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Best Famous Boo Poems

Here is a collection of the all-time best famous Boo poems. This is a select list of the best famous Boo poetry. Reading, writing, and enjoying famous Boo poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of boo poems.

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Written by Maya Angelou | Create an image from this poem

Life doesn't frighten me at all

Shadows on the wall
Noises down the hall
Life doesn't frighten me at all
 
Bad dogs barking loud
Big ghosts in a cloud
Life doesn't frighten me at all
 
Mean old Mother Goose
Lions on the loose
They don't frighten me at all
 
Dragons breathing flame
On my counterpane
That doesn't frighten me at all.
 
I go boo
Make them shoo
I make fun
Way they run
I won't cry
So they fly
I just smile
They go wild
 
Life doesn't frighten me at all.
 
Tough guys fight
All alone at night
Life doesn't frighten me at all.
 
Panthers in the park
Strangers in the dark
No, they don't frighten me at all.
 
That new classroom where
Boys all pull my hair
(Kissy little girls
With their hair in curls)
They don't frighten me at all.
 
Don't show me frogs and snakes
And listen for my scream,
If I'm afraid at all
It's only in my dreams.
 
I've got a magic charm
That I keep up my sleeve
I can walk the ocean floor
And never have to breathe.
 
Life doesn't frighten me at all
Not at all
Not at all.
 
Life doesn't frighten me at all.


Written by Ogden Nash | Create an image from this poem

The Boy Who Laughed At Santa Claus

 In Baltimore there lived a boy.
He wasn't anybody's joy.
Although his name was Jabez Dawes, His character was full of flaws.
In school he never led his classes, He hid old ladies' reading glasses, His mouth was open when he chewed, And elbows to the table glued.
He stole the milk of hungry kittens, And walked through doors marked NO ADMITTANCE.
He said he acted thus because There wasn't any Santa Claus.
Another trick that tickled Jabez Was crying 'Boo' at little babies.
He brushed his teeth, they said in town, Sideways instead of up and down.
Yet people pardoned every sin, And viewed his antics with a grin, Till they were told by Jabez Dawes, 'There isn't any Santa Claus!' Deploring how he did behave, His parents swiftly sought their grave.
They hurried through the portals pearly, And Jabez left the funeral early.
Like whooping cough, from child to child, He sped to spread the rumor wild: 'Sure as my name is Jabez Dawes There isn't any Santa Claus!' Slunk like a weasel of a marten Through nursery and kindergarten, Whispering low to every tot, 'There isn't any, no there's not!' The children wept all Christmas eve And Jabez chortled up his sleeve.
No infant dared hang up his stocking For fear of Jabez' ribald mocking.
He sprawled on his untidy bed, Fresh malice dancing in his head, When presently with scalp-a-tingling, Jabez heard a distant jingling; He heard the crunch of sleigh and hoof Crisply alighting on the roof.
What good to rise and bar the door? A shower of soot was on the floor.
What was beheld by Jabez Dawes? The fireplace full of Santa Claus! Then Jabez fell upon his knees With cries of 'Don't,' and 'Pretty Please.
' He howled, 'I don't know where you read it, But anyhow, I never said it!' 'Jabez' replied the angry saint, 'It isn't I, it's you that ain't.
Although there is a Santa Claus, There isn't any Jabez Dawes!' Said Jabez then with impudent vim, 'Oh, yes there is, and I am him! Your magic don't scare me, it doesn't' And suddenly he found he wasn't! From grimy feet to grimy locks, Jabez became a Jack-in-the-box, An ugly toy with springs unsprung, Forever sticking out his tongue.
The neighbors heard his mournful squeal; They searched for him, but not with zeal.
No trace was found of Jabez Dawes, Which led to thunderous applause, And people drank a loving cup And went and hung their stockings up.
All you who sneer at Santa Claus, Beware the fate of Jabez Dawes, The saucy boy who mocked the saint.
Donner and Blitzen licked off his paint.
Written by Anne Sexton | Create an image from this poem

