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Best Famous Agates Poems

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Written by Edwin Arlington Robinson | Create an image from this poem

Late Summer

 (ALCAICS)


Confused, he found her lavishing feminine 
Gold upon clay, and found her inscrutable; 
And yet she smiled. Why, then, should horrors 
Be as they were, without end, her playthings? 

And why were dead years hungrily telling her 
Lies of the dead, who told them again to her? 
If now she knew, there might be kindness 
Clamoring yet where a faith lay stifled. 

A little faith in him, and the ruinous 
Past would be for time to annihilate,
And wash out, like a tide that washes 
Out of the sand what a child has drawn there. 

God, what a shining handful of happiness, 
Made out of days and out of eternities, 
Were now the pulsing end of patience—
Could he but have what a ghost had stolen! 

What was a man before him, or ten of them, 
While he was here alive who could answer them, 
And in their teeth fling confirmations 
Harder than agates against an egg-shell?

But now the man was dead, and would come again 
Never, though she might honor ineffably 
The flimsy wraith of him she conjured 
Out of a dream with his wand of absence. 

And if the truth were now but a mummery,
Meriting pride’s implacable irony, 
So much the worse for pride. Moreover, 
Save her or fail, there was conscience always. 

Meanwhile, a few misgivings of innocence, 
Imploring to be sheltered and credited,
Were not amiss when she revealed them. 
Whether she struggled or not, he saw them. 

Also, he saw that while she was hearing him 
Her eyes had more and more of the past in them; 
And while he told what cautious honor
Told him was all he had best be sure of, 

He wondered once or twice, inadvertently, 
Where shifting winds were driving his argosies, 
Long anchored and as long unladen, 
Over the foam for the golden chances.

“If men were not for killing so carelessly, 
And women were for wiser endurances,” 
He said, “we might have yet a world here 
Fitter for Truth to be seen abroad in; 

“If Truth were not so strange in her nakedness,
And we were less forbidden to look at it, 
We might not have to look.” He stared then 
Down at the sand where the tide threw forward 

Its cold, unconquered lines, that unceasingly 
Foamed against hope, and fell. He was calm enough,
Although he knew he might be silenced 
Out of all calm; and the night was coming. 

“I climb for you the peak of his infamy 
That you may choose your fall if you cling to it. 
No more for me unless you say more.
All you have left of a dream defends you: 

“The truth may be as evil an augury 
As it was needful now for the two of us. 
We cannot have the dead between us. 
Tell me to go, and I go.”—She pondered:

“What you believe is right for the two of us 
Makes it as right that you are not one of us. 
If this be needful truth you tell me, 
Spare me, and let me have lies hereafter.” 

She gazed away where shadows were covering
The whole cold ocean’s healing indifference. 
No ship was coming. When the darkness 
Fell, she was there, and alone, still gazing.


Written by Amy Lowell | Create an image from this poem

Spring Day

 Bath
The day is fresh-washed and fair, and there is 
a smell of tulips and narcissus
in the air.
The sunshine pours in at the bath-room window and 
bores through the water
in the bath-tub in lathes and planes of greenish-white. It 
cleaves the water
into flaws like a jewel, and cracks it to bright light.
Little spots of sunshine lie on the surface of 
the water and dance, dance,
and their reflections wobble deliciously over the ceiling; a stir 
of my finger
sets them whirring, reeling. I move a foot, and the planes 
of light
in the water jar. I lie back and laugh, and let the green-white 
water,
the sun-flawed beryl water, flow over me. The day is 
almost
too bright to bear, the green water covers me from the too bright 
day.
I will lie here awhile and play with the water and the sun spots.
The sky is blue and high. A crow flaps 
by the window, and there is
a whiff of tulips and narcissus in the air.

Breakfast Table
In the fresh-washed sunlight, the breakfast table 
is decked and white.
It offers itself in flat surrender, tendering tastes, and smells,
and colours, and metals, and grains, and the white cloth falls over 
its side,
draped and wide. Wheels of white glitter in the silver 
coffee-pot,
hot and spinning like catherine-wheels, they whirl, and twirl -- 
and my eyes
begin to smart, the little white, dazzling wheels prick them like 
darts.
Placid and peaceful, the rolls of bread spread themselves in the 
sun to bask.
A stack of butter-pats, pyramidal, shout orange through the white, 
scream,
flutter, call: "Yellow! Yellow! Yellow!" Coffee 
steam rises in a stream,
clouds the silver tea-service with mist, and twists up into the 
sunlight,
revolved, involuted, suspiring higher and higher, fluting in a thin 
spiral
up the high blue sky. A crow flies by and croaks at the 
coffee steam.
The day is new and fair with good smells in the air.

