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Best Famous Accorded Poems

Here is a collection of the all-time best famous Accorded poems. This is a select list of the best famous Accorded poetry. Reading, writing, and enjoying famous Accorded poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of accorded poems.

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Written by Amy Lowell | Create an image from this poem

The Red Lacquer Music-Stand

 A music-stand of crimson lacquer, long since brought
In some fast clipper-ship from China, quaintly wrought
With bossed and carven flowers and fruits in blackening gold,
The slender shaft all twined about and thickly scrolled
With vine leaves and young twisted tendrils, whirling, curling,
Flinging their new shoots over the four wings, and swirling
Out on the three wide feet in golden lumps and streams;
Petals and apples in high relief, and where the seams
Are worn with handling, through the polished crimson sheen,
Long streaks of black, the under lacquer, shine out clean.
Four desks, adjustable, to suit the heights of players Sitting to viols or standing up to sing, four layers Of music to serve every instrument, are there, And on the apex a large flat-topped golden pear.
It burns in red and yellow, dusty, smouldering lights, When the sun flares the old barn-chamber with its flights And skips upon the crystal knobs of dim sideboards, Legless and mouldy, and hops, glint to glint, on hoards Of scythes, and spades, and dinner-horns, so the old tools Are little candles throwing brightness round in pools.
With Oriental splendour, red and gold, the dust Covering its flames like smoke and thinning as a gust Of brighter sunshine makes the colours leap and range, The strange old music-stand seems to strike out and change; To stroke and tear the darkness with sharp golden claws; To dart a forked, vermilion tongue from open jaws; To puff out bitter smoke which chokes the sun; and fade Back to a still, faint outline obliterate in shade.
Creeping up the ladder into the loft, the Boy Stands watching, very still, prickly and hot with joy.
He sees the dusty sun-mote slit by streaks of red, He sees it split and stream, and all about his head Spikes and spears of gold are licking, pricking, flicking, Scratching against the walls and furniture, and nicking The darkness into sparks, chipping away the gloom.
The Boy's nose smarts with the pungence in the room.
The wind pushes an elm branch from before the door And the sun widens out all along the floor, Filling the barn-chamber with white, straightforward light, So not one blurred outline can tease the mind to fright.
"O All ye Works of the Lord, Bless ye the Lord; Praise Him, and Magnify Him for ever.
O let the Earth Bless the Lord; Yea, let it Praise Him, and Magnify Him for ever.
O ye Mountains and Hills, Bless ye the Lord; Praise Him, and Magnify Him for ever.
O All ye Green Things upon the Earth, Bless ye the Lord; Praise Him, and Magnify Him for ever.
" The Boy will praise his God on an altar builded fair, Will heap it with the Works of the Lord.
In the morning air, Spices shall burn on it, and by their pale smoke curled, Like shoots of all the Green Things, the God of this bright World Shall see the Boy's desire to pay his debt of praise.
The Boy turns round about, seeking with careful gaze An altar meet and worthy, but each table and chair Has some defect, each piece is needing some repair To perfect it; the chairs have broken legs and backs, The tables are uneven, and every highboy lacks A handle or a drawer, the desks are bruised and worn, And even a wide sofa has its cane seat torn.
Only in the gloom far in the corner there The lacquer music-stand is elegant and rare, Clear and slim of line, with its four wings outspread, The sound of old quartets, a tenuous, faint thread, Hanging and floating over it, it stands supreme -- Black, and gold, and crimson, in one twisted scheme! A candle on the bookcase feels a draught and wavers, Stippling the white-washed walls with dancing shades and quavers.
A bed-post, grown colossal, jigs about the ceiling, And shadows, strangely altered, stain the walls, revealing Eagles, and rabbits, and weird faces pulled awry, And hands which fetch and carry things incessantly.
