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Best Famous Aslant Poems

Here is a collection of the all-time best famous Aslant poems. This is a select list of the best famous Aslant poetry. Reading, writing, and enjoying famous Aslant poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of aslant poems.

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Written by Thomas Hood | Create an image from this poem

Allegory

 I had a gig-horse, and I called him Pleasure 
Because on Sundays for a little jaunt 
He was so fast and showy, quite a treasure; 
Although he sometimes kicked and shied aslant. 
I had a chaise, and christened it Enjoyment, 
With yellow body and the wheels of red, 
Because it was only used for one employment, 
Namely, to go wherever Pleasure led. 
I had a wife, her nickname was Delight: 
A son called Frolic, who was never still: 
Alas! how often dark succeeds to bright! 
Delight was thrown, and Frolic had a spill, 
Enjoyment was upset and shattered quite, 
And Pleasure fell a splitter on Paine's Hill.


Written by Rudyard Kipling | Create an image from this poem

Beast and Man in India

 Written for John Lockwood Kipling's
They killed a Child to please the Gods
In Earth's young penitence,
And I have bled in that Babe's stead
Because of innocence.

I bear the sins of sinful men
That have no sin of my own,
They drive me forth to Heaven's wrath
Unpastured and alone.

I am the meat of sacrifice, 
The ransom of man's guilt,
For they give my life to the altar-knife
Wherever shrine is built.
 The Goat.

Between the waving tufts of jungle-grass,
Up from the river as the twilight falls,
Across the dust-beclouded plain they pass
On to the village walls.

Great is the sword and mighty is the pen,
But over all the labouring ploughman's blade--
For on its oxen and its husbandmen
An Empire's strength is laid.
 The Oxen.

The torn boughs trailing o'er the tusks aslant,
The saplings reeling in the path he trod,
Declare his might--our lord the Elephant, 
Chief of the ways of God.

The black bulk heaving where the oxen pant,
The bowed head toiling where the guns careen,
Declare our might--our slave the Elephant,
And servant of the Queen.
 The Elephant.

Dark children of the mere and marsh,
Wallow and waste and lea,
Outcaste they wait at the village gate
With folk of low degree.

Their pasture is in no man's land,
Their food the cattle's scorn;
Their rest is mire and their desire
The thicket and the thorn.

But woe to those that break their sleep,
And woe to those that dare
To rouse the herd-bull from his keep,
The wild boar from his lair!
 Pigs and Buffaloes.

The beasts are very wise,
Their mouths are clean of lies,
They talk one to the other,
Bullock to bullock's brother
Resting after their labours,
Each in stall with his neighbours.
But man with goad and whip,
Breaks up their fellowship,
Shouts in their silky ears
Filling their soul with fears.
When he has ploughed the land,
He says: "They understand."
But the beasts in stall together,
Freed from the yoke and tether,
Say as the torn flanks smoke:
"Nay, 'twas the whip that spoke."
Written by Henry Wadsworth Longfellow | Create an image from this poem

The Skeleton in Armor

"SPEAK! speak! thou fearful guest! 
Who, with thy hollow breast 
Still in rude armor drest, 
Comest to daunt me! 
Wrapt not in Eastern balms, 5 
But with thy fleshless palms 
Stretched, as if asking alms, 
Why dost thou haunt me?" 

Then, from those cavernous eyes 
Pale flashes seemed to rise, 10 
As when the Northern skies 
Gleam in December; 
And, like the water's flow 
Under December's snow, 
Came a dull voice of woe 15 
From the heart's chamber. 

"I was a Viking old! 
My deeds, though manifold, 
No Skald in song has told, 
No Saga taught thee! 20 
Take heed, that in thy verse 
Thou dost the tale rehearse, 
Else dread a dead man's curse; 
For this I sought thee. 

"Far in the Northern Land, 25 
By the wild Baltic's strand, 
I, with my childish hand, 
Tamed the gerfalcon; 
And, with my skates fast-bound, 
Skimmed the half-frozen Sound, 30 
That the poor whimpering hound 
Trembled to walk on. 

"Oft to his frozen lair 
Tracked I the grisly bear, 
While from my path the hare 35 
Fled like a shadow; 
Oft through the forest dark 
Followed the were-wolf's bark, 
Until the soaring lark 
Sang from the meadow. 40 

"But when I older grew, 
Joining a corsair's crew, 
O'er the dark sea I flew 
With the marauders. 
Wild was the life we led; 45 
Many the souls that sped, 
Many the hearts that bled, 
By our stern orders. 

