Written by
Elizabeth Bishop |
We'd rather have the iceberg than the ship,
although it meant the end of travel.
Although it stood stock-still like cloudy rock
and all the sea were moving marble.
We'd rather have the iceberg than the ship;
we'd rather own this breathing plain of snow
though the ship's sails were laid upon the sea
as the snow lies undissolved upon the water.
O solemn, floating field,
are you aware an iceberg takes repose
with you, and when it wakes may pasture on your snows?
This is a scene a sailor'd give his eyes for.
The ship's ignored. The iceberg rises
and sinks again; its glassy pinnacles
correct elliptics in the sky.
This is a scene where he who treads the boards
is artlessly rhetorical. The curtain
is light enough to rise on finest ropes
that airy twists of snow provide.
The wits of these white peaks
spar with the sun. Its weight the iceberg dares
upon a shifting stage and stands and stares.
The iceberg cuts its facets from within.
Like jewelry from a grave
it saves itself perpetually and adorns
only itself, perhaps the snows
which so surprise us lying on the sea.
Good-bye, we say, good-bye, the ship steers off
where waves give in to one another's waves
and clouds run in a warmer sky.
Icebergs behoove the soul
(both being self-made from elements least visible)
to see them so: fleshed, fair, erected indivisible.
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Written by
Robert Burns |
WEE, modest crimson-tippèd flow’r,
Thou’s met me in an evil hour;
For I maun crush amang the stoure
Thy slender stem:
To spare thee now is past my pow’r,
Thou bonie gem.
Alas! it’s no thy neibor sweet,
The bonie lark, companion meet,
Bending thee ’mang the dewy weet,
Wi’ spreckl’d breast!
When upward-springing, blythe, to greet
The purpling east.
Cauld blew the bitter-biting north
Upon thy early, humble birth;
Yet cheerfully thou glinted forth
Amid the storm,
Scarce rear’d above the parent-earth
Thy tender form.
The flaunting flow’rs our gardens yield,
High shelt’ring woods and wa’s maun shield;
But thou, beneath the random bield
O’ clod or stane,
Adorns the histie stibble field,
Unseen, alane.
There, in thy scanty mantle clad,
Thy snawie bosom sun-ward spread,
Thou lifts thy unassuming head
In humble guise;
But now the share uptears thy bed,
And low thou lies!
Such is the fate of artless maid,
Sweet flow’ret of the rural shade!
By love’s simplicity betray’d,
And guileless trust;
Till she, like thee, all soil’d, is laid
Low i’ the dust.
Such is the fate of simple bard,
On life’s rough ocean luckless starr’d!
Unskilful he to note the card
Of prudent lore,
Till billows rage, and gales blow hard,
And whelm him o’er!
Such fate to suffering worth is giv’n,
Who long with wants and woes has striv’n,
By human pride or cunning driv’n
To mis’ry’s brink;
Till wrench’d of ev’ry stay but Heav’n,
He, ruin’d, sink!
Ev’n thou who mourn’st the Daisy’s fate,
That fate is thine—no distant date;
Stern Ruin’s plough-share drives elate,
Full on thy bloom,
Till crush’d beneath the furrow’s weight,
Shall be thy doom!
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Written by
A E Housman |
CHORUS: O suitably-attired-in-leather-boots
Head of a traveller, wherefore seeking whom
Whence by what way how purposed art thou come
To this well-nightingaled vicinity?
My object in inquiring is to know.
But if you happen to be deaf and dumb
And do not understand a word I say,
Then wave your hand, to signify as much.
ALCMAEON: I journeyed hither a Boetian road.
CHORUS: Sailing on horseback, or with feet for oars?
ALCMAEON: Plying with speed my partnership of legs.
CHORUS: Beneath a shining or a rainy Zeus?
ALCMAEON: Mud's sister, not himself, adorns my shoes.
CHORUS: To learn your name would not displease me much.
ALCMAEON: Not all that men desire do they obtain.
CHORUS: Might I then hear at what thy presence shoots.
ALCMAEON: A shepherd's questioned mouth informed me that--
CHORUS: What? for I know not yet what you will say.
ALCMAEON: Nor will you ever, if you interrupt.
CHORUS: Proceed, and I will hold my speechless tongue.
ALCMAEON: This house was Eriphyle's, no one else's.
CHORUS: Nor did he shame his throat with shameful lies.
ALCMAEON: May I then enter, passing through the door?
CHORUS: Go chase into the house a lucky foot.
And, O my son, be, on the one hand, good,
And do not, on the other hand, be bad;
For that is much the safest plan.
ALCMAEON: I go into the house with heels and speed.
