Written by
Walt Whitman |
WHO includes diversity, and is Nature,
Who is the amplitude of the earth, and the coarseness and sexuality of the earth, and the
great
charity of the earth, and the equilibrium also,
Who has not look’d forth from the windows, the eyes, for nothing, or whose brain held
audience with messengers for nothing;
Who contains believers and disbelievers—Who is the most majestic lover;
Who holds duly his or her triune proportion of realism, spiritualism, and of the
aesthetic, or
intellectual,
Who, having consider’d the Body, finds all its organs and parts good;
Who, out of the theory of the earth, and of his or her body, understands by subtle
analogies
all other theories,
The theory of a city, a poem, and of the large politics of These States;
Who believes not only in our globe, with its sun and moon, but in other globes, with their
suns
and moons;
Who, constructing the house of himself or herself, not for a day, but for all time, sees
races,
eras, dates, generations,
The past, the future, dwelling there, like space, inseparable together.
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Written by
Ogden Nash |
How pleasant to sit on the beach,
On the beach, on the sand, in the sun,
With ocean galore within reach,
And nothing at all to be done!
No letters to answer,
No bills to be burned,
No work to be shirked,
No cash to be earned,
It is pleasant to sit on the beach
With nothing at all to be done!
How pleasant to look at the ocean,
Democratic and damp; indiscriminate;
It fills me with noble emotion
To think I am able to swim in it.
To lave in the wave,
Majestic and chilly,
Tomorrow I crave;
But today it is silly.
It is pleasant to look at the ocean;
Tomorrow, perhaps, I shall swim in it.
How pleasant to gaze at the sailors
As their sailboats they manfully sail
With the vigor of vikings and whalers
In the days of the vikings and whale.
They sport on the brink
Of the shad and the shark;
If it’s windy, they sink;
If it isn’t, they park.
It is pleasant to gaze at the sailors,
To gaze without having to sail.
How pleasant the salt anesthetic
Of the air and the sand and the sun;
Leave the earth to the strong and athletic,
And the sea to adventure upon.
But the sun and the sand
No contractor can copy;
We lie in the land
Of the lotus and poppy;
We vegetate, calm and aesthetic,
On the beach, on the sand, in the sun.
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Written by
Marianne Moore |
The illustration
is nothing to you without the application.
You lack half wit.
You crush all the particles down
into close conformity, and then walk back and forth on them.
Sparkling chips of rock
are crushed down to the level of the parent block.
Were not 'impersonal judment in aesthetic
matters, a metaphysical impossibility,' you
might fairly achieve
it.
As for butterflies, I can hardly conceive
of one's attending upon you, but to question
the congruence of the complement is vain, if it exists.
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Written by
Walt Whitman |
1
I SAY whatever tastes sweet to the most perfect person, that is finally right.
2
I say nourish a great intellect, a great brain;
If I have said anything to the contrary, I hereby retract it.
3
I say man shall not hold property in man;
I say the least developed person on earth is just as important and sacred to himself or
herself, as the most developed person is to himself or herself.
4
I say where liberty draws not the blood out of slavery, there slavery draws the blood out
of
liberty,
I say the word of the good old cause in These States, and resound it hence over the world.
5
I say the human shape or face is so great, it must never be made ridiculous;
I say for ornaments nothing outre can be allowed,
And that anything is most beautiful without ornament,
And that exaggerations will be sternly revenged in your own physiology, and in other
persons’ physiology also;
And I say that clean-shaped children can be jetted and conceived only where natural forms
prevail in public, and the human face and form are never caricatured;
And I say that genius need never more be turned to romances,
(For facts properly told, how mean appear all romances.
)
6
I say the word of lands fearing nothing—I will have no other land;
I say discuss all and expose all—I am for every topic openly;
I say there can be no salvation for These States without innovators—without free
tongues,
and ears willing to hear the tongues;
And I announce as a glory of These States, that they respectfully listen to propositions,
reforms, fresh views and doctrines, from successions of men and women,
Each age with its own growth.
7
I have said many times that materials and the Soul are great, and that all depends on
physique;
Now I reverse what I said, and affirm that all depends on the æsthetic or
intellectual,
And that criticism is great—and that refinement is greatest of all;
And I affirm now that the mind governs—and that all depends on the mind.
8
With one man or woman—(no matter which one—I even pick out the lowest,)
With him or her I now illustrate the whole law;
I say that every right, in politics or what-not, shall be eligible to that one man or
woman, on
the same terms as any.
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Written by
Robert William Service |
While I am emulating Keats
My brother fabrics toilet seats,
The which, they say, are works of art,
Aesthetic features of the mart;
So exquisitely are they made
With plastic of a pastel shade,
Of topaz, ivory or rose,
Inviting to serene repose.
Rajahs I'm told have seats of gold,--
(They must, I fear, be very cold).
But Tom's have thermostatic heat,
With sympathy your grace to greet.
Like silver they are neon lit,
Making a halo as you sit:
Then lo! they play with dulset tone
A melody by Mendelssohn.
Oh were I lyrical as Yeats
I would not sing of toilet seats,
But rather serenade a star,--
Yet I must take things as they are.
For even kings must coyly own
Them as essential as a throne:
So as I tug the Muse's teats
I envy Tom his toilet seats.
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Written by
Robert William Service |
To Italy a random tour
I took to crown my education,
Returning relatively poor
In purse yet rich in conversation.
Old Rome put up a jolly show,
But I am not a classic purist,
Preferring to Mike Angelo
The slim stems of a lady tourist.
Venice, they say, was built on piles;
I used to muse, how did they do it?
I tramped the narrow streets for miles,
Religiously I gondoled through it.
But though to shrines I bowed my head,
My stomach's an aesthetic sinner,
For in St.
Mark's I yawned and said:
"I hope we'll have lasagne for dinner.
"
Florence, I'll say, was mighty swell,
With heaps of statues stark and lusty;
I liked the Pitti Palace well,
The Offusi I found to fusty.
But though I "did" the best of it,
My taste, I fear, is low and nasty,
For in its bars I'd rather sit
Imbibing cups of sparkling Asti.
And so we go, a tourist host,
And pass art treasures little heeding,
While memories that haunt us most
Are those of rich and copious feeding.
In sooth I see no need to roam,
Since all I want this side of Hades,
I'll comfortably find at home -
Just eating, drinking and the Ladies.
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Written by
Ella Wheeler Wilcox |
As I go and shop, sir!
If a car I stop, sir!
Where you chance to sit,
And you want to read, sir!
Never mind or heed, sir!
I’ll not care a bit.
For it’s now aesthetic
To be quite athletic.
That’s our fad, you know.
I can hold the strap, sir!
And keep off your lap, sir!
As we jolting go.
If you read on blindly,
I shall take it kindly,
All the car’s not mine.
But, if you sit and stare, sir!
At my eyes and hair, sir!
I must draw the line.
If the stare is meant, sir!
For a compliment, sir!
As we jog through town,
Allow me to suggest, sir!
A woman oft looks best, sir!
When she’s sitting down.
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Written by
Friedrich von Schiller |
Lovely he looks, 'tis true, with the light of his torch now extinguished;
But remember that death is not aesthetic, my friends!
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