The Division Of Parts

 1.
Mother, my Mary Gray, once resident of Gloucester and Essex County, a photostat of your will arrived in the mail today.
This is the division of money.
I am one third of your daughters counting my bounty or I am a queen alone in the parlor still, eating the bread and honey.
It is Good Friday.
Black birds pick at my window sill.
Your coat in my closet, your bright stones on my hand, the gaudy fur animals I do not know how to use, settle on me like a debt.
A week ago, while the hard March gales beat on your house, we sorted your things: obstacles of letters, family silver, eyeglasses and shoes.
Like some unseasoned Christmas, its scales rigged and reset, I bundled out gifts I did not choose.
Now the houts of The Cross rewind.
In Boston, the devout work their cold knees toward that sweet martyrdom that Christ planned.
My timely loss is too customary to note; and yet I planned to suffer and I cannot.
It does not please my yankee bones to watch where the dying is done in its usly hours.
Black birds peck at my window glass and Easter will take its ragged son.
The clutter of worship that you taught me, Mary Gray, is old.
I imitate a memory of belief that I do not own.
I trip on your death and jesus, my stranger floats up over my Christian home, wearing his straight thorn tree.
I have cast my lot and am one third thief of you.
Time, that rearranger of estates, equips me with your garments, but not with grief.
2.
This winter when cancer began its ugliness I grieved with you each day for three months and found you in your private nook of the medicinal palace for New England Women and never once forgot how long it took.
I read to you from The New Yorker, ate suppers you wouldn't eat, fussed with your flowers, joked with your nurses, as if I were the balm among lepers, as if I could undo a life in hours if I never said goodbye.
But you turned old, all your fifty-eight years sliding like masks from your skull; and at the end I packed your nightgowns in suitcases, paid the nurses, came riding home as if I'd been told I could pretend people live in places.
3.
Since then I have pretended ease, loved with the trickeries of need, but not enough to shed my daughterhood or sweeten him as a man.
I drink the five o' clock martinis and poke at this dry page like a rough goat.
Fool! I fumble my lost childhood for a mother and lounge in sad stuff with love to catch and catch as catch can.
And Christ still waits.
I have tried to exorcise the memory of each event and remain still, a mixed child, heavy with cloths of you.
Sweet witch, you are my worried guide.
Such dangerous angels walk through Lent.
Their walls creak Anne! Convert! Convert! My desk moves.
Its cavr murmurs Boo and I am taken and beguiled.
Or wrong.
For all the way I've come I'll have to go again.
Instead, I must convert to love as reasonable as Latin, as sold as earthenware: an equilibrium I never knew.
And Lent will keep its hurt for someone else.
Christ knows enough staunch guys have hitched him in trouble.
thinking his sticks were badges to wear.
4.
Spring rusts on its skinny branch and last summer's lawn is soggy and brown.
Yesterday is just a number.
All of its winters avalanche out of sight.
What was, is gone.
Mother, last night I slept in your Bonwit Teller nightgown.
Divided, you climbed into my head.
There in my jabbering dream I heard my own angry cries and I cursed you, Dame keep out of my slumber.
My good Dame, you are dead.
And Mother, three stones slipped from your glittering eyes.
Now it's Friday's noon and I would still curse you with my rhyming words and bring you flapping back, old love, old circus knitting, god-in-her-moon, all fairest in my lang syne verse, the gauzy bride among the children, the fancy amid the absurd and awkward, that horn for hounds that skipper homeward, that museum keeper of stiff starfish, that blaze within the pilgrim woman, a clown mender, a dove's cheek among the stones, my Lady of first words, this is the division of ways.
And now, while Christ stays fastened to his Crucifix so that love may praise his sacrifice and not the grotesque metaphor, you come, a brave ghost, to fix in my mind without praise or paradise to make me your inheritor.
Written by Spike Milligan | Create an image from this poem

On the Ning Nang Nong

 On the Ning Nang Nong 
Where the Cows go Bong! 
and the monkeys all say BOO! 
There's a Nong Nang Ning 
Where the trees go Ping! 
And the tea pots jibber jabber joo.
On the Nong Ning Nang All the mice go Clang And you just can't catch 'em when they do! So its Ning Nang Nong Cows go Bong! Nong Nang Ning Trees go ping Nong Ning Nang The mice go Clang What a noisy place to belong is the Ning Nang Ning Nang Nong!!
Written by Rg Gregory | Create an image from this poem

adventure

 just as the dusk comes hooting
down through the shivering black leaves
of the swinging trees we (the brave ones
swaggering like marshalls through a lynch-mob)
crash-bang our way to the door
of the so-called haunted house

knock knock - kick in a pane of glass
and the dusk hoots louder in our ears
and the swinging trees ride like a mob
with murder in mind - knock knock -
the heavy knocker on the solid door
shaking the house - knock knock
knock knock - louder shaking our brave
bodies the heavy knocker of our hearts

