Written by
Siegfried Sassoon |
I’ve never ceased to curse the day I signed
A seven years’ bargain for the Golden Fleece.
’Twas a bad deal all round; and dear enough
It cost me, what with my daft management,
And the mean folk as owed and never paid me,
And backing losers; and the local bucks
Egging me on with whiskys while I bragged
The man I was when huntsman to the Squire.
I’d have been prosperous if I’d took a farm
Of fifty acres, drove my gig and haggled
At Monday markets; now I’ve squandered all
My savings; nigh three hundred pound I got
As testimonial when I’d grown too stiff
And slow to press a beaten fox.
The Fleece!
’Twas the damned Fleece that wore my Emily out,
The wife of thirty years who served me well;
(Not like this beldam clattering in the kitchen,
That never trims a lamp nor sweeps the floor,
And brings me greasy soup in a foul crock.)
Blast the old harridan! What’s fetched her now,
Leaving me in the dark, and short of fire?
And where’s my pipe? ’Tis lucky I’ve a turn
For thinking, and remembering all that’s past.
And now’s my hour, before I hobble to bed,
To set the works a-wheezing, wind the clock
That keeps the time of life with feeble tick
Behind my bleared old face that stares and wonders.
. . . .
It’s ***** how, in the dark, comes back to mind
Some morning of September. We’ve been digging
In a steep sandy warren, riddled with holes,
And I’ve just pulled the terrier out and left
A sharp-nosed cub-face blinking there and snapping,
Then in a moment seen him mobbed and torn
To strips in the baying hurly of the pack.
I picture it so clear: the dusty sunshine
On bracken, and the men with spades, that wipe
Red faces: one tilts up a mug of ale.
And, having stopped to clean my gory hands,
I whistle the jostling beauties out of the wood.
I’m but a daft old fool! I often wish
The Squire were back again—ah! he was a man!
They don’t breed men like him these days; he’d come
For sure, and sit and talk and suck his briar
Till the old wife brings up a dish of tea.
Ay, those were days, when I was serving Squire!
I never knowed such sport as ’85,
The winter afore the one that snowed us silly.
. . . .
Once in a way the parson will drop in
And read a bit o’ the Bible, if I’m bad,
And pray the Lord to make my spirit whole
In faith: he leaves some ’baccy on the shelf,
And wonders I don’t keep a dog to cheer me
Because he knows I’m mortal fond of dogs!
I ask you, what’s a gent like that to me
As wouldn’t know Elijah if I saw him,
Nor have the wit to keep him on the talk?
’Tis kind of parson to be troubling still
With such as me; but he’s a town-bred chap,
Full of his college notions and Christmas hymns.
Religion beats me. I’m amazed at folk
Drinking the gospels in and never scratching
Their heads for questions. When I was a lad
I learned a bit from mother, and never thought
To educate myself for prayers and psalms.
But now I’m old and bald and serious-minded,
With days to sit and ponder. I’d no chance
When young and gay to get the hang of all
This Hell and Heaven: and when the clergy hoick
And holloa from their pulpits, I’m asleep,
However hard I listen; and when they pray
It seems we’re all like children sucking sweets
In school, and wondering whether master sees.
I used to dream of Hell when I was first
Promoted to a huntsman’s job, and scent
Was rotten, and all the foxes disappeared,
And hounds were short of blood; and officers
From barracks over-rode ’em all day long
On weedy, whistling nags that knocked a hole
In every fence; good sportsmen to a man
And brigadiers by now, but dreadful hard
On a young huntsman keen to show some sport.
Ay, Hell was thick with captains, and I rode
The lumbering brute that’s beat in half a mile,
And blunders into every blind old ditch.
Hell was the coldest scenting land I’ve known,
And both my whips were always lost, and hounds
Would never get their heads down; and a man
On a great yawing chestnut trying to cast ’em
While I was in a corner pounded by
The ugliest hog-backed stile you’ve clapped your eyes on.
There was an iron-spiked fence round all the coverts,
And civil-spoken keepers I couldn’t trust,
And the main earth unstopp’d. The fox I found
Was always a three-legged ’un from a bag,
Who reeked of aniseed and wouldn’t run.
The farmers were all ploughing their old pasture
And bellowing at me when I rode their beans
To cast for beaten fox, or galloped on
With hounds to a lucky view. I’d lost my voice
Although I shouted fit to burst my guts,
And couldn’t blow my horn.
And when I woke,
Emily snored, and barn-cocks started crowing,
And morn was at the window; and I was glad
To be alive because I heard the cry
Of hounds like church-bells chiming on a Sunday.
Ay, that’s the song I’d wish to hear in Heaven!
The cry of hounds was Heaven for me: I know
Parson would call me crazed and wrong to say it,
But where’s the use of life and being glad
If God’s not in your gladness?
I’ve no brains
For book-learned studies; but I’ve heard men say
There’s much in print that clergy have to wink at:
Though many I’ve met were jolly chaps, and rode
To hounds, and walked me puppies; and could pick
Good legs and loins and necks and shoulders, ay,
And feet—’twas necks and feet I looked at first.
Some hounds I’ve known were wise as half your saints,
And better hunters. That old dog of the Duke’s,
Harlequin; what a dog he was to draw!
And what a note he had, and what a nose
When foxes ran down wind and scent was catchy!
And that light lemon ***** of the Squire’s, old Dorcas—
She were a marvellous hunter, were old Dorcas!
Ay, oft I’ve thought, ‘If there were hounds in Heaven,
With God as master, taking no subscription;
And all His bless?d country farmed by tenants,
And a straight-necked old fox in every gorse!’
But when I came to work it out, I found
There’d be too many huntsmen wanting places,
Though some I’ve known might get a job with Nick!
. . . .
I’ve come to think of God as something like
The figure of a man the old Duke was
When I was turning hounds to Nimrod King,
Before his Grace was took so bad with gout
And had to quit the saddle. Tall and spare,
Clean-shaved and grey, with shrewd, kind eyes, that twinkled,
And easy walk; who, when he gave good words,
Gave them whole-hearted; and would never blame
Without just cause. Lord God might be like that,
Sitting alone in a great room of books
Some evening after hunting.
Now I’m tired
With hearkening to the tick-tack on the shelf;
And pondering makes me doubtful.
Riding home
On a moonless night of cloud that feels like frost
Though stars are hidden (hold your feet up, horse!)
And thinking what a task I had to draw
A pack with all those lame ’uns, and the lot
Wanting a rest from all this open weather;
That’s what I’m doing now.
And likely, too,
The frost’ll be a long ’un, and the night
One sleep. The parsons say we’ll wake to find
A country blinding-white with dazzle of snow.
The naked stars make men feel lonely, wheeling
And glinting on the puddles in the road.