CHORUS
Strophe
In speculation
I would not willingly acquire a name
For ill-digested thought;
But after pondering much
To this conclusion I at last have come:
LIFE IS UNCERTAIN.
This truth I have written deep
In my reflective midriff
On tablets not of wax,
Nor with a pen did I inscribe it there,
For many reasons: LIFE, I say, IS NOT
A STRANGER TO UNCERTAINTY.
Not from the flight of omen-yelling fowls
This fact did I discover,
Nor did the Delphine tripod bark it out,
Nor yet Dodona.
Its native ingunuity sufficed
My self-taught diaphragm.
Antistrophe
Why should I mention
The Inachean daughter, loved of Zeus?
Her whom of old the gods,
More provident than kind,
Provided with four hoofs, two horns, one tail,
A gift not asked for,
And sent her forth to learn
The unfamiliar science
Of how to chew the cud.
She therefore, all about the Argive fields,
Went cropping pale green grass and nettle-tops,
Nor did they disagree with her.
But yet, howe'er nutritious, such repasts
I do not hanker after:
Never may Cypris for her seat select
My dappled liver!
Why should I mention Io? Why indeed?
I have no notion why.
Epode
But now does my boding heart,
Unhired, unaccompanied, sing
A strain not meet for the dance.
Yes even the palace appears
To my yoke of circular eyes
(The right, nor omit I the left)
Like a slaughterhouse, so to speak,
Garnished with woolly deaths
And many sphipwrecks of cows.
I therefore in a Cissian strain lament:
And to the rapid
Loud, linen-tattering thumps upon my chest
Resounds in concert
The battering of my unlucky head.
ERIPHYLE (within): O, I am smitten with a hatchet's jaw;
And that in deed and not in word alone.
CHORUS: I thought I heard a sound within the house
Unlike the voice of one that jumps for joy.
ERIPHYLE: He splits my skull, not in a friendly way,
Once more: he purposes to kill me dead.
CHORUS: I would not be reputed rash, but yet
I doubt if all be gay within the house.
ERIPHYLE: O! O! another stroke! that makes the third.
He stabs me to the heart against my wish.
CHORUS: If that be so, thy state of health is poor;
But thine arithmetic is quite correct.
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Written by
Johann Wolfgang von Goethe |
SONG OF THE IMPRISONED COUNT.
COUNT.
I KNOW a flower of beauty rare,
Ah, how I hold it dear!
To seek it I would fain repair,
Were I not prison'd here.
My sorrow sore oppresses me,
For when I was at liberty,
I had it close beside me.
Though from this castle's walls so steep
I cast mine eyes around,
And gaze oft from the lofty keep,
The flower can not be found.
Whoe'er would bring it to my sight,
Whether a vassal he, or knight,
My dearest friend I'd deem him.
THE ROSE.
I blossom fair,--thy tale of woes
I hear from 'neath thy grate.
Thou doubtless meanest me, the rose.
Poor knight of high estate!
Thou hast in truth a lofty mind;
The queen of flowers is then enshrin'd,
I doubt not, in thy bosom.
COUNT.
Thy red, in dress of green array'd,
As worth all praise I hold;
And so thou'rt treasured by each maid
Like precious stones or gold.
Thy wreath adorns the fairest face
But still thou'rt not the flower whose grace
I honour here in silence.
THE LILY.
The rose is wont with pride to swell,
And ever seeks to rise;
But gentle sweethearts love full well
The lily's charms to prize,
The heart that fills a bosom true,
That is, like me, unsullied too,
My merit values duly.
COUNT.
In truth, I hope myself unstain'd,
And free from grievous crime;
Yet I am here a prisoner chain'd,
And pass in grief my time,
To me thou art an image sure
Of many a maiden, mild and pure,
And yet I know a dearer.
THE PINK.
That must be me, the pink, who scent
The warder's garden here;
Or wherefore is he so intent
My charms with care to rear?
My petals stand in beauteous ring,
Sweet incense all around I fling,
And boast a thousand colours.
COUNT.
The pink in truth we should not slight,
It is the gardener's pride
It now must stand exposed to light,
Now in the shade abide.
Yet what can make the Count's heart glow
Is no mere pomp of outward show;
It is a silent flower.
THE VIOLET.
Here stand I, modestly half hid,
And fain would silence keep;
Yet since to speak I now am bid,
I'll break my silence deep.
If, worthy Knight, I am that flower,
It grieves me that I have not power
To breathe forth all my sweetness.
COUNT.
The violet's charms I prize indeed,
So modest 'tis, and fair,
And smells so sweet; yet more I need
To ease my heavy care.
