Written by
G K Chesterton |
III.
For the Creche
Form 8277059, Sub-Section K
I remember my mother, the day that we met,
A thing I shall never entirely forget;
And I toy with the fancy that, young as I am,
I should know her again if we met in a tram.
But mother is happy in turning a crank
That increases the balance in somebody's bank;
And I feel satisfaction that mother is free
From the sinister task of attending to me.
They have brightened our room, that is spacious and cool,
With diagrams used in the Idiot School,
And Books for the Blind that will teach us to see;
But mother is happy, for mother is free.
For mother is dancing up forty-eight floors,
For love of the Leeds International Stores,
And the flame of that faith might perhaps have grown cold,
With the care of a baby of seven weeks old.
For mother is happy in greasing a wheel
For somebody else, who is cornering Steel;
And though our one meeting was not very long,
She took the occasion to sing me this song:
"O, hush thee, my baby, the time will soon come
When thy sleep will be broken with hooting and hum;
There are handles want turning and turning all day,
And knobs to be pressed in the usual way;
O, hush thee, my baby, take rest while I croon,
For Progress comes early, and Freedom too soon.
"
|
Written by
John Ashbery |
Just when I thought there wasn't room enough
for another thought in my head, I had this great idea--
call it a philosophy of life, if you will.
Briefly,
it involved living the way philosophers live,
according to a set of principles.
OK, but which ones?
That was the hardest part, I admit, but I had a
kind of dark foreknowledge of what it would be like.
Everything, from eating watermelon or going to the bathroom
or just standing on a subway platform, lost in thought
for a few minutes, or worrying about rain forests,
would be affected, or more precisely, inflected
by my new attitude.
I wouldn't be preachy,
or worry about children and old people, except
in the general way prescribed by our clockwork universe.
Instead I'd sort of let things be what they are
while injecting them with the serum of the new moral climate
I thought I'd stumbled into, as a stranger
accidentally presses against a panel and a bookcase slides back,
revealing a winding staircase with greenish light
somewhere down below, and he automatically steps inside
and the bookcase slides shut, as is customary on such occasions.
At once a fragrance overwhelms him--not saffron, not lavender,
but something in between.
He thinks of cushions, like the one
his uncle's Boston bull terrier used to lie on watching him
quizzically, pointed ear-tips folded over.
And then the great rush
is on.
Not a single idea emerges from it.
It's enough
to disgust you with thought.
But then you remember something
William James
wrote in some book of his you never read--it was fine, it had the
fineness,
the powder of life dusted over it, by chance, of course, yet
still looking
for evidence of fingerprints.
Someone had handled it
even before he formulated it, though the thought was his and
his alone.
It's fine, in summer, to visit the seashore.
There are lots of little trips to be made.
A grove of fledgling aspens welcomes the traveler.
Nearby
are the public toilets where weary pilgrims have carved
their names and addresses, and perhaps messages as well,
messages to the world, as they sat
and thought about what they'd do after using the toilet
and washing their hands at the sink, prior to stepping out
into the open again.
Had they been coaxed in by principles,
and were their words philosophy, of however crude a sort?
I confess I can move no farther along this train of thought--
something's blocking it.
Something I'm
not big enough to see over.
Or maybe I'm frankly scared.
What was the matter with how I acted before?
But maybe I can come up with a compromise--I'll let
things be what they are, sort of.
In the autumn I'll put up jellies
and preserves, against the winter cold and futility,
and that will be a human thing, and intelligent as well.
I won't be embarrassed by my friends' dumb remarks,
or even my own, though admittedly that's the hardest part,
as when you are in a crowded theater and something you say
riles the spectator in front of you, who doesn't even like the idea
of two people near him talking together.
Well he's
got to be flushed out so the hunters can have a crack at him--
this thing works both ways, you know.
You can't always
be worrying about others and keeping track of yourself
at the same time.
That would be abusive, and about as much fun
as attending the wedding of two people you don't know.
Still, there's a lot of fun to be had in the gaps between ideas.
That's what they're made for!Now I want you to go out there
and enjoy yourself, and yes, enjoy your philosophy of life, too.
They don't come along every day.
Look out!There's a big one.
.
.
|
Written by
Marianne Moore |
The illustration
is nothing to you without the application.
You lack half wit.
You crush all the particles down
into close conformity, and then walk back and forth on them.
Sparkling chips of rock
are crushed down to the level of the parent block.
Were not 'impersonal judment in aesthetic
matters, a metaphysical impossibility,' you
might fairly achieve
it.
