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Best Famous Assistant Poems

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Written by David Lehman | Create an image from this poem

Wittgensteins Ladder

 "My propositions serve as elucidations in the following way: 
 anyone who understands them eventually recognizes them as 
 nonsensical, when he has used them -- as steps -- to climb 
 up beyond them.
(He must, so to speak, throw away the ladder after he has climbed up it.
)" -- Ludwig Wittgenstein, Tractatus 1.
The first time I met Wittgenstein, I was late.
"The traffic was murder," I explained.
He spent the next forty-five minutes analyzing this sentence.
Then he was silent.
I wondered why he had chosen a water tower for our meeting.
I also wondered how I would leave, since the ladder I had used to climb up here had fallen to the ground.
2.
Wittgenstein served as a machine-gunner in the Austrian Army in World War I.
Before the war he studied logic in Cambridge with Bertrand Russell.
Having inherited his father's fortune (iron and steel), he gave away his money, not to the poor, whom it would corrupt, but to relations so rich it would not thus affect them.
3.
On leave in Vienna in August 1918 he assembled his notebook entries into the Tractatus, Since it provided the definitive solution to all the problems of philosophy, he decided to broaden his interests.
He became a schoolteacher, then a gardener's assistant at a monastery near Vienna.
He dabbled in architecture.
4.
He returned to Cambridge in 1929, receiving his doctorate for the Tractatus, "a work of genius," in G.
E.
Moore's opinion.
Starting in 1930 he gave a weekly lecture and led a weekly discussion group.
He spoke without notes amid long periods of silence.
Afterwards, exhausted, he went to the movies and sat in the front row.
He liked Carmen Miranda.
5.
He would visit Russell's rooms at midnight and pace back and forth "like a caged tiger.
On arrival, he would announce that when he left he would commit suicide.
So, in spite of getting sleepy, I did not like to turn him out.
" On such a night, after hours of dead silence, Russell said, "Wittgenstein, are you thinking about logic or about yours sins?" "Both," he said, and resumed his silence.
6.
Philosophy was an activity, not a doctrine.
"Solipsism, when its implications are followed out strictly, coincides with pure realism," he wrote.
Dozens of dons wondered what he meant.
Asked how he knew that "this color is red," he smiled and said, "because I have learnt English.
" There were no other questions.
Wittgenstein let the silence gather.
Then he said, "this itself is the answer.
" 7.
Religion went beyond the boundaries of language, yet the impulse to run against "the walls of our cage," though "perfectly, absolutely useless," was not to be dismissed.
A.
J.
Ayer, one of Oxford's ablest minds, was puzzled.
If logic cannot prove a nonsensical conclusion, why didn't Wittgenstein abandon it, "along with the rest of metaphysics, as not worth serious attention, except perhaps for sociologists"? 8.
Because God does not reveal himself in this world, and "the value of this work," Wittgenstein wrote, "is that it shows how little is achieved when these problems are solved.
" When I quoted Gertrude Stein's line about Oakland, "there's no there there," he nodded.
Was there a there, I persisted.
His answer: Yes and No.
It was as impossible to feel another's person's pain as to suffer another person's toothache.
9.
At Cambridge the dons quoted him reverently.
I asked them what they thought was his biggest contribution to philosophy.
"Whereof one cannot speak, thereof one must be silent," one said.
Others spoke of his conception of important nonsense.
But I liked best the answer John Wisdom gave: "His asking of the question `Can one play chess without the queen?'" 10.
Wittgenstein preferred American detective stories to British philosophy.
He liked lunch and didn't care what it was, "so long as it was always the same," noted Professor Malcolm of Cornell, a former student, in whose house in Ithaca Wittgenstein spent hours doing handyman chores.
He was happy then.
There was no need to say a word.


Written by John Berryman | Create an image from this poem

Dream Song 105: As a kid I believed in democracy: I

 As a kid I believed in democracy: I
'saw no alternative'—teaching at The Big Place I ah
put it in practice:
we'd time for one long novel: to a vote—
Gone with the Wind they voted: I crunched 'No'
and we sat down with War & Peace.
As a man I believed in democracy (nobody ever learns anything): only one lazy day my assistant, called James Dow, & I were chatting, in a failure of meeting of minds, and I said curious 'What are your real politics?' 'Oh, I'm a monarchist.
' Finishing his dissertation, in Political Science.
I resign.
The universal contempt for Mr Nixon, whom never I liked but who alert & gutsy served us years under a dope, since dynasty K swarmed in.
Let's have a King maybe, before a few mindless votes.
Written by Randall Jarrell | Create an image from this poem