Under the Eastern window, where the morning sun Must touch it, stands the music-stand, and on each one Of its broad platforms is a pyramid of stones, And metals, and dried flowers, and pine and hemlock cones, An oriole's nest with the four eggs neatly blown, The rattle of a rattlesnake, and three large brown Butternuts uncracked, six butterflies impaled With a green luna moth, a snake-skin freshly scaled, Some sunflower seeds, wampum, and a bloody-tooth shell, A blue jay feather, all together piled pell-mell The stand will hold no more.
The Boy with humming head Looks once again, blows out the light, and creeps to bed.
The Boy keeps solemn vigil, while outside the wind Blows gustily and clear, and slaps against the blind.
He hardly tries to sleep, so sharp his ecstasy It burns his soul to emptiness, and sets it free For adoration only, for worship.
Dedicate, His unsheathed soul is naked in its novitiate.
The hours strike below from the clock on the stair.
The Boy is a white flame suspiring in prayer.
Morning will bring the sun, the Golden Eye of Him Whose splendour must be veiled by starry cherubim, Whose Feet shimmer like crystal in the streets of Heaven.
Like an open rose the sun will stand up even, Fronting the window-sill, and when the casement glows Rose-red with the new-blown morning, then the fire which flows From the sun will fall upon the altar and ignite The spices, and his sacrifice will burn in perfumed light.
Over the music-stand the ghosts of sounds will swim, `Viols d'amore' and `hautbois' accorded to a hymn.
The Boy will see the faintest breath of angels' wings Fanning the smoke, and voices will flower through the strings.
He dares no farther vision, and with scalding eyes Waits upon the daylight and his great emprise.
The cold, grey light of dawn was whitening the wall When the Boy, fine-drawn by sleeplessness, started his ritual.
He washed, all shivering and pointed like a flame.
He threw the shutters open, and in the window-frame The morning glimmered like a tarnished Venice glass.
He took his Chinese pastilles and put them in a mass Upon the mantelpiece till he could seek a plate Worthy to hold them burning.
Alas! He had been late In thinking of this need, and now he could not find Platter or saucer rare enough to ease his mind.
The house was not astir, and he dared not go down Into the barn-chamber, lest some door should be blown And slam before the draught he made as he went out.
The light was growing yellower, and still he looked about.
A flash of almost crimson from the gilded pear Upon the music-stand, startled him waiting there.
The sun would rise and he would meet it unprepared, Labelled a fool in having missed what he had dared.
He ran across the room, took his pastilles and laid Them on the flat-topped pear, most carefully displayed To light with ease, then stood a little to one side, Focussed a burning-glass and painstakingly tried To hold it angled so the bunched and prismed rays Should leap upon each other and spring into a blaze.
Sharp as a wheeling edge of disked, carnation flame, Gem-hard and cutting upward, slowly the round sun came.
The arrowed fire caught the burning-glass and glanced, Split to a multitude of pointed spears, and lanced, A deeper, hotter flame, it took the incense pile Which welcomed it and broke into a little smile Of yellow flamelets, creeping, crackling, thrusting up, A golden, red-slashed lily in a lacquer cup.
"O ye Fire and Heat, Bless ye the Lord; Praise Him, and Magnify Him for ever.
O ye Winter and Summer, Bless ye the Lord; Praise Him, and Magnify Him for ever.
O ye Nights and Days, Bless ye the Lord; Praise Him, and Magnify Him for ever.
O ye Lightnings and Clouds, Bless ye the Lord; Praise Him, and Magnify Him for ever.
" A moment so it hung, wide-curved, bright-petalled, seeming A chalice foamed with sunrise.
The Boy woke from his dreaming.
A spike of flame had caught the card of butterflies, The oriole's nest took fire, soon all four galleries Where he had spread his treasures were become one tongue Of gleaming, brutal fire.
The Boy instantly swung His pitcher off the wash-stand and turned it upside down.
The flames drooped back and sizzled, and all his senses grown Acute by fear, the Boy grabbed the quilt from his bed And flung it over all, and then with aching head He watched the early sunshine glint on the remains Of his holy offering.
The lacquer stand had stains Ugly and charred all over, and where the golden pear Had been, a deep, black hole gaped miserably.
His dear Treasures were puffs of ashes; only the stones were there, Winking in the brightness.
The clock upon the stair Struck five, and in the kitchen someone shook a grate.
The Boy began to dress, for it was getting late.


