Written by
William Butler Yeats |
Once more the storm is howling, and half hid
Under this cradle-hood and coverlid
My child sleeps on.
There is no obstacle
But Gregory's wood and one bare hill
Whereby the haystack- and roof-levelling wind.
Bred on the Atlantic, can be stayed;
And for an hour I have walked and prayed
Because of the great gloom that is in my mind.
I have walked and prayed for this young child an hour
And heard the sea-wind scream upon the tower,
And-under the arches of the bridge, and scream
In the elms above the flooded stream;
Imagining in excited reverie
That the future years had come,
Dancing to a frenzied drum,
Out of the murderous innocence of the sea.
May she be granted beauty and yet not
Beauty to make a stranger's eye distraught,
Or hers before a looking-glass, for such,
Being made beautiful overmuch,
Consider beauty a sufficient end,
Lose natural kindness and maybe
The heart-revealing intimacy
That chooses right, and never find a friend.
Helen being chosen found life flat and dull
And later had much trouble from a fool,
While that great Queen, that rose out of the spray,
Being fatherless could have her way
Yet chose a bandy-leggèd smith for man.
It's certain that fine women eat
A crazy salad with their meat
Whereby the Horn of plenty is undone.
In courtesy I'd have her chiefly learned;
Hearts are not had as a gift but hearts are earned
By those that are not entirely beautiful;
Yet many, that have played the fool
For beauty's very self, has charm made wisc.
And many a poor man that has roved,
Loved and thought himself beloved,
From a glad kindness cannot take his eyes.
May she become a flourishing hidden tree
That all her thoughts may like the linnet be,
And have no business but dispensing round
Their magnanimities of sound,
Nor but in merriment begin a chase,
Nor but in merriment a quarrel.
O may she live like some green laurel
Rooted in one dear perpetual place.
My mind, because the minds that I have loved,
The sort of beauty that I have approved,
Prosper but little, has dried up of late,
Yet knows that to be choked with hate
May well be of all evil chances chief.
If there's no hatred in a mind
Assault and battery of the wind
Can never tear the linnet from the leaf.
An intellectual hatred is the worst,
So let her think opinions are accursed.
Have I not seen the loveliest woman born
Out of the mouth of plenty's horn,
Because of her opinionated mind
Barter that horn and every good
By quiet natures understood
For an old bellows full of angry wind?
Considering that, all hatred driven hence,
The soul recovers radical innocence
And learns at last that it is self-delighting,
Self-appeasing, self-affrighting,
And that its own sweet will is Heaven's will;
She can, though every face should scowl
And every windy quarter howl
Or every bellows burst, be happy Still.
And may her bridegroom bring her to a house
Where all's accustomed, ceremonious;
For arrogance and hatred are the wares
Peddled in the thoroughfares.
How but in custom and in ceremony
Are innocence and beauty born?
Ceremony's a name for the rich horn,
And custom for the spreading laurel tree.
|
Written by
Wendell Berry |
I
He wakes in darkness.
All around
are sounds of stones shifting, locks
unlocking.
As if some one had lifted
away a great weight, light
falls on him.
He has been asleep or simply
gone.
He has known a long suffering
of himself, himself sharpen by the pain
of his wound of separation he now
no longer minds, for the pain is only himself
now, grown small, become a little growing
longing joy.
Something teaches him
to rise, to stand and move out through
the opening the light has made.
He stands on the green hilltop amid
the cedars, the skewed stones, the earth all
opened doors.
Half blind with light, he
traces with a forefinger the moss-grown
furrows of his name, hearing among the others
one woman's cry.
She is crying and laughing,
her voice a stream of silver he seems to see:
"Oh William, honey, is it you? Oh!"
II
Surely it will be for this: the redbud
pink, the wild plum white, yellow
trout lilies in the morning light,
the trees, the pastures turning green.
On the river, quiet at daybreak,
the reflections of the trees, as in
another world, lie across
from shore to shore.
Yes, here
is where they will come, the dead,
when they rise from the grave.
III
White
dogwood flowers
afloat
in leafing woods
untrouble
my mind.
IV
Ask the world to reveal its quietude—
not the silence of machines when they are still,
but the true quiet by which birdsongs,
trees, bellows, snails, clouds, storms
become what they are, and are nothing else.
