Written by
Alexander Pushkin |
Storm-clouds hurtle, storm-clouds hover;
Flying snow is set alight
By the moon whose form they cover;
Blurred the heavens, blurred the night.
On and on our coach advances,
Little bell goes din-din-din.
.
.
Round are vast, unknown expanses;
Terror, terror is within.
-- Faster, coachman! "Can't, sir, sorry:
Horses, sir, are nearly dead.
I am blinded, all is blurry,
All snowed up; can't see ahead.
Sir, I tell you on the level:
We have strayed, we've lost the trail.
What can WE do, when a devil
Drives us, whirls us round the vale?
"There, look, there he's playing, jolly!
Huffing, puffing in my course;
There, you see, into the gully
Pushing the hysteric horse;
Now in front of me his figure
Looms up as a ***** mile-mark --
Coming closer, growing bigger,
Sparking, melting in the dark.
"
Storm-clouds hurtle, storm-clouds hover;
Flying snow is set alight
By the moon whose form they cover;
Blurred the heavens, blurred the night.
We can't whirl so any longer!
Suddenly, the bell has ceased,
Horses halted.
.
.
-- Hey, what's wrong there?
"Who can tell! -- a stump? a beast?.
.
"
Blizzard's raging, blizzard's crying,
Horses panting, seized by fear;
Far away his shape is flying;
Still in haze the eyeballs glare;
Horses pull us back in motion,
Little bell goes din-din-din.
.
.
I behold a strange commotion:
Evil spirits gather in --
Sundry, ugly devils, whirling
In the moonlight's milky haze:
Swaying, flittering and swirling
Like the leaves in autumn days.
.
.
What a crowd! Where are they carried?
What's the plaintive song I hear?
Is a goblin being buried,
Or a sorceress married there?
Storm-clouds hurtle, storm-clouds hover;
Flying snow is set alight
By the moon whose form they cover;
Blurred the heavens, blurred the night.
Swarms of devils come to rally,
Hurtle in the boundless height;
Howling fills the whitening valley,
Plaintive screeching rends my heart.
.
.
Translated by Genia Gurarie July 29, 1995.
Copyright retained by Genia Gurarie.
email: egurarie@princeton.
edu
http://www.
princeton.
edu/~egurarie/
For permission to reproduce, write personally to the translator.
|
Written by
Jorie Graham |
Spring
Up, up you go, you must be introduced.
You must learn belonging to (no-one)
Drenched in the white veil (day)
The circle of minutes pushed gleaming onto your finger.
Gaps pocking the brightness where you try to see
in.
Missing: corners, fields,
completeness: holes growing in it where the eye looks hardest.
Below, his chest, a sacred weightless place
and the small weight of your open hand on it.
And these legs, look, still yours, after all you've done with them.
Explain the six missing seeds.
Explain muzzled.
Explain tongue breaks thin fire in eyes.
Learn what the great garden-(up, up you go)-exteriority,
exhales:
the green never-the-less the green who-did-you-say-you-are
and how it seems to stare all the time, that green,
until night blinds it temporarily.
What is it searching for all the leaves turning towards you.
Breath the emptiest of the freedoms.
When will they notice the hole in your head (they won't).
When will they feel for the hole in your chest
(never).
Up, go.
Let being-seen drift over you again, sticky kindness.
Those wet strangely unstill eyes filling their heads-
thinking or sight?-
all waiting for the true story-
your heart, beating its little song: explain.
.
.
Explain requited
Explain indeed the blood of your lives I will require
explain the strange weight of meanwhile
and there exists another death in regards to which
we are not immortal
variegated dappled spangled intricately wrought
complicated obstruse subtle devious
scintillating with change and ambiguity
Summer
Explain two are
Explain not one
(in theory) (and in practice)
blurry, my love, like a right quotation,
wanting so to sink back down,
you washing me in soil now, my shoulders dust, my rippling dust,
Look I'll scrub the dirt listen.
Up here how will I
(not) hold you.
Where is the dirt packed in again around us between us obliterating difference
Must one leave off Explain edges
(tongue breaks) (thin fire)
(in eyes)
And bless.
And blame.
(Moonless night.
Vase in the kitchen)
Fall
Explain duty to remain to the end.
Duty not to run away from the good.
The good.
(Beauty is not an issue.
)
A wise man wants?
A master.
Winter
Oh my beloved I speak of the absolute jewels.
Dwelling in place for example.
In fluted listenings.
In panting waters human-skinned to the horizon.
Muzzled the deep.
Fermenting the surface.
Wrecks left at the bottom, yes.
Space birdless.
Light on it a woman on her knees-her having kneeled everywhere
already.
God's laughter unquenchable.
Back there its river ripped into pieces, length gone, buried in parts, in
sand.
Believe me I speak now for the sand.
Here at the front end, the narrator.
At the front end, the meanwhile: God's laughter.
Are you still waiting for the true story? (God's laughter)
The difference between what is and could be? (God's laughter)
In this dance the people do not move.
Deferred defied obstructed hungry,
organized around a radiant absence.