Written by George (Lord) Byron | Create an image from this poem

Lines On Hearing That Lady Byron Was Ill

 And thou wert sad—yet I was not with thee!
And thou wert sick, and yet I was not near;
Methought that joy and health alone could be
Where I was not—and pain and sorrow here.
And is it thus?—it is as I foretold, And shall be more so; for the mind recoils Upon itself, and the wrecked heart lies cold, While heaviness collects the shattered spoils.
It is not in the storm nor in the strife We feel benumbed, and wish to be no more, But in the after-silence on the shore, When all is lost, except a little life.
I am too well avenged!—but 'twas my right; Whate'er my sins might be, thou wert not sent To be the Nemesis who should requite— Nor did heaven choose so near an instrument.
Mercy is for the merciful!—if thou Hast been of such, 'twill be accorded now.
Thy nights are banished from the realms of sleep!— Yes! they may flatter thee, but thou shalt feel A hollow agony which will not heal, For thou art pillowed on a curse too deep; Thou hast sown in my sorrow, and must reap The bitter harvest in a woe as real! I have had many foes, but none like thee; For 'gainst the rest myself I could defend, And be avenged, or turn them into friend; But thou in safe implacability Hadst nought to dread—in thy own weakness shielded, And in my love which hath but too much yielded, And spared, for thy sake, some I should not spare— And thus upon the world—trust in thy truth— And the wild fame of my ungoverned youth— On things that were not, and on things that are— Even upon such a basis hast thou built A monument whose cement hath been guilt! The moral Clytemnestra of thy lord, And hewed down, with an unsuspected sword, Fame, peace, and hope—and all the better life Which, but for this cold treason of thy heart, Might still have risen from out the grave of strife, And found a nobler duty than to part.
But of thy virtues didst thou make a vice, Trafficking with them in a purpose cold, For present anger, and for future gold— And buying other's grief at any price.
And thus once entered into crooked ways, The early truth, which was thy proper praise, Did not still walk beside thee—but at times, And with a breast unknowing its own crimes, Deceit, averments incompatible, Equivocations, and the thoughts which dwell In Janus-spirits—the significant eye Which learns to lie with silence—the pretext Of Prudence, with advantages annexed— The acquiescence in all things which tend, No matter how, to the desired end— All found a place in thy philosophy.
The means were worthy, and the end is won— I would not do by thee as thou hast done!
Written by Denise Levertov | Create an image from this poem

In California During the Gulf War

 Among the blight-killed eucalypts, among
trees and bushes rusted by Christmas frosts,
the yards and hillsides exhausted by five years of drought,

certain airy white blossoms punctually
reappeared, and dense clusters of pale pink, dark pink--
a delicate abundance.
They seemed like guests arriving joyfully on the accustomed festival day, unaware of the year's events, not perceiving the sackcloth others were wearing.
To some of us, the dejected landscape consorted well with our shame and bitterness.
Skies ever-blue, daily sunshine, disgusted us like smile-buttons.
Yet the blossoms, clinging to thin branches more lightly than birds alert for flight, lifted the sunken heart even against its will.
But not as symbols of hope: they were flimsy as our resistance to the crimes committed --again, again--in our name; and yes, they return, year after year, and yes, they briefly shone with serene joy over against the dark glare of evil days.
They are, and their presence is quietness ineffable--and the bombings are, were, no doubt will be; that quiet, that huge cacophany simultaneous.
No promise was being accorded, the blossoms were not doves, there was no rainbow.
And when it was claimed the war had ended, it had not ended.
Written by Victor Hugo | Create an image from this poem

MILTON'S APPEAL TO CROMWELL

 ("Non! je n'y puis tenir.") 
 