V
A mind that has confronted ruin for years
Is half or more a ruined mind.
Nightmares
Inhabit it, and daily evidence
Of the clean country smeared for want of sense,
Of freedom slack and dull among the free,
Of faith subsumed in idiot luxury,
And beauty beggared in the marketplace
And clear-eyed wisdom bleary with dispraise.
VI
Sit and be still
until in the time
of no rain you hear
beneath the dry wind's
commotion in the trees
the sound of flowing
water among the rocks,
a stream unheard before,
and you are where
breathing is prayer.
VII
The wind of the fall is here.
It is everywhere.
It moves
every leaf of every
tree.
It is the only motion
of the river.
Green leaves
grow weary of their color.
Now evening too is in the air.
The bright hawks of the day
subside.
The owls waken.
Small creatures die because
larger creatures are hungry.
How superior to this
human confusion of greed
and creed, blood and fire.
VIII
The question before me, now that I
am old, is not how to be dead,
which I know from enough practice,
but how to be alive, as these worn
hills still tell, and some paintings
of Paul Cezanne, and this mere
singing wren, who thinks he's alive
forever, this instant, and may be.
|
Written by
Robert William Service |
Some carol of the banjo, to its measure keeping time;
Of viol or of lute some make a song.
My battered old accordion, you're worthy of a rhyme,
You've been my friend and comforter so long.
Round half the world I've trotted you, a dozen years or more;
You've given heaps of people lots of fun;
You've set a host of happy feet a-tapping on the floor .
.
.
Alas! your dancing days are nearly done.
I've played you from the palm-belt to the suburbs of the Pole;
From the silver-tipped sierras to the sea.
The gay and gilded cabin and the grimy glory-hole
Have echoed to your impish melody.
I've hushed you in the dug-out when the trench was stiff with dead;
I've lulled you by the coral-laced lagoon;
I've packed you on a camel from the dung-fire on the bled,
To the hell-for-breakfast Mountains of the Moon.
I've ground you to the shanty men, a-whooping heel and toe,
And the hula-hula graces in the glade.
I've swung you in the igloo to the lousy Esquimau,
And the Haussa at a hundred in the shade.
The ****** on the levee, and the Dinka by the Nile
have shuffled to your insolent appeal.
I've rocked with glee the chimpanzee, and mocked the crocodile,
And shocked the pompous penquin and the seal.
I've set the yokels singing in a little Surrey pub,
Apaches swinging in a Belville bar.
I've played an obligato to the tom-tom's rub-a-dub,
And the throb of Andalusian guitar.
From the Horn to Honolulu, from the Cape to Kalamazoo,
From Wick to Wicklow, Samarkand to Spain,
You've roughed it with my kilt-bag like a comrade tried and true.
.
.
.
Old pal! We'll never hit the trail again.
Oh I know you're cheap and vulgar, you're an instrumental crime.
In drawing-rooms you haven't got a show.
You're a musical abortion, you're the voice of grit and grime,
You're the spokesman of the lowly and the low.
You're a democratic devil, you're the darling of the mob;
You're a wheezy, breezy blasted bit of glee.
You're the headache of the high-bow, you're the horror of the snob,
but you're worth your weight in ruddy gold to me.
For you've chided me in weakness and you've cheered me in defeat;
You've been an anodyne in hours of pain;
And when the slugging jolts of life have jarred me off my feet,
You've ragged me back into the ring again.
I'll never go to Heaven, for I know I am not fit,
The golden harps of harmony to swell;
But with asbestos bellows, if the devil will permit,
I'll swing you to the fork-tailed imps of Hell.
Yes, I'll hank you, and I'll spank you,
And I'll everlasting yank you
To the cinder-swinging satellites of Hell.
|
Written by
Amy Lowell |
Now what in the name of the sun and the stars
Is the meaning of this most unholy of wars?
Do men find life so full of humour and joy
That for want of excitement they smash up the toy?
Fifteen millions of soldiers with popguns and horses
All bent upon killing, because their "of courses"
Are not quite the same.
All these men by the ears,
And nine nations of women choking with tears.
