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Best Famous Antidote Poems

Here is a collection of the all-time best famous Antidote poems. This is a select list of the best famous Antidote poetry. Reading, writing, and enjoying famous Antidote poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of antidote poems.

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Written by Emily Dickinson | Create an image from this poem

I think I was enchanted

 I think I was enchanted
When first a sombre Girl --
I read that Foreign Lady --
The Dark -- felt beautiful --

And whether it was noon at night --
Or only Heaven -- at Noon --
For very Lunacy of Light
I had not power to tell --

The Bees -- became as Butterflies --
The Butterflies -- as Swans --
Approached -- and spurned the narrow Grass --
And just the meanest Tunes

That Nature murmured to herself
To keep herself in Cheer --
I took for Giants -- practising
Titanic Opera --

The Days -- to Mighty Metres stept --
The Homeliest -- adorned
As if unto a Jubilee
'Twere suddenly confirmed --

I could not have defined the change --
Conversion of the Mind
Like Sanctifying in the Soul --
Is witnessed -- not explained --

'Twas a Divine Insanity --
The Danger to be Sane
Should I again experience --
'Tis Antidote to turn --

To Tomes of solid Witchcraft --
Magicians be asleep --
But Magic -- hath an Element
Like Deity -- to keep --


Written by Johann Wolfgang von Goethe | Create an image from this poem

THREE ODES TO MY FRIEND

 THESE are the most singular of all the Poems 
of Goethe, and to many will appear so wild and fantastic, as to 
leave anything but a pleasing impression.
Those at the beginning, addressed to his friend Behrisch, were written at the age of eighteen, and most of the remainder were composed while he was still quite young.
Despite, however, the extravagance of some of them, such as the Winter Journey over the Hartz Mountains, and the Wanderer's Storm-Song, nothing can be finer than the noble one entitled Mahomet's Song, and others, such as the Spirit Song' over the Waters, The God-like, and, above all, the magnificent sketch of Prometheus, which forms part of an unfinished piece bearing the same name, and called by Goethe a 'Dramatic Fragment.
' TO MY FRIEND.
[These three Odes are addressed to a certain Behrisch, who was tutor to Count Lindenau, and of whom Goethe gives an odd account at the end of the Seventh Book of his Autobiography.
] FIRST ODE.
TRANSPLANT the beauteous tree! Gardener, it gives me pain; A happier resting-place Its trunk deserved.
Yet the strength of its nature To Earth's exhausting avarice, To Air's destructive inroads, An antidote opposed.
See how it in springtime Coins its pale green leaves! Their orange-fragrance Poisons each flyblow straight.
The caterpillar's tooth Is blunted by them; With silv'ry hues they gleam In the bright sunshine, Its twigs the maiden Fain would twine in Her bridal-garland; Youths its fruit are seeking.
See, the autumn cometh! The caterpillar Sighs to the crafty spider,-- Sighs that the tree will not fade.
Hov'ring thither From out her yew-tree dwelling, The gaudy foe advances Against the kindly tree, And cannot hurt it, But the more artful one Defiles with nauseous venom Its silver leaves; And sees with triumph How the maiden shudders, The youth, how mourns he, On passing by.
Transplant the beauteous tree! Gardener, it gives me pain; Tree, thank the gardener Who moves thee hence! 1767.
SECOND ODE.
THOU go'st! I murmur-- Go! let me murmur.
Oh, worthy man, Fly from this land! Deadly marshes, Steaming mists of October Here interweave their currents, Blending for ever.
Noisome insects Here are engender'd; Fatal darkness Veils their malice.
The fiery-tongued serpent, Hard by the sedgy bank, Stretches his pamper'd body, Caress'd by the sun's bright beams.
Tempt no gentle night-rambles Under the moon's cold twilight! Loathsome toads hold their meetings Yonder at every crossway.
Injuring not, Fear will they cause thee.
Oh, worthy man, Fly from this land! 1767.
THIRD ODE.
BE void of feeling! A heart that soon is stirr'd, Is a possession sad Upon this changing earth.
Behrisch, let spring's sweet smile Never gladden thy brow! Then winter's gloomy tempests Never will shadow it o'er.
Lean thyself ne'er on a maiden's Sorrow-engendering breast.
Ne'er on the arm, Misery-fraught, of a friend.
Already envy From out his rocky ambush Upon thee turns The force of his lynx-like eyes, Stretches his talons, On thee falls, In thy shoulders Cunningly plants them.
Strong are his skinny arms, As panther-claws; He shaketh thee, And rends thy frame.
Death 'tis to part, 'Tis threefold death To part, not hoping Ever to meet again.
Thou wouldst rejoice to leave This hated land behind, Wert thou not chain'd to me With friendships flowery chains.
Burst them! I'll not repine.
No noble friend Would stay his fellow-captive, If means of flight appear.
The remembrance Of his dear friend's freedom Gives him freedom In his dungeon.
Thou go'st,--I'm left.
But e'en already The last year's winged spokes Whirl round the smoking axle.
I number the turns Of the thundering wheel; The last one I bless.
-- Each bar then is broken, I'm free then as thou! 1767.
Written by Ralph Waldo Emerson | Create an image from this poem