As for butterflies, I can hardly conceive
of one's attending upon you, but to question
the congruence of the complement is vain, if it exists.
|
Written by
Johann Wolfgang von Goethe |
A village Chorus is supposed to be assembled, and about to
commence its festive procession.
[Written for the birthday of the Duchess Louisa of Weimar.
]
CHORUS.
THE festal day hail ye
With garlands of pleasure,
And dances' soft measure,
With rapture commingled
And sweet choral song.
DAMON.
Oh, how I yearn from out the crowd to flee!
What joy a secret glade would give to me!
Amid the throng, the turmoil here,
Confined the plain, the breezes e'en appear.
CHORUS.
Now order it truly,
That ev'ry one duly
May roam and may wander,
Now here, and now yonder,
The meadows along.
[The Chorus retreats gradually, and the song becomes fainter and
fainter, till it dies away in the distance.
]
DAMON.
In vain ye call, in vain would lure me on;
True my heart speaks,--but with itself alone.
And if I may view
A blessing-fraught land,
The heaven's clear blue,
And the plain's verdant hue,
Alone I'll rejoice,
Undisturbed by man's voice.
And there I'll pay homage
To womanly merit,
Observe it in spirit,
In spirit pay homage;
To echo alone
Shall my secret be known.
CHORUS.
[Faintly mingling with Damon's song in the distance.
]
To echo--alone--
Shall my secret--be known.
--
MENALCAS.
My friend, why meet I here with thee?
Thou hast'nest not to join the festal throng?
No longer stay, but come with me,
And mingle in the dance and song.
DAMON.
Thou'rt welcome, friend! but suffer me to roam
Where these old beeches hide me from man's view:
Love seeks in solitude a home,
And homage may retreat there too.
MENALCAS.
Thou seekest here a spurious fame,
And hast a mind to-day to grieve me.
Love as thy portion thou mayst claim
But homage thou must share with all, believe me!
When their voices thousands raise,
And the dawn of morning praise,
Rapture bringing,
Blithely singing
On before us,
Heart and ear in pleasure vie;
And when thousands join in chorus,
With the feelings brightly glowing,
And the wishes overflowing,
Forcibly they'll bear thee high.
[The Chorus gradually approaches, from the distance.
]
DAMON.
Distant strains are hither wending,
And I'm gladden'd by the throng;
Yes, they're coming,--yes, descending
To the valley from the height,
MENALCAS.
Let us haste, our footsteps blending
With the rhythm of the song!
Yes, they come; their course they're bending
Tow'rd the wood's green sward so bright.
CHORUS.
[Gradually becoming louder.
]
Yes, we hither come, attending
With the harmony of song,
As the hours their race are ending
On this day of blest delight.
ALL.
Let none reveal
The thoughts we feel,
The aims we own!
Let joy alone
Disclose the story!
She'll prove it right
And her delight
Includes the glory,
Includes the bliss
Of days like this!
1813.
|
Written by
Lewis Carroll |
The Beaver's Lesson
They sought it with thimbles, they sought it with care;
They pursued it with forks and hope;
They threatened its life with a railway-share;
They charmed it with smiles and soap.
Then the Butcher contrived an ingenious plan
For making a separate sally;
And fixed on a spot unfrequented by man,
A dismal and desolate valley.
But the very same plan to the Beaver occurred:
It had chosen the very same place:
Yet neither betrayed, by a sign or a word,
The disgust that appeared in his face.
Each thought he was thinking of nothing but "Snark"
And the glorious work of the day;
And each tried to pretend that he did not remark
That the other was going that way.
But the valley grew narrow and narrower still,
And the evening got darker and colder,
Till (merely from nervousness, not from goodwill)
They marched along shoulder to shoulder.
Then a scream, shrill and high, rent the shuddering sky,
And they knew that some danger was near:
The Beaver turned pale to the tip of its tail,
And even the Butcher felt *****.
He thought of his childhood, left far far behind--
That blissful and innocent state--
The sound so exactly recalled to his mind
A pencil that squeaks on a slate!
"'Tis the voice of the Jubjub!" he suddenly cried.
(This man, that they used to call "Dunce.
")
"As the Bellman would tell you," he added with pride,
"I have uttered that sentiment once.
"'Tis the note of the Jubjub! Keep count, I entreat;
You will find I have told it you twice.
'Tis the song of the Jubjub! The proof is complete,
If only I've stated it thrice.
"
The Beaver had counted with scrupulous care,
Attending to every word:
But it fairly lost heart, and outgrabe in despair,
When the third repetition occurred.
It felt that, in spite of all possible pains,
It had somehow contrived to lose count,
And the only thing now was to rack its poor brains
By reckoning up the amount.