The Woman At The Washington Zoo

 The saris go by me from the embassies.
Cloth from the moon.
Cloth from another planet.
They look back at the leopard like the leopard.
And I.
.
.
.
this print of mine, that has kept its color Alive through so many cleanings; this dull null Navy I wear to work, and wear from work, and so To my bed, so to my grave, with no Complaints, no comment: neither from my chief, The Deputy Chief Assistant, nor his chief-- Only I complain.
.
.
.
this serviceable Body that no sunlight dyes, no hand suffuses But, dome-shadowed, withering among columns, Wavy beneath fountains--small, far-off, shining In the eyes of animals, these beings trapped As I am trapped but not, themselves, the trap, Aging, but without knowledge of their age, Kept safe here, knowing not of death, for death-- Oh, bars of my own body, open, open! The world goes by my cage and never sees me.
And there come not to me, as come to these, The wild beasts, sparrows pecking the llamas' grain, Pigeons settling on the bears' bread, buzzards Tearing the meat the flies have clouded.
.
.
.
Vulture, When you come for the white rat that the foxes left, Take off the red helmet of your head, the black Wings that have shadowed me, and step to me as man: The wild brother at whose feet the white wolves fawn, To whose hand of power the great lioness Stalks, purring.
.
.
.
You know what I was, You see what I am: change me, change me!
Written by Ogden Nash | Create an image from this poem

If He Were Alive Today Mayhap Mr. Morgan Would Sit on the Midgets Lap

 "Beep-beep.
BANKERS TRUST AUTOMOBILE LOAN You'll find a banker at Bankers Trust" Advertisement in N.
Y.
Times When comes my second childhood, As to all men it must, I want to be a banker Like the banker at Bankers Trust.
I wouldn't ask to be president Or even assistant veep, I'd only ask for a kiddie car And permission to go beep-beep.
The banker at Chase Manhattan, He bids a polite Good-day; The banker at Immigrant Savings Cries Scusi! and Olé! But I'd be a sleek Ferrari Or perhaps a joggly jeep, And scooting around at Bankers Trust, Beep-beep, I'd go, beep-beep.
The trolley car used to say clang-clang And the choo-choo said toot-toot, But the beep of the banker at Bankers Trust Is every bit as cute.
Miaow, says the cuddly kitten, Baa, says the woolly sheep, Oink, says the piggy-wiggy, And the banker says beep-beep.
So I want to play at Bankers Trust Like a hippety-hoppety bunny, And best of all, oh best of all, With really truly money.
Now grown-ups dear, it's nightie-night Until my dream comes true, And I bid you a happy boop-a-doop And a big beep-beep adieu.
Written by Andrew Barton Paterson | Create an image from this poem

Mulga Bills Bicycle

 'Twas Mulga Bill, from Eaglehawk, that caught the cycling craze; 
He turned away the good old horse that served him many days; 
He dressed himself in cycling clothes, resplendent to be seen; 
He hurried off to town and bought a shining new machine; 
And as he wheeled it through the door, with air of lordly pride, 
The grinning shop assistant said, "Excuse me, can you ride?" 
"See here, young man," said Mulga Bill, "from Walgett to the sea, 
From Conroy's Gap to Castlereagh, there's none can ride like me.
I'm good all round at everything, as everybody knows, Although I'm not the one to talk - I hate a man that blows.
But riding is my special gift, my chiefest, sole delight; Just ask a wild duck can it swim, a wildcat can it fight.
There's nothing clothed in hair or hide, or built of flesh or steel, There's nothing walks or jumps, or runs, on axle, hoof, or wheel, But what I'll sit, while hide will hold and girths and straps are tight: I'll ride this here two-wheeled concern right straight away at sight.
" 'Twas Mulga Bill, from Eaglehawk, that sought his own abode, That perched above the Dead Man's Creek, beside the mountain road.
He turned the cycle down the hill and mounted for the fray, But ere he'd gone a dozen yards it bolted clean away.
It left the track, and through the trees, just like a silver streak, It whistled down the awful slope towards the Dead Man's Creek.
It shaved a stump by half an inch, it dodged a big white-box: The very wallaroos in fright went scrambling up the rocks, The wombats hiding in their caves dug deeper underground, As Mulga Bill, as white as chalk, sat tight to every bound.
It struck a stone and gave a spring that cleared a fallen tree, It raced beside a precipice as close as close could be; And then as Mulga Bill let out one last despairing shriek It made a leap of twenty feet into the Dead Man's Creek.
'Twas Mulga Bill from Eaglehawk, that slowly swam ashore: He said, "I've had some narrer shaves and lively rides before; I've rode a wild bull round a yard to win a five-pound bet, But this was the most awful ride that I've encountered yet.
I'll give that two-wheeled outlaw best; It's shaken all my nerve To feel it whistle through the air and plunge and buck and swerve.
It's safe at rest in Dead Man's Creek, we'll leave it lying still; A horse's back is good enough henceforth for Mulga Bill.
"