And then you listen to the wind, and wonder
If folk are quite such bucks as they appear
When dressed by London tailors, looking down
Their boots at covert side, and thinking big.
. . . .
This world’s a funny place to live in. Soon
I’ll need to change my country; but I know
’Tis little enough I’ve understood my life,
And a power of sights I’ve missed, and foreign marvels.
I used to feel it, riding on spring days
In meadows pied with sun and chasing clouds,
And half forget how I was there to catch
The foxes; lose the angry, eager feeling
A huntsman ought to have, that’s out for blood,
And means his hounds to get it!
Now I know
It’s God that speaks to us when we’re bewitched,
Smelling the hay in June and smiling quiet;
Or when there’s been a spell of summer drought,
Lying awake and listening to the rain.
. . . .
I’d like to be the simpleton I was
In the old days when I was whipping-in
To a little harrier-pack in Worcestershire,
And loved a dairymaid, but never knew it
Until she’d wed another. So I’ve loved
My life; and when the good years are gone down,
Discover what I’ve lost.
I never broke
Out of my blundering self into the world,
But let it all go past me, like a man
Half asleep in a land that’s full of wars.
What a grand thing ’twould be if I could go
Back to the kennels now and take my hounds
For summer exercise; be riding out
With forty couple when the quiet skies
Are streaked with sunrise, and the silly birds
Grown hoarse with singing; cobwebs on the furze
Up on the hill, and all the country strange,
With no one stirring; and the horses fresh,
Sniffing the air I’ll never breathe again.
. . . .
You’ve brought the lamp, then, Martha? I’ve no mind
For newspaper to-night, nor bread and cheese.
Give me the candle, and I’ll get to bed.
|
Written by
Vachel Lindsay |
A Song in Chinese Tapestries
"How, how," he said. "Friend Chang," I said,
"San Francisco sleeps as the dead—
Ended license, lust and play:
Why do you iron the night away?
Your big clock speaks with a deadly sound,
With a tick and a wail till dawn comes round.
While the monster shadows glower and creep,
What can be better for man than sleep?"
"I will tell you a secret," Chang replied;
"My breast with vision is satisfied,
And I see green trees and fluttering wings,
And my deathless bird from Shanghai sings."
Then he lit five fire-crackers in a pan.
"Pop, pop," said the fire-crackers, "cra-cra-crack."
He lit a joss stick long and black.
Then the proud gray joss in the corner stirred;
On his wrist appeared a gray small bird,
And this was the song of the gray small bird:
"Where is the princess, loved forever,
Who made Chang first of the kings of men?"
And the joss in the corner stirred again;
And the carved dog, curled in his arms, awoke,
Barked forth a smoke-cloud that whirled and broke.
It piled in a maze round the ironing-place,
And there on the snowy table wide
Stood a Chinese lady of high degree,
With a scornful, witching, tea-rose face....
Yet she put away all form and pride,
And laid her glimmering veil aside
With a childlike smile for Chang and for me.
The walls fell back, night was aflower,
The table gleamed in a moonlit bower,
While Chang, with a countenance carved of stone,
Ironed and ironed, all alone.
And thus she sang to the busy man Chang:
"Have you forgotten....
Deep in the ages, long, long ago,
I was your sweetheart, there on the sand—
Storm-worn beach of the Chinese land?
We sold our grain in the peacock town
Built on the edge of the sea-sands brown—
Built on the edge of the sea-sands brown....
"When all the world was drinking blood
From the skulls of men and bulls
And all the world had swords and clubs of stone,
We drank our tea in China beneath the sacred spice-trees,
And heard the curled waves of the harbor moan.
And this gray bird, in Love's first spring,
With a bright-bronze breast and a bronze-brown wing,
Captured the world with his carolling.
Do you remember, ages after,
At last the world we were born to own?
You were the heir of the yellow throne—
The world was the field of the Chinese man
And we were the pride of the Sons of Han?
We copied deep books and we carved in jade,
And wove blue silks in the mulberry shade...."
"I remember, I remember
That Spring came on forever,
That Spring came on forever,"
Said the Chinese nightingale.
My heart was filled with marvel and dream,
Though I saw the western street-lamps gleam,
Though dawn was bringing the western day,
Though Chang was a laundryman ironing away....
Mingled there with the streets and alleys,
The railroad-yard and the clock-tower bright,
Demon clouds crossed ancient valleys;
Across wide lotus-ponds of light
I marked a giant firefly's flight.
And the lady, rosy-red,
Flourished her fan, her shimmering fan,
Stretched her hand toward Chang, and said:
"Do you remember,
Ages after,
Our palace of heart-red stone?
Do you remember
The little doll-faced children
With their lanterns full of moon-fire,
That came from all the empire
Honoring the throne?—
The loveliest fête and carnival
Our world had ever known?
The sages sat about us
With their heads bowed in their beards,
With proper meditation on the sight.
Confucius was not born;
We lived in those great days
Confucius later said were lived aright....
And this gray bird, on that day of spring,
With a bright bronze breast, and a bronze-brown wing,
Captured the world with his carolling.
Late at night his tune was spent.
Peasants,
Sages,
Children,
Homeward went,
And then the bronze bird sang for you and me.
We walked alone. Our hearts were high and free.
I had a silvery name, I had a silvery name,
I had a silvery name — do you remember
The name you cried beside the tumbling sea?"
Chang turned not to the lady slim—
He bent to his work, ironing away;
But she was arch, and knowing and glowing,
And the bird on his shoulder spoke for him.
"Darling . . . darling . . . darling . . . darling . . ."
Said the Chinese nightingale.
The great gray joss on a rustic shelf,
Rakish and shrewd, with his collar awry,
Sang impolitely, as though by himself,
Drowning with his bellowing the nightingale's cry:
"Back through a hundred, hundred years
Hear the waves as they climb the piers,
Hear the howl of the silver seas,
Hear the thunder.
Hear the gongs of holy China
How the waves and tunes combine
In a rhythmic clashing wonder,
Incantation old and fine:
`Dragons, dragons, Chinese dragons,
Red fire-crackers, and green fire-crackers,
And dragons, dragons, Chinese dragons.'"
Then the lady, rosy-red,
Turned to her lover Chang and said:
"Dare you forget that turquoise dawn
When we stood in our mist-hung velvet lawn,
And worked a spell this great joss taught
Till a God of the Dragons was charmed and caught?
From the flag high over our palace home
He flew to our feet in rainbow-foam —
A king of beauty and tempest and thunder
Panting to tear our sorrows asunder.
A dragon of fair adventure and wonder.
We mounted the back of that royal slave
With thoughts of desire that were noble and grave.
We swam down the shore to the dragon-mountains,
We whirled to the peaks and the fiery fountains.
To our secret ivory house we were bourne.
We looked down the wonderful wing-filled regions
Where the dragons darted in glimmering legions.