"Two added to one--if that could but be done,"
It said, "with one's fingers and thumbs!"
Recollecting with tears how, in earlier years,
It had taken no pains with its sums.
"The thing can be done," said the Butcher, "I think.
The thing must be done, I am sure.
The thing shall be done! Bring me paper and ink,
The best there is time to procure.
"
The Beaver brought paper,portfolio, pens,
And ink in unfailing supplies:
While strange creepy creatures came out of their dens,
And watched them with wondering eyes.
So engrossed was the Butcher, he heeded them not,
As he wrote with a pen in each hand,
And explained all the while in a popular style
Which the Beaver could well understand.
"Taking Three as the subject to reason about--
A convenient number to state--
We add Seven, and Ten, and then multiply out
By One Thousand diminished by Eight.
"The result we proceed to divide, as you see,
By Nine Hundred and Ninety Two:
Then subtract Seventeen, and the answer must be
Exactly and perfectly true.
"The method employed I would gladly explain,
While I have it so clear in my head,
If I had but the time and you had but the brain--
But much yet remains to be said.
"In one moment I've seen what has hitherto been
Enveloped in absolute mystery,
And without extra charge I will give you at large
A Lesson in Natural History.
"
In his genial way he proceeded to say
(Forgetting all laws of propriety,
And that giving instruction, without introduction,
Would have caused quite a thrill in Society),
"As to temper the Jubjub's a desperate bird,
Since it lives in perpetual passion:
Its taste in costume is entirely absurd--
It is ages ahead of the fashion:
"But it knows any friend it has met once before:
It never will look at a bride:
And in charity-meetings it stands at the door,
And collects--though it does not subscribe.
" Its flavor when cooked is more exquisite far
Than mutton, or oysters, or eggs:
(Some think it keeps best in an ivory jar,
And some, in mahogany kegs)
"You boil it in sawdust: you salt it in glue:
You condense it with locusts and tape:
Still keeping one principal object in view--
To preserve its symmetrical shape.
"
The Butcher would gladly have talked till next day,
But he felt that the lesson must end,
And he wept with delight in attempting to say
He considered the Beaver his friend.
While the Beaver confessed, with affectionate looks
More eloquent even than tears,
It had learned in ten minutes far more than all books
Would have taught it in seventy years.
They returned hand-in-hand, and the Bellman, unmanned
(For a moment) with noble emotion,
Said "This amply repays all the wearisome days
We have spent on the billowy ocean!"
Such friends, as the Beaver and Butcher became,
Have seldom if ever been known;
In winter or summer, 'twas always the same--
You could never meet either alone.
And when quarrels arose--as one frequently finds
Quarrels will, spite of every endeavor--
The song of the Jubjub recurred to their minds,
And cemented their friendship for ever!
|
Written by
Edwin Arlington Robinson |
When he, who is the unforgiven,
Beheld her first, he found her fair:
No promise ever dreamt in heaven
Could have lured him anywhere
That would have nbeen away from there;
And all his wits had lightly striven,
Foiled with her voice, and eyes, and hair.
There's nothing in the saints and sages
To meet the shafts her glances had,
Or such as hers have had for ages
To blind a man till he be glad,
And humble him till he be mad.
The story would have many pages,
And would be neither good nor bad.
And, having followed, you would find him
Where properly the play begins;
But look for no red light behind him--
No fumes of many-colored sins,
Fanned high by screaming violins.
God knows what good it was to blind him
Or whether man or woman wins.
And by the same eternal token,
Who knows just how it will all end?--
This drama of hard words unspoken,
This fireside farce without a friend
Or enemy to comprehend
What augurs when two lives are broken,
And fear finds nothing left to mend.
He stares in vain for what awaits him,
And sees in Love a coin to toss;
He smiles, and her cold hush berates him
Beneath his hard half of the cross;
They wonder why it ever was;
And she, the unforgiving, hates him
More for her lack than for her loss.
He feeds with pride his indecision,
And shrinks from what wil not occur,
Bequeathing with infirm derision
His ashes to the days that were,
Before she made him prisoner;
And labors to retrieve the vision
That he must once have had of her.
He waits, and there awaits an ending,
And he knows neither what nor when;
But no magicians are attending
To make him see as he saw then,
And he will never find again
The face that once had been the rending
Of all his purpose among men.