It is folly to think that the will of a king
Can force men to make ducks and drakes of a thing
They value, and life is, at least one supposes,
Of some little interest, even if roses
Have not grown up between one foot and the other.
What a marvel bureaucracy is, which can smother
Such quite elementary feelings, and tag
A man with a number, and set him to wag
His legs and his arms at the word of command
Or the blow of a whistle! He's certainly damned,
Fit only for mince-meat, if a little gold lace
And an upturned moustache can set him to face
Bullets, and bayonets, and death, and diseases,
Because some one he calls his Emperor, pleases.
If each man were to lay down his weapon, and say,
With a click of his heels, "I wish you Good-day,"
Now what, may I ask, could the Emperor do?
A king and his minions are really so few.
Angry? Oh, of course, a most furious Emperor!
But the men are so many they need not mind his temper, or
The dire results which could not be inflicted.
With no one to execute sentence, convicted
Is just the weak wind from an old, broken bellows.
What lackeys men are, who might be such fine fellows!
To be killing each other, unmercifully,
At an order, as though one said, "Bring up the tea.
"
Or is it that tasting the blood on their jaws
They lap at it, drunk with its ferment, and laws
So patiently builded, are nothing to drinking
More blood, any blood.
They don't notice its stinking.
I don't suppose tigers do, fighting cocks, sparrows,
And, as to men -- what are men, when their marrows
Are running with blood they have gulped; it is plain
Such excellent sport does not recollect pain.
Toll the bells in the steeples left standing.
Half-mast
The flags which meant order, for order is past.
Take the dust of the streets and sprinkle your head,
The civilization we've worked for is dead.
Squeeze into this archway, the head of the line
Has just swung round the corner to `Die Wacht am Rhein'.
|
Written by
Henry Wadsworth Longfellow |
UNDER a spreading chestnut tree
The village smithy stands;
The smith, a mighty man is he,
With large and sinewy hands;
And the muscles of his brawny arms 5
Are strong as iron bands.
His hair is crisp, and black, and long,
His face is like the tan;
His brow is wet with honest sweat,
He earns whate'er he can, 10
And looks the whole world in the face,
For he owes not any man.
Week in, week out, from morn till night,
You can hear his bellows blow;
You can hear him swing his heavy sledge 15
With measured beat and slow,
Like a sexton ringing the village bell,
When the evening sun is low.
And children coming home from school
Look in at the open door; 20
They love to see the flaming forge,
And hear the bellows roar,
And watch the burning sparks that fly
Like chaff from a threshing-floor.
He goes on Sunday to the church, 25
And sits among his boys;
He hears the parson pray and preach,
He hears his daughter's voice,
Singing in the village choir,
And it makes his heart rejoice.
30
It sounds to him like her mother's voice,
Singing in Paradise!
He needs must think of her once more,
How in the grave she lies;
And with his hard, rough hand he wipes 35
A tear out of his eyes.
Toiling,¡ªrejoicing,¡ªsorrowing,
Onward through life he goes;
Each morning sees some task begin,
Each evening sees it close; 40
Something attempted, something done,
Has earned a night's repose.
Thanks, thanks to thee, my worthy friend,
For the lesson thou hast taught!
Thus at the flaming forge of life 45
Our fortunes must be wrought;
Thus on its sounding anvil shaped
Each burning deed and thought!
|
Written by
Robert William Service |
It was the steamer Alice May that sailed the Yukon foam.
And touched in every river camp from Dawson down to Nome.
It was her builder, owner, pilot, Captain Silas Geer,
Who took her through the angry ice, the last boat of the year;
Who patched her cracks with gunny sacks and wound her pipes with wire,
And cut the spruce upon the banks to feed her boiler fire;
Who headed her into the stream and bucked its mighty flow,
And nosed her up the little creeks where no one else would go;
Who bragged she had so small a draft, if dew were on the grass,
With gallant heart and half a start his little boat would pass.
Aye, ships might come and ships might go, but steady every year
The Alice May would chug away with Skipper Silas Geer.
Now though Cap geer had ne'er a fear the devil he could bilk,
He owned a gastric ulcer and his grub was mostly milk.
He also owned a Jersey cow to furnish him the same,
So soft and sleek and mild and meek, and Kathleen was her name.