knock knock - knock knock knock

we laugh with a harsh laughter we
have never heard before push and shove
each other in a boisterous fear
lean on heave crash open the door
fall in a heap inside - pick ourselves up
courageous still giggling and bruised.
.
.
.
.
shush find words bounce our voices off the walls.
.
.
.
shush shush yell catcalls scream shriek roar batter and shatter.
.
.
.
.
shush shush shush oh shush yourselves no really - shush in the air under the stair what can we hear shush are you getting scared we knew it we knew that if we dared.
.
.
.
we can hear noises noises noises in an empty house the sound of our voices echoes in crevices rattles in doorways booms in the hollowness of empty rooms no that isn't all that doesn't explain the tall hooded silence standing in the hall or the whispering smell of dust bristling the floor scurrying like the dried-up bones of mice to the hole in the crumbling wall something snatches our voices away from us too quickly for our voices to be all nonsense the house is dead it can't harm us old bricks and wood you're letting the darkness go to your head shout if you don't believe us shout if anybody's there if anybody's there you won't get us afraid of you whoever you are whoever you are this is what we think of you boo boo boo what's wrong what's wrong tell us what's wrong listen nothing no nothing at all your voices went but they didn't return you called but nothing came back at all there's something there swallowing up words absorbing them into air heavy waiting alert (daddy-longlegs pitch on skin sinister fingers whisper through the roots of our hair.
.
.
.
) .
.
.
.
we're not afraid of you nothing nobody we know you're there what is it at the end of the passage in the gloom by the still door eyeing without eyes everything we do sucking us in with its black stare you think it's funny don't you trying to frighten us keeping out of sight come out here if you're anything - we'll show you arms move suddenly along the wall the moon riding hard on foaming clouds stands solid in the door and it's not a good moon at all why did we come we should have stayed home but here we are in an evil room trapped between the witchcraft of an empty house and the cold hard grin of the moon i'm going in you can't i must you'll become air a heavy silence a dance of dust there's nothing there nothing nothing there he gives a brave laugh but a laugh drained of blood and moves down the passage to the masked door hesitates and turns wanting our support frightened to his heart's core steps no - is drawn - backwards into a black space rapidly dissolving in our misted eyes we half-hear a short gasp - no more the moon's grin is louder as (on his restless clouds) he bucks about the sky no one returns to us and in the morning (rooted in fear we could not leave the place but spent the night huddled in one big stack in the frozen hall) and in the morning we find not a single trace of the friend who went as simply as any word into thin air


