Written by
Lisa Zaran |
It is later than late,
the simmered down darkness
of the jukebox hour.
The hour of drunkenness
and cigarettes.
The fools hour.
In my dreams,
I still smoke, cigarette after cigarette.
It's okay, I'm dreaming.
In dreams, smoking can't kill me.
It's warm outside.
I have every window open.
There's no such thing as danger,
only the dangerous face of beauty.
I am hanging at my window
like a houseplant.
I am smoking a cigarette.
I am having a drink.
The pale, blue moon is shining.
The savage stars appear.
Every fool that passes by
smiles up at me.
I drip ashes on them.
There is music playing from somewhere.
A thready, salt-sweet tune I don't know
any of the words to.
There's a gentle breeze making
hopscotch with my hair.
This is the wet blanket air of midnight.
This is the incremental hour.
This is the plastic placemat of time
between reality and make-believe.
This is tabletop dream time.
This is that faint stain on your mattress,
the one you'll discover come morning,
and wonder how.
This is the monumental moment.
The essential: look at me now.
This is the hour.
Isn't it lovely? Wake up the stars!
Isn't it fabulous? Kiss the moon!
Where is the clock? The one that
always runs ahead. The one
that always tries to crush me with
its future.
Originally published in Literati Magazine, Winter 2005.
Copyright © Lisa Zaran 2005
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Written by
Olu Oguibe |
Song of Sorrow
for rosa diez
si només, però, aquesta
llum parada poguès durar
I shall sing you a song of
Sorrow when the moment comes.
It is the way of poets.
He will come bearing along his voice
Like the lament of an old guitar.
Only night shall fall; another day dawn.
I shall sing you a tearful song.
In the desert the rain fell on me.
Bushfires danced their way through
The undergrowth of my verse.
Your footfall soft as felt, you
Stepped into the light and
Asked the poet for a song.
I shall sing you a lyric of pain.
The blue moon peers through the foliage
Of your eyelashes. The minstrel hawks
His tears through the streets of night.
A household god is asking for water;
An old god is pleading at your door.
There's a white rose on your breast.
It is the fortune of poets;
I shall sing you a song.
Untie the fresh leaves of dawn,
I want to make my journey short.
I will go upon the hill and cast my little net,
Decorate the river of your morning with petals;
I shall speak the words of songs.
It is the destiny of poets.
I shall sing you
A song of sorrow
When the moment comes.
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Written by
Billy Collins |
And I start wondering how they came to be blind.
If it was congenital, they could be brothers and sister,
and I think of the poor mother
brooding over her sightless young triplets.
Or was it a common accident, all three caught
in a searing explosion, a firework perhaps?
If not,
if each came to his or her blindness separately,
how did they ever manage to find one another?
Would it not be difficult for a blind mouse
to locate even one fellow mouse with vision
let alone two other blind ones?
And how, in their tiny darkness,
could they possibly have run after a farmer's wife
or anyone else's wife for that matter?
Not to mention why.
Just so she could cut off their tails
with a carving knife, is the cynic's answer,
but the thought of them without eyes
and now without tails to trail through the moist grass
or slip around the corner of a baseboard
has the cynic who always lounges within me
up off his couch and at the window
trying to hide the rising softness that he feels.
By now I am on to dicing an onion
which might account for the wet stinging
in my own eyes, though Freddie Hubbard's
mournful trumpet on "Blue Moon,"
which happens to be the next cut,
cannot be said to be making matters any better.
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Written by
Richard Hugo |
Dear Condor: Much thanks for that telephonic support
from North Carolina when I suddenly went ape
in the Iowa tulips. Lord, but I'm ashamed.
I was afraid, it seemed, according to the doctor
of impending success, winning some poetry prizes
or getting a wet kiss. The more popular I got,
the softer the soft cry in my head: Don't believe them.
You were never good. Then I broke and proved it.
Ten successive days I alienated women
I liked best. I told a coed why her poems were bad
(they weren't) and didn't understand a word I said.
Really warped. The phrase "I'll be all right"
came out too many unsolicited times. I'm o. k. now.
I'm back at the primal source of poems: wind, sea
and rain, the market and the salmon. Speaking
of the market, they're having a vital election here.
Save the market? Tear it down? The forces of evil
maintain they're trying to save it too, obscuring,
of course, the issue. The forces of righteousness,
me and my friends, are praying for a storm, one
of those grim dark rolling southwest downpours
that will leave the electorate sane. I'm the last poet
to teach the Roethke chair under Heilman.
He's retiring after 23 years. Most of the old gang
is gone. Sol Katz is aging. Who isn't? It's close now
to the end of summer and would you believe it
I've ignored the Blue Moon. I did go to White Center,
you know, my home town, and the people there,
many are the same, but also aging, balking, remarkably
polite and calm. A man whose name escapes me
said he thinks he had known me, the boy who went alone
to Longfellow Creek and who laughed and cried
for no reason. The city is huge, maybe three quarters
of a million and lots of crime. They are indicting
the former chief of police. Sorry to be so rambling.
I eat lunch with J. Hillis Miller, brilliant and nice
as they come, in the faculty club, overlooking the lake,
much of it now filled in. And I tour old haunts,
been twice to Kapowsin. One trout. One perch. One poem.
Take care, oh wisest of condors. Love. Dick. Thanks again.
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Written by
Dorothea Mackeller |
From my window I can see,
Where the sandhills dip,
One far glimpse of open sea.
Just a slender slip
Curving like a crescent moon—
Yet a greater prize
Than the harbour garden-fair
Spread beneath my eyes.
Just below me swings the bay,
Sings a sunny tune,
But my heart is far away
Out beyond the dune;
Clearer far the sea-gulls’ cry
And the breakers’ roar,
Than the little waves beneath
Lapping on the shore.
For that strip of sapphire sea
Set against the sky
Far horizons means to me—
And the ships go by
Framed between the empty sky
And the yellow sands,
While my freed thoughts follow them
Out to other lands.
All its changes who can tell?
I have seen it shine
Like a jewel polished well,
Hard and clear and fine;
Then soft lilac—and again
On another day
Glimpsed it through a veil of rain,
Shifting, drifting grey.
When the livid waters flee,
Flinching from the storm,
From my window I can see,
Standing safe and warm,
How the white foam tosses high
On the naked shore,
And the breakers’ thunder grows
To a battle-roar…
Far and far I look—Ten miles?
No, for yesterday
Sure I saw the Blessed Isles
Twenty worlds away.
My blue moon of open sea,
Is it little worth?
At the least it gives to me
Keys of all the earth
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