He blames her not, nor does he chide her,
And she has nothing new to say;
If he was Bluebeard he could hide her,
But that's not written in the play,
And there will be no change to-day;
Although, to the serene outsider,
There still would seem to be a way.
|
Written by
Johann Wolfgang von Goethe |
I feel no small reluctance in venturing to give to the public a
work of the character of that indicated by the title-page to the
present volume; for, difficult as it must always be to render satisfactorily
into one's own tongue the writings of the bards of other lands,
the responsibility assumed by the translator is immeasurably increased
when he attempts to transfer the thoughts of those great men, who
have lived for all the world and for all ages, from the language
in which they were originally clothed, to one to which they may
as yet have been strangers.
Preeminently is this the case with Goethe,
the most masterly of all the master minds of modern times, whose
name is already inscribed on the tablets of immortality, and whose
fame already extends over the earth, although as yet only in its
infancy.
Scarcely have two decades passed away since he ceased to
dwell among men, yet he now stands before us, not as a mere individual,
like those whom the world is wont to call great, but as a type,
as an emblem--the recognised emblem and representative of the human
mind in its present stage of culture and advancement.
Among the infinitely varied effusions of Goethe's pen, perhaps
there are none which are of as general interest as his Poems, which
breathe the very spirit of Nature, and embody the real music of
the feelings.
In Germany, they are universally known, and are considered
as the most delightful of his works.
Yet in this country, this kindred
country, sprung from the same stem, and so strongly resembling her
sister in so many points, they are nearly unknown.
Almost the only
poetical work of the greatest Poet that the world has seen for ages,
that is really and generally read in England, is Faust, the translations
of which are almost endless; while no single person has as yet appeared
to attempt to give, in an English dress, in any collective or systematic
manner, those smaller productions of the genius of Goethe which
it is the object of the present volume to lay before the reader,
whose indulgence is requested for its many imperfections.
In addition
to the beauty of the language in which the Poet has given utterance
to his thoughts, there is a depth of meaning in those thoughts which
is not easily discoverable at first sight, and the translator incurs
great risk of overlooking it, and of giving a prosaic effect to
that which in the original contains the very essence of poetry.
It is probably this difficulty that has deterred others from undertaking
the task I have set myself, and in which I do not pretend to do
more than attempt to give an idea of the minstrelsy of one so unrivalled,
by as truthful an interpretation of it as lies in my power.
The principles which have guided me on the present occasion are
the same as those followed in the translation of Schiller's complete
Poems that was published by me in 1851, namely, as literal a rendering
of the original as is consistent with good English, and also a very
strict adherence to the metre of the original.
Although translators
usually allow themselves great license in both these points, it
appears to me that by so doing they of necessity destroy the very
soul of the work they profess to translate.
In fact, it is not a
translation, but a paraphrase that they give.
It may perhaps be
thought that the present translations go almost to the other extreme,
and that a rendering of metre, line for line, and word for word,
makes it impossible to preserve the poetry of the original both
in substance and in sound.
But experience has convinced me that
it is not so, and that great fidelity is even the most essential
element of success, whether in translating poetry or prose.
It was
therefore very satisfactory to me to find that the principle laid
down by me to myself in translating Schiller met with the very general,
if not universal, approval of the reader.
At the same time, I have
endeavoured to profit in the case of this, the younger born of the
two attempts made by me to transplant the muse of Germany to the
shores of Britain, by the criticisms, whether friendly or hostile,
that have been evoked or provoked by the appearance of its elder
brother.
As already mentioned, the latter contained the whole of the Poems
of Schiller.
It is impossible, in anything like the same compass,
to give all the writings of Goethe comprised under the general title
of Gedichte, or poems.
They contain between 30,000 and 40,000 verses,
exclusive of his plays.
and similar works.
Very many of these would
be absolutely without interest to the English reader,--such as those
having only a local application, those addressed to individuals,
and so on.
Others again, from their extreme length, could only be
published in separate volumes.
But the impossibility of giving all
need form no obstacle to giving as much as possible; and it so happens
that the real interest of Goethe's Poems centres in those classes
of them which are not too diffuse to run any risk when translated
of offending the reader by their too great number.
Those by far
the more generally admired are the Songs and Ballads, which are
about 150 in number, and the whole of which are contained in this
volume (with the exception of one or two of the former, which have
been, on consideration, left out by me owing to their trifling and
uninteresting nature).
The same may be said of the Odes, Sonnets,
Miscellaneous Poems, &c.
In addition to those portions of Goethe's poetical works which
are given in this complete form, specimens of the different other
classes of them, such as the Epigrams, Elegies, &c.
, are added,
as well as a collection of the various Songs found in his Plays,
making a total number of about 400 Poems, embraced in the present
volume.