And so his source of nourishment he got to love her so
That everywhere the captain went the cow would also go;
And though his sleeping quarters were ridiculously small,
He roped a section of them off to make Kathleen a stall.
So every morn she'd wake him up with mellifluous moo,
And he would pat her on the nose and go to wake the crew.
Then when he'd done his daily run and hitched on to the bank,
She'd breath above his pillow till to soothing sleep he sank.
So up and down the river seeded sourdoughs would allow,
They made a touching tableau, Captain Silas and his cow.
Now as the Captain puffed his pipe and Kathleen chewed her cud,
There came to him a poetess, a Miss Belinda Budd.
"An epic I would write," said she, "about this mighty stream,
And from your gallant bark 'twould be romantic as a dream.
"
Somewhat amazed the Captain gazed at her and shook his head;
"I'm sorry, Miss, but we don't take she passengers," he said.
"My boat's a freighter, we have no accommodation space
For women-folk - my cabin is the only private palce.
It's eight foot small from wall to wall, and I have, anyhow,
No room to spare, for half I share with Kathleen, That's my cow.
"
The lady sighed, then soft replied: "I love your Yukon scene,
And for its sake your room I'll take, and put up with Kathleen.
"
Well, she was so dead set to go the Captain said: "By heck!
I like your *****; you take my bunk and I'll camp on the deck.
"
So days went by then with a sigh she sought him so anew:
"Oh, Captain Geer, Kathleen's a dear, but does she have to moo?
In early morn like motor horn she bellows overhead,
While all the night without respite she snores above my bed.
I know it's true she dotes on you, your smile she seems to miss;
She leans so near I live in fear my brow she'll try to kiss.
Her fond regard makes it so hard my Pegasus to spur.
.
.
Oh, please be kind and try to find another place for her.
"
Bereft of cheer was captain Geer; his face was glazed with gloom:
He scratched his head: "There ain't," he said, "another inch of room.
With freight we're packed; it's stowed and stacked - why even on the deck.
There's seven salted sourdoughs and they're sleeping neck and neck.
I'm sorry, Miss, that Kathleen's kiss has put your muse to flight;
I realize her amber eyes abstract you when you write.
I used to love them orbs above a-shining down on me,
And when she'd chew my whickers you can't calculate my glee.
I ain't at all poetical, but gosh! I guess your plight,
So I will try to plan what I can fix up for to-night.
"
Thus while upon her berth the wan and weary Author Budd
Bewailed her fate, Kathleen sedate above her chewed her cud;
And as he sought with brain distraught a steady course to steer,
Yet find a plan, a worried man was Captain Silas Geer.
Then suddenly alert was he, he hollerred to his mate;
"Hi, Patsy, press our poetess to climb on deck and wait.
Hip-hip-hooray! Bid her be gay and never more despair;
My search is crowned - by heck, I've found an answer to her prayer.
"
To Patsy's yell like glad gazelle came bounding Bardess Budd;
No more forlorn, with hope new-born she faced the foaming flood;
While down the stair with eager air was seen to disappear,
Like one inspired (by genius fired) exultant Captain Geer.
Then up he came with eye aflame and honest face aglow,
And oh, how loud he laughed, as proud he led her down below.
"Now you may write by day or night upon our Yukon scene,
For I," he cried, "have clarified the problem of Kathleen.
I thought a lot, then like a shot the remedy I found:
I jest unhitched her rope and switched the loving creature round.
No more her moo will trouble you, you'll sleep right restful now.
Look, Lady, look! - I'm giving you.
.
.
the tail end of the cow.
"
|
Written by
Robert Browning |
(PIANO DI SORRENTO.
)
Fortu, Frotu, my beloved one,
Sit here by my side,
On my knees put up both little feet!
I was sure, if I tried,
I could make you laugh spite of Scirocco;
Now, open your eyes—
Let me keep you amused till he vanish
In black from the skies,
With telling my memories over
As you tell your beads;
All the memories plucked at Sorrento
—The flowers, or the weeds,
Time for rain! for your long hot dry Autumn
Had net-worked with brown
The white skin of each grape on the bunches,
Marked like a quail's crown,
Those creatures you make such account of,
Whose heads,—specked with white
Over brown like a great spider's back,
As I told you last night,—
Your mother bites off for her supper;
Red-ripe as could be.