Written by Katherine Philips | Create an image from this poem

Arion to a Dolphin On His Majestys passage into England

 Whom does this stately Navy bring? 
O! ‘tis Great Britain's Glorious King, 
Convey him then, ye Winds and Seas, 
Swift as Desire and calm as Peace.
In your Respect let him survey What all his other Subjects pay; And prophesie to them again The splendid smoothness of his Reign.
Charles and his mighty hopes you bear: A greater now then C?sar's here; Whose Veins a richer Purple boast Then ever Hero's yet engrost; Sprung from a Father so august, He triumphs in his very dust.
In him two Miracles we view, His Vertue and his Safety too: For when compell'd by Traitors crimes To breathe and bow in forein Climes, Expos'd to all the rigid fate That does on wither'd Greatness wait, Had plots for Life and Conscience laid, By Foes pursu'd, by Friends betray'd; Then Heaven, his secret potent friend, Did him from Drugs and Stabs defend; And, what's more yet, kept him upright ‘Midst flattering Hope and bloudy Fight.
Cromwell his whole Right never gain'd, Defender of the Faith remain'd, For which his Predecessors fought And writ, but none so dearly bought.
Never was Prince so much beseiged, At home provok'd, abroad obliged; Nor ever Man resisted thus, No not great Athanasius.
No help of Friends could, or Foes spight, To fierce Invasion him invite.
Revenge to him no pleasure is, He spar'd their bloud who gap'd for his; Blush'd any hands the English Crown Should fasten on him but their own.
As Peace and Freedom with him went, With him they came from Banishment.
That he might his Dominions win, He with himself did first begin: And that best victory obtain'd, His Kingdom quickly he regain'd.
Th' illustrious suff'rings of this Prince Did all reduce and all convince.
He onely liv'd with such success, That the whole world would fight with less.
Assistant Kings could but subdue Those Foes which he can pardon too.
He thinks no Slaughter-trophees good, Nor Laurels dipt in Subjects blood; But with a sweet resistless art Disarms the hand, and wins the heart; And like a God doth rescue those Who did themselves and him oppose.
Go, wondrous Prince, adorn that Throne Which Birth and Merit make your own; And in your Mercy brighter shine Then in the Glories of your Line: Find Love at home, and abroad Fear, And Veneration every where.
Th' united world will you allow Their Chief, to whom the English bow: And Monarchs shall to yours resort, As Sheba's Queen to Judah's Court; Returning thence constrained more To wonder, envy, and adore.
Disgusted Rome will hate your Crown, But she shall tremble at your Frown.
For England shall (rul'd and restor'd by You) The suppliant world protect, or else subdue.
Written by Robert William Service | Create an image from this poem