Bacchus

BRING me wine but wine which never grew 
In the belly of the grape  
Or grew on vine whose tap-roots reaching through 
Under the Andes to the Cape  
Suffer'd no savour of the earth to 'scape.
5 Let its grapes the morn salute From a nocturnal root Which feels the acrid juice Of Styx and Erebus; And turns the woe of Night 10 By its own craft to a more rich delight.
We buy ashes for bread; We buy diluted wine; Give me of the true Whose ample leaves and tendrils curl'd 15 Among the silver hills of heaven Draw everlasting dew; Wine of wine Blood of the world Form of forms and mould of statures 20 That I intoxicated And by the draught assimilated May float at pleasure through all natures; The bird-language rightly spell And that which roses say so well: 25 Wine that is shed Like the torrents of the sun Up the horizon walls Or like the Atlantic streams which run When the South Sea calls.
30 Water and bread Food which needs no transmuting Rainbow-flowering wisdom-fruiting Wine which is already man Food which teach and reason can.
35 Wine which Music is ¡ª Music and wine are one ¡ª That I drinking this Shall hear far Chaos talk with me; Kings unborn shall walk with me; 40 And the poor grass shall plot and plan What it will do when it is man.
Quicken'd so will I unlock Every crypt of every rock.
I thank the joyful juice 45 For all I know; Winds of remembering Of the ancient being blow And seeming-solid walls of use Open and flow.
50 Pour Bacchus! the remembering wine; Retrieve the loss of me and mine! Vine for vine be antidote And the grape requite the lote! Haste to cure the old despair; 55 Reason in Nature's lotus drench'd¡ª The memory of ages quench'd¡ª Give them again to shine; Let wine repair what this undid; And where the infection slid 60 A dazzling memory revive; Refresh the faded tints Recut the ag¨¨d prints And write my old adventures with the pen Which on the first day drew 65 Upon the tablets blue The dancing Pleiads and eternal men.
Written by Robert Burns | Create an image from this poem