The truth I'll whisper in thine ear:
Upon these rocky heights so drear,
I cannot find the loved one.
The truest maiden 'neath the sky
Roams near the stream below,
And breathes forth many a gentle sigh,
Till I from hence can go.
And when she plucks a flow'ret blue,
And says "Forget-me-not!"--I, too,
Though far away, can feel it.
Ay, distance only swells love's might,
When fondly love a pair;
Though prison'd in the dungeon's night,
In life I linger there
And when my heart is breaking nigh,
"Forget-me-not!" is all I cry,
And straightway life returneth.
1798.
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Written by
Mary Darby Robinson |
"With female Fairies will thy tomb be haunted
"And worms will not come to thee." SHAKSPERE.
WHEN from Day's closing eye the lucid tears
Fall lightly on the bending lily's head;
When o'er the blushing sky night's curtains spread,
And the tall mountain's summit scarce appears;
When languid Evening, sinking to repose,
Her filmy mantle o'er the landscape throws;
Of THEE I'll sing; and as the mournful song
Glides in slow numbers the dark woods among;
My wand'ring steps shall seek the lonely shade,
Where all thy virtues, all thy griefs are laid!
Yes, hopeless suff'rer, friendless and forlorn,
Sweet victim of love's power; the silent tear
Shall oft at twilight's close, and glimm'ring morn
Gem the pale primrose that adorns thy bier,
And as the balmy dew ascends to heaven,
Thy crime shall steal away, thy frailty be forgiv'n.
Oft by the moon's wan beam the love-lorn maid,
Led by soft SYMPATHY, shall stroll along;
Oft shall she listen in the Lime-tree's * shade,
Her cold blood freezing at the night-owl's song:
Or, when she hears the death-bell's solemn sound,
Her light steps echoing o'er the hollow ground;
Oft shall the trickling tear adorn her cheek,
Thy pow'r, O SENSIBILITY ! in magic charms to speak!
For the poor PILGRIM, doom'd afar to roam
From the dear comforts of his native home,
A glitt'ring star puts forth a silv'ry ray,
Soothes his sad heart, and marks his tedious way;
The short-liv'd radiance cheers the gloom of night,
And decks Heaven's murky dome with transitory light.
So from the mournful CHARLOTTE's dark-orb'd lids,
The sainted tear of pitying VIRTUE flows;
And the last boon, the "churlish priest" forbids,
On thy lone grave the sacred drop bestows;
There shall the sparkling dews of Evening shine,
AND HEAVEN'S OWN INCENSE CONSECRATE THE SHRINE.
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Written by
Robert Burns |
HOW pleasant the banks of the clear winding Devon,
With green spreading bushes and flow’rs blooming fair!
But the boniest flow’r on the banks of the Devon
Was once a sweet bud on the braes of the Ayr.
Mild be the sun on this sweet blushing flower,
In the gay rosy morn, as it bathes in the dew;
And gentle the fall of the soft vernal shower,
That steals on the evening each leaf to renew!
O spare the dear blossom, ye orient breezes,
With chill hoary wing as ye usher the dawn;
And far be thou distant, thou reptile that seizes
The verdure and pride of the garden or lawn!
Let Bourbon exult in his gay gilded lilies,
And England triumphant display her proud rose:
A fairer than either adorns the green valleys,
Where Devon, sweet Devon, meandering flows.
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Written by
Robert Burns |
RIGHT, sir! your text I’ll prove it true,
Tho’ heretics may laugh;
For instance, there’s yourself just now,
God knows, an unco calf.
And should some patron be so kind,
As bless you wi’ a kirk,
I doubt na, sir but then we’ll find,
Ye’re still as great a stirk.
But, if the lover’s raptur’d hour,
Shall ever be your lot,
Forbid it, ev’ry heavenly Power,
You e’er should be a stot!
Tho’ when some kind connubial dear
Your but-and-ben adorns,
The like has been that you may wear
A noble head of horns.
And, in your lug, most reverend James,
To hear you roar and rowt,
Few men o’ sense will doubt your claims
To rank amang the nowt.
And when ye’re number’d wi’ the dead,
Below a grassy hillock,
With justice they may mark your head—
“Here lies a famous bullock!”
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Written by
Friedrich von Schiller |
The goblet is sparkling with purpled-tinged wine,
Bright glistens the eye of each guest,
When into the hall comes the Minstrel divine,
To the good he now brings what is best;
For when from Elysium is absent the lyre,
No joy can the banquet of nectar inspire.
He is blessed by the gods, with an intellect clear,
That mirrors the world as it glides;
He has seen all that ever has taken place here,
And all that the future still hides.