 {CROMWELL, Act III. sc. iv.} 


 Stay! I no longer can contain myself, 
 But cry you: Look on John, who bares his mind 
 To Oliver—to Cromwell, Milton speaks! 
 Despite a kindling eye and marvel deep 
 A voice is lifted up without your leave; 
 For I was never placed at council board 
 To speak my promptings. When awed strangers come 
 Who've seen Fox-Mazarin wince at the stings 
 In my epistles—and bring admiring votes 
 Of learned colleges, they strain to see 
 My figure in the glare—the usher utters, 
 "Behold and hearken! that's my Lord Protector's 
 Cousin—that, his son-in-law—that next"—who cares! 
 Some perfumed puppet! "Milton?" "He in black— 
 Yon silent scribe who trims their eloquence!" 
 Still 'chronicling small-beer,'—such is my duty! 
 Yea, one whose thunder roared through martyr bones 
 Till Pope and Louis Grand quaked on their thrones, 
 And echoed "Vengeance for the Vaudois," where 
 The Sultan slumbers sick with scent of roses. 
 He is but the mute in this seraglio— 
 "Pure" Cromwell's Council! 
 But to be dumb and blind is overmuch! 
 Impatient Issachar kicks at the load! 
 Yet diadems are burdens painfuller, 
 And I would spare thee that sore imposition. 
 Dear brother Noll, I plead against thyself! 
 Thou aim'st to be a king; and, in thine heart, 
 What fool has said: "There is no king but thou?" 
 For thee the multitude waged war and won— 
 The end thou art of wrestlings and of prayer, 
 Of sleepless watch, long marches, hunger, tears 
 And blood prolifically spilled, homes lordless, 
 And homeless lords! The mass must always suffer 
 That one should reign! the collar's but newly clamp'd, 
 And nothing but the name thereon is changed— 
 Master? still masters! mark you not the red 
 Of shame unutterable in my sightless white? 
 Still hear me, Cromwell, speaking for your sake! 
 These fifteen years, we, to you whole-devoted, 
 Have sought for Liberty—to give it thee? 
 To make our interests your huckster gains? 
 The king a lion slain that you may flay, 
 And wear the robe—well, worthily—I say't, 
 For I will not abase my brother! 
 No! I would keep him in the realm serene, 
 My own ideal of heroes! loved o'er Israel, 
 And higher placed by me than all the others! 
 And such, for tinkling titles, hollow haloes 
 Like that around yon painted brow—thou! thou! 
 Apostle, hero, saint-dishonor thyself! 
 And snip and trim the flag of Naseby-field 
 As scarf on which the maid-of-honor's dog 
 Will yelp, some summer afternoon! That sword 
 Shrink into a sceptre! brilliant bauble! Thou, 
 Thrown on a lonely rock in storm of state, 
 Brain-turned by safety's miracle, thou risest 
 Upon the tott'ring stone whilst ocean ebbs, 
 And, reeking of no storms to come to-morrow, 
 Or to-morrow—deem that a certain pedestal 
 Whereon thou'lt be adored for e'er—e'en while 
 It shakes—o'ersets the rider! Tremble, thou! 
 For he who dazzles, makes men Samson-blind, 
 Will see the pillars of his palace kiss 
 E'en at the whelming ruin! Then, what word 
 Of answer from your wreck when I demand 
 Account of Cromwell! glory of the people 
 Smothered in ashes! through the dust thou'lt hear; 
 "What didst thou with thy virtue?" Will it respond: 
 "When battered helm is doffed, how soft is purple 
 On which to lay the head, lulled by the praise 
 Of thousand fluttering fans of flatterers! 
 Wearied of war-horse, gratefully one glides 
 In gilded barge, or in crowned, velvet car, 
 From gay Whitehall to gloomy Temple Bar—" 
 (Where—had you slipt, that head were bleaching now! 
 And that same rabble, splitting for a hedge, 
 Had joined their rows to cheer the active headsman; 
 Perchance, in mockery, they'd gird the skull 
 With a hop-leaf crown! Bitter the brewing, Noll!) 
 Are crowns the end-all of ambition? Remember 
 Charles Stuart! and that they who make can break! 
 This same Whitehall may black its front with crape, 
 And this broad window be the portal twice 
 To lead upon a scaffold! Frown! or laugh! 
 Laugh on as they did at Cassandra's speech! 
 But mark—the prophetess was right! Still laugh, 
 Like the credulous Ethiop in his faith in stars! 
 But give one thought to Stuart, two for yourself! 
 In his appointed hour, all was forthcoming— 
 Judge, axe, and deathsman veiled! and my poor eyes 
 Descry—as would thou saw'st!—a figure veiled, 
 Uplooming there—afar, like sunrise, coming! 
 With blade that ne'er spared Judas 'midst free brethren! 
 Stretch not the hand of Cromwell for the prize 
 Meant not for him, nor his! Thou growest old, 
 The people are ever young! Like her i' the chase 
 Who drave a dart into her lover, embowered, 
 Piercing the incense-clouds, the popular shaft 
 May slay thee in a random shot at Tyranny! 
 Man, friend, remain a Cromwell! in thy name, 
 Rule! and if thy son be worthy, he and his, 
 So rule the rest for ages! be it grander thus 
 To be a Cromwell than a Carolus. 
 No lapdog combed by wantons, but the watch 
 Upon the freedom that we won! Dismiss 
 Your flatterers—let no harpings, no gay songs 
 Prevent your calm dictation of good laws 
 To guard, to fortify, and keep enlinked 
 England and Freedom! Be thine old self alone! 
 And make, above all else accorded me, 
 My most desired claim on all posterity, 
 That thou in Milton's verse wert foremost of the free! 