Pomegranates were chapping and splitting
In halves on the tree:
And betwixt the loose walls of great flintstone,
Or in the thick dust
On the path, or straight out of the rock side,
Wherever could thrust
Some burnt sprig of bold hardy rock-flower
Its yellow face up,
For the prize were great butterflies fighting,
Some five for one cup.
So, I guessed, ere I got up this morning,
What change was in store,
By the quick rustle-down of the quail-nets
Which woke me before
I could open my shutter, made fast
With a bough and a stone,
And look through the twisted dead vine-twigs,
Sole lattice that's known!
Quick and sharp rang the rings down the net-poles,
While, busy beneath,
Your priest and his brother tugged at them,
The rain in their teeth:
And out upon all the flat house-roofs
Where split figs lay drying,
The girls took the frails under cover:
Nor use seemed in trying
To get out the boats and go fishing,
For, under the cliff,
Fierce the black water frothed o'er the blind-rock
No seeing our skiff
Arrive about noon from Amalfi,
—Our fisher arrive,
And pitch down his basket before us,
All trembling alive
With pink and grey jellies, your sea-fruit,
—You touch the strange lumps,
And mouths gape there, eyes open, all manner
Of horns and of humps.
Which only the fisher looks grave at,
While round him like imps
Cling screaming the children as naked
And brown as his shrimps;
Himself too as bare to the middle—
—You see round his neck
The string and its brass coin suspended,
That saves him from wreck.
But today not a boat reached Salerno,
So back to a man
Came our friends, with whose help in the vineyards
Grape-harvest began:
In the vat, half-way up in our house-side,
Like blood the juice spins,
While your brother all bare-legged is dancing
Till breathless he grins
Dead-beaten, in effort on effort
To keep the grapes under,
Since still when he seems all but master,
In pours the fresh plunder
From girls who keep coming and going
With basket on shoulder,
And eyes shut against the rain's driving,
Your girls that are older,—
For under the hedges of aloe,
And where, on its bed
Of the orchard's black mould, the love-apple
Lies pulpy and red,
All the young ones are kneeling and filling
Their laps with the snails
Tempted out by this first rainy weather,—
Your best of regales,
As tonight will be proved to my sorrow,
When, supping in state,
We shall feast our grape-gleaners (two dozen,
Three over one plate)
With lasagne so tempting to swallow
In slippery ropes,
And gourds fried in great purple slices,
That colour of popes.
Meantime, see the grape-bunch they've brought you,—
The rain-water slips
O'er the heavy blue bloom on each globe
Which the wasp to your lips
Still follows with fretful persistence—
Nay, taste, while awake,
This half of a curd-white smooth cheese-ball,
That peels, flake by flake,
Like an onion's, each smoother and whiter;
Next, sip this weak wine
From the thin green glass flask, with its stopper,
A leaf of the vine,—
And end with the prickly-pear's red flesh
That leaves through its juice
The stony black seeds on your pearl-teeth
.
.
.
Scirocco is loose!
Hark! the quick, whistling pelt of the olives
Which, thick in one's track,
Tempt the stranger to pick up and bite them,
Though not yet half black!
How the old twisted olive trunks shudder!
The medlars let fall
Their hard fruit, and the brittle great fig-trees
Snap off, figs and all,—
For here comes the whole of the tempest
No refuge, but creep
Back again to my side and my shoulder,
And listen or sleep.
O how will your country show next week
When all the vine-boughs
Have been stripped of their foliage to pasture
The mules and the cows?
Last eve, I rode over the mountains;
Your brother, my guide,
Soon left me, to feast on the myrtles
That offered, each side,
Their fruit-balls, black, glossy and luscious,—
Or strip from the sorbs
A treasure, so rosy and wondrous,
Of hairy gold orbs!