Written by Gregory Corso | Create an image from this poem

Gregory Corso

 Budger of history Brake of time You Bomb
 Toy of universe Grandest of all snatched sky I cannot hate you
 Do I hate the mischievous thunderbolt the jawbone of an ass
 The bumpy club of One Million B.
C.
the mace the flail the axe Catapult Da Vinci tomahawk Cochise flintlock Kidd dagger Rathbone Ah and the sad desparate gun of Verlaine Pushkin Dillinger Bogart And hath not St.
Michael a burning sword St.
George a lance David a sling Bomb you are as cruel as man makes you and you're no crueller than cancer All Man hates you they'd rather die by car-crash lightning drowning Falling off a roof electric-chair heart-attack old age old age O Bomb They'd rather die by anything but you Death's finger is free-lance Not up to man whether you boom or not Death has long since distributed its categorical blue I sing thee Bomb Death's extravagance Death's jubilee Gem of Death's supremest blue The flyer will crash his death will differ with the climbor who'll fall to die by cobra is not to die by bad pork Some die by swamp some by sea and some by the bushy-haired man in the night O there are deaths like witches of Arc Scarey deaths like Boris Karloff No-feeling deaths like birth-death sadless deaths like old pain Bowery Abandoned deaths like Capital Punishment stately deaths like senators And unthinkable deaths like Harpo Marx girls on Vogue covers my own I do not know just how horrible Bombdeath is I can only imagine Yet no other death I know has so laughable a preview I scope a city New York City streaming starkeyed subway shelter Scores and scores A fumble of humanity High heels bend Hats whelming away Youth forgetting their combs Ladies not knowing what to do with their shopping bags Unperturbed gum machines Yet dangerous 3rd rail Ritz Brothers from the Bronx caught in the A train The smiling Schenley poster will always smile Impish death Satyr Bomb Bombdeath Turtles exploding over Istanbul The jaguar's flying foot soon to sink in arctic snow Penguins plunged against the Sphinx The top of the Empire state arrowed in a broccoli field in Sicily Eiffel shaped like a C in Magnolia Gardens St.
Sophia peeling over Sudan O athletic Death Sportive Bomb the temples of ancient times their grand ruin ceased Electrons Protons Neutrons gathering Hersperean hair walking the dolorous gulf of Arcady joining marble helmsmen entering the final ampitheater with a hymnody feeling of all Troys heralding cypressean torches racing plumes and banners and yet knowing Homer with a step of grace Lo the visiting team of Present the home team of Past Lyre and tube together joined Hark the hotdog soda olive grape gala galaxy robed and uniformed commissary O the happy stands Ethereal root and cheer and boo The billioned all-time attendance The Zeusian pandemonium Hermes racing Owens The Spitball of Buddha Christ striking out Luther stealing third Planeterium Death Hosannah Bomb Gush the final rose O Spring Bomb Come with thy gown of dynamite green unmenace Nature's inviolate eye Before you the wimpled Past behind you the hallooing Future O Bomb Bound in the grassy clarion air like the fox of the tally-ho thy field the universe thy hedge the geo Leap Bomb bound Bomb frolic zig and zag The stars a swarm of bees in thy binging bag Stick angels on your jubilee feet wheels of rainlight on your bunky seat You are due and behold you are due and the heavens are with you hosanna incalescent glorious liaison BOMB O havoc antiphony molten cleft BOOM Bomb mark infinity a sudden furnace spread thy multitudinous encompassed Sweep set forth awful agenda Carrion stars charnel planets carcass elements Corpse the universe tee-hee finger-in-the-mouth hop over its long long dead Nor From thy nimbled matted spastic eye exhaust deluges of celestial ghouls From thy appellational womb spew birth-gusts of of great worms Rip open your belly Bomb from your belly outflock vulturic salutations Battle forth your spangled hyena finger stumps along the brink of Paradise O Bomb O final Pied Piper both sun and firefly behind your shock waltz God abandoned mock-nude beneath His thin false-talc's apocalypse He cannot hear thy flute's happy-the-day profanations He is spilled deaf into the Silencer's warty ear His Kingdom an eternity of crude wax Clogged clarions untrumpet Him Sealed angels unsing Him A thunderless God A dead God O Bomb thy BOOM His tomb That I lean forward on a desk of science an astrologer dabbling in dragon prose half-smart about wars bombs especially bombs That I am unable to hate what is necessary to love That I can't exist in a world that consents a child in a park a man dying in an electric-chair That I am able to laugh at all things all that I know and do not know thus to conceal my pain That I say I am a poet and therefore love all man knowing my words to be the acquainted prophecy of all men and my unwords no less an acquaintanceship That I am manifold a man pursuing the big lies of gold or a poet roaming in bright ashes or that which I imagine myself to be a shark-toothed sleep a man-eater of dreams I need not then be all-smart about bombs Happily so for if I felt bombs were caterpillars I'd doubt not they'd become butterflies There is a hell for bombs They're there I see them there They sit in bits and sing songs mostly German songs And two very long American songs and they wish there were more songs especially Russian and Chinese songs and some more very long American songs Poor little Bomb that'll never be an Eskimo song I love thee I want to put a lollipop in thy furcal mouth A wig of Goldilocks on thy baldy bean and have you skip with me Hansel and Gretel along the Hollywoodian screen O Bomb in which all lovely things moral and physical anxiously participate O fairylike plucked from the grandest universe tree O piece of heaven which gives both mountain and anthill a sun I am standing before your fantastic lily door I bring you Midgardian roses Arcadian musk Reputed cosmetics from the girls of heaven Welcome me fear not thy opened door nor thy cold ghost's grey memory nor the pimps of indefinite weather their cruel terrestial thaw Oppenheimer is seated in the dark pocket of Light Fermi is dry in Death's Mozambique Einstein his mythmouth a barnacled wreath on the moon-squid's head Let me in Bomb rise from that pregnant-rat corner nor fear the raised-broom nations of the world O Bomb I love you I want to kiss your clank eat your boom You are a paean an acme of scream a lyric hat of Mister Thunder O resound thy tanky knees BOOM BOOM BOOM BOOM BOOM BOOM ye skies and BOOM ye suns BOOM BOOM ye moons ye stars BOOM nights ye BOOM ye days ye BOOM BOOM BOOM ye winds ye clouds ye rains go BANG ye lakes ye oceans BING Barracuda BOOM and cougar BOOM Ubangi BOOM orangutang BING BANG BONG BOOM bee bear baboon ye BANG ye BONG ye BING the tail the fin the wing Yes Yes into our midst a bomb will fall Flowers will leap in joy their roots aching Fields will kneel proud beneath the halleluyahs of the wind Pinkbombs will blossom Elkbombs will perk their ears Ah many a bomb that day will awe the bird a gentle look Yet not enough to say a bomb will fall or even contend celestial fire goes out Know that the earth will madonna the Bomb that in the hearts of men to come more bombs will be born magisterial bombs wrapped in ermine all beautiful and they'll sit plunk on earth's grumpy empires fierce with moustaches of gold
Written by Thomas Moore | Create an image from this poem