A sketch of the life of Goethe is prefixed, in order that the
reader may have before him both the Poet himself and the Poet's
offspring, and that he may see that the two are but one--that Goethe
lives in his works, that his works lived in him.
The dates of the different Poems are appended throughout, that
of the first publication being given, when that of the composition
is unknown.
The order of arrangement adopted is that of the authorized
German editions.
As Goethe would never arrange them himself in the
chronological order of their composition, it has become impossible
to do so, now that he is dead.
The plan adopted in the present volume
would therefore seem to be the best, as it facilitates reference
to the original.
The circumstances attending or giving rise to the
production of any of the Poems will be found specified in those
cases in which they have been ascertained by me.
Having said thus much by way of explanation, I now leave the book
to speak for itself, and to testify to its own character.
Whether
viewed with a charitable eye by the kindly reader, who will make
due allowance for the difficulties attending its execution, or received
by the critic, who will judge of it only by its own merits, with
the unfriendly welcome which it very probably deserves, I trust
that I shall at least be pardoned for making an attempt, a failure
in which does not necessarily imply disgrace, and which, by leading
the way, may perhaps become the means of inducing some abler and
more worthy (but not more earnest) labourer to enter upon the same
field, the riches of which will remain unaltered and undiminished
in value, even although they may be for the moment tarnished by
the hands of the less skilful workman who first endeavours to transplant
them to a foreign soil.
|
Written by
Walter de la Mare |
Over the fence, the dead settle in
for a journey.
Nine o'clock.
You are alone for the first time
today.
Boys asleep.
Husband out.
A beer bottle sweats in your hand,
and sea lavender clogs the air
with perfume.
Think of yourself.
Your arms rest with nothing to do
after weeks spent attending to others.
Your thoughts turn to whether
butter will last the week, how much
longer the car can run on its partial tank of gas.
|
Written by
Richard Crashaw |
I sing the Name which None can say
But touch’t with An interiour Ray:
The Name of our New Peace; our Good:
Our Blisse: and Supernaturall Blood:
The Name of All our Lives and Loves.
Hearken, And Help, ye holy Doves!
The high-born Brood of Day; you bright
Candidates of blissefull Light,
The Heirs Elect of Love; whose Names belong
Unto The everlasting life of Song;
All ye wise Soules, who in the wealthy Brest
Of This unbounded Name build your warm Nest.
Awake, My glory.
Soul, (if such thou be,
And That fair Word at all referr to Thee)
Awake and sing
And be All Wing;
Bring hither thy whole Self; and let me see
What of thy Parent Heaven yet speakes in thee,
O thou art Poore
Of noble Powres, I see,
And full of nothing else but empty Me,
Narrow, and low, and infinitely lesse
Then this Great mornings mighty Busynes.
One little World or two
(Alas) will never doe.
We must have store.
Goe, Soul, out of thy Self, and seek for More.
Goe and request
Great Nature for the Key of her huge Chest
Of Heavns, the self involving Sett of Sphears
(Which dull mortality more Feeles then heares)
Then rouse the nest
Of nimble, Art, and traverse round
The Aiery Shop of soul-appeasing Sound:
And beat a summons in the Same
All-soveraign Name
To warn each severall kind
And shape of sweetnes, Be they such
As sigh with supple wind
Or answer Artfull Touch,
That they convene and come away
To wait at the love-crowned Doores of
This Illustrious Day.
Shall we dare This, my Soul? we’l doe’t and bring
No Other note for’t, but the Name we sing.
Wake Lute and Harp
And every sweet-lipp’t Thing
That talkes with tunefull string;
Start into life, And leap with me
Into a hasty Fitt-tun’d Harmony.
Nor must you think it much
T’obey my bolder touch;
I have Authority in Love’s name to take you
And to the worke of Love this morning wake you;
Wake; In the Name
Of Him who never sleeps, All Things that Are,
Or, what’s the same,
Are Musicall;
Answer my Call
And come along;
Help me to meditate mine Immortall Song.
Come, ye soft ministers of sweet sad mirth,
Bring All your houshold stuffe of Heavn on earth;
O you, my Soul’s most certain Wings,
Complaining Pipes, and prattling Strings,
Bring All the store
Of Sweets you have; And murmur that you have no more.
Come, n? to part,
Nature and Art!
Come; and come strong,
To the conspiracy of our Spatious song.
