Written by
Oscar Wilde |
Two crowned Kings, and One that stood alone
With no green weight of laurels round his head,
But with sad eyes as one uncomforted,
And wearied with man's never-ceasing moan
For sins no bleating victim can atone,
And sweet long lips with tears and kisses fed.
Girt was he in a garment black and red,
And at his feet I marked a broken stone
Which sent up lilies, dove-like, to his knees.
Now at their sight, my heart being lit with flame,
I cried to Beatrice, 'Who are these?'
And she made answer, knowing well each name,
'AEschylos first, the second Sophokles,
And last (wide stream of tears!) Euripides.
'
|
Written by
Henry Wadsworth Longfellow |
Oft have I seen at some cathedral door
.
A laborer, pausing in the dust and heat,
.
Lay down his burden, and with reverent feet
.
Enter, and cross himself, and on the floor
.
Kneel to repeat his paternoster o'er;
.
Far off the noises of the world retreat;
.
The loud vociferations of the street
.
Become an undistinguishable roar.
.
So, as I enter here from day to day,
.
And leave my burden at this minster gate,
.
Kneeling in prayer, and not ashamed to pray,
.
The tumult of the time disconsolate
.
To inarticulate murmurs dies away,
.
While the eternal ages watch and wait.
II.
2.
How strange the sculptures that adorn these towers!
.
This crowd of statues, in whose folded sleeves
.
Birds build their nests; while canopied with leaves
.
Parvis and portal bloom like trellised bowers,
.
And the vast minster seems a cross of flowers!
.
But fiends and dragons on the gargoyled eaves
.
Watch the dead Christ between the living thieves,
.
And, underneath, the traitor Judas lowers!
.
Ah! from what agonies of heart and brain,
.
What exultations trampling on despair,
.
What tenderness, what tears, what hate of wrong,
.
What passionate outcry of a soul in pain,
.
Uprose this poem of the earth and air,
.
This medi?val miracle of song!
III.
Written December 22, 1865.
3.
I enter, and I see thee in the gloom
.
Of the long aisles, O poet saturnine!
.
And strive to make my steps keep pace with thine.
.
The air is filled with some unknown perfume;
.
The congregation of the dead make room
.
For thee to pass; the votive tapers shine;
.
Like rooks that haunt Ravenna's groves of pine
.
The hovering echoes fly from tomb to tomb.
.
From the confessionals I hear arise
.
Rehearsals of forgotten tragedies,
.
And lamentations from the crypts below;
.
And then a voice celestial that begins
.
With the pathetic words, "Although your sins
.
As scarlet be," and ends with "as the snow.
"
IV.
Written May 5, 1867.
4.
With snow-white veil and garments as of flame,
.
She stands before thee, who so long ago
.
Filled thy young heart with passion and the woe
.
From which thy song and all its splendors came;
.
And while with stern rebuke she speaks thy name,
.
The ice about thy heart melts as the snow
.
On mountain heights, and in swift overflow
.
Comes gushing from thy lips in sobs of shame.
.
Thou makest full confession; and a gleam,
.
As of the dawn on some dark forest cast,
.
Seems on thy lifted forehead to increase;
.
Lethe and Euno? -- the remembered dream
.
And the forgotten sorrow -- bring at last
.
That perfect pardon which is perfect peace.
V.
Written January 16, 1866.
5.
I lift mine eyes, and all the windows blaze
.
With forms of Saints and holy men who died,
.
Here martyred and hereafter glorified;
.
And the great Rose upon its leaves displays
.
Christ's Triumph, and the angelic roundelays,
.
With splendor upon splendor multiplied;
.
And Beatrice again at Dante's side
.
No more rebukes, but smiles her words of praise.
.
And then the organ sounds, and unseen choirs
.
Sing the old Latin hymns of peace and love
.
And benedictions of the Holy Ghost;
.
And the melodious bells among the spires
.
O'er all the house-tops and through heaven above
.
Proclaim the elevation of the Host!
VI.
Written March 7, 1866.
6.
O star of morning and of liberty!
.
O bringer of the light, whose splendor shines
.
Above the darkness of the Apennines,
.
Forerunner of the day that is to be!
.