The Odyssey Of Erbert Iggins

 Me and Ed and a stretcher
 Out on the nootral ground.
(If there's one dead corpse, I'll betcher There's a 'undred smellin' around.
) Me and Eddie O'Brian, Both of the R.
A.
M.
C.
"It'as a 'ell of a night For a soul to take flight," As Eddie remarks to me.
Me and Ed crawlin' 'omeward, Thinkin' our job is done, When sudden and clear, Wot do we 'ear: 'Owl of a wounded 'Un.
"Got to take 'im," snaps Eddy; "Got to take all we can.
'E may be a Germ Wiv the 'eart of a worm, But, blarst 'im! ain't 'e a man?" So 'e sloshes out fixin' a dressin' ('E'd always a medical knack), When that wounded 'Un 'E rolls to 'is gun, And 'e plugs me pal in the back.
Now what would you do? I arst you.
There was me slaughtered mate.
There was that 'Un (I'd collered 'is gun), A-snarlin' 'is 'ymn of 'ate.
Wot did I do? 'Ere, whisper .
.
.
'E'd a shiny bald top to 'is 'ead, But when I got through, Between me and you, It was 'orrid and jaggy and red.
"'Ang on like a limpet, Eddy.
Thank Gord! you ain't dead after all.
" It's slow and it's sure and it's steady (Which is 'ard, for 'e's big and I'm small).
The rockets are shootin' and shinin', It's rainin' a perishin' flood, The bullets are buzzin' and whinin', And I'm up to me stern in the mud.
There's all kinds of 'owlin' and 'ootin'; It's black as a bucket of tar; Oh, I'm doin' my bit, But I'm 'avin' a fit, And I wish I was 'ome wiv Mar.
"Stick on like a plaster, Eddy.
Old sport, you're a-slackin' your grip.
" Gord! But I'm crocky already; My feet, 'ow they slither and slip! There goes the biff of a bullet.
The Boches have got us for fair.
Another one -- WHUT! The son of a ****! 'E managed to miss by a 'air.
'Ow! Wot was it jabbed at me shoulder? Gave it a dooce of a wrench.
Is it Eddy or me Wot's a-bleedin' so free? Crust! but it's long to the trench.
I ain't just as strong as a Sandow, And Ed ain't a flapper by far; I'm blamed if I understand 'ow We've managed to get where we are.
But 'ere's for a bit of a breather.
"Steady there, Ed, 'arf a mo'.
Old pal, it's all right; It's a 'ell of a fight, But are we down-'earted? No-o-o.
" Now war is a funny thing, ain't it? It's the rummiest sort of a go.
For when it's most real, It's then that you feel You're a-watchin' a cinema show.
'Ere's me wot's a barber's assistant.
Hey, presto! It's somewheres in France, And I'm 'ere in a pit Where a coal-box 'as 'it, And it's all like a giddy romance.
The ruddy quick-firers are spittin', The 'eavies are bellowin' 'ate, And 'ere I am cashooly sittin', And 'oldin' the 'ead of me mate.
Them gharstly green star-shells is beamin', 'Ot shrapnel is poppin' like rain, And I'm sayin': "Bert 'Iggins, you're dreamin', And you'll wake up in 'Ampstead again.
You'll wake up and 'ear yourself sayin': `Would you like, sir, to 'ave a shampoo?' 'Stead of sheddin' yer blood In the rain and the mud, Which is some'ow the right thing to do; Which is some'ow yer 'oary-eyed dooty, Wot you're doin' the best wot you can, For 'Ampstead and 'ome and beauty, And you've been and you've slaughtered a man.
A feller wot punctured your partner; Oh, you 'ammered 'im 'ard on the 'ead, And you still see 'is eyes Starin' bang at the skies, And you ain't even sorry 'e's dead.
But you wish you was back in your diggin's Asleep on your mouldy old stror.
Oh, you're doin' yer bit, 'Erbert 'Iggins, But you ain't just enjoyin' the war.
" "'Ang on like a hoctopus, Eddy.
It's us for the bomb-belt again.
Except for the shrap Which 'as 'it me a tap, I'm feelin' as right as the rain.
It's my silly old feet wot are slippin', It's as dark as a 'ogs'ead o' sin, But don't be oneasy, my pippin, I'm goin' to pilot you in.
It's my silly old 'ead wot is reelin'.
The bullets is buzzin' like bees.
Me shoulder's red-'ot, And I'm bleedin' a lot, And me legs is on'inged at the knees.
But we're staggerin' nearer and nearer.
Just stick it, old sport, play the game.
I make 'em out clearer and clearer, Our trenches a-snappin' with flame.
Oh, we're stumblin' closer and closer.
'Ang on there, lad! Just one more try.
Did you say: Put you down? Damn it, no, sir! I'll carry you in if I die.
By cracky! old feller, they've seen us.
They're sendin' out stretchers for two.
Let's give 'em the hoorah between us ('Anged lucky we aren't booked through).
My flipper is mashed to a jelly.
A bullet 'as tickled your spleen.
We've shed lots of gore And we're leakin' some more, But -- wot a hoccasion it's been! Ho! 'Ere comes the rescuin' party.
They're crawlin' out cautious and slow.
Come! Buck up and greet 'em, my 'earty, Shoulder to shoulder -- so.
They mustn't think we was down-'earted.
Old pal, we was never down-'earted.
If they arsts us if we was down-'earted We'll 'owl in their fyces: 'No-o-o!'"
Written by Robert Burns | Create an image from this poem

55. The Twa Herds; or The Holy Tulyie

 O A’ ye pious godly flocks,
Weel fed on pastures orthodox,
Wha now will keep you frae the fox,
 Or worrying tykes?
Or wha will tent the waifs an’ crocks,
 About the dykes?