"Many a wassail-bout 
Wore the long Winter out; 50 
Often our midnight shout 
Set the cocks crowing, 
As we the Berserk's tale 
Measured in cups of ale, 
Draining the oaken pail, 55 
Filled to o'erflowing. 

"Once as I told in glee 
Tales of the stormy sea, 
Soft eyes did gaze on me, 
Burning yet tender; 60 
And as the white stars shine 
On the dark Norway pine, 
On that dark heart of mine 
Fell their soft splendor. 

"I wooed the blue-eyed maid, 65 
Yielding, yet half afraid, 
And in the forest's shade 
Our vows were plighted. 
Under its loosened vest 
Fluttered her little breast, 70 
Like birds within their nest 
By the hawk frighted. 

"Bright in her father's hall 
Shields gleamed upon the wall, 
Loud sang the minstrels all, 75 
Chanting his glory; 
When of old Hildebrand 
I asked his daughter's hand, 
Mute did the minstrels stand 
To hear my story. 80 

"While the brown ale he quaffed, 
Loud then the champion laughed, 
And as the wind-gusts waft 
The sea-foam brightly, 
So the loud laugh of scorn, 85 
Out of those lips unshorn, 
From the deep drinking-horn 
Blew the foam lightly. 

"She was a Prince's child, 
I but a Viking wild, 90 
And though she blushed and smiled, 
I was discarded! 
Should not the dove so white 
Follow the sea-mew's flight, 
Why did they leave that night 95 
Her nest unguarded? 

"Scarce had I put to sea, 
Bearing the maid with me, 
Fairest of all was she 
Among the Norsemen! 100 
When on the white sea-strand, 
Waving his arm¨¨d hand, 
Saw we old Hildebrand, 
With twenty horsemen. 

"Then launched they to the blast, 105 
Bent like a reed each mast, 
Yet we were gaining fast, 
When the wind failed us; 
And with a sudden flaw 
Came round the gusty Skaw, 110 
So that our foe we saw 
Laugh as he hailed us. 

"And as to catch the gale 
Round veered the flapping sail, 
'Death!' was the helmsman's hail, 115 
'Death without quarter!' 
Mid-ships with iron keel 
Struck we her ribs of steel; 
Down her black hulk did reel 
Through the black water! 120 

"As with his wings aslant, 
Sails the fierce cormorant, 
Seeking some rocky haunt, 
With his prey laden, 
So toward the open main, 125 
Beating to sea again, 
Through the wild hurricane, 
Bore I the maiden. 

"Three weeks we westward bore, 
And when the storm was o'er, 130 
Cloud-like we saw the shore 
Stretching to leeward; 
There for my lady's bower 
Built I the lofty tower, 
Which, to this very hour, 135 
Stands looking seaward. 

"There lived we many years; 
Time dried the maiden's tears; 
She had forgot her fears, 
She was a mother; 140 
Death closed her mild blue eyes, 
Under that tower she lies; 
Ne'er shall the sun arise 
On such another! 

"Still grew my bosom then, 145 
Still as a stagnant fen! 
Hateful to me were men, 
The sunlight hateful! 
In the vast forest here, 
Clad in my warlike gear, 150 
Fell I upon my spear, 
Oh, death was grateful! 

"Thus, seamed with many scars, 
Bursting these prison bars, 
Up to its native stars 155 
My soul ascended! 
There from the flowing bowl 
Deep drinks the warrior's soul, 
Skoal! to the Northland! skoal!" 
Thus the tale ended. 160 
Written by Denise Levertov | Create an image from this poem

September 1961

 This is the year the old ones,
the old great ones
leave us alone on the road.

The road leads to the sea.
We have the words in our pockets,
obscure directions. The old ones

have taken away the light of their presence,
we see it moving away over a hill
off to one side.

They are not dying,
they are withdrawn
into a painful privacy

learning to live without words.
E. P. "It looks like dying"-Williams: "I can't
describe to you what has been

happening to me"-
H. D. "unable to speak."
The darkness

twists itself in the wind, the stars
are small, the horizon
ringed with confused urban light-haze.

They have told us
the road leads to the sea,
and given

the language into our hands.
We hear
our footsteps each time a truck

has dazzled past us and gone
leaving us new silence.
Ine can't reach

the sea on this endless
road to the sea unless
one turns aside at the end, it seems,

follows
the owl that silently glides above it
aslant, back and forth,

and away into deep woods.