The voices of the city and the sea,
.
The voices of the mountains and the pines,
.
Repeat thy song, till the familiar lines
.
Are footpaths for the thought of Italy!
.
Thy fame is blown abroad from all the heights,
.
Through all the nations, and a sound is heard,
.
As of a mighty wind, and men devout,
.
Strangers of Rome, and the new proselytes,
.
In their own language hear thy wondrous word,
.
And many are amazed and many doubt.
|
Written by
Oscar Wilde |
A lily-girl, not made for this world's pain,
With brown, soft hair close braided by her ears,
And longing eyes half veiled by slumberous tears
Like bluest water seen through mists of rain:
Pale cheeks whereon no love hath left its stain,
Red underlip drawn in for fear of love,
And white throat, whiter than the silvered dove,
Through whose wan marble creeps one purple vein.
Yet, though my lips shall praise her without cease,
Even to kiss her feet I am not bold,
Being o'ershadowed by the wings of awe,
Like Dante, when he stood with Beatrice
Beneath the flaming Lion's breast, and saw
The seventh Crystal, and the Stair of Gold.
|
Written by
Les Murray |
Sprawl is the quality
of the man who cut down his Rolls-Royce
into a farm utility truck, and sprawl
is what the company lacked when it made repeated efforts
to buy the vehicle back and repair its image.
Sprawl is doing your farm work by aeroplane, roughly,
or driving a hitchhiker that extra hundred miles home.
It is the rococo of being your own still centre.
It is never lighting cigars with ten dollar notes:
that's idiot ostentation and murder of starving people.
Nor can it be bought with the ash of million dollar deeds.
Sprawl lengthens the legs; it trains greyhounds on liver and beer.
Sprawl almost never says, Why not?, with palms comically raised
nor can it be dressed for, not even in running shoes worn
with mink and a nose ring.
That is Society.
That's Style.
Sprawl is more like the thirteenth banana in a dozen
or anyway the fourteenth.
Sprawl is Hank Stamper in Never Give an Inch
bisecting an obstructive official's desk with a chain saw.
Not harming the official.
Sprawl is never brutal,
though it's often intransigent.
Sprawl is never Simon de Montfort
at a town-storming: Kill them all! God will know His own.
Knowing the man's name this was said to might be sprawl.
Sprawl occurs in art.
The fifteenth to twenty-first
lines in a sonnet, for example.
And in certain paintings.
I have sprawl enough to have forgotten which paintings.
Turner's glorious Burning of the Houses of Parliament
comes to mind, a doubling bannered triumph of sprawl -
except he didn't fire them.
Sprawl gets up the noses of many kinds of people
(every kind that comes in kinds) whose futures don't include it.
Some decry it as criminal presumption, silken-robed Pope Alexander
dividing the new world between Spain and Portugal.
If he smiled in petto afterwards, perhaps the thing did have sprawl.
Sprawl is really classless, though.
It is John Christopher Frederick Murray
asleep in his neighbours' best bed in spurs and oilskins,
but not having thrown up:
sprawl is never Calum, who, in the loud hallway of our house
reinvented the Festoon.
Rather
it's Beatrice Miles going twelve hundred ditto in a taxi,
No Lewd Advances, no Hitting Animals, no Speeding,
on the proceeds of her two-bob-a-sonnet Shakespeare readings.
An image of my country.
And would thatit were more so.
No, sprawl is full gloss murals on a council-house wall.
Sprawl leans on things.
It is loose-limbed in its mind.
Reprimanded and dismissed,
it listens with a grin and one boot up on the rail
of possibility.
It may have to leave the Earth.
Being roughly Christian, it scratches the other cheek
And thinks it unlikely.