Right by my breast the nightingale sang;
The old rhymes rang in the sunlit mist
That we this hour regain —
Song-fire for the brain.
When my hands and my hair and my feet you kissed,
When you cried for your heart's new pain,
What was my name in the dragon-mist,
In the rings of rainbowed rain?"
"Sorrow and love, glory and love,"
Said the Chinese nightingale.
"Sorrow and love, glory and love,"
Said the Chinese nightingale.
And now the joss broke in with his song:
"Dying ember, bird of Chang,
Soul of Chang, do you remember? —
Ere you returned to the shining harbor
There were pirates by ten thousand
Descended on the town
In vessels mountain-high and red and brown,
Moon-ships that climbed the storms and cut the skies.
On their prows were painted terrible bright eyes.
But I was then a wizard and a scholar and a priest;
I stood upon the sand;
With lifted hand I looked upon them
And sunk their vessels with my wizard eyes,
And the stately lacquer-gate made safe again.
Deep, deep below the bay, the sea-weed and the spray,
Embalmed in amber every pirate lies,
Embalmed in amber every pirate lies."
Then this did the noble lady say:
"Bird, do you dream of our home-coming day
When you flew like a courier on before
From the dragon-peak to our palace-door,
And we drove the steed in your singing path—
The ramping dragon of laughter and wrath:
And found our city all aglow,
And knighted this joss that decked it so?
There were golden fishes in the purple river
And silver fishes and rainbow fishes.
There were golden junks in the laughing river,
And silver junks and rainbow junks:
There were golden lilies by the bay and river,
And silver lilies and tiger-lilies,
And tinkling wind-bells in the gardens of the town
By the black-lacquer gate
Where walked in state
The kind king Chang
And his sweet-heart mate....
With his flag-born dragon
And his crown of pearl...and...jade,
And his nightingale reigning in the mulberry shade,
And sailors and soldiers on the sea-sands brown,
And priests who bowed them down to your song—
By the city called Han, the peacock town,
By the city called Han, the nightingale town,
The nightingale town."
Then sang the bird, so strangely gay,
Fluttering, fluttering, ghostly and gray,
A vague, unravelling, final tune,
Like a long unwinding silk cocoon;
Sang as though for the soul of him
Who ironed away in that bower dim: —
"I have forgotten
Your dragons great,
Merry and mad and friendly and bold.
Dim is your proud lost palace-gate.
I vaguely know
There were heroes of old,
Troubles more than the heart could hold,
There were wolves in the woods
Yet lambs in the fold,
Nests in the top of the almond tree....
The evergreen tree... and the mulberry tree...
Life and hurry and joy forgotten,
Years on years I but half-remember...
Man is a torch, then ashes soon,
May and June, then dead December,
Dead December, then again June.
Who shall end my dream's confusion?
Life is a loom, weaving illusion...
I remember, I remember
There were ghostly veils and laces...
In the shadowy bowery places...
With lovers' ardent faces
Bending to one another,
Speaking each his part.
They infinitely echo
In the red cave of my heart.
`Sweetheart, sweetheart, sweetheart.'
They said to one another.
They spoke, I think, of perils past.
They spoke, I think, of peace at last.
One thing I remember:
Spring came on forever,
Spring came on forever,"
Said the Chinese nightingale.
|
Written by
Ralph Waldo Emerson |
Little thinks, in the field, yon red-cloaked clown,
Of thee, from the hill-top looking down;
And the heifer, that lows in the upland farm,
Far-heard, lows not thine ear to charm;
The sexton tolling the bell at noon,
Dreams not that great Napoleon
Stops his horse, and lists with delight,
Whilst his files sweep round yon Alpine height;
Nor knowest thou what argument
Thy life to thy neighbor's creed has lent:
All are needed by each one,
Nothing is fair or good alone.
I thought the sparrow's note from heaven,
Singing at dawn on the alder bough;
I brought him home in his nest at even;—
He sings the song, but it pleases not now;
For I did not bring home the river and sky;
He sang to my ear; they sang to my eye.
The delicate shells lay on the shore;
The bubbles of the latest wave
Fresh pearls to their enamel gave;
And the bellowing of the savage sea
Greeted their safe escape to me;
I wiped away the weeds and foam,
And fetched my sea-born treasures home;
But the poor, unsightly, noisome things
Had left their beauty on the shore
With the sun, and the sand, and the wild uproar.
The lover watched his graceful maid
As 'mid the virgin train she strayed,
Nor knew her beauty's best attire
Was woven still by the snow-white quire;
At last she came to his hermitage,
Like the bird from the woodlands to the cage,—
The gay enchantment was undone,
A gentle wife, but fairy none.
Then I said, "I covet Truth;
Beauty is unripe childhood's cheat,—
I leave it behind with the games of youth."
As I spoke, beneath my feet
The ground-pine curled its pretty wreath,
Running over the club-moss burrs;
I inhaled the violet's breath;
Around me stood the oaks and firs;
Pine cones and acorns lay on the ground;
Above me soared the eternal sky,
Full of light and deity;
Again I saw, again I heard,
The rolling river, the morning bird;—
Beauty through my senses stole,
I yielded myself to the perfect whole.
|
Written by
Ralph Waldo Emerson |
Little thinks, in the field, yon red-cloaked clown
Of thee from the hill-top looking down;
The heifer that lows in the upland farm,
Far-heard, lows not thine ear to charm;
The wexton, tolling his bell at noon,
Deems not that great Napoleon
Stops his horse, and lists with delight,
Whilst his files sweep round yon Alpine height;
Nor knowest thou what argument
Thy life to thy neighbor's creed has lent.
All are needed by each one;
Nothing is fair or good alone.
I thought the sparrow's note from heaven,
Singing at dawn on the lader bough;
I brought him home, in his nest, at even;
He sings the song, but it cheers not now,
For I did not bring home the river and the sky; -
He sang to my ear, - they sang to my eye.
The delicate shells lay on the shore;
The bubbles of the latest wave
Fresh pearls to their enamel gave,
And the Bellowing of the savage sea
Greeted their safe escape to me.
I wiped away the weeds and foam,
I fetched my sea-born treasures home;
But the poor, unsightly, noisome things
Had left their beauty at the shore
With the sun and the sand and the wild uproar.
The lover watched his graceful maid,
As 'mid the virgin train she stayed,
Nor knew her beauty's best attire
Was woven still by the snow-white choir.
At last she came to his hermitage,
Like the bird from the woodlandsto the cage; -
The gay enchantment was undone,
A gentle wife, but fairy none.