Bring All the Powres of Praise
Your Provinces of well-united Worlds can raise;
Bring All your Lutes and Harps of Heaven and Earth;
What ?re cooperates to The common mirthe
Vessells of vocall Ioyes,
Or You, more noble Architects of Intellectuall Noise,
Cymballs of Heav’n, or Humane sphears,
Solliciters of Soules or Eares;
And when you’are come, with All
That you can bring or we can call;
O may you fix
For ever here, and mix
Your selves into the long
And everlasting series of a deathlesse Song;
Mix All your many Worlds, Above,
And loose them into One of Love.
Chear thee my Heart!
For Thou too hast thy Part
And Place in the Great Throng
Of This unbounded All-imbracing Song.
Powres of my Soul, be Proud!
And speake lowd
To All the dear-bought Nations This Redeeming Name,
And in the wealth of one Rich Word proclaim
New Similes to Nature.
May it be no wrong
Blest Heavns, to you, and your Superiour song,
That we, dark Sons of Dust and Sorrow,
A while Dare borrow
The Name of Your Dilights and our Desires,
And fitt it to so farr inferior Lyres.
Our Murmurs have their Musick too,
Ye mighty Orbes, as well as you,
Nor yeilds the noblest Nest
Of warbling Seraphim to the eares of Love,
A choicer Lesson then the joyfull Brest
Of a poor panting Turtle-Dove.
And we, low Wormes have leave to doe
The Same bright Busynes (ye Third Heavens) with you.
Gentle Spirits, doe not complain.
We will have care
To keep it fair,
And send it back to you again.
Come, lovely Name! Appeare from forth the Bright
Regions of peacefull Light,
Look from thine own Illustrious Home,
Fair King of Names, and come.
Leave All thy native Glories in their Georgeous Nest,
And give thy Self a while The gracious Guest
Of humble Soules, that seek to find
The hidden Sweets
Which man’s heart meets
When Thou art Master of the Mind.
Come, lovely Name; life of our hope!
Lo we hold our Hearts wide ope!
Unlock thy Cabinet of Day
Dearest Sweet, and come away.
Lo how the thirsty Lands
Gasp for thy Golden Showres! with longstretch’t Hands.
Lo how the laboring Earth
That hopes to be
All Heaven by Thee,
Leapes at thy Birth.
The’ attending World, to wait thy Rise,
First turn’d to eyes;
And then, not knowing what to doe;
Turn’d Them to Teares, and spent Them too.
Come Royall Name, and pay the expence
Of all this Pretious Patience.
O come away
And kill the Death of This Delay.
O see, so many Worlds of barren yeares
Melted and measur’d out is Seas of Teares.
O see, The Weary liddes of wakefull Hope
(Love’s Eastern windowes) All wide ope
With Curtains drawn,
To catch The Day-break of Thy Dawn.
O dawn, at last, long look’t for Day!
Take thine own wings, and come away.
Lo, where Aloft it comes! It comes, Among
The Conduct of Adoring Spirits, that throng
Like diligent Bees, And swarm about it.
O they are wise;
And know what Sweetes are suck’t from out it.
It is the Hive,
By which they thrive,
Where All their Hoard of Hony lyes.
Lo where it comes, upon The snowy Dove’s
Soft Back; And brings a Bosom big with Loves.
Welcome to our dark world, Thou
Womb of Day!
Unfold thy fair Conceptions; And display
The Birth of our Bright Ioyes.
O thou compacted
Body of Blessings: spirit of Soules extracted!
O dissipate thy spicy Powres
(Clowd of condensed sweets) and break upon us
In balmy showrs;
O fill our senses, And take from us
All force of so Prophane a Fallacy
To think ought sweet but that which smells of Thee.
Fair, flowry Name; In none but Thee
And Thy Nectareall Fragrancy,
Hourly there meetes
An universall Synod of All sweets;
By whom it is defined Thus
That no Perfume
For ever shall presume
To passe for Odoriferous,
But such alone whose sacred Pedigree
Can prove it Self some kin (sweet name) to Thee.
Sweet Name, in Thy each Syllable
A Thousand Blest Arabias dwell;
A Thousand Hills of Frankincense;
Mountains of myrrh, and Beds of species,
And ten Thousand Paradises,
The soul that tasts thee takes from thence.
How many unknown Worlds there are
Of Comforts, which Thou hast in keeping!
How many Thousand Mercyes there
In Pitty’s soft lap ly a sleeping!
Happy he who has the art
To awake them,
And to take them
Home, and lodge them in his Heart.
O that it were as it was wont to be!
When thy old Freinds of Fire, All full of Thee,
Fought against Frowns with smiles; gave Glorious chase
To Persecutions; And against the Face
Of Death and feircest Dangers, durst with Brave
And sober pace march on to meet A Grave.
