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Best Famous Acacia Poems

Here is a collection of the all-time best famous Acacia poems. This is a select list of the best famous Acacia poetry. Reading, writing, and enjoying famous Acacia poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of acacia poems.

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Written by Alfred Lord Tennyson | Create an image from this poem

Come Into The Garden Maud

 Come into the garden, Maud, 
 For the black bat, Night, has flown, 
Come into the garden, Maud, 
 I am here at the gate alone; 
And the woodbine spices are wafted abroad, 
 And the musk of the roses blown.
For a breeze of morning moves, And the planet of Love is on high, Beginning to faint in the light that she loves On a bed of daffodil sky, To faint in the light of the sun she loves, To faint in his light, and to die.
All night have the roses heard The flute, violin, bassoon; All night has the casement jessamine stirr'd To the dancers dancing in tune: Till a silence fell with the waking bird, And a hush with the setting moon.
I said to the lily, "There is but one With whom she has heart to be gay.
When will the dancers leave her alone? She is weary of dance and play.
" Now half to the setting moon are gone, And half to the rising day; Low on the sand and loud on the stone The last wheel echoes away.
I said to the rose, "The brief night goes In babble and revel and wine.
O young lordlover, what sighs are those For one that will never be thine? But mine, but mine," so I sware to the rose, "For ever and ever, mine.
" And the soul of the rose went into my blood, As the music clash'd in the hall; And long by the garden lake I stood, For I heard your rivulet fall From the lake to the meadow and on to the wood, Our wood, that is dearer than all; From the meadow your walks have left so sweet That whenever a March-wind sighs He sets the jewelprint of your feet In violets blue as your eyes, To the woody hollows in which we meet And the valleys of Paradise.
The slender acacia would not shake One long milk-bloom on the tree; The white lake-blossom fell into the lake, As the pimpernel dozed on the lea; But the rose was awake all night for your sake, Knowing your promise to me; The lilies and roses were all awake, They sigh'd for the dawn and thee.
Queen rose of the rosebud garden of girls, Come hither, the dances are done, In gloss of satin and glimmer of pearls, Queen lily and rose in one; Shine out, little head, sunning over with curls, To the flowers, and be their sun.
There has fallen a splendid tear From the passion-flower at the gate.
She is coming, my dove, my dear; She is coming, my life, my fate; The red rose cries, "She is near, she is near;" And the white rose weeps, "She is late;" The larkspur listens, "I hear, I hear;" And the lily whispers, "I wait.
" She is coming, my own, my sweet; Were it ever so airy a tread, My heart would hear her and beat, Were it earth in an earthy bed; My dust would hear her and beat, Had I lain for a century dead; Would start and tremble under her feet, And blossom in purple and red.


Written by William Butler Yeats | Create an image from this poem

In Memory Of Alfred Pollexfen

 Five-and-twenty years have gone
Since old William pollexfen
Laid his strong bones down in death
By his wife Elizabeth
In the grey stone tomb he made.
And after twenty years they laid In that tomb by him and her His son George, the astrologer; And Masons drove from miles away To scatter the Acacia spray Upon a melancholy man Who had ended where his breath began.
Many a son and daughter lies Far from the customary skies, The Mall and Eades's grammar school, In London or in Liverpool; But where is laid the sailor John That so many lands had known, Quiet lands or unquiet seas Where the Indians trade or Japanese? He never found his rest ashore, Moping for one voyage more.
Where have they laid the sailor John? And yesterday the youngest son, A humorous, unambitious man, Was buried near the astrologer, Yesterday in the tenth year Since he who had been contented long.
A nobody in a great throng, Decided he would journey home, Now that his fiftieth year had come, And 'Mr.
Alfred' be again Upon the lips of common men Who carried in their memory His childhood and his family.
At all these death-beds women heard A visionary white sea-bird Lamenting that a man should die; And with that cry I have raised my cry.
Written by Robert Browning | Create an image from this poem