Then I said, "I covet truth;
Beauty is unripe childhood's cheat;
I leave it behind with the games of youth:" -
As I spoke, beneath my feet
The ground-pine curled its pretty wreath,
Running over the club-moss burrs;
I inhaled the violet's breath;
Around me stood the oaks and firs;
Pine-cones and acorns lay on the ground;
Over me soared the eternal sky,
Full of light and of deity;
Again I saw, again I heard,
The rolling river, the morning bird; -
Beauty through my senses stole;
I yielded myself to the perfect whole.
|
Written by
Christopher Marlowe |
1 On Hellespont, guilty of true love's blood,
2 In view and opposite two cities stood,
3 Sea-borderers, disjoin'd by Neptune's might;
4 The one Abydos, the other Sestos hight.
5 At Sestos Hero dwelt; Hero the fair,
6 Whom young Apollo courted for her hair,
7 And offer'd as a dower his burning throne,
8 Where she could sit for men to gaze upon.
9 The outside of her garments were of lawn,
10 The lining purple silk, with gilt stars drawn;
11 Her wide sleeves green, and border'd with a grove,
12 Where Venus in her naked glory strove
13 To please the careless and disdainful eyes
14 Of proud Adonis, that before her lies;
15 Her kirtle blue, whereon was many a stain,
16 Made with the blood of wretched lovers slain.
17 Upon her head she ware a myrtle wreath,
18 From whence her veil reach'd to the ground beneath;
19 Her veil was artificial flowers and leaves,
20 Whose workmanship both man and beast deceives;
21 Many would praise the sweet smell as she past,
22 When 'twas the odour which her breath forth cast;
23 And there for honey bees have sought in vain,
24 And beat from thence, have lighted there again.
25 About her neck hung chains of pebble-stone,
26 Which lighten'd by her neck, like diamonds shone.
27 She ware no gloves; for neither sun nor wind
28 Would burn or parch her hands, but, to her mind,
29 Or warm or cool them, for they took delight
30 To play upon those hands, they were so white.
31 Buskins of shells, all silver'd, used she,
32 And branch'd with blushing coral to the knee;
33 Where sparrows perch'd, of hollow pearl and gold,
34 Such as the world would wonder to behold:
35 Those with sweet water oft her handmaid fills,
36 Which as she went, would chirrup through the bills.
37 Some say, for her the fairest Cupid pin'd,
38 And looking in her face, was strooken blind.
39 But this is true; so like was one the other,
40 As he imagin'd Hero was his mother;
41 And oftentimes into her bosom flew,
42 About her naked neck his bare arms threw,
43 And laid his childish head upon her breast,
44 And with still panting rock'd there took his rest.
45 So lovely-fair was Hero, Venus' nun,
46 As Nature wept, thinking she was undone,
47 Because she took more from her than she left,
48 And of such wondrous beauty her bereft:
49 Therefore, in sign her treasure suffer'd wrack,
50 Since Hero's time hath half the world been black.
51 Amorous Leander, beautiful and young
52 (Whose tragedy divine Mus?us sung),
53 Dwelt at Abydos; since him dwelt there none
54 For whom succeeding times make greater moan.
55 His dangling tresses, that were never shorn,
56 Had they been cut, and unto Colchos borne,
57 Would have allur'd the vent'rous youth of Greece
58 To hazard more than for the golden fleece.
59 Fair Cynthia wish'd his arms might be her sphere;
60 Grief makes her pale, because she moves not there.
61 His body was as straight as Circe's wand;
62 Jove might have sipt out nectar from his hand.
63 Even as delicious meat is to the taste,
64 So was his neck in touching, and surpast
65 The white of Pelops' shoulder: I could tell ye,
66 How smooth his breast was, and how white his belly;
67 And whose immortal fingers did imprint
68 That heavenly path with many a curious dint
69 That runs along his back; but my rude pen
70 Can hardly blazon forth the loves of men,
71 Much less of powerful gods: let it suffice
72 That my slack Muse sings of Leander's eyes;
73 Those orient cheeks and lips, exceeding his
74 That leapt into the water for a kiss
75 Of his own shadow, and, despising many,
76 Died ere he could enjoy the love of any.
77 Had wild Hippolytus Leander seen,
78 Enamour'd of his beauty had he been.
79 His presence made the rudest peasant melt,
80 That in the vast uplandish country dwelt;
81 The barbarous Thracian soldier, mov'd with nought,
82 Was mov'd with him, and for his favour sought.
83 Some swore he was a maid in man's attire,
84 For in his looks were all that men desire,--
85 A pleasant smiling cheek, a speaking eye,
86 A brow for love to banquet royally;
87 And such as knew he was a man, would say,
88 "Leander, thou art made for amorous play;