Walk
Over the street the white clouds meet, and sheer 
away without touching.
On the sidewalks, boys are playing marbles. Glass 
marbles,
with amber and blue hearts, roll together and part with a sweet
clashing noise. The boys strike them with black and red 
striped agates.
The glass marbles spit crimson when they are hit, and slip into 
the gutters
under rushing brown water. I smell tulips and narcissus 
in the air,
but there are no flowers anywhere, only white dust whipping up the 
street,
and a girl with a gay Spring hat and blowing skirts. The 
dust and the wind
flirt at her ankles and her neat, high-heeled patent leather shoes. Tap, 
tap,
the little heels pat the pavement, and the wind rustles among the 
flowers
on her hat.
A water-cart crawls slowly on the other side of 
the way. It is green and gay
with new paint, and rumbles contentedly, sprinkling clear water 
over
the white dust. Clear zigzagging water, which smells 
of tulips and narcissus.
The thickening branches make a pink `grisaille' 
against the blue sky.
Whoop! The clouds go dashing at each 
other and sheer away just in time.
Whoop! And a man's hat careers down the street in front 
of the white dust,
leaps into the branches of a tree, veers away and trundles ahead 
of the wind,
jarring the sunlight into spokes of rose-colour and green.
A motor-car cuts a swathe through the bright air, 
sharp-beaked, irresistible,
shouting to the wind to make way. A glare of dust and 
sunshine
tosses together behind it, and settles down. The sky 
is quiet and high,
and the morning is fair with fresh-washed air.

Midday and Afternoon
Swirl of crowded streets. Shock and 
recoil of traffic. The stock-still
brick facade of an old church, against which the waves of people
lurch and withdraw. Flare of sunshine down side-streets. Eddies 
of light
in the windows of chemists' shops, with their blue, gold, purple 
jars,
darting colours far into the crowd. Loud bangs and tremors,
murmurings out of high windows, whirring of machine belts,
blurring of horses and motors. A quick spin and shudder 
of brakes
on an electric car, and the jar of a church-bell knocking against
the metal blue of the sky. I am a piece of the town, 
a bit of blown dust,
thrust along with the crowd. Proud to feel the pavement 
under me,
reeling with feet. Feet tripping, skipping, lagging, 
dragging,
plodding doggedly, or springing up and advancing on firm elastic 
insteps.
A boy is selling papers, I smell them clean and new from the press.
They are fresh like the air, and pungent as tulips and narcissus.
The blue sky pales to lemon, and great tongues 
of gold blind the shop-windows,
putting out their contents in a flood of flame.

Night and Sleep
The day takes her ease in slippered yellow. Electric 
signs gleam out
along the shop fronts, following each other. They grow, 
and grow,
and blow into patterns of fire-flowers as the sky fades. Trades 
scream
in spots of light at the unruffled night. Twinkle, jab, 
snap, that means
a new play; and over the way: plop, drop, quiver, is 
the sidelong
sliver of a watchmaker's sign with its length on another street.
A gigantic mug of beer effervesces to the atmosphere over a tall 
building,
but the sky is high and has her own stars, why should she heed ours?
I leave the city with speed. Wheels 
whirl to take me back to my trees
and my quietness. The breeze which blows with me is fresh-washed 
and clean,
it has come but recently from the high sky. There are 
no flowers
in bloom yet, but the earth of my garden smells of tulips and narcissus.
My room is tranquil and friendly. Out 
of the window I can see
the distant city, a band of twinkling gems, little flower-heads 
with no stems.
I cannot see the beer-glass, nor the letters of the restaurants 
and shops
I passed, now the signs blur and all together make the city,
glowing on a night of fine weather, like a garden stirring and blowing
for the Spring.
The night is fresh-washed and fair and there is 
a whiff of flowers in the air.
Wrap me close, sheets of lavender. Pour 
your blue and purple dreams
into my ears. The breeze whispers at the shutters and 
mutters
***** tales of old days, and cobbled streets, and youths leaping 
their horses
down marble stairways. Pale blue lavender, you are the 
colour of the sky
when it is fresh-washed and fair . . . I smell the stars . . . they 
are like
tulips and narcissus . . . I smell them in the air.
Written by Ralph Waldo Emerson | Create an image from this poem

Mithridates

 I cannot spare water or wine,
Tobacco-leaf, or poppy, or rose;
From the earth-poles to the Line,
All between that works or grows,
Every thing is kin of mine.