In His dance the people do not move.
|
Written by
Carl Sandburg |
THE BOY Alexander understands his father to be a famous lawyer.
The leather law books of Alexander’s father fill a room like hay in a barn.
Alexander has asked his father to let him build a house like bricklayers build, a house with walls and roofs made of big leather law books.
The rain beats on the windows
And the raindrops run down the window glass
And the raindrops slide off the green blinds down the siding.
The boy Alexander dreams of Napoleon in John C.
Abbott’s history, Napoleon the grand and lonely man wronged, Napoleon in his life wronged and in his memory wronged.
The boy Alexander dreams of the cat Alice saw, the cat fading off into the dark and leaving the teeth of its Cheshire smile lighting the gloom.
Buffaloes, blizzards, way down in Texas, in the panhandle of Texas snuggling close to New Mexico,
These creep into Alexander’s dreaming by the window when his father talks with strange men about land down in Deaf Smith County.
Alexander’s father tells the strange men: Five years ago we ran a Ford out on the prairie and chased antelopes.
Only once or twice in a long while has Alexander heard his father say “my first wife” so-and-so and such-and-such.
A few times softly the father has told Alexander, “Your mother … was a beautiful woman … but we won’t talk about her.
”
Always Alexander listens with a keen listen when he hears his father mention “my first wife” or “Alexander’s mother.
”
Alexander’s father smokes a cigar and the Episcopal rector smokes a cigar and the words come often: mystery of life, mystery of life.
These two come into Alexander’s head blurry and gray while the rain beats on the windows and the raindrops run down the window glass and the raindrops slide off the green blinds and down the siding.
These and: There is a God, there must be a God, how can there be rain or sun unless there is a God?
So from the wrongs of Napoleon and the Cheshire cat smile on to the buffaloes and blizzards of Texas and on to his mother and to God, so the blurry gray rain dreams of Alexander have gone on five minutes, maybe ten, keeping slow easy time to the raindrops on the window glass and the raindrops sliding off the green blinds and down the siding.
|
Written by
Odysseus Elytis |
Heleni
Translated by Daphne on May 17th, 1995
By the first drop of rain the summer died
The words that had bore those stary nights got wet
All those words that had one sole destination You!
Where will our hands reach now that weather no longer cares for us
Where will our eyes rest now that the distant lines got dispersed in the clouds
Now that your eyes have shut above the landscapes that were ours
And now that we found ourselves - as if the mist went right through us-
totally lonely surrounded by your inanimate images
With the forehead against the window we wait upon the new torment
It 's not Death that will make us fall since You are alive
Since a wind exists somewhere and he will live you entirely
To dress you from the near like our hope will from afar
Since there is elsewhere
A greenest meadow far from your laughter up to the sun
Telling him secretely that we will one day meet again
No, it is not death we shall confront
But just a tiny drop of the autumn rain
A blurry feeling
The scent of the moist soil within our souls
that are continuously diverging.
And if your hand is not between our hands
And if our blood wont' run within your dream's veins
The music unseen within us and O sorrowful
Wanderer of whatever still keeps us alive
It is the humid air the come of autumn the depart
The elbow's bitter support upon the memory
that comes out when night arrives to divorce us from the light
Behind the square window that looks upon the sadness
That sees nothing
Because it has become music unseen fire a strike of the big clock on the wall
Because it has become
A poem a verse upon a verse, a sound resembling tears and words
Words not like the rest of them but with the same destination: You!
|
Written by
Robert William Service |
We was in a crump-'ole, 'im and me;
Fightin' wiv our bayonets was we;
Fightin' 'ard as 'ell we was,
Fightin' fierce as fire because
It was 'im or me as must be downed;
'E was twice as big as me;
I was 'arf the weight of 'e;
We was like a terryer and a 'ound.
'Struth! But 'e was sich a 'andsome bloke.
Me, I'm 'andsome as a chunk o' coke.
Did I give it 'im? Not 'arf!
Why, it fairly made me laugh,
'Cos 'is bloomin' bellows wasn't sound.
Couldn't fight for monkey nuts.
Soon I gets 'im in the guts,
There 'e lies a-floppin' on the ground.
In I goes to finish up the job.
Quick 'e throws 'is 'ands above 'is nob;
Speakin' English good as me:
"'Tain't no use to kill," says 'e;
"Can't yer tyke me prisoner instead?"
"Why, I'd like to, sir," says I;
"But -- yer knows the reason why:
If we pokes our noses out we're dead.
"Sorry, sir.
Then on the other 'and
(As a gent like you must understand),
If I 'olds you longer 'ere,
Wiv yer pals so werry near,
It's me 'oo'll 'ave a free trip to Berlin;
If I lets yer go away,
Why, you'll fight another day:
See the sitooation I am in.
"Anyway I'll tell you wot I'll do,
Bein' kind and seein' as it's you,
Knowin' 'ow it's cold, the feel
Of a 'alf a yard o' steel,
I'll let yer 'ave a rifle ball instead;
Now, jist think yerself in luck.
.
.
.
'Ere, ol' man! You keep 'em stuck,
Them saucy dooks o' yours, above yer 'ead.