But for usthe road
unfurls itself, we count the
words in our pockets, we wonder

how it will be without them, we don't
stop walking, we know
there is far to go, sometimes

we think the night wind carries
a smell of the sea...
Written by Amy Lowell | Create an image from this poem

1777

 I
The Trumpet-Vine Arbour
The throats of the little red trumpet-flowers are 
wide open,
And the clangour of brass beats against the hot sunlight.
They bray and blare at the burning sky.
Red! Red! Coarse notes of red,
Trumpeted at the blue sky.
In long streaks of sound, molten metal,
The vine declares itself.
Clang! -- from its red and yellow trumpets.
Clang! -- from its long, nasal trumpets,
Splitting the sunlight into ribbons, tattered and shot with noise.
I sit in the cool arbour, in a green-and-gold twilight.
It is very still, for I cannot hear the trumpets,
I only know that they are red and open,
And that the sun above the arbour shakes with heat.
My quill is newly mended,
And makes fine-drawn lines with its point.
Down the long, white paper it makes little lines,
Just lines -- up -- down -- criss-cross.
My heart is strained out at the pin-point of my quill;
It is thin and writhing like the marks of the pen.
My hand marches to a squeaky tune,
It marches down the paper to a squealing of fifes.
My pen and the trumpet-flowers,
And Washington's armies away over the smoke-tree to the Southwest.
"Yankee Doodle," my Darling! It is you against the British,
Marching in your ragged shoes to batter down King George.
What have you got in your hat? Not a feather, I wager.
Just a hay-straw, for it is the harvest you are fighting for.
Hay in your hat, and the whites of their eyes for a target!
Like Bunker Hill, two years ago, when I watched all day from the 
house-top
Through Father's spy-glass.
The red city, and the blue, bright water,
And puffs of smoke which you made.
Twenty miles away,
Round by Cambridge, or over the Neck,
But the smoke was white -- white!
To-day the trumpet-flowers are red -- red --
And I cannot see you fighting,
But old Mr. Dimond has fled to Canada,
And Myra sings "Yankee Doodle" at her milking.
The red throats of the trumpets bray and clang in the sunshine,
And the smoke-tree puffs dun blossoms into the blue air.

II
The City of Falling Leaves
Leaves fall,
Brown leaves,
Yellow leaves streaked with brown.
They fall,
Flutter,
Fall again.
The brown leaves,
And the streaked yellow leaves,
Loosen on their branches
And drift slowly downwards.
One,
One, two, three,
One, two, five.
All Venice is a falling of Autumn leaves --
Brown,
And yellow streaked with brown.
"That sonnet, Abate,
Beautiful,
I am quite exhausted by it.
Your phrases turn about my heart
And stifle me to swooning.
Open the window, I beg.
Lord! What a strumming of fiddles and mandolins!
'Tis really a shame to stop indoors.
Call my maid, or I will make you lace me yourself.
Fie, how hot it is, not a breath of air!
See how straight the leaves are falling.
Marianna, I will have the yellow satin caught up with silver fringe,
It peeps out delightfully from under a mantle.
Am I well painted to-day, `caro Abate mio'?
You will be proud of me at the `Ridotto', hey?
Proud of being `Cavalier Servente' to such a lady?"
"Can you doubt it, `Bellissima Contessa'?
A pinch more rouge on the right cheek,
And Venus herself shines less . . ."
"You bore me, Abate,
I vow I must change you!
A letter, Achmet?
Run and look out of the window, Abate.
I will read my letter in peace."
The little black slave with the yellow satin turban
Gazes at his mistress with strained eyes.
His yellow turban and black skin
Are gorgeous -- barbaric.
The yellow satin dress with its silver flashings
Lies on a chair
Beside a black mantle and a black mask.
Yellow and black,
Gorgeous -- barbaric.
The lady reads her letter,
And the leaves drift slowly
Past the long windows.
"How silly you look, my dear Abate,
With that great brown leaf in your wig.
Pluck it off, I beg you,
Or I shall die of laughing."
A yellow wall
Aflare in the sunlight,
Chequered with shadows,
Shadows of vine leaves,
Shadows of masks.
Masks coming, printing themselves for an instant,
Then passing on,
More masks always replacing them.
Masks with tricorns and rapiers sticking out behind
Pursuing masks with plumes and high heels,
The sunlight shining under their insteps.
One,
One, two,
One, two, three,
There is a thronging of shadows on the hot wall,
Filigreed at the top with moving leaves.
Yellow sunlight and black shadows,
Yellow and black,
Gorgeous -- barbaric.
Two masks stand together,
And the shadow of a leaf falls through them,
Marking the wall where they are not.
From hat-tip to shoulder-tip,
From elbow to sword-hilt,
The leaf falls.
The shadows mingle,
Blur together,
Slide along the wall and disappear.
Gold of mosaics and candles,
And night blackness lurking in the ceiling beams.
Saint Mark's glitters with flames and reflections.
A cloak brushes aside,
And the yellow of satin
Licks out over the coloured inlays of the pavement.
Under the gold crucifixes
There is a meeting of hands
Reaching from black mantles.
Sighing embraces, bold investigations,
Hide in confessionals,
Sheltered by the shuffling of feet.
Gorgeous -- barbaric
In its mail of jewels and gold,
Saint Mark's looks down at the swarm of black masks;
And outside in the palace gardens brown leaves fall,
Flutter,
Fall.
Brown,
And yellow streaked with brown.
Blue-black, the sky over Venice,
With a pricking of yellow stars.
There is no moon,
And the waves push darkly against the prow
Of the gondola,
Coming from Malamocco
And streaming toward Venice.
It is black under the gondola hood,
But the yellow of a satin dress
Glares out like the eye of a watching tiger.
Yellow compassed about with darkness,
Yellow and black,
Gorgeous -- barbaric.
The boatman sings,
It is Tasso that he sings;
The lovers seek each other beneath their mantles,
And the gondola drifts over the lagoon, aslant to the coming dawn.
But at Malamocco in front,
In Venice behind,
Fall the leaves,
Brown,
And yellow streaked with brown.
They fall,
Flutter,
Fall.