68. The Holy Fair

 UPON 1 a simmer Sunday morn
 When Nature’s face is fair,
I walked forth to view the corn,
 An’ snuff the caller air.
The rising sun owre Galston muirs Wi’ glorious light was glintin; The hares were hirplin down the furrs, The lav’rocks they were chantin Fu’ sweet that day.
As lightsomely I glowr’d abroad, To see a scene sae gay, Three hizzies, early at the road, Cam skelpin up the way.
Twa had manteeles o” dolefu’ black, But ane wi’ lyart lining; The third, that gaed a wee a-back, Was in the fashion shining Fu’ gay that day.
The twa appear’d like sisters twin, In feature, form, an’ claes; Their visage wither’d, lang an’ thin, An’ sour as only slaes: The third cam up, hap-stap-an’-lowp, As light as ony lambie, An’ wi’a curchie low did stoop, As soon as e’er she saw me, Fu’ kind that day.
Wi’ bonnet aff, quoth I, “Sweet lass, I think ye seem to ken me; I’m sure I’ve seen that bonie face But yet I canna name ye.
” Quo’ she, an’ laughin as she spak, An’ taks me by the han’s, “Ye, for my sake, hae gien the feck Of a’ the ten comman’s A screed some day.
” “My name is Fun—your cronie dear, The nearest friend ye hae; An’ this is Superstitution here, An’ that’s Hypocrisy.
I’m gaun to Mauchline Holy Fair, To spend an hour in daffin: Gin ye’ll go there, yon runkl’d pair, We will get famous laughin At them this day.
” Quoth I, “Wi’ a’ my heart, I’ll do’t; I’ll get my Sunday’s sark on, An’ meet you on the holy spot; Faith, we’se hae fine remarkin!” Then I gaed hame at crowdie-time, An’ soon I made me ready; For roads were clad, frae side to side, Wi’ mony a weary body In droves that day.
Here farmers gash, in ridin graith, Gaed hoddin by their cotters; There swankies young, in braw braid-claith, Are springing owre the gutters.
The lasses, skelpin barefit, thrang, In silks an’ scarlets glitter; Wi’ sweet-milk cheese, in mony a whang, An’ farls, bak’d wi’ butter, Fu’ crump that day.
When by the plate we set our nose, Weel heaped up wi’ ha’pence, A greedy glowr black-bonnet throws, An’ we maun draw our tippence.
Then in we go to see the show: On ev’ry side they’re gath’rin; Some carrying dails, some chairs an’ stools, An’ some are busy bleth’rin Right loud that day.
Here stands a shed to fend the show’rs, An’ screen our countra gentry; There “Racer Jess, 2 an’ twa-three whores, Are blinkin at the entry.
Here sits a raw o’ tittlin jads, Wi’ heaving breast an’ bare neck; An’ there a batch o’ wabster lads, Blackguarding frae Kilmarnock, For fun this day.
Here, some are thinkin on their sins, An’ some upo’ their claes; Ane curses feet that fyl’d his shins, Anither sighs an’ prays: On this hand sits a chosen swatch, Wi’ screwed-up, grace-proud faces; On that a set o’ chaps, at watch, Thrang winkin on the lasses To chairs that day.
O happy is that man, an’ blest! Nae wonder that it pride him! Whase ain dear lass, that he likes best, Comes clinkin down beside him! Wi’ arms repos’d on the chair back, He sweetly does compose him; Which, by degrees, slips round her neck, An’s loof upon her bosom, Unkend that day.
Now a’ the congregation o’er Is silent expectation; For Moodie 3 speels the holy door, Wi’ tidings o’ damnation: Should Hornie, as in ancient days, ’Mang sons o’ God present him, The vera sight o’ Moodie’s face, To ’s ain het hame had sent him Wi’ fright that day.
Hear how he clears the point o’ faith Wi’ rattlin and wi’ thumpin! Now meekly calm, now wild in wrath, He’s stampin, an’ he’s jumpin! His lengthen’d chin, his turned-up snout, His eldritch squeel an’ gestures, O how they fire the heart devout, Like cantharidian plaisters On sic a day! But hark! the tent has chang’d its voice, There’s peace an’ rest nae langer; For a’ the real judges rise, They canna sit for anger, Smith 4 opens out his cauld harangues, On practice and on morals; An’ aff the godly pour in thrangs, To gie the jars an’ barrels A lift that day.
What signifies his barren shine, Of moral powers an’ reason? His English style, an’ gesture fine Are a’ clean out o’ season.