Soliloquy Of The Spanish Cloister

 I.
Gr-r-r---there go, my heart's abhorrence! Water your damned flower-pots, do! If hate killed men, Brother Lawrence, God's blood, would not mine kill you! What? your myrtle-bush wants trimming? Oh, that rose has prior claims--- Needs its leaden vase filled brimming? Hell dry you up with its flames! II.
At the meal we sit together: _Salve tibi!_ I must hear Wise talk of the kind of weather, Sort of season, time of year: _Not a plenteous cork-crop: scarcely Dare we hope oak-galls, I doubt: What's the Latin name for ``parsley''?_ What's the Greek name for Swine's Snout? III.
Whew! We'll have our platter burnished, Laid with care on our own shelf! With a fire-new spoon we're furnished, And a goblet for ourself, Rinsed like something sacrificial Ere 'tis fit to touch our chaps--- Marked with L.
for our initial! (He-he! There his lily snaps!) IV.
_Saint_, forsooth! While brown Dolores Squats outside the Convent bank With Sanchicha, telling stories, Steeping tresses in the tank, Blue-black, lustrous, thick like horsehairs, ---Can't I see his dead eye glow, Bright as 'twere a Barbary corsair's? (That is, if he'd let it show!) V.
When he finishes refection, Knife and fork he never lays Cross-wise, to my recollection, As do I, in Jesu's praise.
I the Trinity illustrate, Drinking watered orange-pulp--- In three sips the Arian frustrate; While he drains his at one gulp.
VI.
Oh, those melons? If he's able We're to have a feast! so nice! One goes to the Abbot's table, All of us get each a slice.
How go on your flowers? None double Not one fruit-sort can you spy? Strange!---And I, too, at such trouble, Keep them close-nipped on the sly! VII.
There's a great text in Galatians, Once you trip on it, entails Twenty-nine distinct damnations, One sure, if another fails: If I trip him just a-dying, Sure of heaven as sure can be, Spin him round and send him flying Off to hell, a Manichee? VIII.
Or, my scrofulous French novel On grey paper with blunt type! Simply glance at it, you grovel Hand and foot in Belial's gripe: If I double down its pages At the woeful sixteenth print, When he gathers his greengages, Ope a sieve and slip it in't? IX.
Or, there's Satan!---one might venture Pledge one's soul to him, yet leave Such a flaw in the indenture As he'd miss till, past retrieve, Blasted lay that rose-acacia We're so proud of! _Hy, Zy, Hine .
.
.
_ 'St, there's Vespers! _Plena grati Ave, Virgo!_ Gr-r-r---you swine!
Written by Alfred Lord Tennyson | Create an image from this poem

Come Into the Garde Maud

 Come into the garden, Maud, 
For the black bat, Night, has flown, 
Come into the garden, Maud, 
I am here at the gate alone; 
And the woodbine spices are wafted abroad, 
And the musk of the roses blown.
For a breeze of morning moves, And the planet of Love is on high, Beginning to faint in the light that she loves On a bed of daffodil sky, To faint in the light of the sun she loves, To faint in his light, and to die.
All night have the roses heard The flute, violin, bassoon; All night has the casement jessamine stirr'd To the dancers dancing in tune: Till a silence fell with the waking bird, And a hush with the setting moon.
I said to the lily, "There is but one With whom she has heart to be gay.
When will the dancers leave her alone? She is weary of dance and play.
" Now half to the setting moon are gone, And half to the rising day; Low on the sand and loud on the stone The last wheel echoes away.
I said to the rose, "The brief night goes In babble and revel and wine.
O young lordlover, what sighs are those For one that will never be thine? But mine, but mine," so I sware to the rose, "For ever and ever, mine.
" And the soul of the rose went into my blood, As the music clash'd in the hall; And long by the garden lake I stood, For I heard your rivulet fall From the lake to the meadow and on to the wood, Our wood, that is dearer than all; From the meadow your walks have left so sweet That whenever a March-wind sighs He sets the jewelprint of your feet In violets blue as your eyes, To the woody hollows in which we meet And the valleys of Paradise.
The slender acacia would not shake One long milk-bloom on the tree; The white lake-blossom fell into the lake, As the pimpernel dozed on the lea; But the rose was awake all night for your sake, Knowing your promise to me; The lilies and roses were all awake, They sigh'd for the dawn and thee.
Queen rose of the rosebud garden of girls, Come hither, the dances are done, In gloss of satin and glimmer of pearls, Queen lily and rose in one; Shine out, little head, sunning over with curls, To the flowers, and be their sun.
There has fallen a splendid tear From the passion-flower at the gate.
She is coming, my dove, my dear; She is coming, my life, my fate; The red rose cries, "She is near, she is near;" And the white rose weeps, "She is late;" The larkspur listens, "I hear, I hear;" And the lily whispers, "I wait.
" She is coming, my own, my sweet; Were it ever so airy a tread, My heart would hear her and beat, Were it earth in an earthy bed; My dust would hear her and beat, Had I lain for a century dead; Would start and tremble under her feet, And blossom in purple and red.
Written by Alfred Lord Tennyson | Create an image from this poem