"
'Ow 'is mits shot up it made me smile!
'Ow 'e seemed to ponder for a while!
Then 'e says: "It seems a shyme,
Me, a man wot's known ter Fyme:
Give me blocks of stone, I'll give yer gods.
Whereas, pardon me, I'm sure
You, my friend, are still obscure.
.
.
.
"
"In war," says I, "that makes no blurry odds.
"
Then says 'e: "I've painted picters too.
.
.
.
Oh, dear God! The work I planned to do,
And to think this is the end!"
"'Ere," says I, "my hartist friend,
Don't you give yerself no friskin' airs.
Picters, statoos, is that why
You should be let off to die?
That the best ye done? Just say yer prayers.
"
Once again 'e seems ter think awhile.
Then 'e smiles a werry 'aughty smile:
"Why, no, sir, it's not the best;
There's a locket next me breast,
Picter of a gel 'oo's eyes are blue.
That's the best I've done," says 'e.
"That's me darter, aged three.
.
.
.
"
"Blimy!" says I, "I've a nipper, too.
"
Straight I chucks my rifle to one side;
Shows 'im wiv a lovin' farther's pride
Me own little Mary Jane.
Proud 'e shows me 'is Elaine,
And we talks as friendly as can be;
Then I 'elps 'im on 'is way,
'Opes 'e's sife at 'ome to-day,
Wonders -- 'ow would eE 'Aave treated me?
|
Written by
Robert William Service |
Tramp, tramp, the grim road, the road from Mons to Wipers
(I've 'ammered out this ditty with me bruised and bleedin' feet);
Tramp, tramp, the dim road -- we didn't 'ave no pipers,
And bellies that was 'oller was the drums we 'ad to beat.
Tramp, tramp, the bad road, the bits o' kiddies cryin' there,
The fell birds a-flyin' there, the 'ouses all aflame;
Tramp, tramp, the sad road, the pals I left a-lyin' there,
Red there, and dead there.
.
.
.
Oh blimy, it's a shame!
A-singin' "'Oo's Yer Lady Friend?" we started out from 'Arver,
A-singin' till our froats was dry -- we didn't care a 'ang;
The Frenchies 'ow they lined the way, and slung us their palaver,
And all we knowed to arnser was the one word "vang";
They gave us booze and caporal, and cheered for us like crazy,
And all the pretty gels was out to kiss us as we passed;
And 'ow they all went dotty when we 'owled the Marcelaisey!
Oh, Gawd! Them was the 'appy days, the days too good to last.
We started out for God Knows Where, we started out a-roarin';
We 'ollered: "'Ere We Are Again", and 'struth! but we was dry.
The dust was gummin' up our ears, and 'ow the sweat was pourin';
The road was long, the sun was like a brazier in the sky.
We wondered where the 'Uns was -- we wasn't long a-wonderin',
For down a scruff of 'ill-side they rushes like a flood;
Then oh! 'twas music 'eavenly, our batteries a-thunderin',
And arms and legs went soarin' in the fountain of their blood.
For on they came like bee-swarms, a-hochin' and a-singin';
We pumped the bullets into 'em, we couldn't miss a shot.
But though we mowed 'em down like grass, like grass was they a-springin',
And all our 'ands was blistered, for our rifles was so 'ot.
We roared with battle-fury, and we lammed the stuffin' out of 'em,
And then we fixed our bay'nets and we spitted 'em like meat.
You should 'ave 'eard the beggars squeal; you should 'ave seen the rout of 'em,
And 'ow we cussed and wondered when the word came: Retreat!
Retreat! That was the 'ell of it.
It fair upset our 'abits,
A-runnin' from them blighters over 'alf the roads of France;
A-scurryin' before 'em like a lot of blurry rabbits,
And knowin' we could smash 'em if we just 'ad 'alf a chance.
Retreat! That was the bitter bit, a-limpin' and a-blunderin';
All day and night a-hoofin' it and sleepin' on our feet;
A-fightin' rear guard actions for a bit o' rest, and wonderin'
If sugar beets or mangels was the 'olesomest to eat.
Ho yus, there isn't many left that started out so cheerily;
There was no bands a-playin' and we 'ad no autmobeels.
Our tummies they was 'oller, and our 'eads was 'angin' wearily,
And if we stopped to light a *** the 'Uns was on our 'eels.
That rotten road! I can't forget the kids and mothers flyin' there,
The bits of barns a-blazin' and the 'orrid sights I sor;
The stiffs that lined the wayside, me own pals a-lyin' there,
Their faces covered over wiv a little 'eap of stror.
Tramp, tramp, the red road, the wicked bullets 'ummin'
(I've panted out this ditty with me 'ot 'ard breath.
)
Tramp, tramp, the dread road, the Boches all a-comin',
The lootin' and the shootin' and the shrieks o' death.
Tramp, tramp, the fell road, the mad 'orde pursuin' there,
And 'ow we 'urled it back again, them grim, grey waves;
Tramp, tramp, the 'ell road, the 'orror and the ruin there,
The graves of me mateys there, the grim, sour graves.
|