 




Written by John Berryman | Create an image from this poem

Dream Song 24: Oh servant Henry lectured till

 Oh servant Henry lectured till
the crows commenced and then
he bulbed his voice & lectured on some more.
This happened again & again, like war,— the Indian p.
a.
's, such as they were, a weapon on his side, for the birds.
Vexations held a field-monsoon.
He was Introduced, and then he was Summed-up.
He was put questions on race bigotry; he put no questions on race bigotry constantly.
The mad sun rose though on the ghats & the saddhu in maha mudra, the great River, and Henry was happy & beside him with excitement.
Beside himself, his possibilities; salaaming hours of half-blind morning while the rainy lepers salaamed back, smiles & a passion of their & his eyes flew in feelings not ever accorded solely to oneself.


Written by Rudyard Kipling | Create an image from this poem

Study of an Elevation In Indian Ink

 Potiphar Gubbins, C.
E.
Stands at the top of the tree; And I muse in my bed on the reasons that led To the hoisting of Potiphar G.
Potiphar Gubbins, C.
E.
, Is seven years junior to Me; Each bridge that he makes either buckles or breaks, And his work is as rough as he.
Potiphar Gubbins, C.
E.
, Is coarse as a chimpanzee; And I can't understand why you gave him your hand, Lovely Mehitabel Lee.
Potiphar Gubbins, C.
E.
, Is dear to the Powers that Be; For They bow and They smile in an affable style, Which is seldom accorded to Me.
Potiphar Gubbins, C.
E.
, Is certain as certain can be Of a highly paid post which is claimed by a host Of seniors -- including Me.
Careless and lazy is he, Greatly inferior to Me.
That is the spell that you manage so well, Commonplace Potiphar G.
? Lovely Mehitabel Lee, Let me inquire of thee, Should I have riz to where Potiphar is, Hadst thou been mated to Me?
Written by Robert Burns | Create an image from this poem

281. Sonnet to R. Graham Esq. on Receiving a Favour

 I CALL no Goddess to inspire my strains,
A fabled Muse may suit a bard that feigns:
Friend of my life! my ardent spirit burns,
And all the tribute of my heart returns,
For boons accorded, goodness ever new,
The gifts still dearer, as the giver you.
Thou orb of day! thou other paler light! And all ye many sparkling stars of night! If aught that giver from my mind efface, If I that giver’s bounty e’er disgrace, Then roll to me along your wand’rig spheres, Only to number out a villain’s years! I lay my hand upon my swelling breast, And grateful would, but cannot speak the rest.

Book: Shattered Sighs