Like Socrates or Antonine, Or some auld pagan heathen, The moral man he does define, But ne’er a word o’ faith in That’s right that day.
In guid time comes an antidote Against sic poison’d nostrum; For Peebles, 5 frae the water-fit, Ascends the holy rostrum: See, up he’s got, the word o’ God, An’ meek an’ mim has view’d it, While Common-sense has taen the road, An’ aff, an’ up the Cowgate 6 Fast, fast that day.
Wee Miller 7 neist the guard relieves, An’ Orthodoxy raibles, Tho’ in his heart he weel believes, An’ thinks it auld wives’ fables: But faith! the birkie wants a manse, So, cannilie he hums them; Altho’ his carnal wit an’ sense Like hafflins-wise o’ercomes him At times that day.
Now, butt an’ ben, the change-house fills, Wi’ yill-caup commentators; Here ’s cryin out for bakes and gills, An’ there the pint-stowp clatters; While thick an’ thrang, an’ loud an’ lang, Wi’ logic an’ wi’ scripture, They raise a din, that in the end Is like to breed a rupture O’ wrath that day.
Leeze me on drink! it gies us mair Than either school or college; It kindles wit, it waukens lear, It pangs us fou o’ knowledge: Be’t whisky-gill or penny wheep, Or ony stronger potion, It never fails, or drinkin deep, To kittle up our notion, By night or day.
The lads an’ lasses, blythely bent To mind baith saul an’ body, Sit round the table, weel content, An’ steer about the toddy: On this ane’s dress, an’ that ane’s leuk, They’re makin observations; While some are cozie i’ the neuk, An’ forming assignations To meet some day.
But now the L—’s ain trumpet touts, Till a’ the hills are rairin, And echoes back return the shouts; Black Russell is na sparin: His piercin words, like Highlan’ swords, Divide the joints an’ marrow; His talk o’ Hell, whare devils dwell, Our vera “sauls does harrow” Wi’ fright that day! A vast, unbottom’d, boundless pit, Fill’d fou o’ lowin brunstane, Whase raging flame, an’ scorching heat, Wad melt the hardest whun-stane! The half-asleep start up wi’ fear, An’ think they hear it roarin; When presently it does appear, ’Twas but some neibor snorin Asleep that day.
’Twad be owre lang a tale to tell, How mony stories past; An’ how they crouded to the yill, When they were a’ dismist; How drink gaed round, in cogs an’ caups, Amang the furms an’ benches; An’ cheese an’ bread, frae women’s laps, Was dealt about in lunches An’ dawds that day.
In comes a gawsie, gash guidwife, An’ sits down by the fire, Syne draws her kebbuck an’ her knife; The lasses they are shyer: The auld guidmen, about the grace Frae side to side they bother; Till some ane by his bonnet lays, An’ gies them’t like a tether, Fu’ lang that day.
Waesucks! for him that gets nae lass, Or lasses that hae naething! Sma’ need has he to say a grace, Or melvie his braw claithing! O wives, be mindfu’ ance yoursel’ How bonie lads ye wanted; An’ dinna for a kebbuck-heel Let lasses be affronted On sic a day! Now Clinkumbell, wi’ rattlin tow, Begins to jow an’ croon; Some swagger hame the best they dow, Some wait the afternoon.
At slaps the billies halt a blink, Till lasses strip their shoon: Wi’ faith an’ hope, an’ love an’ drink, They’re a’ in famous tune For crack that day.
How mony hearts this day converts O’ sinners and o’ lasses! Their hearts o’ stane, gin night, are gane As saft as ony flesh is: There’s some are fou o’ love divine; There’s some are fou o’ brandy; An’ mony jobs that day begin, May end in houghmagandie Some ither day.
Note 1.
“Holy Fair” is a common phrase in the west of Scotland for a sacramental occasion.
—R.
B.
[back] Note 2.
Racer Jess (d.
1813) was a half-witted daughter of Poosie Nansie.
She was a great pedestrian.
[back] Note 3.
Rev.
Alexander Moodie of Riccarton.
[back] Note 4.
Rev.
George Smith of Galston.
[back] Note 5.
Rev.
Wm.
Peebles of Newton-upon-Ayr.
[back] Note 6.
A street so called which faces the tent in Mauchline.
—R.
B.
[back] Note 7.
Rev.
Alex.
Miller, afterward of Kilmaurs.
[back]
Written by Thomas Hardy | Create an image from this poem