But my mule picked his sure, sober path out,
Just stopping to neigh
When he recognized down in the valley
His mates on their way
With the faggots, and barrels of water;
And soon we emerged
From the plain, where the woods could scarce follow
And still as we urged
Our way, the woods wondered, and left us,
As up still we trudged
Though the wild path grew wilder each instant,
And place was e'en grudged
'Mid the rock-chasms, and piles of loose stones
(Like the loose broken teeth
Of some monster, which climbed there to die
From the ocean beneath)
Place was grudged to the silver-grey fume-weed
That clung to the path,
And dark rosemary, ever a-dying,
That, 'spite the wind's wrath,
So loves the salt rock's face to seaward,—
And lentisks as staunch
To the stone where they root and bear berries,—
And.
.
.
what shows a branch
Coral-coloured, transparent, with circlets
Of pale seagreen leaves—
Over all trod my mule with the caution
Of gleaners o'er sheaves,
Still, foot after foot like a lady—
So, round after round,
He climbed to the top of Calvano,
And God's own profound
Was above me, and round me the mountains,
And under, the sea,
And within me, my heart to bear witness
What was and shall be!
Oh Heaven, and the terrible crystal!
No rampart excludes
Your eye from the life to be lived
In the blue solitudes!
Oh, those mountains, their infinite movement!
Still moving with you—
For, ever some new head and breast of them
Thrusts into view
To observe the intruder—you see it
If quickly you turn
And, before they escape you, surprise them—
They grudge you should learn
How the soft plains they look on, lean over,
And love (they pretend)
-Cower beneath them; the flat sea-pine crouches
The wild fruit-trees bend,
E'en the myrtle-leaves curl, shrink and shut—
All is silent and grave—
'Tis a sensual and timorous beauty—
How fair, but a slave!
So, I turned to the sea,—and there slumbered
As greenly as ever
Those isles of the siren, your Galli;
No ages can sever
The Three, nor enable their sister
To join them,—half-way
On the voyage, she looked at Ulysses—
No farther today;
Though the small one, just launched in the wave,
Watches breast-high and steady
From under the rock, her bold sister
Swum half-way already.
Fortu, shall we sail there together
And see from the sides
Quite new rocks show their faces—new haunts
Where the siren abides?
Shall we sail round and round them, close over
The rocks, though unseen,
That ruffle the grey glassy water
To glorious green?
Then scramble from splinter to splinter,
Reach land and explore,
On the largest, the strange square black turret
With never a door,
Just a loop to admit the quick lizards;
Then, stand there and hear
The birds' quiet singing, that tells us
What life is, so clear!
The secret they sang to Ulysses,
When, ages ago,
He heard and he knew this life's secret,
I hear and I know!
Ah, see! The sun breaks o'er Calvano—
He strikes the great gloom
And flutters it o'er the mount's summit
In airy gold fume!
All is over! Look out, see the gipsy,
Our tinker and smith,
Has arrived, set up bellows and forge,
And down-squatted forthwith
To his hammering, under the wall there;
One eye keeps aloof
The urchins that itch to be putting
His jews'-harps to proof,
While the other, through locks of curled wire,
Is watching how sleek
Shines the hog, come to share in the windfalls
—An abbot's own cheek!
All is over! Wake up and come out now,
And down let us go,
And see the fine things got in order
At Church for the show
Of the Sacrament, set forth this evening;
Tomorrow's the Feast
Of the Rosary's Virgin, by no means
Of Virgins the least—
As you'll hear in the off-hand discourse
Which (all nature, no art)
The Dominican brother, these three weeks,
Was getting by heart.
Not a post nor a pillar but's dizened
With red and blue papers;
All the roof waves with ribbons, each altar
A-blaze with long tapers;
But the great masterpiece is the scaffold
Rigged glorious to hold
All the fiddlers and fifers and drummers
And trumpeters bold,
Not afraid of Bellini nor Auber,
Who, when the priest's hoarse,
Will strike us up something that's brisk
For the feast's second course.
And then will the flaxen-wigged Image
Be carried in pomp
Through the plain, while in gallant procession
The priests mean to stomp.
And all round the glad church lie old bottles
With gunpowder stopped,
Which will be, when the Image re-enters,
Religiously popped.
And at night from the crest of Calvano
Great bonfires will hang,
On the plain will the trumpets join chorus,
And more poppers bang!
At all events, come—to the garden,
As far as the wall,
See me tap with a hoe on the plaster
Till out there shall fall
A scorpion with wide angry nippers!
.
.
.