Though people have been shot for sprawl.
|
Written by
Emily Dickinson |
A precious -- mouldering pleasure -- 'tis --
To meet an Antique Book --
In just the Dress his Century wore --
A privilege -- I think --
His venerable Hand to take --
And warming in our own --
A passage back -- or two -- to make --
To Times when he -- was young --
His quaint opinions -- to inspect --
His thought to ascertain
On Themes concern our mutual mind --
The Literature of Man --
What interested Scholars -- most --
What Competitions ran --
When Plato -- was a Certainty --
And Sophocles -- a Man --
When Sappho -- was a living Girl --
And Beatrice wore
The Gown that Dante -- deified --
Facts Centuries before
He traverses -- familiar --
As One should come to Town --
And tell you all your Dreams -- were true --
He lived -- where Dreams were born --
His presence is Enchantment --
You beg him not to go --
Old Volume shake their Vellum Heads
And tantalize -- just so --
|
Written by
William Topaz McGonagall |
Alas! Prince Henry of Battenberg is dead!
And, I hope, has gone to heaven, its streets to tread,
And to sing with God's saints above,
Where all is joy and peace and love.
'Twas in the year of 1896, and on the 5th of February,
Prince Henry was buried at Whippingham- a solemn sight to see.
As the funeral moved off, it was a very impressive sight-
First came the military, and police, and volunteers from the Isle of Wight.
Then came the carriage party of the Scots Guards;
While the people uncovered their heads as it passed onwards
And many of them did sob and sigh
When the gun carriage with the coffin was passing by.
Prince Henry's charger was led by Richter, his stud groom;
And depicted in the people's faces there was a sad gloom
When they saw the noble charger of the dead-
It seemed that all joy from them had fled.
The Queen's carriage was followed by the Princess of Wales, and other Princesses,
All clad in gorgeous mourning dresses;
And there was a number of military representatives, which enhanced the scene;
And as the procession moved along it was solemn in the extreme.
Her Majesty looked very sad and serene,
Leaning back in her carriage could plainly be seen;
And the carriage was drawn by a pair of greys in grand harness;
And Her Majesty seemed to be in deep distress.
By Her Majesty's side sat the Princess Beatrice
And the two younger Battenberg children, looking very nice;
And by the coffin walked the elder Prince, immediately
Between Prince Louis and Prince Joseph, holding their hands tenderly.
The "Dead March" was played by the Marine Band;
And the music was solemn and very grand,
And accompanied by the roll of muffled drums;
Whilst among the spectators were heard sighs and hums.
And when the procession arrived at the church of Whippingham,
Then the coffin was carried inside- of the good man-
And was then laid in its resting place,
While sorrow was depicted in every face.
Then there was the firing of guns, with their earthly Thunder
Which made the people start and wonder;
And the tolling of the village bells,
While the solemn music on the air swells.
And the people said, "Prince Henry was a good man,
But now he's laid low in the church of Whippingham.
"
But when the Grim King his dart does throw,
None can escape death, high or low.
The funeral service was certainly very nice-
Which was by the request of Princess Beatrice-
Which was the rendering of Sullivan's anthem, "Brother, before us thou art gone"-
I hope unto thy heavenly home.
No Doubt the Princess Beatrice will mourn for him-
But to mourn for the dead it is a sin!
Therefore I hope God will comfort her always,
And watch o'er her children night and day.
Prince Henry was a God-fearing man-
And to deny it few people can-
And very kind to his children dear,
And for the loss of him they will drop a tear.
His relatives covered the coffin lid with wreaths of flowers,
While adown their cheeks flowed tears in showers.
Then the service concluded with "Christ will gather His own";
And each one left with a sad heart and went home.
|
Written by
Robert William Service |
"I'll do the old dump in a day,"
He told me in his brittle way.
"Two more, I guess, I'll give to Rome
Before I hit the trail for home;
But while I'm there I kindo' hope
To have an audience with the Pope.
"
We stood upon the terraced height
With sunny Florence in our sight.
I gazed and gazed, too moved to speak
Until he queried: "What's that creek?"
"The Arno, sir," I said surprised;
He stared at it with empty eyes.
"It is," said I, "the storied stream
Where Dante used to pace and dream,
And wait for Beatrice to pass.
"
(Oh how I felt a silly ass
Explaining this.
) With eyes remote
He asked: "Was Beatrice a boat?"
Then tranced by far Fiesole
Softly I sought to steal away;
But his adhesiveness was grim,
I could not pry apart from him:
And so in our hotel-ward walk
Meekly I listened to his talk.
"Bologna! Say, the lunch was swell;
Them wops know how to feed you well.
