Written by
Pablo Neruda |
The street
filled with tomatoes,
midday,
summer,
light is
halved
like
a
tomato,
its juice
runs
through the streets.
In December,
unabated,
the tomato
invades
the kitchen,
it enters at lunchtime,
takes
its ease
on countertops,
among glasses,
butter dishes,
blue saltcellars.
It sheds
its own light,
benign majesty.
Unfortunately, we must
murder it:
the knife
sinks
into living flesh,
red
viscera
a cool
sun,
profound,
inexhaustible,
populates the salads
of Chile,
happily, it is wed
to the clear onion,
and to celebrate the union
we
pour
oil,
essential
child of the olive,
onto its halved hemispheres,
pepper
adds
its fragrance,
salt, its magnetism;
it is the wedding
of the day,
parsley
hoists
its flag,
potatoes
bubble vigorously,
the aroma
of the roast
knocks
at the door,
it's time!
come on!
and, on
the table, at the midpoint
of summer,
the tomato,
star of earth, recurrent
and fertile
star,
displays
its convolutions,
its canals,
its remarkable amplitude
and abundance,
no pit,
no husk,
no leaves or thorns,
the tomato offers
its gift
of fiery color
and cool completeness.
|
Written by
Robert Pinsky |
Dire one and desired one,
Savior, sentencer--
In an old allegory you would carry
A chained alphabet of tokens:
Ankh Badge Cross.
Dragon,
Engraved figure guarding a hallowed intaglio,
Jasper kinema of legendary Mind,
Naked omphalos pierced
By quills of rhyme or sense, torah-like: unborn
Vein of will, xenophile
Yearning out of Zero.
Untrusting I court you. Wavering
I seek your face, I read
That Crusoe's knife
Reeked of you, that to defile you
The soldier makes the rabbi spit on the torah.
"I'll drown my book" says Shakespeare.
Drowned walker, revenant.
After my mother fell on her head, she became
More than ever your sworn enemy. She spoke
Sometimes like a poet or critic of forty years later.
Or she spoke of the world as Thersites spoke of the heroes,
"I think they have swallowed one another. I
Would laugh at that miracle."
You also in the laughter, warrior angel:
Your helmet the zodiac, rocket-plumed
Your spear the beggar's finger pointing to the mouth
Your heel planted on the serpent Formulation
Your face a vapor, the wreath of cigarette smoke crowning
Bogart as he winces through it.
You not in the words, not even
Between the words, but a torsion,
A cleavage, a stirring.
You stirring even in the arctic ice,
Even at the dark ocean floor, even
In the cellular flesh of a stone.
Gas. Gossamer. My poker friends
Question your presence
In a poem by me, passing the magazine
One to another.
Not the stone and not the words, you
Like a veil over Arthur's headstone,
The passage from Proverbs he chose
While he was too ill to teach
And still well enough to read, I was
Beside the master craftsman
Delighting him day after day, ever
At play in his presence--you
A soothing veil of distraction playing over
Dying Arthur playing in the hospital,
Thumbing the Bible, fuzzy from medication,
Ever courting your presence,
And you the prognosis,
You in the cough.
Gesturer, when is your spur, your cloud?
You in the airport rituals of greeting and parting.
Indicter, who is your claimant?
Bell at the gate. Spiderweb iron bridge.
Cloak, video, aroma, rue, what is your
Elected silence, where was your seed?
What is Imagination
But your lost child born to give birth to you?
Dire one. Desired one.
Savior, sentencer--
Absence,
Or presence ever at play:
Let those scorn you who never
Starved in your dearth. If I
Dare to disparage
Your harp of shadows I taste
Wormwood and motor oil, I pour
Ashes on my head. You are the wound. You
Be the medicine.
|
Written by
Erica Jong |
Sometimes the poem
doesn't want to come;
it hides from the poet
like a playful cat
who has run
under the house
& lurks among slugs,
roots, spiders' eyes,
ledge so long out of the sun
that it is dank
with the breath of the Troll King.
Sometimes the poem
darts away
like a coy lover
who is afraid of being possessed,
of feeling too much,
of losing his essential
loneliness-which he calls
freedom.
Sometimes the poem
can't requite
the poet's passion.
The poem is a dance
between poet & poem,
but sometimes the poem
just won't dance
and lurks on the sidelines
tapping its feet-
iambs, trochees-
out of step with the music
of your mariachi band.
If the poem won't come,
I say: sneak up on it.
Pretend you don't care.
Sit in your chair
reading Shakespeare, Neruda,
immortal Emily
and let yourself flow
into their music.
Go to the kitchen
and start peeling onions
for homemade sugo.
Before you know it,
the poem will be crying
as your ripe tomatoes
bubble away
with inspiration.