"Such trifles"—you say?
Fortu, in my England at home,
Men meet gravely today
And debate, if abolishing Corn-laws
Is righteous and wise
—If 'tis proper, Scirocco should vanish
In black from the skies!
|
Written by
John Dryden |
'Twas at the royal feast for Persia won
By Philip's warlike son—
Aloft in awful state
The godlike hero sate
On his imperial throne;
His valiant peers were placed around,
Their brows with roses and with myrtles bound
(So should desert in arms be crowned);
The lovely Thais by his side
Sate like a blooming eastern bride
In flower of youth and beauty's pride:—
Happy, happy, happy pair!
None but the brave
None but the brave
None but the brave deserves the fair!
Timotheus placed on high
Amid the tuneful quire
With flying fingers touched the lyre;
The trembling notes ascend the sky
And heavenly joys inspire.
The song began from Jove
Who left his blissful seats above—
Such is the power of mighty love!
A dragon's fiery form belied the god
Sublime on radiant spires he rode
When he to fair Olympia prest,
And while he sought her snowy breast,
Then round her slender waist he curled,
And stamped an image of himself, a sovereign of the world.
- The listening crowd admire the lofty sound!
A present deity! they shout around:
A present deity! the vaulted roofs rebound!
With ravished ears
The monarch hears,
Assumes the god,
Affects to nod,
And seems to shake the spheres.
The praise of Bacchus then the sweet musician sung,
Of Bacchus ever fair and ever young:
The jolly god in triumph comes!
Sound the trumpets, beat the drums!
Flushed with a purple grace
He shows his honest face:
Now give the hautboys breath; he comes, he comes!
Bacchus, ever fair and young,
Drinking joys did first ordain;
Bacchus' blessings are a treasure,
Drinking is the soldier's pleasure:
Rich the treasure,
Sweet the pleasure,
Sweet is pleasure after pain.
Soothed with the sound, the king grew vain;
Fought all his battles o'er again,
And thrice he routed all his foes, and thrice he slew the slain.
The master saw the madness rise,
His glowing cheeks, his ardent eyes;
And while he Heaven and Earth defied
Changed his hand and checked his pride.
He chose a mournful Muse
Soft pity to infuse:
He sung Darius great and good,
By too severe a fate
Fallen, fallen, fallen, fallen,
Fallen from his high estate,
And weltering in his blood;
Deserted, at his utmost need,
By those his former bounty fed;
On the bare earth exposed he lies
With not a friend to close his eyes.
- With downcast looks the joyless victor sate,
Revolving in his altered soul
The various turns of Chance below;
And now and then a sigh he stole,
And tears began to flow.
The mighty master smiled to see
That love was in the next degree;
'Twas but a kindred-sound to move,
For pity melts the mind to love.
Softly sweet, in Lydian measures
Soon he soothed his soul to pleasures.
War, he sung, is toil and trouble,
Honour but an empty bubble;
Never ending, still beginning,
Fighting still, and still destroying;
If the world be worth thy winning,
Think, O think, it worth enjoying:
Lovely Thais sits beside thee,
Take the good the gods provide thee!
- The many rend the skies with loud applause;
So Love was crowned, but Music won the cause.
The prince, unable to conceal his pain,
Gazed on the fair
Who caused his care,
And sighed and looked, sighed and looked,
Sighed and looked, and sighed again:
At length with love and wine at once opprest
The vanquished victor sunk upon her breast.
Now strike the golden lyre again:
A louder yet, and yet a louder strain!
Break his bands of sleep asunder
And rouse him like a rattling peal of thunder.
Hark, hark! the horrid sound
Has raised up his head:
As awaked from the dead
And amazed he stares around.
Revenge, revenge, Timotheus cries,
See the Furies arisel
See the snakes that they rear
How they hiss in their hair,
And the sparkles that flash from their eyes!
Behold a ghastly band,
Each a torch in his hand!
Those are Grecian ghosts, that in battle were slain
And unburied remain
Inglorious on the plain:
Give the vengeance due
To the valiant crew!
Behold how they toss their torches on high,
How they point to the Persian abodes
And glittering temples of their hostile gods.
