Written by
Sharon Olds |
I pull the bed slowly open, I
open the lips of the bed, get
the stack of fresh underpants
out of the suitcase—peach, white,
cherry, quince, pussy willow, I
choose a color and put them on,
I travel with the stack for the stack's caress,
dry and soft.
I enter the soft
birth-lips of the bed, take off my
glasses, and the cabbage-roses on the curtain
blur to Keats's peonies, the
ochre willow holds a cloud
the way a skeleton holds flesh
and it passes, does not hold it.
The bed fits me like a walnut shell its
meat, my hands touch the upper corners,
the lower, my feet.
It is so silent
I hear the choirs of wild silence, the
maenads of the atoms.
Is this what it feels like
to have a mother? The sheets are heavy
cream, whipped.
Ah, here is my mother,
or rather here she is not, so this is
paradise.
But surely that
was paradise, when her Jell-O nipple was the
size of my own fist, in front of my
face—out of its humped runkles those
several springs of milk, so fierce
almost fearsome.
What did I think
in that brain gridded for thought, its cups
loaded with languageless rennet? And at night,
when they timed me, four hours of screaming, not a
minute more, four, those quatrains of
icy yell, then the cold tap water
to get me over my shameless hunger,
what was it like to be there when that
hunger was driven into my structure at such
heat it alloyed that iron? Where have I
been while this person is leading my life
with her patience, will and order? In the garden;
on the bee and under the bee; in the
crown gathering cumulus and
flensing it from the boughs, weeping a
rehearsal for the rotting and casting off of our
flesh, the year we slowly throw it
off like clothing by the bed covers of our lover, and dive under.
|
Written by
Dejan Stojanovic |
From where do simplicity and ease
In the movement of heavenly bodies derive?
It is precision.
Sun is never late to rise upon the Earth,
Moon is never late to cause the tides,
Earth is never late to greet the Sun and the Moon;
Thus accidents are not accidents
But precise arrivals at the wrong right time.
Love is almost never simple;
Too often, feelings arrive too soon,
Waiting for thoughts that often come too late.
I wanted too, to be simple and precise
Like the Sun,
Like the Moon,
Like the Earth
But the Earth was booked
Billions of years in advance;
Designed to meet all desires,
All arrivals, all sunrises, all sunsets,
All departures,
So I will have to be a little bit late.
|
Written by
Charles Webb |
The ticket settles on my desk: a paper tongue
pronouncing "Go away;" a flattened seed
from which a thousand-mile leap through the air can grow.
It's pure potential: a vacation-to-be
the way an apple is a pie-to-be,
a bullet is a death-to-be.
Or is the future
pressed into it inalterably—woven between
the slick fibers like secret threads
from the U.
S.
Treasury? Is my flight number
already flashing as cameras grind and the newly-
bereaved moan? Or does it gleam under Arrivals,
digits turned innocuous as those that didn't
win the raffle for a new Ford truck?
If, somewhere, I'm en route now, am I
praying the winged ballpoint I'm strapped into
will write on Denver's runway, "Safe and Sound"?
Was my pocket picked in Burbank,
and I've just noticed at thirty thousand feet?
Am I smiling, watching the clouds' icefields
melt to smoky wisps, revealing lakes
like Chinese dragons embroidered in blue below?
Lifting my ticket, do I hold a bon voyage,
or boiling jet streams, roaring thunderstorms,
the plane bounced like a boat on cast iron seas,
then the lightning flash, the dizzy plunge,
perfectly aware (amid the shrieks and prayers)
that, live or die, I won't survive the fall?
|
Written by
Joseph Brodsky |
A hotel in whose ledgers departures are more prominent than arrivals.
With wet Koh-i-noors the October rain
strokes what's left of the naked brain.
In this country laid flat for the sake of rivers,
beer smells of Germany and the seaguls are
in the air like a page's soiled corners.
Morning enters the premises with a coroner's
punctuality, puts its ear
to the ribs of a cold radiator, detects sub-zero:
the afterlife has to start somewhere.
Correspondingly, the angelic curls
grow more blond, the skin gains its distant, lordly
white, while the bedding already coils
desperately in the basement laundry.
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