Verona! There I met a blonde"
Oh how that baby could respond!
Siena! That's the old burg where
We soused on Asti in the square.
"Antiquity! Why, that's the bunk -
Statues and all that mouldy junk
Will never get you anywhere .
.
.
My line is ladies' underware,
And better than a dozen Dantes
Is something cute in female scanties.
.
.
.
"One day in Florence is too small
You think, maybe, to see it all.
Well, it don't matter what you've seen -
The thing is: you can say you've been.
"
|
Written by
Fannie Isabelle Sherrick |
O beautiful woman, too well we know
The terrible weight of thy woman's woe,
So great that the world, in its careless way,
Remembered thy beauty for more than a day.
In the name of the truth from thy brow is torn
The crown of redemption thou long hast worn,
And into the valley of sin thou art hurled
To be trampled anew by the feet of the world.
The beautiful picture is thine no more
That hangs in the palace on Italy's shore;
The tear-stained eyes where the shadow lies,
Like a darksome cloud in the summer skies,
Will tell thy story to men no more,
For all untrue is the tale of yore;
And the far-famed picture that hangs on the wall
Is a painter's fancy—that is all.
Italia's shore is a land of light
Where the sunlight of day drowns the shadows of night;
And the great warm sun with his golden rays
Imprisons the light of eternal days;
But the tale of thy woes is a shadow there
That fills with its horror the perfumed air.
By day and by night in the palace there,
Thy picture has hung with its face so fair;
Beguiling the travelers come from afar
With its sad, sweet grace, like some voiceless star,
Till the hears that shuddered before thy sin
Recalled not the shadow that lay within,
But remembered only with pitying grace
The hopeless grief on the child-like face.
The rosy dawn with its misty light,
Shone fair on thy brow in the morning bright;
And the glittering noon with its rays of gold
Imprisoned thy soul in its jeweled hold.
Oh, fair was the picture at early dawn,
With the matchless beauty that Guido had drawn;
And fair was the face in the noon of gold,
Touched with a glory that never grew old.
But lovelier still in the shadowed eyes
Lay the burning sunset of Italy's skies;
And the beautiful face with its voiceless woe
Grew fair as a saint's in the crimson glow.
No wonder the poets grew wild at the sight,
And sung of thy beauty with mad delight,
Till the fame of the picture spread over the land,
Revealing the touch of its master-hand.
The fair Madonna with saint-like face,
Creation of Raphael's exquisite grace,
Is scarcely more famed than the child-like head
Of thou to whom sorrow forever is wed.
O beautiful woman, the world with its scorn
Will mock at the glory thou long hast worn,
And rend aside in the name of the truth
The veil of mercy that hides thy youth.
But the romance that clings to the wondrous face
Will fall on our hearts with a softened grace,
And the fair young sinner on Italy's shore
Will be loved and pitied forevermore.
|
Written by
Sidney Lanier |
Through all that year-scarred agony of height,
Unblest of bough or bloom, to where expands
His wandy circlet with his bladed bands
Dividing every wind, or loud or light,
To termless hymns of love and old despite,
Yon tall palmetto in the twilight stands,
Bare Dante of these purgatorial sands
That glimmer marginal to the monstrous night.
Comes him a Southwind from the scented vine,
It breathes of Beatrice through all his blades,
North, East or West, Guelph-wind or Ghibelline,
'Tis shredded into music down the shades;
All sea-breaths, land-breaths, systol, diastol,
Sway, minstrels of that grief-melodious Soul.
|
Written by
Edgar Lee Masters |
When my moustache curled,
And my hair was black,
And I wore tight trousers
And a diamond stud,
I was an excellent knave of hearts and took many a trick.
But when the gray hairs began to appear--
Lo! a new generation of girls
Laughed at me, not fearing me,
And I had no more exciting adventures
Wherein I was all but shot for a heartless devil,
But only drabby affairs, warmed-over affairs
Of other days and other men.
And time went on until I lived at Mayer's restaurant,
Partaking of short-orders, a gray, untidy,
Toothless, discarded, rural Don Juan.
.
.
There is a mighty shade here who sings
Of one named Beatrice;
And I see now that the force that made him great
Drove me to the dregs of life.
|