Maud

COME into the garden, Maud, 
For the black bat, Night, has flown, 
Come into the garden, Maud, 
I am here at the gate alone; 
And the woodbine spices are wafted abroad, 5 
And the musk of the roses blown.
For a breeze of morning moves, And the planet of Love is on high, Beginning to faint in the light that she loves On a bed of daffodil sky, 10 To faint in the light of the sun she loves, To faint in his light, and to die.
All night have the roses heard The flute, violin, bassoon; All night has the casement jessamine stirr'd 15 To the dancers dancing in tune; Till a silence fell with the waking bird, And a hush with the setting moon.
I said to the lily, 'There is but one With whom she has heart to be gay.
20 When will the dancers leave her alone? She is weary of dance and play.
' Now half to the setting moon are gone, And half to the rising day; Low on the sand and loud on the stone 25 The last wheel echoes away.
I said to the rose, 'The brief night goes In babble and revel and wine.
O young lord-lover, what sighs are those For one that will never be thine? 30 But mine, but mine,' so I sware to the rose, 'For ever and ever, mine.
' And the soul of the rose went into my blood, As the music clash'd in the hall; And long by the garden lake I stood, 35 For I heard your rivulet fall From the lake to the meadow and on to the wood, Our wood, that is dearer than all; From the meadow your walks have left so sweet That whenever a March-wind sighs 40 He sets the jewel-print of your feet In violets blue as your eyes, To the woody hollows in which we meet And the valleys of Paradise.
The slender acacia would not shake 45 One long milk-bloom on the tree; The white lake-blossom fell into the lake, As the pimpernel dozed on the lea; But the rose was awake all night for your sake, Knowing your promise to me; 50 The lilies and roses were all awake, They sigh'd for the dawn and thee.
Queen rose of the rosebud garden of girls, Come hither, the dances are done, In gloss of satin and glimmer of pearls, 55 Queen lily and rose in one; Shine out, little head, sunning over with curls.
To the flowers, and be their sun.
There has fallen a splendid tear From the passion-flower at the gate.
60 She is coming, my dove, my dear; She is coming, my life, my fate; The red rose cries, 'She is near, she is near;' And the white rose weeps, 'She is late;' The larkspur listens, 'I hear, I hear;' 65 And the lily whispers, 'I wait.
' She is coming, my own, my sweet; Were it ever so airy a tread, My heart would hear her and beat, Were it earth in an earthy bed; 70 My dust would hear her and beat, Had I lain for a century dead; Would start and tremble under her feet, And blossom in purple and red.


Written by Louise Gluck | Create an image from this poem

Castile

 Orange blossoms blowing over Castile
children begging for coins

I met my love under an orange tree
or was it an acacia tree
or was he not my love?