Written by Robert Seymour Bridges | Create an image from this poem

A Passer-by

 Whither, O splendid ship, thy white sails crowding, 
Leaning across the bosom of the urgent West, 
That fearest nor sea rising, nor sky clouding, 
Whither away, fair rover, and what thy quest? 
Ah! soon, when Winter has all our vales opprest, 
When skies are cold and misty, and hail is hurling, 
Wilt thoù glìde on the blue Pacific, or rest 
In a summer haven asleep, thy white sails furling. 

I there before thee, in the country that well thou knowest, 
Already arrived am inhaling the odorous air: 
I watch thee enter unerringly where thou goest, 
And anchor queen of the strange shipping there, 
Thy sails for awnings spread, thy masts bare: 
Nor is aught from the foaming reef to the snow-capp'd grandest 
Peak, that is over the feathery palms, more fair 
Than thou, so upright, so stately and still thou standest. 

And yet, O splendid ship, unhail'd and nameless, 
I know not if, aiming a fancy, I rightly divine 
That thou hast a purpose joyful, a courage blameless, 
Thy port assured in a happier land than mine. 
But for all I have given thee, beauty enough is thine, 
As thou, aslant with trim tackle and shrouding, 
From the proud nostril curve of a prow's line 
In the offing scatterest foam, thy white sails crowding.
Written by Amy Lowell | Create an image from this poem

The Captured Goddess

 Over the housetops,
Above the rotating chimney-pots,
I have seen a shiver of amethyst,
And blue and cinnamon have flickered
A moment,
At the far end of a dusty street.
Through sheeted rain
Has come a lustre of crimson,
And I have watched moonbeams
Hushed by a film of palest green.
It was her wings,
Goddess!
Who stepped over the clouds,
And laid her rainbow feathers
Aslant on the currents of the air.
I followed her for long,
With gazing eyes and stumbling feet.
I cared not where she led me,
My eyes were full of colours:
Saffrons, rubies, the yellows of beryls,
And the indigo-blue of quartz;
Flights of rose, layers of chrysoprase,
Points of orange, spirals of vermilion,
The spotted gold of tiger-lily petals,
The loud pink of bursting hydrangeas.
I followed,
And watched for the flashing of her wings.
In the city I found her,
The narrow-streeted city.
In the market-place I came upon her,
Bound and trembling.
Her fluted wings were fastened to her sides with cords,
She was naked and cold,
For that day the wind blew
Without sunshine.
Men chaffered for her,
They bargained in silver and gold,
In copper, in wheat,
And called their bids across the market-place.
The Goddess wept.
Hiding my face I fled,
And the grey wind hissed behind me,
Along the narrow streets.
Written by Sylvia Plath | Create an image from this poem

Bucolics

 Mayday: two came to field in such wise :
`A daisied mead', each said to each,
So were they one; so sought they couch,
Across barbed stile, through flocked brown cows.