- The princes applaud with a furious joy:
And the King seized a flambeau with zeal to destroy;
Thais led the way
To light him to his prey,
And like another Helen, fired another Troy!
- Thus, long ago,
Ere heaving bellows learned to blow,
While organs yet were mute,
Timotheus, to his breathing flute
And sounding lyre,
Could swell the soul to rage, or kindle soft desire.
At last divine Cecilia came,
Inventress of the vocal frame;
The sweet enthusiast from her sacred store
Enlarged the former narrow bounds,
And added length to solemn sounds,
With Nature's mother-wit, and arts unknown before.
- Let old Timotheus yield the prize
Or both divide the crown;
He raised a mortal to the skies;
She drew an angel down!
|
Written by
Robert Graves |
August 6, 1916.
—Officer previously reported died of wounds, now reported wounded: Graves, Captain R.
, Royal Welch Fusiliers.
)
…but I was dead, an hour or more.
I woke when I’d already passed the door
That Cerberus guards, and half-way down the road
To Lethe, as an old Greek signpost showed.
Above me, on my stretcher swinging by,
I saw new stars in the subterrene sky:
A Cross, a Rose in bloom, a Cage with bars,
And a barbed Arrow feathered in fine stars.
I felt the vapours of forgetfulness
Float in my nostrils.
Oh, may Heaven bless
Dear Lady Proserpine, who saw me wake,
And, stooping over me, for Henna’s sake
Cleared my poor buzzing head and sent me back
Breathless, with leaping heart along the track.
After me roared and clattered angry hosts
Of demons, heroes, and policeman-ghosts.
“Life! life! I can’t be dead! I won’t be dead!
Damned if I’ll die for any one!” I said….
Cerberus stands and grins above me now,
Wearing three heads—lion, and lynx, and sow.
“Quick, a revolver! But my Webley’s gone,
Stolen!… No bombs … no knife….
The crowd swarms on,
Bellows, hurls stones….
Not even a honeyed sop…
Nothing….
Good Cerberus!… Good dog!… but stop!
Stay!… A great luminous thought … I do believe
There’s still some morphia that I bought on leave.
”
Then swiftly Cerberus’ wide mouths I cram
With army biscuit smeared with ration jam;
And sleep lurks in the luscious plum and apple.
He crunches, swallows, stiffens, seems to grapple
With the all-powerful poppy … then a snore,
A crash; the beast blocks up the corridor
With monstrous hairy carcase, red and dun—
Too late! for I’ve sped through.
O Life! O Sun!
|
Written by
Philip Levine |
The doctor fingers my bruise.
"Magnificent," he says, "black
at the edges and purple
cored.
" Seated, he spies for clues,
gingerly probing the slack
flesh, while I, standing, fazed, pull
for air, losing the battle.
Faced by his aged diploma,
the heavy head of the X-
ray, and the iron saddle,
I grow lonely.
He finds my
secrets common and my sex
neither objectionable
nor lovely, though he is on
the hunt for significance.
The shelved cutlery twinkles
behind glass, and I am on
the way out, "an instance
of the succumbed through extreme
fantasy.
" He is alarmed
at last, and would raise me, but
I am floorward in a dream
of lowered trousers, unarmed
and weakly fighting to shut
the window of my drawers.
There are others in the room,
voices of women above
white oxfords; and the old floor,
the friendly linoleum,
departs.
I whisper, "my love,"
and am safe, tabled, sniffing
spirits of ammonia
in the land of my fellows.
"Open house!" my openings
sing: pores, nose, anus let go
their charges, a shameless flow
into the outer world;
and the ceiling, equipped with
intelligence, surveys my
produce.
The doctor is thrilled
by my display, for he is half
the slave of necessity;
I, enormous in my need,
justify his sciences.
"We have alternatives," he
says, "Removal.
.
.
" (And my blood
whitens as on their dull trays
the tubes dance.
I must study
the dark bellows of the gas
machine, the painless maker.
)
".
.
.
and learning to live with it.
"
Oh, but I am learning fast
to live with any pain, ache,
growth to keep myself intact;
and in imagination
I hug my bruise like an old
Pooh Bear, already attuned
to its moods.
"Oh, my dark one,
tell of the coming of cold
and of Kings, ancient and ruined.
"
|