The twa best herds in a’ the wast,
The e’er ga’e gospel horn a blast
These five an’ twenty simmers past—
 Oh, dool to tell!
Hae had a bitter black out-cast
 Atween themsel’.
O, Moddie, 1 man, an’ wordy Russell, 2 How could you raise so vile a bustle; Ye’ll see how New-Light herds will whistle, An’ think it fine! The L—’s cause ne’er gat sic a twistle, Sin’ I hae min’.
O, sirs! whae’er wad hae expeckit Your duty ye wad sae negleckit, Ye wha were ne’er by lairds respeckit To wear the plaid; But by the brutes themselves eleckit, To be their guide.
What flock wi’ Moodie’s flock could rank?— Sae hale and hearty every shank! Nae poison’d soor Arminian stank He let them taste; Frae Calvin’s well, aye clear, drank,— O, sic a feast! The thummart, willcat, brock, an’ tod, Weel kend his voice thro’ a’ the wood, He smell’d their ilka hole an’ road, Baith out an in; An’ weel he lik’d to shed their bluid, An’ sell their skin.
What herd like Russell tell’d his tale; His voice was heard thro’ muir and dale, He kenn’d the L—’s sheep, ilka tail, Owre a’ the height; An’ saw gin they were sick or hale, At the first sight.
He fine a mangy sheep could scrub, Or nobly fling the gospel club, And New-Light herds could nicely drub Or pay their skin; Could shake them o’er the burning dub, Or heave them in.
Sic twa-O! do I live to see’t?— Sic famous twa should disagree’t, And names, like “villain,” “hypocrite,” Ilk ither gi’en, While New-Light herds, wi’ laughin spite, Say neither’s liein! A’ ye wha tent the gospel fauld, There’s Duncan 3 deep, an’ Peebles 4 shaul, But chiefly thou, apostle Auld, 5 We trust in thee, That thou wilt work them, het an’ cauld, Till they agree.
Consider, sirs, how we’re beset; There’s scarce a new herd that we get, But comes frae ’mang that cursed set, I winna name; I hope frae heav’n to see them yet In fiery flame.
Dalrymple 6 has been lang our fae, M’Gill 7 has wrought us meikle wae, An’ that curs’d rascal ca’d M’Quhae, 8 And baith the Shaws, 9 That aft hae made us black an’ blae, Wi’ vengefu’ paws.
Auld Wodrow 10 lang has hatch’d mischief; We thought aye death wad bring relief; But he has gotten, to our grief, Ane to succeed him, A chield wha’ 11 soundly buff our beef; I meikle dread him.
And mony a ane that I could tell, Wha fain wad openly rebel, Forby turn-coats amang oursel’, There’s Smith 12 for ane; I doubt he’s but a grey nick quill, An’ that ye’ll fin’.
O! a’ ye flocks o’er a, the hills, By mosses, meadows, moors, and fells, Come, join your counsel and your skills To cowe the lairds, An’ get the brutes the power themsel’s To choose their herds.
Then Orthodoxy yet may prance, An’ Learning in a woody dance, An’ that fell cur ca’d Common Sense, That bites sae sair, Be banished o’er the sea to France: Let him bark there.
Then Shaw’s an’ D’rymple’s eloquence, M’Gill’s close nervous excellence M’Quhae’s pathetic manly sense, An’ guid M’Math, Wi’ Smith, wha thro’ the heart can glance, May a’ pack aff.
Note 1.
Rev.
Mr.
Moodie of Riccarton.
[back] Note 2.
Rev.
John Russell of Kilmarnock.
[back] Note 3.
Robert Duncan of Dundonald.
[back] Note 4.
Rev.
Wm.
Peebles of Newton-on-Ayr.
[back] Note 5.
Rev.
Wm.
Auld of Mauchline.
[back] Note 6.
Rev.
Dr.
Dalrymple of Ayr.
[back] Note 7.
Rev.
Wm.
M’Gill, colleague of Dr.
Dalrymple.
[back] Note 8.
Minister of St.
Quivox.
[back] Note 9.
Dr.
Andrew Shaw of Craigie, and Dr.
David Shaw of Coylton.
[back] Note 10.
Dr.
Peter Wodrow of Tarbolton.
[back] Note 11.
Rev.
John M’Math, a young assistant and successor to Wodrow.
[back] Note 12.
Rev.
George Smith of Galston.
[back]
Written by John Berryman | Create an image from this poem

Dream Song 35: MLA

 Hey, out there!—assistant professors, full,
associates,—instructors—others—any—
I have a sing to shay.
We are assembled here in the capital city for Dull—and one professor's wife is Mary— at Christmastide, hey! and all of you did theses or are doing and the moral history of what we were up to thrives in Sir Wilson's hands— who I don't see here—only deals go screwing some of you out, some up—the chairmen too are nervous, little friends— a chairman's not a chairman, son, forever, and hurts with his appointments; ha, but circle— take my word for it— though maybe Frost is dying—around Mary; forget your footnotes on the old gentleman; dance around Mary.

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