On their Bold Brests about the world they bore thee
And to the Teeth of Hell stood up to teach thee,
In Center of their inmost Soules they wore thee,
Where Rackes and Torments striv’d, in vain, to reach thee.
Little, alas, thought They
Who tore the Fair Brests of thy Freinds,
Their Fury but made way
For Thee; And serv’d them in Thy glorious ends.
What did Their weapons but with wider pores
Inlarge thy flaming-brested Lovers
More freely to transpire
That impatient Fire
The Heart that hides Thee hardly covers.
What did their Weapons but sett wide the Doores
For Thee: Fair, purple Doores, of love’s devising;
The Ruby windowes which inrich’t the East
Of Thy so oft repeated Rising.
Each wound of Theirs was Thy new Morning;
And reinthron’d thee in thy Rosy Nest,
With blush of thine own Blood thy day adorning,
It was the witt of love ?reflowd the Bounds
Of Wrath, and made thee way through All Those wounds.
Wellcome dear, All-Adored Name!
For sure there is no Knee
That knowes not Thee.
Or if there be such sonns of shame,
Alas what will they doe
When stubborn Rocks shall bow
And Hills hang down their Heavn-saluting Heads
To seek for humble Beds
Of Dust, where in the Bashfull shades of night
Next to their own low Nothing they may ly,
And couch before the dazeling light of thy dread majesty.
They that by Love’s mild Dictate now
Will not adore thee,
Shall Then with Just Confusion, bow
And break before thee.
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Written by
John Milton |
IT was the Winter wilde,
While the Heav'n-born-childe,
All meanly wrapt in the rude manger lies;
Nature in aw to him
Had doff't her gawdy trim,
With her great Master so to sympathize:
It was no season then for her
To wanton with the Sun her lusty Paramour.
Only with speeches fair
She woo's the gentle Air
To hide her guilty front with innocent Snow,
And on her naked shame,
Pollute with sinfull blame,
The Saintly Vail of Maiden white to throw,
Confounded, that her Makers eyes
Should look so neer upon her foul deformities.
But he her fears to cease,
Sent down the meek-eyd Peace,
She crown'd with Olive green, came softly sliding
Down through the turning sphear
His ready Harbinger,
With Turtle wing the amorous clouds dividing,
And waving wide her mirtle wand,
She strikes a universall Peace through Sea and Land.
No War, or Battails sound
Was heard the World around,
The idle spear and shield were high up hung;
The hooked Chariot stood
Unstain'd with hostile blood,
The Trumpet spake not to the armed throng,
And Kings sate still with awfull eye,
As if they surely knew their sovran Lord was by.
But peacefull was the night
Wherin the Prince of light
His raign of peace upon the earth began:
The Windes with wonder whist,
Smoothly the waters kist,
Whispering new joyes to the milde Ocean,
Who now hath quite forgot to rave,
While Birds of Calm sit brooding on the charmeed wave.
The Stars with deep amaze
Stand fixt in stedfast gaze,
Bending one way their pretious influence,
And will not take their flight,
For all the morning light,
Or Lucifer that often warn'd them thence;
But in their glimmering Orbs did glow,
Untill their Lord himself bespake, and bid them go.
And though the shady gloom
Had given day her room,
The Sun himself with-held his wonted speed,
And hid his head for shame,
As his inferiour flame,
The new enlightn'd world no more should need;
He saw a greater Sun appear
Then his bright Throne, or burning Axletree could bear.
The Shepherds on the Lawn,
Or ere the point of dawn,
Sate simply chatting in a rustick row;
Full little thought they than,
That the mighty Pan
Was kindly com to live with them below;
Perhaps their loves, or els their sheep,
Was all that did their silly thoughts so busie keep.
When such musick sweet
Their hearts and ears did greet,
As never was by mortall finger strook,
Divinely-warbled voice
Answering the stringed noise,
As all their souls in blisfull rapture took
The Air such pleasure loth to lose,
With thousand echo's still prolongs each heav'nly close.
Nature that heard such sound
Beneath the hollow round
Of Cynthia's seat, the Airy region thrilling,
Now was almost won
To think her part was don,
And that her raign had here its last fulfilling;
She knew such harmony alone
Could hold all Heav'n and Earth in happier union.
At last surrounds their sight
A Globe of circular light,
That with long beams the shame-fac't night array'd,
The helmed Cherubim
And sworded Seraphim,
Are seen in glittering ranks with wings displaid,
Harping in loud and solemn quire,
With unexpressive notes to Heav'ns new-born Heir.