Give me agates for my meat,
Give me cantharids to eat,
From air and ocean bring me foods,
From all zones and altitudes.

From all natures, sharp and slimy,
Salt and basalt, wild and tame,
Tree, and lichen, ape, sea-lion,
Bird and reptile be my game.

Ivy for my fillet band,
Blinding dogwood in my hand,
Hemlock for my sherbet cull me,
And the prussic juice to lull me,
Swing me in the upas boughs,
Vampire-fanned, when I carouse.

Too long shut in strait and few,
Thinly dieted on dew,
I will use the world, and sift it,
To a thousand humors shift it,
As you spin a cherry.
O doleful ghosts, and goblins merry,
O all you virtues, methods, mights;
Means, appliances, delights;
Reputed wrongs, and braggart rights;
Smug routine, and things allowed;
Minorities, things under cloud!
Hither! take me, use me, fill me,
Vein and artery, though ye kill me;
God! I will not be an owl,
But sun me in the Capitol.
Written by Guillaume Apollinaire | Create an image from this poem

Zone

ZONE 


In the end you are tired of this ancient world 
Shepherd oh Eiffel Tower the herd of bridges is bleating this morning 

You've had enough of living in Greek and Roman antiquity 

Here even the cars look antique 
Only religion has stayed new religion 
Has stayed simple like the hangars at Port-Aviation 

You alone in Europe are not ancient oh Christianity 
The most modern European is you Pope Pius X 
And shame keeps you whom the windows are watching 
From entering a church and going to confession this morning 
You read the flyers catalogues posters that shout out 
There's the morning's poetry and as for prose there are the newspapers 
There are 25 cent tabloids full of crimes 
Celebrity items and a thousand different headlines 

This morning I saw a pretty street whose name I forget 
New and clean it was the sun's herald 
Executives workers and beautiful stenos 
Cross it four times a day from Monday morning to Saturday evening 
In the morning the siren moans three times 
An angry bell barks at noon 
The inscriptions on the signs and walls 
The billboards the notices squawk like parrots 
I love the charm of this industrial street 
In Paris between the Rue Aumont-Thiéville and the Avenue des Ternes 

There's the young street and you're still just a little boy 
Your mother dresses you only in blue and white 
You're very pious and along with your oldest friend René Dalize 
You like nothing better than the rituals of the Church 
It is nine o'clock the gas is low and blue you sneak out of the dormitory 
You pray all night in the school's chapel 
While in eternal adorable amethyst depths 
The flaming glory of Christ revolves forever 
It's the beautiful lily we all cultivate 
It's the torch with red hair the wind can't blow out 
It's the pale rosy son of the grieving mother 
It's the tree always leafy with prayers 
It's the paired gallows of honor and eternity 
It's the star with six branches 
It's God who dies on Friday and comes back to life on Sunday 
It's Christ who climbs to the sky better than any pilot 
He holds the world record for altitude 

Apple Christ of the eye 
Twentieth pupil of the centuries he knows how to do it 
And changed into a bird this century like Jesus climbs into the air 
Devils in their depths raise their heads to look at him 
They say he's copying Simon Magus in Judea 
They shout if he's so good at flying let's call him a fugitive 
Angels gyre around the handsome gymnast 
Icarus Enoch Elijah Apollonius of Tyana 
Hover around the first airplane 
They scatter sometimes to let the ones carrying the Eucharist pass 
Those priests that are forever ascending carrying the host 
Finally the plane lands without folding its wings 
And the sky is full of millions of swallows 
Crows falcons owls come in full flight 
Ibises flamingos storks come from Africa 
The Roc Bird made famous by storytellers and poets 
Soars holding in its claws Adam's skull the first head 
The eagle swoops screaming from the horizon 
And from America the little hummingbird comes 
From China the long agile peehees have come 
They have only one wing and fly in pairs 
Now here's the dove immaculate spirit 
Escorted by the lyre-bird and the spotted peacock 
The phoenix that self-engendering pyre 
For an instant hides all with its burning ash 
Sirens leaving the dangerous straits 
Arrive singing beautifully all three 
And all eagle phoenix peehees from China 
Hang out with the flying Machine 

