned choirs under Palisadoes, a hymn ascending to earth from a heaven inverted by water, a crab climbing the steeple, and he climbed from that submarine kingdom as the evening lights came on in the institute, the scholars lamplit in their own aquarium, he saw them mouthing like parrot fish, as he passed upward from that baptism, their history lessons, the bubbles like ideas which he could not break: Jamaica was captured by Penn and Venables, Port Royal perished in a cataclysmic earthquake.
Before the coruscating façades of cathedrals from Santiago to Caracas, where penitential archbishops washed the feet of paupers (a parenthetical moment that made the Caribbean a baptismal font, turned butterflies to stone, and whitened like doves the buzzards circling municipal garbage), the Caribbean was borne like an elliptical basin in the hands of acolytes, and a people were absolved of a history which they did not commit; the slave pardoned his whip, and the dispossessed said the rosary of islands for three hundred years, a hymn that resounded like the hum of the sea inside a sea cave, as their knees turned to stone, while the bodies of patriots were melting down walls still crusted with mute outcries of La Revolucion! "San Salvador, pray for us,St.
Thomas, San Domingo, ora pro nobis, intercede for us, Sancta Lucia of no eyes," and when the circular chaplet reached the last black bead of Sancta Trinidad they began again, their knees drilled into stone, where Colon had begun, with San Salvador's bead, beads of black colonies round the necks of Indians.
And while they prayed for an economic miracle, ulcers formed on the municipal portraits, the hotels went up, and the casinos and brothels, and the empires of tobacco, sugar, and bananas, until a black woman, shawled like a buzzard, climbed up the stairs and knocked at the door of his dream, whispering in the ear of the keyhole: "Let me in, I'm finished with praying, I'm the Revolution.
I am the darker, the older America.
" She was as beautiful as a stone in the sunrise, her voice had the gutturals of machine guns across khaki deserts where the cactus flower detonates like grenades, her sex was the slit throat of an Indian, her hair had the blue-black sheen of the crow.
She was a black umbrella blown inside out by the wind of revolution, La Madre Dolorosa, a black rose of sorrow, a black mine of silence, raped wife, empty mother, Aztec virgin transfixed by arrows from a thousand guitars, a stone full of silence, which, if it gave tongue to the tortures done in the name of the Father, would curdle the blood of the marauding wolf, the fountain of generals, poets, and cripples who danced without moving over their graves with each revolution; her Caesarean was stitched by the teeth of machine guns,and every sunset she carried the Caribbean's elliptical basin as she had once carried the penitential napkins to be the footbath of dictators, Trujillo, Machado, and those whose faces had yellowed like posters on municipal walls.
Now she stroked his hair until it turned white, but she would not understand that he wanted no other power but peace, that he wanted a revolution without any bloodshed, he wanted a history without any memory, streets without statues, and a geography without myth.
He wanted no armies but those regiments of bananas, thick lances of cane, and he sobbed,"I am powerless, except for love.
" She faded from him, because he could not kill; she shrunk to a bat that hung day and night in the back of his brain.
He rose in his dream.
(to be continued)

Book: Shattered Sighs