Such musick (as 'tis said)
Before was never made,
But when of old the sons of morning sung,
While the Creator Great
His constellations set,
And the well-ballanc't world on hinges hung,
And cast the dark foundations deep,
And bid the weltring waves their oozy channel keep.
Ring out ye Crystall sphears,
Once bless our human ears,
(If ye have power to touch our senses so)
And let your silver chime
Move in melodious time;
And let the Base of Heav'ns deep Organ blow
And with your ninefold harmony
Make up full consort to th'Angelike symphony.
For if such holy Song
Enwrap our fancy long,
Time will run back, and fetch the age of gold,
And speckl'd vanity
Will sicken soon and die,
And leprous sin will melt from earthly mould,
And Hell it self will pass away,
And leave her dolorous mansions to the peering day.
Yea Truth, and Justice then
Will down return to men,
Th'enameld Arras of the Rain-bow wearing,
And Mercy set between,
Thron'd in Celestiall sheen,
With radiant feet the tissued clouds down stearing,
And Heav'n as at som festivall,
Will open wide the Gates of her high Palace Hall.
But wisest Fate sayes no,
This must not yet be so,
The Babe lies yet in smiling Infancy,
That on the bitter cross
Must redeem our loss;
So both himself and us to glorifie:
Yet first to those ychain'd in sleep,
The wakefull trump of doom must thunder through the deep,
With such a horrid clang
As on mount Sinai rang
While the red fire, and smouldring clouds out brake:
The aged Earth agast
With terrour of that blast,
Shall from the surface to the center shake;
When at the worlds last session,
The dreadfull Judge in middle Air shall spread his throne.
And then at last our bliss
Full and perfect is,
But now begins; for from this happy day
Th'old Dragon under ground
In straiter limits bound,
Not half so far casts his usurped sway,
And wrath to see his Kingdom fail,
Swindges the scaly Horrour of his foulded tail.
The Oracles are dumm,
No voice or hideous humm
Runs through the arched roof in words deceiving.
Apollo from his shrine
Can no more divine,
With hollow shreik the steep of Delphos leaving.
No nightly trance, or breathed spell,
Inspire's the pale-ey'd Priest from the prophetic cell.
The lonely mountains o're,
And the resounding shore,
A voice of weeping heard, and loud lament;
From haunted spring, and dale
Edg'd with poplar pale,
The parting Genius is with sighing sent,
With flowre-inwov'n tresses torn
The Nimphs in twilight shade of tangled thickets mourn.
In consecrated Earth,
And on the holy Hearth,
The Lars, and Lemures moan with midnight plaint,
In Urns, and Altars round,
A drear, and dying sound
Affrights the Flamins at their service quaint;
And the chill Marble seems to sweat,
While each peculiar power forgoes his wonted seat
Peor, and Baalim,
Forsake their Temples dim,
With that twise-batter'd god of Palestine,
And mooned Ashtaroth,
Heav'ns Queen and Mother both,
Now sits not girt with Tapers holy shine,
The Libyc Hammon shrinks his horn,
In vain the Tyrian Maids their wounded Thamuz mourn.
And sullen Moloch fled,
Hath left in shadows dred,
His burning Idol all of blackest hue,
In vain with Cymbals ring,
They call the grisly king,
In dismall dance about the furnace blue;
The brutish gods of Nile as fast,
Isis and Orus, and the Dog Anubis hast.
Nor is Osiris seen
In Memphian Grove, or Green,
Trampling the unshowr'd Grasse with lowings loud:
Nor can he be at rest
Within his sacred chest,
Naught but profoundest Hell can be his shroud,
In vain with Timbrel'd Anthems dark
The sable-stoled Sorcerers bear his worshipt Ark.
He feels from Juda's Land
The dredded Infants hand,
The rayes of Bethlehem blind his dusky eyn;
Nor all the gods beside,
Longer dare abide,
Not Typhon huge ending in snaky twine:
Our Babe to shew his Godhead true,
Can in his swadling bands controul the damned crew.
So when the Sun in bed,
Curtain'd with cloudy red,
Pillows his chin upon an Orient wave,
The flocking shadows pale,
Troop to th'infernall jail,
Each fetter'd Ghost slips to his severall grave,
And the yellow-skirted Fayes,
Fly after the Night-steeds, leaving their Moon-lov'd maze.
But see the Virgin blest,
Hath laid her Babe to rest.
Time is our tedious Song should here have ending,
Heav'ns youngest teemed Star,
Hath fixt her polisht Car,
Her sleeping Lord with Handmaid Lamp attending:
And all about the Courtly Stable,
Bright-harnest Angels sit in order serviceable.
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