Friends Beyond

 WILLIAM Dewy, Tranter Reuben, Farmer Ledlow late at plough,
Robert's kin, and John's, and Ned's,
And the Squire, and Lady Susan, lie in Mellstock churchyard now!

"Gone," I call them, gone for good, that group of local hearts and
heads;
Yet at mothy curfew-tide,
And at midnight when the noon-heat breathes it back from walls and
leads,

They've a way of whispering to me--fellow-wight who yet abide--
In the muted, measured note
Of a ripple under archways, or a lone cave's stillicide:

"We have triumphed: this achievement turns the bane to antidote,
Unsuccesses to success,
Many thought-worn eves and morrows to a morrow free of thought.
"No more need we corn and clothing, feel of old terrestrial stress; Chill detraction stirs no sigh; Fear of death has even bygone us: death gave all that we possess.
" W.
D.
--"Ye mid burn the wold bass-viol that I set such vallie by.
" Squire.
--"You may hold the manse in fee, You may wed my spouse, my children's memory of me may decry.
" Lady.
--"You may have my rich brocades, my laces; take each household key; Ransack coffer, desk, bureau; Quiz the few poor treasures hid there, con the letters kept by me.
" Far.
--"Ye mid zell my favorite heifer, ye mid let the charlock grow, Foul the grinterns, give up thrift.
" Wife.
--"If ye break my best blue china, children, I sha'n't care or ho.
" All--"We've no wish to hear the tidings, how the people's fortunes shift; What your daily doings are; Who are wedded, born, divided; if your lives beat slow or swift.
"Curious not the least are we if our intents you make or mar, If you quire to our old tune, If the City stage still passes, if the weirs still roar afar.
" Thus, with very gods' composure, freed those crosses late and soon Which, in life, the Trine allow (Why, none witteth), and ignoring all that haps beneath the moon, William Dewy, Tranter Reuben, Farmer Ledlow late at plough, Robert's kin, and John's, and Ned's, And the Squire, and Lady Susan, murmur mildly to me now.


Written by William Ernest Henley | Create an image from this poem

Double Ballade on the Nothingness of Things

 The big teetotum twirls,
And epochs wax and wane
As chance subsides or swirls;
But of the loss and gain
The sum is always plain.
Read on the mighty pall, The weed of funeral That covers praise and blame, The -isms and the -anities, Magnificence and shame:-- "O Vanity of Vanities!" The Fates are subtle girls! They give us chaff for grain.
And Time, the Thunderer, hurls, Like bolted death, disdain At all that heart and brain Conceive, or great or small, Upon this earthly ball.
Would you be knight and dame? Or woo the sweet humanities? Or illustrate a name? O Vanity of Vanities! We sound the sea for pearls, Or drown them in a drain; We flute it with the merles, Or tug and sweat and strain; We grovel, or we reign; We saunter, or we brawl; We search the stars for Fame, Or sink her subterranities; The legend's still the same:-- "O Vanity of Vanities!" Here at the wine one birls, There some one clanks a chain.
The flag that this man furls That man to float is fain.
Pleasure gives place to pain: These in the kennel crawl, While others take the wall.
She has a glorious aim, He lives for the inanities.
What come of every claim? O Vanity of Vanities! Alike are clods and earls.
For sot, and seer, and swain, For emperors and for churls, For antidote and bane, There is but one refrain: But one for king and thrall, For David and for Saul, For fleet of foot and lame, For pieties and profanities, The picture and the frame:-- "O Vanity of Vanities!" Life is a smoke that curls-- Curls in a flickering skein, That winds and whisks and whirls, A figment thin and vain, Into the vast Inane.
One end for hut and hall! One end for cell and stall! Burned in one common flame Are wisdoms and insanities.
For this alone we came:-- "O Vanity of Vanities!" Envoy Prince, pride must have a fall.
What is the worth of all Your state's supreme urbanities? Bad at the best's the game.
Well might the Sage exclaim:-- "O Vanity of Vanities!"
Written by Andrew Barton Paterson | Create an image from this poem