When the whole house is filled
with the tender tomato aroma,
start kneading the pasta.
As you rock
over the damp sensuous dough,
making it bend to your will,
as you make love to this manna
of flour and water,
the poem will get hungry
and come
just like a cat
coming home
when you least
expect her.
|
Written by
Pablo Neruda |
America, from a grain
of maize you grew
to crown
with spacious lands
the ocean foam.
A grain of maize was your geography.
From the grain
a green lance rose,
was covered with gold,
to grace the heights
of Peru with its yellow tassels.
But, poet, let
history rest in its shroud;
praise with your lyre
the grain in its granaries:
sing to the simple maize in the kitchen.
First, a fine beard
fluttered in the field
above the tender teeth
of the young ear.
Then the husks parted
and fruitfulness burst its veils
of pale papyrus
that grains of laughter
might fall upon the earth.
To the stone,
in your journey,
you returned.
Not to the terrible stone,
the bloody
triangle of Mexican death,
but to the grinding stone,
sacred
stone of your kitchens.
There, milk and matter,
strength-giving, nutritious
cornmeal pulp,
you were worked and patted
by the wondrous hands
of dark-skinned women.
Wherever you fall, maize,
whether into the
splendid pot of partridge, or among
country beans, you light up
the meal and lend it
your virginal flavor.
Oh, to bite into
the steaming ear beside the sea
of distant song and deepest waltz.
To boil you
as your aroma
spreads through
blue sierras.
But is there
no end
to your treasure?
In chalky, barren lands
bordered
by the sea, along
the rocky Chilean coast,
at times
only your radiance
reaches the empty
table of the miner.
Your light, your cornmeal, your hope
pervades America's solitudes,
and to hunger
your lances
are enemy legions.
Within your husks,
like gentle kernels,
our sober provincial
children's hearts were nurtured,
until life began
to shuck us from the ear.
|
Written by
Audre Lorde |
New Year's Day 1:16 AM
and my body is weary beyond
time to withdraw and rest
ample room allowed me in everyone's head
but community calls
right over the threshold
drums beating through the walls
children playing their truck dramas
under the collapsible coatrack
in the narrow hallway outside my room
The TV lounge next door is wide open
it is midnight in Idaho
and the throb easy subtle spin
of the electric slide boogie
step-stepping
around the corner of the parlor
past the sweet clink
of dining room glasses
and the edged aroma of slightly overdone
dutch-apple pie
all laced together
with the rich dark laughter
of Gloria
and her higher-octave sisters
How hard it is to sleep
in the middle of life.
|
Written by
Robert Graves |
I hardly remember your voice, but the pain of you
floats in some remote current of my blood.
I carry you in my depths, trapped in the sludge
like one of those corpses the sea refuses to give up.
It was a spoiled remnant of the South. A beach
without fishing boats, where the sun was for sale.
A stretch of shore, now a jungle of lights and languages
that grudgingly offered, defeated, its obligation of sand.
The night of that day punished us at its whim.
I held you so close I could barely see you.
Autumn was brandishing guffaws and dancebands
and the sea tore at the pleasure-boats in a frenzy.
Your hand balanced, with its steady heat,
the wavering tepidness of alcohol. The gardens
came at me from far away through your skirt.
My high-tide mark rose to the level of your breasts.
Carpets, like tentacles, wriggling down to the strand,
attracted passers-by to the mouth of the clamor.
With lights and curtains, above the tedium
the bedrooms murmured in the grand hotels.
There are dark moments when our ballast gives out
from so much banging around. Moments, or centuries,
when the flesh revels in its nakedness and reels
to its own destruction, sucking the life from itself.
I groped around me, trying on your embrace,
but love was not where your embrace was.
I felt your hands stroking that physical ache
but a great nothing went before your hands.
I searched, down the length of your soulless surrender,
for a calm bay where I could cast a net,
yearning to hear a trace of the vendor's voice
still wet with the glimmer of the flapping minnows.
It was a spoiled remnant of the South. The aroma
of muscatel was tainted with whiskey breath.