Enigma

 Come riddle-me-ree, come riddle-me-ree,
And tell me, what my name may be.
I am nearly one hundred and thirty years old, And therefore no chicken, as you may suppose; -- Though a dwarf in my youth (as my nurses have told), I have, ev'ry year since, been outgrowing my clothes; Till, at last, such a corpulent giant I stand, That if folks were to furnish me now with a suit, It would take ev'ry morsel of scrip in the land But to measure my bulk from the head to the foot.
Hence, they who maintain me, grown sick of my stature, To cover me nothing but rags will supply; And the doctors declare that, in due course of nature, About the year 30 in rags I shall die.
Meanwhile I stalk hungry and bloated around, An object of int'rest, most painful, to all; In the warehouse, the cottage, the palace I'm found, Holding citizen, peasant, and king in my thrall.
Then riddle-me-ree, oh riddle-me-ree, Come, tell me what my name may be.
When the lord of the counting-house bends o'er his book, Bright pictures of profit delighting to draw, O'er his shoulders with large cipher eye-balls I look, And down drops the pen from his paralyz'd paw! When the Premier lies dreaming of dear Waterloo, And expects through another to caper and prank it, You'd laugh did you see, when I bellow out "Boo!" How he hides his brave Waterloo head in the blanket.
When mighty Belshazzar brims high in the hall His cup, full of gout, to Gaul's overthrow, Lo, "Eight Hundred Millions" I write on the wall, And the cup falls to earth and -- the gout to his toe! But the joy of my heart is when largely I cram My maw with the fruits of the Squirearchy's acres, And, knowing who made me the thing that I am, Like the monster of Frankenstein, worry my makers.
Then riddle-me-ree, come, riddle-me-ree, And tell, if thou knows't, who I may be.
Written by Aleister Crowley | Create an image from this poem

Boo to Buddha

 So it is eighteen years,
Helena, since we met!
A season so endears,
Nor you nor I forget
The fresh young faces that once clove
In that most fiery dawn of love.
We wandered to and fro, Who knew not how to woo, Those eighteen years ago, Sweetheart, when I and you Exchanged high vows in heaven's sight That scarce survived a summer's night.
What scourge smote from the stars What madness from the moon? That night we broke the bars Was quintessential June, When you and I beneath the trees Bartered our bold virginities.
Eighteen -years, months, or hours? Time is a tyrant's toy! Eternal are the flowers! We are but girl and boy Yet -since love leapt as swift to-night As it had never left the light! For fiercer from the South Still flames your cruel hair, And Trojan Helen's mouth Still not so ripe and rare As Helena's -nor love nor youth So leaps with lust or thrills with truth.
Helena, still we hold Flesh firmer, still we mix Black hair with hair as gold.
Life has but served to fix Our hearts; love lingers on the tongue, And who loves once is always young.
The stars are still the same; The changeful moon endures; Come without fear or shame, And draw my mouth to yours! Youth fails, however flesh be fain; Manhood and womanhood attain.
Life is a string of pearls, And you the first I strung.
You left -first flower of girls! - Life lyric on my tongue, An indefatigable dance, An inexhaustible romance! Blush of love's dawn, bright bud That bloomed for my delight, First blossom of my blood, Burn in that blood to-night! Helena, Helena, fiercely fresh, Your flesh flies fervent to my flesh.
What sage can dare impugn Man's immortality? Our godhead swims, immune From death and destiny.
Ignored the bubble in the flow Of love eighteen short years ago! Time -I embrace all time As my arm rings your waist.
Space -you surpass, sublime, As, taking me, we taste Omnipotence, sense slaying sense, Soul slaying soul, omniscience.
Written by Eugene Field | Create an image from this poem