He sat in the god's secret councils of old
And heard the command for each thing to unfold.
He opens in splendor, with gladness and mirth,
That life which was hid from our eyes;
Adorns as a temple the dwelling of earth,
That the Muse has bestowed as his prize,
No roof is so humble, no hut is so low,
But he with divinities bids it o'erflow.
And as the inventive descendant of Zeus,
On the unadorned round of the shield,
With knowledge divine could, reflected, produce
Earth, sea, and the star's shining field,--
So he, on the moments, as onward they roll,
The image can stamp of the infinite whole.
From the earliest age of the world he has come,
When nations rejoiced in their prime;
A wanderer glad, he has still found a home
With every race through all time.
Four ages of man in his lifetime have died,
And the place they once held by the fifth is supplied.
Saturnus first governed, with fatherly smile,
Each day then resembled the last;
Then flourished the shepherds, a race without guile
Their bliss by no care was o'ercast,
They loved,--and no other employment they had,
And earth gave her treasures with willingness glad.
Then labor came next, and the conflict began
With monsters and beasts famed in song;
And heroes upstarted, as rulers of man,
And the weak sought the aid of the strong.
And strife o'er the field of Scamander now reigned,
But beauty the god of the world still remained.
At length from the conflict bright victory sprang,
And gentleness blossomed from might;
In heavenly chorus the Muses then sang,
And figures divine saw the light;--
The age that acknowledged sweet phantasy's sway
Can never return, it has fleeted away.
The gods from their seats in the heavens were hurled,
And their pillars of glory o'erthrown;
And the Son of the Virgin appeared in the world
For the sins of mankind to atone.
The fugitive lusts of the sense were suppressed,
And man now first grappled with thought in his breast.
Each vain and voluptuous charm vanished now,
Wherein the young world took delight;
The monk and the nun made of penance a vow,
And the tourney was sought by the knight.
Though the aspect of life was now dreary and wild,
Yet love remained ever both lovely and mild.
An altar of holiness, free from all stain,
The Muses in silence upreared;
And all that was noble and worthy, again
In woman's chaste bosom appeared;
The bright flame of song was soon kindled anew
By the minstrel's soft lays, and his love pure and true.
And so, in a gentle and ne'er-changing band,
Let woman and minstrel unite;
They weave and they fashion, with hand joined to hand,
The girdle of beauty and right.
When love blends with music, in unison sweet,
The lustre of life's youthful days ne'er can fleet.
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Written by
Howard Nemerov |
Across the millstream below the bridge
Seven blue swallows divide the air
In shapes invisible and evanescent,
Kaleidoscopic beyond the mind’s
Or memory’s power to keep them there.
“History is where tensions were,”
“Form is the diagram of forces.”
Thus, helplessly, there on the bridge,
While gazing down upon those birds—
How strange, to be above the birds!—
Thus helplessly the mind in its brain
Weaves up relation’s spindrift web,
Seeing the swallows’ tails as nibs
Dipped in invisible ink, writing…
Poor mind, what would you have them write?
Some cabalistic history
Whose authorship you might ascribe
To God? to Nature? Ah, poor ghost,
You’ve capitalized your Self enough.
That villainous William of Occam
Cut out the feet from under that dream
Some seven centuries ago.
It’s taken that long for the mind
To waken, yawn and stretch, to see
With opened eyes emptied of speech
The real world where the spelling mind
Imposes with its grammar book
Unreal relations on the blue
Swallows. Perhaps when you will have
Fully awakened, I shall show you
A new thing: even the water
Flowing away beneath those birds
Will fail to reflect their flying forms,
And the eyes that see become as stones
Whence never tears shall fall again.
O swallows, swallows, poems are not
The point. Finding again the world,
That is the point, where loveliness
Adorns intelligible things
Because the mind’s eye lit the sun.
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Written by
Francesco Petrarch |
[Pg 26] SONNET XXIII. Il successor di Carlo, che la chioma. ON THE MOVEMENT OF THE EMPEROR AGAINST THE INFIDELS, AND THE RETURN OF THE POPE TO ROME. The high successor of our Charles,[P] whose hairThe crown of his great ancestor adorns,Already has ta'en arms, to bruise the hornsOf Babylon, and all her name who bear;Christ's holy vicar with the honour'd loadOf keys and cloak, returning to his home,Shall see Bologna and our noble Rome,If no ill fortune bar his further road.Best to your meek and high-born lamb belongsTo beat the fierce wolf down: so may it beWith all who loyalty and love deny.Console at length your waiting country's wrongs,And Rome's, who longs once more her spouse to see,And gird for Christ the good sword on thy thigh. Macgregor.
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