89 Why art thou not in love, and lov'd of all?
90 Though thou be fair, yet be not thine own thrall."
91 The men of wealthy Sestos every year,
92 For his sake whom their goddess held so dear,
93 Rose-cheek'd Adonis, kept a solemn feast.
94 Thither resorted many a wandering guest
95 To meet their loves; such as had none at all
96 Came lovers home from this great festival;
97 For every street, like to a firmament,
98 Glister'd with breathing stars, who, where they went,
99 Frighted the melancholy earth, which deem'd
100 Eternal heaven to burn, for so it seem'd
101 As if another Pha{"e}ton had got
102 The guidance of the sun's rich chariot.
103 But far above the loveliest, Hero shin'd,
104 And stole away th' enchanted gazer's mind;
105 For like sea-nymphs' inveigling harmony,
106 So was her beauty to the standers-by;
107 Nor that night-wandering, pale, and watery star
108 (When yawning dragons draw her thirling car
109 From Latmus' mount up to the gloomy sky,
110 Where, crown'd with blazing light and majesty,
111 She proudly sits) more over-rules the flood
112 Than she the hearts of those that near her stood.
113 Even as when gaudy nymphs pursue the chase,
114 Wretched Ixion's shaggy-footed race,
115 Incens'd with savage heat, gallop amain
116 From steep pine-bearing mountains to the plain,
117 So ran the people forth to gaze upon her,
118 And all that view'd her were enamour'd on her.
119 And as in fury of a dreadful fight,
120 Their fellows being slain or put to flight,
121 Poor soldiers stand with fear of death dead-strooken,
122 So at her presence all surpris'd and tooken,
123 Await the sentence of her scornful eyes;
124 He whom she favours lives; the other dies.
125 There might you see one sigh, another rage,
126 And some, their violent passions to assuage,
127 Compile sharp satires; but, alas, too late,
128 For faithful love will never turn to hate.
129 And many, seeing great princes were denied,
130 Pin'd as they went, and thinking on her, died.
131 On this feast-day--O cursed day and hour!--
132 Went Hero thorough Sestos, from her tower
133 To Venus' temple, where unhappily,
134 As after chanc'd, they did each other spy.
135 So fair a church as this had Venus none:
136 The walls were of discolour'd jasper-stone,
137 Wherein was Proteus carved; and over-head
138 A lively vine of green sea-agate spread,
139 Where by one hand light-headed Bacchus hung,
140 And with the other wine from grapes out-wrung.
141 Of crystal shining fair the pavement was;
142 The town of Sestos call'd it Venus' glass:
143 There might you see the gods in sundry shapes,
144 Committing heady riots, incest, rapes:
145 For know, that underneath this radiant flower
146 Was Danae's statue in a brazen tower,
147 Jove slyly stealing from his sister's bed,
148 To dally with Idalian Ganimed,
149 And for his love Europa bellowing loud,
150 And tumbling with the rainbow in a cloud;
151 Blood-quaffing Mars heaving the iron net,
152 Which limping Vulcan and his Cyclops set;
153 Love kindling fire, to burn such towns as Troy,
154 Sylvanus weeping for the lovely boy
155 That now is turn'd into a cypress tree,
156 Under whose shade the wood-gods love to be.
157 And in the midst a silver altar stood:
158 There Hero, sacrificing turtles' blood,
159 Vail'd to the ground, veiling her eyelids close;
160 And modestly they opened as she rose.
161 Thence flew Love's arrow with the golden head;
162 And thus Leander was enamoured.
163 Stone-still he stood, and evermore he gazed,
164 Till with the fire that from his count'nance blazed
165 Relenting Hero's gentle heart was strook:
166 Such force and virtue hath an amorous look.
167 It lies not in our power to love or hate,
168 For will in us is over-rul'd by fate.
169 When two are stript, long ere the course begin,
170 We wish that one should lose, the other win;
171 And one especially do we affect
172 Of two gold ingots, like in each respect:
173 The reason no man knows, let it suffice,
174 What we behold is censur'd by our eyes.
175 Where both deliberate, the love is slight:
176 Who ever lov'd, that lov'd not at first sight?
|
Written by
Friedrich von Schiller |
"What knight or what vassal will be so bold
As to plunge in the gulf below?
See! I hurl in its depths a goblet of gold,
Already the waters over it flow.
The man who can bring back the goblet to me,
May keep it henceforward,--his own it shall be."
Thus speaks the king, and he hurls from the height
Of the cliffs that, rugged and steep,
Hang over the boundless sea, with strong might,
The goblet afar, in the bellowing deep.
"And who'll be so daring,--I ask it once more,--
As to plunge in these billows that wildly roar?"
And the vassals and knights of high degree
Hear his words, but silent remain.
They cast their eyes on the raging sea,
And none will attempt the goblet to gain.
And a third time the question is asked by the king:
"Is there none that will dare in the gulf now to spring?"
Yet all as before in silence stand,
When a page, with a modest pride,
Steps out of the timorous squirely band,
And his girdle and mantle soon throws aside,
And all the knights, and the ladies too,
The noble stripling with wonderment view.
And when he draws nigh to the rocky brow,
And looks in the gulf so black,
The waters that she had swallowed but now,
The howling Charybdis is giving back;
And, with the distant thunder's dull sound.
From her gloomy womb they all-foaming rebound.
And it boils and it roars, and it hisses and seethes,
As when water and fire first blend;
To the sky spurts the foam in steam-laden wreaths,
And wave presses hard upon wave without end.
And the ocean will never exhausted be,
As if striving to bring forth another sea.
But at length the wild tumult seems pacified,
And blackly amid the white swell
A gaping chasm its jaws opens wide,
As if leading down to the depths of hell:
And the howling billows are seen by each eye
Down the whirling funnel all madly to fly.
Then quickly, before the breakers rebound,
The stripling commends him to Heaven,
And--a scream of horror is heard around,--
And now by the whirlpool away he is driven,
And secretly over the swimmer brave
Close the jaws, and he vanishes 'neath the dark wave.
O'er the watery gulf dread silence now lies,
But the deep sends up a dull yell,
And from mouth to mouth thus trembling it flies:
"Courageous stripling, oh, fare thee well!"
And duller and duller the howls recommence,
While they pause in anxious and fearful suspense.
"If even thy crown in the gulf thou shouldst fling,
And shouldst say, 'He who brings it to me
Shall wear it henceforward, and be the king,'
Thou couldst tempt me not e'en with that precious foe;
What under the howling deep is concealed
To no happy living soul is revealed!"
Full many a ship, by the whirlpool held fast,
Shoots straightway beneath the mad wave,
And, dashed to pieces, the hull and the mast
Emerge from the all-devouring grave,--
And the roaring approaches still nearer and nearer,
Like the howl of the tempest, still clearer and clearer.
And it boils and it roars, and it hisses and seethes,
As when water and fire first blend;
To the sky spurts the foam in steam-laden wreaths,
And wave passes hard upon wave without end.
And, with the distant thunder's dull sound,
From the ocean-womb they all-bellowing bound.
And lo! from the darkly flowing tide
Comes a vision white as a swan,
And an arm and a glistening neck are descried,
With might and with active zeal steering on;
And 'tis he, and behold! his left hand on high
Waves the goblet, while beaming with joy is his eye.
Then breathes he deeply, then breathes he long,
And blesses the light of the day;
While gladly exclaim to each other the throng:
"He lives! he is here! he is not the sea's prey!
From the tomb, from the eddying waters' control,
The brave one has rescued his living soul!"
And he comes, and they joyously round him stand;
At the feet of the monarch he falls,--
The goblet he, kneeling, puts in his hand,
And the king to his beauteous daughter calls,
Who fills it with sparkling wine to the brim;
The youth turns to the monarch, and speaks thus to him:
"Long life to the king! Let all those be glad
Who breathe in the light of the sky!
For below all is fearful, of moment sad;
Let not man to tempt the immortals e'er try,
Let him never desire the thing to see
That with terror and night they veil graciously."
"I was torn below with the speed of light,
When out of a cavern of rock
Rushed towards me a spring with furious might;
I was seized by the twofold torrent's wild shock,
And like a top, with a whirl and a bound,
Despite all resistance, was whirled around."
"Then God pointed out,--for to Him I cried
In that terrible moment of need,--
A craggy reef in the gulf's dark side;
I seized it in haste, and from death was then freed.
And there, on sharp corals, was hanging the cup,--
The fathomless pit had else swallowed it up."
"For under me lay it, still mountain-deep,
In a darkness of purple-tinged dye,
And though to the ear all might seem then asleep
With shuddering awe 'twas seen by the eye
How the salamanders' and dragons' dread forms
Filled those terrible jaws of hell with their swarms."
"There crowded, in union fearful and black,
In a horrible mass entwined,
The rock-fish, the ray with the thorny back,
And the hammer-fish's misshapen kind,
And the shark, the hyena dread of the sea,
With his angry teeth, grinned fiercely on me."
"There hung I, by fulness of terror possessed,
Where all human aid was unknown,
Amongst phantoms, the only sensitive breast,
In that fearful solitude all alone,
Where the voice of mankind could not reach to mine ear,
'Mid the monsters foul of that wilderness drear."