Johnson's Antidote

 Down along the Snakebite River, where the overlanders camp, 
Where the serpents are in millions, all of the most deadly stamp; 
Where the station-cook in terror, nearly every time he bakes, 
Mixes up among the doughboys half-a-dozen poison-snakes: 
Where the wily free-selector walks in armour-plated pants, 
And defies the stings of scorpions, and the bites of bull-dog ants: 
Where the adder and the viper tear each other by the throat,— 
There it was that William Johnson sought his snake-bite antidote.
Johnson was a free-selector, and his brain went rather *****, For the constant sight of serpents filled him with a deadly fear; So he tramped his free-selection, morning, afternoon, and night, Seeking for some great specific that would cure the serpent’s bite.
Till King Billy, of the Mooki, chieftain of the flour-bag head, Told him, “Spos’n snake bite pfeller, pfeller mostly drop down dead; Spos’n snake bite old goanna, then you watch a while you see, Old goanna cure himself with eating little pfeller tree.
” “That’s the cure,” said William Johnson, “point me out this plant sublime,” But King Billy, feeling lazy, said he’d go another time.
Thus it came to pass that Johnson, having got the tale by rote, Followed every stray goanna, seeking for the antidote.
.
.
.
.
.
Loafing once beside the river, while he thought his heart would break, There he saw a big goanna fighting with a tiger-snake, In and out they rolled and wriggled, bit each other, heart and soul, Till the valiant old goanna swallowed his opponent whole.
Breathless, Johnson sat and watched him, saw him struggle up the bank, Saw him nibbling at the branches of some bushes, green and rank; Saw him, happy and contented, lick his lips, as off he crept, While the bulging in his stomach showed where his opponent slept.
Then a cheer of exultation burst aloud from Johnson’s throat; “Luck at last,” said he, “I’ve struck it! ’tis the famous antidote.
“Here it is, the Grand Elixir, greatest blessing ever known,— Twenty thousand men in India die each year of snakes alone.
Think of all the foreign nations, *****, chow, and blackamoor, Saved from sudden expiration, by my wondrous snakebite cure.
It will bring me fame and fortune! In the happy days to be, Men of every clime and nation will be round to gaze on me— Scientific men in thousands, men of mark and men of note, Rushing down the Mooki River, after Johnson’s antidote.
It will cure delirium tremens, when the patient’s eyeballs stare At imaginary spiders, snakes which really are not there.
When he thinks he sees them wriggle, when he thinks he sees them bloat, It will cure him just to think of Johnson’s Snakebite Antidote.
” Then he rushed to the museum, found a scientific man— “Trot me out a deadly serpent, just the deadliest you can; I intend to let him bite me, all the risk I will endure, Just to prove the sterling value of my wondrous snakebite cure.
Even though an adder bit me, back to life again I’d float; Snakes are out of date, I tell you, since I’ve found the antidote.
” Said the scientific person, “If you really want to die, Go ahead—but, if you’re doubtful, let your sheep-dog have a try.
Get a pair of dogs and try it, let the snake give both a nip; Give your dog the snakebite mixture, let the other fellow rip; If he dies and yours survives him, then it proves the thing is good.
Will you fetch your dog and try it?” Johnson rather thought he would.
So he went and fetched his canine, hauled him forward by the throat.
“Stump, old man,” says he, “we’ll show them we’ve the genwine antidote.
” Both the dogs were duly loaded with the poison-gland’s contents; Johnson gave his dog the mixture, then sat down to wait events.
“Mark,” he said, “in twenty minutes Stump’ll be a-rushing round, While the other wretched creature lies a corpse upon the ground.
” But, alas for William Johnson! ere they’d watched a half-hour’s spell Stumpy was as dead as mutton, t’other dog was live and well.
And the scientific person hurried off with utmost speed, Tested Johnson’s drug and found it was a deadly poison-weed; Half a tumbler killed an emu, half a spoonful killed a goat, All the snakes on earth were harmless to that awful antidote.
.
.
.
.
.
Down along the Mooki River, on the overlanders’ camp, Where the serpents are in millions, all of the most deadly stamp, Wanders, daily, William Johnson, down among those poisonous hordes, Shooting every stray goanna, calls them “black and yaller frauds”.
And King Billy, of the Mooki, cadging for the cast-off coat, Somehow seems to dodge the subject of the snake-bite antidote.
Written by Omar Khayyam | Create an image from this poem

Never in this false world on friends rely

Never in this false world on friends rely
(I give this counsel confidentially),
Put up with pain, and seek no antidote,
Endure your grief, and ask no sympathy!
Written by Paul Laurence Dunbar | Create an image from this poem

TO A VIOLET FOUND ON ALL SAINTS' DAY

Belated wanderer of the ways of spring,
Lost in the chill of grim November rain,
Would I could read the message that you bring
And find in it the antidote for pain.
Does some sad spirit out beyond the day,
Far looking to the hours forever dead,
Send you a tender offering to lay
Upon the grave of us, the living dead?
Or does some brighter spirit, unforlorn,
Send you, my little sister of the wood,
To say to some one on a cloudful morn,
"Life lives through death, my brother, all is good?"
With meditative hearts the others go
The memory of their dead to dress anew.
But, sister mine, bide here that I may know,
Life grows, through death, as beautiful as you.
Written by Omar Khayyam | Create an image from this poem

The constant sequence of springtime and autumn makes

The constant sequence of springtime and autumn makes
the leaves of our existence disappear. Drink wine, my
friend, for sages have well said that grief in this world
is a poison and its antidote is wine.

Book: Reflection on the Important Things