I read this, then I dreamed this:
can waking take back what happened to me?
Bells of San Miguel
ringing in the distance
his hair in the shadows blond-white

I dreamed this,
does that mean it didn't happen?
Does it have to happen in the world to be real?

I dreamed everything, the story
became my story:

he lay beside me,
my hand grazed the skin of his shoulder

Mid-day, then early evening:
in the distance, the sound of a train

But it was not the world:
in the world, a thing happens finally, absolutely,
the mind cannot reverse it.
Castile: nuns walking in pairs through the dark garden.
Outside the walls of the Holy Angels children begging for coins When I woke I was crying, has that no reality? I met my love under an orange tree: I have forgotten only the facts, not the inference— there were children, somewhere, crying, begging for coins I dreamed everything, I gave myself completely and for all time And the train returned us first to Madrid then to the Basque country
Written by Czeslaw Milosz | Create an image from this poem

Father Explains

 "There where that ray touches the plain
And the shadows escape as if they really ran,
Warsaw stands, open from all sides,
A city not very old but quite famous.
"Farther, where strings of rain hang from a little cloud, Under the hills with an acacia grove Is Prague.
Above it, a marvelous castle Shored against a slope in accordance with old rules.
"What divides this land with white foam Is the Alps.
The black means fir forests.
Beyond them, bathing in the yellow sun Italy lies, like a deep-blue dish.
"Among the many fine cities that are there You will recogni2e Rome, Christendom's capital, By those round roofs on the church Called the Basilica of Saint Peter.
"And there, to the north, beyond a bay, Where a level bluish mist moves in waves, Paris tries to keep pace with its tower And reins in its herd of bridges.
"Also other cities accompany Paris, They are adorned with glass, arrayed in iron, But for today that would be too much, I'll tell the rest another time
Written by Elinor Wylie | Create an image from this poem

Love Song

 My own dear love, he is strong and bold 
And he cares not what comes after.
His words ring sweet as a chime of gold, And his eyes are lit with laughter.
He is jubilant as a flag unfurled -- Oh, a girl, she'd not forget him.
My own dear love, he is all my world, -- And I wish I'd never met him.
My love, he's mad, and my love, he's fleet, And a wild young wood-thing bore him! The ways are fair to his roaming feet, And the skies are sunlit for him.
As sharply sweet to my heart he seems As the fragrance of acacia.
My own dear love, he is all my dreams, -- And I wish he were in Asia.
My love runs by like a day in June, And he makes no friends of sorrows.
He'll tread his galloping rigadoon In the pathway of the morrows.
He'll live his days where the sunbeams start, Nor could storm or wind uproot him.
My own dear love, he is all my heart, -- And I wish somebody'd shoot him.
Written by Edgar Lee Masters | Create an image from this poem

Francis Turner

 I could not run or play
In boyhood.
In manhood I could only sip the cup, Not drink -- For scarlet-fever left my heart diseased.
Yet I lie here Soothed by a secret none but Mary knows: There is a garden of acacia, Catalpa trees, and arbors sweet with vines -- There on that afternoon in June By Mary's side -- Kissing her with my soul upon my lips It suddenly took flight.
Written by John Berryman | Create an image from this poem

Dream Song 3: A Stimulant for an Old Beast

 Acacia, burnt myrrh, velvet, pricky stings.
—I'm not so young but not so very old, said screwed-up lovely 23.
A final sense of being right out in the cold, unkissed.
(—My psychiatrist can lick your psychiatrist.
) Women get under things.
All these old criminals sooner or later have had it.
I've been reading old journals.
Gottwald & Co.
, out of business now.
Thick chests quit.
Double agent, Joe.
She holds her breath like a seal and is whiter & smoother.
Rilke was a jerk.
I admit his griefs & music & titled spelled all-disappointed ladies.
A threshold worse than the circles where the vile settle & lurk, Rilke's.
As I said,—

Book: Reflection on the Important Things