"Thus shuddering methought--when a something crawled near,
And a hundred limbs it out-flung,
And at me it snapped;--in my mortal fear,
I left hold of the coral to which I had clung;
Then the whirlpool seized on me with maddened roar,
Yet 'twas well, for it brought me to light once more."
The story in wonderment hears the king,
And he says, "The cup is thine own,
And I purpose also to give thee this ring,
Adorned with a costly, a priceless stone,
If thou'lt try once again, and bring word to me
What thou saw'st in the nethermost depths of the sea."
His daughter hears this with emotions soft,
And with flattering accent prays she:
"That fearful sport, father, attempt not too oft!
What none other would dare, he hath ventured for thee;
If thy heart's wild longings thou canst not tame,
Let the knights, if they can, put the squire to shame."
The king then seizes the goblet in haste,
In the gulf he hurls it with might:
"When the goblet once more in my hands thou hast placed,
Thou shalt rank at my court as the noblest knight,
And her as a bride thou shalt clasp e'en to-day,
Who for thee with tender compassion doth pray."
Then a force, as from Heaven, descends on him there,
And lightning gleams in his eye,
And blushes he sees on her features so fair,
And he sees her turn pale, and swooning lie;
Then eager the precious guerdon to win,
For life or for death, lo! he plunges him in!
The breakers they hear, and the breakers return,
Proclaimed by a thundering sound;
They bend o'er the gulf with glances that yearn,
And the waters are pouring in fast around;
Though upwards and downwards they rush and they rave,
The youth is brought back by no kindly wave.
|
Written by
Federico García Lorca |
1. Cogida and death
At five in the afternoon.
It was exactly five in the afternoon.
A boy brought the white sheet
at five in the afternoon.
A frail of lime ready prepared
at five in the afternoon.
The rest was death, and death alone.
The wind carried away the cottonwool
at five in the afternoon.
And the oxide scattered crystal and nickel
at five in the afternoon.
Now the dove and the leopard wrestle
at five in the afternoon.
And a thigh with a desolated horn
at five in the afternoon.
The bass-string struck up
at five in the afternoon.
Arsenic bells and smoke
at five in the afternoon.
Groups of silence in the corners
at five in the afternoon.
And the bull alone with a high heart!
At five in the afternoon.
When the sweat of snow was coming
at five in the afternoon,
when the bull ring was covered with iodine
at five in the afternoon.
Death laid eggs in the wound
at five in the afternoon.
At five in the afternoon.
At five o'clock in the afternoon.
A coffin on wheels is his bed
at five in the afternoon.
Bones and flutes resound in his ears
at five in the afternoon.
Now the bull was bellowing through his forehead
at five in the afternoon.
The room was iridiscent with agony
at five in the afternoon.
In the distance the gangrene now comes
at five in the afternoon.
Horn of the lily through green groins
at five in the afternoon.
The wounds were burning like suns
at five in the afternoon.
At five in the afternoon.
Ah, that fatal five in the afternoon!
It was five by all the clocks!
It was five in the shade of the afternoon!
2. The Spilled Blood
I will not see it!
Tell the moon to come,
for I do not want to see the blood
of Ignacio on the sand.
I will not see it!
The moon wide open.
Horse of still clouds,
and the grey bull ring of dreams
with willows in the barreras.
I will not see it!
Let my memory kindle!
Warm the jasmines
of such minute whiteness!
I will not see it!
The cow of the ancient world
passed har sad tongue
over a snout of blood
spilled on the sand,
and the bulls of Guisando,
partly death and partly stone,
bellowed like two centuries
sated with threading the earth.
No.
I will not see it!
Ignacio goes up the tiers
with all his death on his shoulders.
He sought for the dawn
but the dawn was no more.
He seeks for his confident profile
and the dream bewilders him
He sought for his beautiful body
and encountered his opened blood
Do not ask me to see it!
I do not want to hear it spurt
each time with less strength:
that spurt that illuminates
the tiers of seats, and spills
over the cordury and the leather
of a thirsty multiude.
Who shouts that I should come near!
Do not ask me to see it!
His eyes did not close
when he saw the horns near,
but the terrible mothers
lifted their heads.
And across the ranches,
an air of secret voices rose,
shouting to celestial bulls,
herdsmen of pale mist.
There was no prince in Sevilla
who could compare to him,
nor sword like his sword
nor heart so true.
Like a river of lions
was his marvellous strength,
and like a marble toroso
his firm drawn moderation.
The air of Andalusian Rome
gilded his head
where his smile was a spikenard
of wit and intelligence.
What a great torero in the ring!
What a good peasant in the sierra!
How gentle with the sheaves!
How hard with the spurs!
How tender with the dew!
How dazzling the fiesta!
How tremendous with the final
banderillas of darkness!
But now he sleeps without end.
Now the moss and the grass
open with sure fingers
the flower of his skull.
And now his blood comes out singing;
singing along marshes and meadows,
sliden on frozen horns,
faltering soulles in the mist
stoumbling over a thousand hoofs
like a long, dark, sad tongue,
to form a pool of agony
close to the starry Guadalquivir.
Oh, white wall of Spain!
Oh, black bull of sorrow!
Oh, hard blood of Ignacio!
Oh, nightingale of his veins!
No.
I will not see it!
No chalice can contain it,
no swallows can drink it,
no frost of light can cool it,
nor song nor deluge og white lilies,
no glass can cover mit with silver.
No.
I will not see it!
3. The Laid Out Body
Stone is a forehead where dreames grieve
without curving waters and frozen cypresses.
Stone is a shoulder on which to bear Time
with trees formed of tears and ribbons and planets.
I have seen grey showers move towards the waves
raising their tender riddle arms,
to avoid being caught by lying stone
which loosens their limbs without soaking their blood.
For stone gathers seed and clouds,
skeleton larks and wolves of penumbra:
but yields not sounds nor crystals nor fire,
only bull rings and bull rings and more bull rings without walls.
Now, Ignacio the well born lies on the stone.
All is finished. What is happening! Contemplate his face:
death has covered him with pale sulphur
and has place on him the head of dark minotaur.
All is finished. The rain penetrates his mouth.
The air, as if mad, leaves his sunken chest,
and Love, soaked through with tears of snow,
warms itself on the peak of the herd.
What is they saying? A stenching silence settles down.
We are here with a body laid out which fades away,
with a pure shape which had nightingales
and we see it being filled with depthless holes.
Who creases the shroud? What he says is not true!
Nobody sings here, nobody weeps in the corner,
nobody pricks the spurs, nor terrifies the serpent.
Here I want nothing else but the round eyes
to see his body without a chance of rest.
Here I want to see those men of hard voice.
Those that break horses and dominate rivers;
those men of sonorous skeleton who sing
with a mouth full of sun and flint.