`No pitchforked farmer, please,' she said;
`May cockcrow guard us safe,' said he;
By blackthorn thicket, flower spray
They pitched their coats, come to green bed.

Below: a fen where water stood;
Aslant: their hill of stinging nettle;
Then, honor-bound, mute grazing cattle;
Above: leaf-wraithed white air, white cloud.

All afternoon these lovers lay
Until the sun turned pale from warm,
Until sweet wind changed tune, blew harm :
Cruel nettles stung her angles raw.

Rueful, most vexed, that tender skin
Should accept so fell a wound,
He stamped and cracked stalks to the ground
Which had caused his dear girl pain.

Now he goes from his rightful road
And, under honor, will depart;
While she stands burning, venom-girt,
In wait for sharper smart to fade.
Written by Claude McKay | Create an image from this poem

La Paloma in London

 About Soho we went before the light; 
We went, unresting six, craving new fun, 
New scenes, new raptures, for the fevered night 
Of rollicking laughter, drink and song, was done. 
The vault was void, but for the dawn's great star 
That shed upon our path its silver flame, 
When La Paloma on a low guitar 
Abruptly from a darkened casement came-- 
Harlem! All else shut out, I saw the hall, 
And you in your red shoulder sash come dancing 
With Val against me languid by the wall, 
Your burning coffee-colored eyes keen glancing 
Aslant at mine, proud in your golden glory! 
I loved you, Cuban girl, fond sweet Diory.
Written by Henry Wadsworth Longfellow | Create an image from this poem

The Spirit of Poetry

 There is a quiet spirit in these woods,
That dwells where'er the gentle south-wind blows;
Where, underneath the white-thorn, in the glade,
The wild flowers bloom, or, kissing the soft air,
The leaves above their sunny palms outspread.
With what a tender and impassioned voice
It fills the nice and delicate ear of thought,
When the fast ushering star of morning comes
O'er-riding the gray hills with golden scarf;
Or when the cowled and dusky-sandaled Eve,
In mourning weeds, from out the western gate,
Departs with silent pace! That spirit moves
In the green valley, where the silver brook,
From its full laver, pours the white cascade;
And, babbling low amid the tangled woods,
Slips down through moss-grown stones with endless laughter.
And frequent, on the everlasting hills,
Its feet go forth, when it doth wrap itself
In all the dark embroidery of the storm,
And shouts the stern, strong wind. And here, amid
The silent majesty of these deep woods,
lts presence shall uplift thy thoughts from earth,
As to the sunshine and the pure, bright air
Their tops the green trees lift. Hence gifted bards
Have ever loved the calm and quiet shades.
For them there was an eloquent voice in all
The sylvan pomp of woods, the golden sun,
The flowers, the leaves, the river on its way,
Blue skies, and silver clouds, and gentle winds,
The swelling upland, where the sidelong sun
Aslant the wooded slope, at evening, goes,
Groves, through whose broken roof the sky looks in,
Mountain, and shattered cliff, and sunny vale,
The distant lake, fountains, and mighty trees,
In many a lazy syllable, repeating
Their old poetic legends to the wind.

And this is the sweet spirit, that doth fill
The world; and, in these wayward days of youth,
My busy fancy oft embodies it,
As a bright image of the light and beauty
That dwell in nature; of the heavenly forms
We worship in our dreams, and the soft hues
That stain the wild bird's wing, and flush the clouds
When the sun sets. Within her tender eye
The heaven of April, with its changing light,
And when it wears the blue of May, is hung,
And on her lip the rich, red rose. Her hair
Is like the summer tresses of the trees,
When twilight makes them brown, and on her cheek
Blushes the richness of an autumn sky,
With ever-shifting beauty. Then her breath,
It is so like the gentle air of Spring,
As, front the morning's dewy flowers, it comes
Full of their fragrance, that it is a joy
To have it round us, and her silver voice
Is the rich music of a summer bird,
Heard in the still night, with its passionate cadence.

Book: Reflection on the Important Things