Now you're walking in Paris all alone in the crowd 
Herds of buses amble by you mooing 
The anguish of love tightens your throat 
As if you were never going to be loved again 
If you lived in the old days you would enter a monastery 
You are ashamed when you catch yourself saying a prayer 
You make fun of yourself and your laughter crackles like the fire of Hell 
The sparks of your laughter gild the abyss of your life 
It is a painting hung in a dark museum 
And sometimes you go look at it close up 

Today you're walking in Paris the women have turned blood-red 
It was and I wish I didn't remember it was at the waning of beauty 
Surrounded by fervent flames Our Lady looked at me in Chartres 
The blood of your Sacred Heart drenched me in Montmartre 
I am sick from hearing blissful phrases 
The love I suffer from is a shameful sickness 
And the image that possesses you makes you survive in insomnia and anguish 
It is always near you this image that passes 

Now you're on the shores of the Mediterranean 
Under the lemon trees that are in flower all year long 
You go boating with some friends 
One is from Nice there's one from Menton and two from La Turbie 
We look with dread at the octopus of the deep 
And among the seaweed fish are swimming symbols of the Savior 

You are in the garden of an inn just outside of Prague 
You feel so happy a rose is on the table 
And you observe instead of writing your story in prose 
The Japanese beetle sleeping in the heart of the rose 

Terrified you see yourself drawn in the agates of Saint Vitus 
You were sad enough to die the day you saw yourself 
You look like Lazarus thrown into a panic by the daylight 
The hands on the clock in the Jewish district go counter-clockwise 
And you too are going slowly backwards in your life 
Climbing up to Hradcany and listening at night 
To Czech songs being sung in taverns 

Here you are in Marseilles in the middle of watermelons 

Here you are in Coblenz at the Giant Hotel 

Here you are in Rome sitting under a Japanese medlar tree 

Here you are in Amsterdam with a young woman you think is beautiful she is ugly 
She is engaged to a student from Leyden 
There they rent rooms in Latin Cubicula Locanda 
I remember I spent three days there and just as many in Gouda 

You are in Paris getting interrogated 
They're arresting you like a criminal 

You made some miserable and happy journeys 
Before you became aware of lies and of age 
You suffered from love at twenty and at thirty 
I've lived like a madman and I've wasted my time 
You don't dare look at your hands anymore and all the time I want to cry 
Over you over the women I love over everything that's terrified you 

Your tear-filled eyes watch the poor emigrants 
They believe in God they pray the women breast-feed the children 
They fill the waiting-room at the St. Lazaire station with their smell 
They have faith in their star like the Magi 
They hope to earn money in Argentina 
And go back to their country after making their fortune 
One family is carrying a red eiderdown the way you carry your heart 
The eiderdown and our dreams are equally unreal 
Some of these emigrants stay here and put up at the 
Rue des Rosiers or the Rue des Ecouffes in hovels 
I've seen them often at night they're out for a breath of air in the street 
And like chess pieces they rarely move 
They are mostly Jews the wives wearing wigs 
Sit still bloodless at the back of store-fronts 

You're standing in front of the counter at a sleazy bar 
You're having coffee for two sous with the down-and-out 

At night you're in a big restaurant 

These women aren't mean but they do have their troubles 
All of them even the ugliest has made her lover suffer 

She is a Jersey policeman's daughter 

Her hands that I hadn't seen are hard and chapped 

I feel immense pity for the scars on her belly 

I humble my mouth now to a poor hooker with a horrible laugh 

You are alone morning is approaching 
Milkmen clink their cans in the streets 

Night withdraws like a half-caste beauty 
Ferdine the false or thoughtful Leah 

And you drink this alcohol burning like your life 
Your life that you drink like an eau-de-vie 

You walk towards Auteuil you want to go home on foot 
To sleep surrounded by your fetishes from the South Seas and from Guinea 
They are Christs in another form and from a different creed 
They are lower Christs of dim expectations 

Goodbye Goodbye 

Sun neck cut 

  


from Alcools, 1913 

Translation copyright Charlotte Mandell 






Book: Reflection on the Important Things