Here I want to see them. Before the stone.
Before this body with broken reins.
I want to know from them the way out
for this captain stripped down by death.
I want them to show me a lament like a river
wich will have sweet mists and deep shores,
to take the body of Ignacio where it looses itself
without hearing the double planting of the bulls.
Loses itself in the round bull ring of the moon
which feigns in its youth a sad quiet bull,
loses itself in the night without song of fishes
and in the white thicket of frozen smoke.
I don't want to cover his face with handkerchiefs
that he may get used to the death he carries.
Go, Ignacio, feel not the hot bellowing
Sleep, fly, rest: even the sea dies!
4. Absent Soul
The bull does not know you, nor the fig tree,
nor the horses, nor the ants in your own house.
The child and the afternoon do not know you
because you have dead forever.
The shoulder of the stone does not know you
nor the black silk, where you are shuttered.
Your silent memory does not know you
because you have died forever
The autumn will come with small white snails,
misty grapes and clustered hills,
but no one will look into your eyes
because you have died forever.
Because you have died for ever,
like all the dead of the earth,
like all the dead who are forgotten
in a heap of lifeless dogs.
Nobady knows you. No. But I sing of you.
For posterity I sing of your profile and grace.
Of the signal maturity of your understanding.
Of your appetite for death and the taste of its mouth.
Of the sadness of your once valiant gaiety.
It will be a long time, if ever, before there is born
an Andalusian so true, so rich in adventure.
I sing of his elegance with words that groan,
and I remember a sad breeze through the olive trees.
|
Written by
Siegfried Sassoon |
October's bellowing anger breaks and cleaves
The bronzed battalions of the stricken wood
In whose lament I hear a voice that grieves
For battle’s fruitless harvest, and the feud
Of outraged men. Their lives are like the leaves
Scattered in flocks of ruin, tossed and blown
Along the westering furnace flaring red.
O martyred youth and manhood overthrown,
The burden of your wrongs is on my head.
|
Written by
Dylan Thomas |
This day winding down now
At God speeded summer's end
In the torrent salmon sun,
In my seashaken house
On a breakneck of rocks
Tangled with chirrup and fruit,
Froth, flute, fin, and quill
At a wood's dancing hoof,
By scummed, starfish sands
With their fishwife cross
Gulls, pipers, cockles, and snails,
Out there, crow black, men
Tackled with clouds, who kneel
To the sunset nets,
Geese nearly in heaven, boys
Stabbing, and herons, and shells
That speak seven seas,
Eternal waters away
From the cities of nine
Days' night whose towers will catch
In the religious wind
Like stalks of tall, dry straw,
At poor peace I sing
To you strangers (though song
Is a burning and crested act,
The fire of birds in
The world's turning wood,
For my swan, splay sounds),
Out of these seathumbed leaves
That will fly and fall
Like leaves of trees and as soon
Crumble and undie
Into the dogdayed night.
Seaward the salmon, sucked sun slips,
And the dumb swans drub blue
My dabbed bay's dusk, as I hack
This rumpus of shapes
For you to know
How I, a spining man,
Glory also this star, bird
Roared, sea born, man torn, blood blest.
Hark: I trumpet the place,
From fish to jumping hill! Look:
I build my bellowing ark
To the best of my love
As the flood begins,
Out of the fountainhead
Of fear, rage read, manalive,
Molten and mountainous to stream
Over the wound asleep
Sheep white hollow farms
To Wales in my arms.
Hoo, there, in castle keep,
You king singsong owls, who moonbeam
The flickering runs and dive
The dingle furred deer dead!
Huloo, on plumbed bryns,
O my ruffled ring dove
in the hooting, nearly dark
With Welsh and reverent rook,
Coo rooning the woods' praise,
who moons her blue notes from her nest
Down to the curlew herd!
Ho, hullaballoing clan
Agape, with woe
In your beaks, on the gabbing capes!
Heigh, on horseback hill, jack
Whisking hare! who
Hears, there, this fox light, my flood ship's
Clangour as I hew and smite
(A clash of anvils for my
Hubbub and fiddle, this tune
On atounged puffball)
But animals thick as theives
On God's rough tumbling grounds
(Hail to His beasthood!).
Beasts who sleep good and thin,
Hist, in hogback woods! The haystacked
Hollow farms ina throng
Of waters cluck and cling,
And barnroofs cockcrow war!
O kingdom of neighbors finned
Felled and quilled, flash to my patch
Work ark and the moonshine
Drinking Noah of the bay,
With pelt, and scale, and fleece:
Only the drowned deep bells
Of sheep and churches noise
Poor peace as the sun sets
And dark shoals every holy field.
We will ride out alone then,
Under the stars of Wales,
Cry, Multiudes of arks! Across
The water lidded lands,
Manned with their loves they'll move
Like wooden islands, hill to hill.
Huloo, my prowed dove with a flute!
Ahoy, old, sea-legged fox,
Tom tit and Dai mouse!
My ark sings in the sun
At God speeded summer's end
And the flood flowers now.
|
Written by
William Butler Yeats |
King Eochaid came at sundown to a wood
Westward of Tara. Hurrying to his queen
He had outridden his war-wasted men
That with empounded cattle trod the mire,
And where beech-trees had mixed a pale green light
With the ground-ivy's blue, he saw a stag
Whiter than curds, its eyes the tint of the sea.
Because it stood upon his path and seemed
More hands in height than any stag in the world
He sat with tightened rein and loosened mouth
Upon his trembling horse, then drove the spur;
But the stag stooped and ran at him, and passed,
Rending the horse's flank. King Eochaid reeled,
Then drew his sword to hold its levelled point
Against the stag. When horn and steel were met
The horn resounded as though it had been silver,
A sweet, miraculous, terrifying sound.
Horn locked in sword, they tugged and struggled there
As though a stag and unicorn were met
Among the African Mountains of the Moon,
Until at last the double horns, drawn backward,
Butted below the single and so pierced
The entrails of the horse. Dropping his sword
King Eochaid seized the horns in his strong hands
And stared into the sea-green eye, and so
Hither and thither to and fro they trod
Till all the place was beaten into mire.
The strong thigh and the agile thigh were met,
The hands that gathered up the might of the world,
And hoof and horn that had sucked in their speed
Amid the elaborate wilderness of the air.
Through bush they plunged and over ivied root,
And where the stone struck fire, while in the leaves
A squirrel whinnied and a bird screamed out;
But when at last he forced those sinewy flanks
Against a beech-bole, he threw down the beast
And knelt above it with drawn knife. On the instant
It vanished like a shadow, and a cry
So mournful that it seemed the cry of one
Who had lost some unimaginable treasure
Wandered between the blue and the green leaf
And climbed into the air, crumbling away,
Till all had seemed a shadow or a vision
But for the trodden mire, the pool of blood,
The disembowelled horse.