I carry that dead embrace inside me yet
like a foreign object the flesh tries to reject.
|
Written by
Ogden Nash |
Once upon a time there was an Italian,
And some people thought he was a rapscallion,
But he wasn't offended,
Because other people thought he was splendid,
And he said the world was round,
And everybody made an uncomplimentary sound,
But he went and tried to borrow some money from Ferdinand
But Ferdinand said America was a bird in the bush and he'd rather have a berdinand,
But Columbus' brain was fertile, it wasn't arid,
And he remembered that Ferdinand was married,
And he thought, there is no wife like a misunderstood one,
Because if her husband thinks something is a terrible idea she is bound to think it a good one,
So he perfumed his handkerchief with bay rum and citronella,
And he went to see Isabella,
And he looked wonderful but he had never felt sillier,
And she said, I can't place the face but the aroma is familiar,
And Columbus didn't say a word,
All he said was, I am Columbus, the fifteenth-century Admiral Byrd,
And, just as he thought, her disposition was very malleable,
And she said, Here are my jewels, and she wasn't penurious like Cornelia the mother of the Gracchi, she wasn't referring to her children, no, she was referring to her jewels, which were very very valuable,
So Columbus said, Somebody show me the sunset and somebody did and he set sail for it,
And he discovered America and they put him in jail for it,
And the fetters gave him welts,
And they named America after somebody else,
So the sad fate of Columbus ought to be pointed out to every child and every voter,
Because it has a very important moral, which is, Don't be a discoverer, be a promoter.
|
Written by
Pablo Neruda |
From blossoms
released
by the moonlight,
from an
aroma of exasperated
love,
steeped in fragrance,
yellowness
drifted from the lemon tree,
and from its plantarium
lemons descended to the earth.
Tender yield!
The coasts,
the markets glowed
with light, with
unrefined gold;
we opened
two halves
of a miracle,
congealed acid
trickled
from the hemispheres
of a star,
the most intense liqueur
of nature,
unique, vivid,
concentrated,
born of the cool, fresh
lemon,
of its fragrant house,
its acid, secret symmetry.
Knives
sliced a small
cathedral
in the lemon,
the concealed apse, opened,
revealed acid stained glass,
drops
oozed topaz,
altars,
cool architecture.
So, when you hold
the hemisphere
of a cut lemon
above your plate,
you spill
a universe of gold,
a
yellow goblet
of miracles,
a fragrant nipple
of the earth's breast,
a ray of light that was made fruit,
the minute fire of a planet.
|
Written by
Rafael Guillen |
I hardly remember your voice, but the pain of you
floats in some remote current of my blood.
I carry you in my depths, trapped in the sludge
like one of those corpses the sea refuses to give up.
It was a spoiled remnant of the South. A beach
without fishing boats, where the sun was for sale.
A stretch of shore, now a jungle of lights and languages
that grudgingly offered, defeated, its obligation of sand.
The night of that day punished us at its whim.
I held you so close I could barely see you.
Autumn was brandishing guffaws and dancebands
and the sea tore at the pleasure-boats in a frenzy.
Your hand balanced, with its steady heat,
the wavering tepidness of alcohol. The gardens
came at me from far away through your skirt.
My high-tide mark rose to the level of your breasts.
Carpets, like tentacles, wriggling down to the strand,
attracted passers-by to the mouth of the clamor.
With lights and curtains, above the tedium
the bedrooms murmured in the grand hotels.
There are dark moments when our ballast gives out
from so much banging around. Moments, or centuries,
when the flesh revels in its nakedness and reels
to its own destruction, sucking the life from itself.
I groped around me, trying on your embrace,
but love was not where your embrace was.
I felt your hands stroking that physical ache
but a great nothing went before your hands.
I searched, down the length of your soulless surrender,
for a calm bay where I could cast a net,
yearning to hear a trace of the vendor's voice
still wet with the glimmer of the flapping minnows.
It was a spoiled remnant of the South. The aroma
of muscatel was tainted with whiskey breath.
I carry that dead embrace inside me yet
like a foreign object the flesh tries to reject.
|
Written by
Lucy Maud Montgomery |
Here let us linger at will and delightsomely hearken
Music aeolian of wind in the boughs of pine,
Timbrel of falling waters, sounds all soft and sonorous,
Worshipful litanies sung at a bannered shrine.
Deep let us breathe the ripeness and savor of balsam,
Tears that the pines have wept in sorrow sweet,
With its aroma comes beguilement of things forgotten,
Long-past hopes of the years on tip-toeing feet.
Far in the boskiest glen of this wood is a dream and a silence
Come, we shall claim them ours ere look we long;
A dream that we dreamed and lost, a silence richly hearted,
Deep at its lyric core with the soul of a song.
If there be storm, it will thunder a march in the branches,
So that our feet may keep true time as we go;
If there be rain, it will laugh, it will glisten, and beckon,
Calling to us as a friend all lightly and low.
If it be night, the moonlight will wander winsomely with us,
If it be hour of dawn, all heaven will bloom,
If it be sunset, it's glow will enfold and pursue us.
To the remotest valley of purple gloom.
Lo! the pine wood is a temple where the days meet to worship,
Laying their cark and care for the nonce aside,
God, who made it, keeps it as a witness to Him forever,
Walking in it, as a garden, at eventide.
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