A piteous plaint

 I cannot eat my porridge,
I weary of my play;
No longer can I sleep at night,
No longer romp by day!
Though forty pounds was once my weight,
I'm shy of thirty now;
I pine, I wither and I fade
Through love of Martha Clow.
As she rolled by this morning I heard the nurse girl say: "She weighs just twenty-seven pounds And she's one year old to-day.
" I threw a kiss that nestled In the curls upon her brow, But she never turned to thank me-- That bouncing Martha Clow! She ought to know I love her, For I've told her that I do; And I've brought her nuts and apples, And sometimes candy, too! I'd drag her in my little cart If her mother would allow That delicate attention To her daughter, Martha Clow.
O Martha! pretty Martha! Will you always be so cold? Will you always be as cruel As you are at one-year-old? Must your two-year-old admirer Pine as hopelessly as now For a fond reciprocation Of his love for Martha Clow? You smile on Bernard Rogers And on little Harry Knott; You play with them at peek-a-boo All in the Waller Lot! Wildly I gnash my new-cut teeth And beat my throbbing brow, When I behold the coquetry Of heartless Martha Clow! I cannot eat my porridge, Nor for my play care I; Upon the floor and porch and lawn My toys neglected lie; But on the air of Halsted street I breathe this solemn vow: "Though she be false, I will be true To pretty Martha Clow!"
Written by Paul Laurence Dunbar | Create an image from this poem

A CONFIDENCE

Uncle John, he makes me tired;
Thinks 'at he's jest so all-fired
Smart, 'at he kin pick up, so,
Ever'thing he wants to know.
Tried to ketch me up last night,
But you bet I would n't bite.
I jest kep' the smoothes' face,
But I led him sich a chase,
Could n't corner me, you bet—
I skipped all the traps he set.
Makin' out he wan'ed to know
Who was this an' that girl's beau;
So 's he 'd find out, don't you see,
Who was goin' 'long with me.
But I answers jest ez sly,
An' I never winks my eye,
Tell he hollers with a whirl,
"Look here, ain't you got a girl?"
Y' ought 'o seen me spread my eyes,
Like he 'd took me by surprise,
An' I said, "Oh, Uncle John,
Never thought o' havin' one."
An' somehow that seemed to tickle
Him an' he shelled out a nickel.
Then you ought to seen me leave
Jest a-laffin' in my sleeve.
Fool him—well, I guess I did;
He ain't on to this here kid.
Got a girl! well, I guess yes,
Got a dozen more or less,
But I got one reely one,[Pg 74]
Not no foolin' ner no fun;
Fur I 'm sweet on her, you see,
An' I ruther guess 'at she
Must be kinder sweet on me,
So we 're keepin' company.
Honest Injun! this is true,
Ever' word I 'm tellin' you!
But you won't be sich a scab
Ez to run aroun' an' blab.
Mebbe 't ain't the way with you,
But you know some fellers do.
Spoils a girl to let her know
'At you talk about her so.
Don't you know her? her name 's Liz,
Nicest girl in town she is.
Purty? ah, git out, you gilly—
Liz 'ud purt 'nigh knock you silly.
Y' ought 'o see her when she 's dressed
All up in her Sunday best,
All the fellers nudgin' me,
An' a-whisperin', gemunee!
Betcher life 'at I feel proud
When she passes by the crowd.
'T 's kinder nice to be a-goin'
With a girl 'at makes some showin'—
One you know 'at hain't no snide,
Makes you feel so satisfied.
An' I 'll tell you she 's a trump,
Never even seen her jump
Like some silly girls 'ud do,
When I 'd hide and holler "Boo!"
She 'd jest laff an' say "Git out!
What you hollerin' about?"
When some girls 'ud have a fit
That 'un don't git skeered a bit,
Never makes a bit o' row
When she sees a worm er cow.
Them kind 's few an' far between;
Bravest girl I ever seen.
Tell you 'nuther thing she 'll do,
Mebbe you won't think it 's true,
But if she 's jest got a dime
She 'll go halvers ever' time.
Ah, you goose, you need n't laff;
That's the kinder girl to have.
If you knowed her like I do,
Guess you 'd kinder like her too.
Tell you somep'n' if you 'll swear
You won't tell it anywhere.
Oh, you got to cross yer heart
Earnest, truly, 'fore I start.
Well, one day I kissed her cheek;
Gee, but I felt cheap an' weak,
'Cause at first she kinder flared,
'N', gracious goodness! I was scared.
But I need n't been, fer la!
Why, she never told her ma.
That's what I call grit, don't you?
Sich a girl's worth stickin' to.

Book: Shattered Sighs