King Eochaid ran
Toward peopled Tara, nor stood to draw his breath
Until he came before the painted wall,
The posts of polished yew, circled with bronze,
Of the great door; but though the hanging lamps
Showed their faint light through the unshuttered windows,
Nor door, nor mouth, nor slipper made a noise,
Nor on the ancient beaten paths, that wound
From well-side or from plough-land, was there noisc;
Nor had there been the noise of living thing
Before him or behind, but that far off
On the horizon edge bellowed the herds.
Knowing that silence brings no good to kings,
And mocks returning victory, he passed
Between the pillars with a beating heart
And saw where in the midst of the great hall
pale-faced, alone upon a bench, Edain
Sat upright with a sword before her feet.
Her hands on either side had gripped the bench.
Her eyes were cold and steady, her lips tight.
Some passion had made her stone. Hearing a foot
She started and then knew whose foot it was;
But when he thought to take her in his arms
She motioned him afar, and rose and spoke:
'I have sent among the fields or to the woods
The fighting-men and servants of this house,
For I would have your judgment upon one
Who is self-accused. If she be innocent
She would not look in any known man's face
Till judgment has been given, and if guilty,
Would never look again on known man's face.'
And at these words hc paled, as she had paled,
Knowing that he should find upon her lips
The meaning of that monstrous day.
Then she:
'You brought me where your brother Ardan sat
Always in his one seat, and bid me care him
Through that strange illness that had fixed him there.
And should he die to heap his burial-mound
And catve his name in Ogham.' Eochaid said,
'He lives?' 'He lives and is a healthy man.'
'While I have him and you it matters little
What man you have lost, what evil you have found.'
'I bid them make his bed under this roof
And carried him his food with my own hands,
And so the weeks passed by. But when I said,
"What is this trouble?" he would answer nothing,
Though always at my words his trouble grew;
And I but asked the more, till he cried out,
Weary of many questions: "There are things
That make the heart akin to the dumb stone."
Then I replied, "Although you hide a secret,
Hopeless and dear, or terrible to think on,
Speak it, that I may send through the wide world
For Medicine." Thereon he cried aloud
"Day after day you question me, and I,
Because there is such a storm amid my thoughts
I shall be carried in the gust, command,
Forbid, beseech and waste my breath." Then I:
"Although the thing that you have hid were evil,
The speaking of it could be no great wrong,
And evil must it be, if done 'twere worse
Than mound and stone that keep all virtue in,
And loosen on us dreams that waste our life,
Shadows and shows that can but turn the brain."
but finding him still silent I stooped down
And whispering that none but he should hear,
Said, "If a woman has put this on you,
My men, whether it please her or displease,
And though they have to cross the Loughlan waters
And take her in the middle of armed men,
Shall make her look upon her handiwork,
That she may quench the rick she has fired; and though
She may have worn silk clothes, or worn a crown,
She'II not be proud, knowing within her heart
That our sufficient portion of the world
Is that we give, although it be brief giving,
Happiness to children and to men."
Then he, driven by his thought beyond his thought,
And speaking what he would not though he would,
Sighed, "You, even you yourself, could work the cure!"
And at those words I rose and I went out
And for nine days he had food from other hands,
And for nine days my mind went whirling round
The one disastrous zodiac, muttering
That the immedicable mound's beyond
Our questioning, beyond our pity even.
But when nine days had gone I stood again
Before his chair and bending down my head
I bade him go when all his household slept
To an old empty woodman's house that's hidden
Westward of Tara, among the hazel-trees --
For hope would give his limbs the power -- and await
A friend that could, he had told her, work his cure
And would be no harsh friend.
When night had deepened,
I groped my way from beech to hazel wood,
Found that old house, a sputtering torch within,
And stretched out sleeping on a pile of skins
Ardan, and though I called to him and tried
To Shake him out of sleep, I could not rouse him.
I waited till the night was on the turn,
Then fearing that some labourer, on his way
To plough or pasture-land, might see me there,
Went out.
Among the ivy-covered rocks,
As on the blue light of a sword, a man
Who had unnatural majesty, and eyes
Like the eyes of some great kite scouring the woods,
Stood on my path. Trembling from head to foot
I gazed at him like grouse upon a kite;
But with a voice that had unnatural music,
"A weary wooing and a long," he said,
"Speaking of love through other lips and looking
Under the eyelids of another, for it was my craft
That put a passion in the sleeper there,
And when I had got my will and drawn you here,
Where I may speak to you alone, my craft
Sucked up the passion out of him again
And left mere sleep. He'll wake when the sun wakes,
push out his vigorous limbs and rub his eyes,
And wonder what has ailed him these twelve months."
I cowered back upon the wall in terror,
But that sweet-sounding voice ran on: "Woman,
I was your husband when you rode the air,
Danced in the whirling foam and in the dust,
In days you have not kept in memory,
Being betrayed into a cradle, and I come
That I may claim you as my wife again."
I was no longer terrified -- his voice
Had half awakened some old memory --
Yet answered him, "I am King Eochaid's wife
And with him have found every happiness
Women can find." With a most masterful voice,
That made the body seem as it were a string
Under a bow, he cried, "What happiness
Can lovers have that know their happiness
Must end at the dumb stone? But where we build
Our sudden palaces in the still air
pleasure itself can bring no weariness.
Nor can time waste the cheek, nor is there foot
That has grown weary of the wandering dance,
Nor an unlaughing mouth, but mine that mourns,
Among those mouths that sing their sweethearts' praise,
Your empty bed." "How should I love," I answered,
"Were it not that when the dawn has lit my bed
And shown my husband sleeping there, I have sighcd,
'Your strength and nobleness will pass away'?
Or how should love be worth its pains were it not
That when he has fallen asleep within my atms,
Being wearied out, I love in man the child?
What can they know of love that do not know
She builds her nest upon a narrow ledge
Above a windy precipice?" Then he:
"Seeing that when you come to the deathbed
You must return, whether you would or no,
This human life blotted from memory,
Why must I live some thirty, forty years,
Alone with all this useless happiness?"
Thereon he seized me in his arms, but I
Thrust him away with both my hands and cried,
"Never will I believe there is any change
Can blot out of my memory this life
Sweetened by death, but if I could believe,
That were a double hunger in my lips
For what is doubly brief."
And now the shape
My hands were pressed to vanished suddenly.
I staggered, but a beech-tree stayed my fall,
And clinging to it I could hear the cocks
Crow upon Tara.'
King Eochaid bowed his head
And thanked her for her kindness to his brother,
For that she promised, and for that refused.
Thereon the bellowing of the empounded herds
Rose round the walls, and through the bronze-ringed door
Jostled and shouted those war-wasted men,
And in the midst King Eochaid's brother stood,
And bade all welcome, being ignorant.
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