Written by
George William Russell |
My heart was heavy, for its trust had been
Abused, its kindness answered with foul wrong;
So, turning gloomily from my fellow-men,
One summer Sabbath day I strolled among
The green mounds of the village burial-place;
Where, pondering how all human love and hate
Find one sad level; and how, soon or late,
Wronged and wrongdoer, each with meekened face,
And cold hands folded over a still heart,
Pass the green threshold of our common grave,
Whither all footsteps tend, whence none depart,
Awed for myself, and pitying my race,
Our common sorrow, like a mighty wave,
Swept all my pride away, and trembling I forgave!
|
Written by
Ezra Pound |
"Vocat aestus in umbram"
Nemesianus Es.
IV.
E.
P.
Ode pour l'élection de son sépulchre
For three years, out of key with his time,
He strove to resuscitate the dead art
Of poetry; to maintain "the sublime"
In the old sense.
Wrong from the start --
No, hardly, but, seeing he had been born
In a half savage country, out of date;
Bent resolutely on wringing lilies from the acorn;
Capaneus; trout for factitious bait:
"Idmen gar toi panth, os eni Troie
Caught in the unstopped ear;
Giving the rocks small lee-way
The chopped seas held him, therefore, that year.
His true Penelope was Flaubert,
He fished by obstinate isles;
Observed the elegance of Circe's hair
Rather than the mottoes on sun-dials.
Unaffected by "the march of events",
He passed from men's memory in l'an trentiesme
De son eage; the case presents
No adjunct to the Muses' diadem.
II.
The age demanded an image
Of its accelerated grimace,
Something for the modern stage,
Not, at any rate, an Attic grace;
Not, not certainly, the obscure reveries
Of the inward gaze;
Better mendacities
Than the classics in paraphrase!
The "age demanded" chiefly a mould in plaster,
Made with no loss of time,
A prose kinema, not, not assuredly, alabaster
Or the "sculpture" of rhyme.
III.
The tea-rose, tea-gown, etc.
Supplants the mousseline of Cos,
The pianola "replaces"
Sappho's barbitos.
Christ follows Dionysus,
Phallic and ambrosial
Made way for macerations;
Caliban casts out Ariel.
All things are a flowing,
Sage Heracleitus says;
But a tawdry cheapness
Shall reign throughout our days.
Even the Christian beauty
Defects -- after Samothrace;
We see to kalon
Decreed in the market place.
Faun's flesh is not to us,
Nor the saint's vision.
We have the press for wafer;
Franchise for circumcision.
All men, in law, are equals.
Free of Peisistratus,
We choose a knave or an eunuch
To rule over us.
A bright Apollo,
tin andra, tin eroa, tina theon,
What god, man, or hero
Shall I place a tin wreath upon?
IV.
These fought, in any case,
and some believing, pro domo, in any case .
.
Some quick to arm,
some for adventure,
some from fear of weakness,
some from fear of censure,
some for love of slaughter, in imagination,
learning later .
.
.
some in fear, learning love of slaughter;
Died some pro patria, non dulce non et decor" .
.
walked eye-deep in hell
believing in old men's lies, then unbelieving
came home, home to a lie,
home to many deceits,
home to old lies and new infamy;
usury age-old and age-thick
and liars in public places.
Daring as never before, wastage as never before.
Young blood and high blood,
Fair cheeks, and fine bodies;
fortitude as never before
frankness as never before,
disillusions as never told in the old days,
hysterias, trench confessions,
laughter out of dead bellies.
V.
There died a myriad,
And of the best, among them,
For an old ***** gone in the teeth,
For a botched civilization.
Charm, smiling at the good mouth,
Quick eyes gone under earth's lid,
For two gross of broken statues,
For a few thousand battered books.
Yeux Glauques
Gladstone was still respected,
When John Ruskin produced
"Kings Treasuries"; Swinburne
And Rossetti still abused.
Fœtid Buchanan lifted up his voice
When that faun's head of hers
Became a pastime for
Painters and adulterers.
The Burne-Jones cartons
Have preserved her eyes;
Still, at the Tate, they teach
Cophetua to rhapsodize;
Thin like brook-water,
With a vacant gaze.
The English Rubaiyat was still-born
In those days.
The thin, clear gaze, the same
Still darts out faun-like from the half-ruin'd face,
Questing and passive .
.
.
.
"Ah, poor Jenny's case" .
.
.
Bewildered that a world
Shows no surprise
At her last maquero's
Adulteries.
"Siena Mi Fe', Disfecemi Maremma"
Among the pickled fœtuses and bottled bones,
Engaged in perfecting the catalogue,
I found the last scion of the
Senatorial families of Strasbourg, Monsieur Verog.
For two hours he talked of Gallifet;
Of Dowson; of the Rhymers' Club;
Told me how Johnson (Lionel) died
By falling from a high stool in a pub .
.
.
But showed no trace of alcohol
At the autopsy, privately performed --
Tissue preserved -- the pure mind
Arose toward Newman as the whiskey warmed.
Dowson found harlots cheaper than hotels;
Headlam for uplift; Image impartially imbued
With raptures for Bacchus, Terpsichore and the Church.
So spoke the author of "The Dorian Mood",
M.
Verog, out of step with the decade,
Detached from his contemporaries,
Neglected by the young,
Because of these reveries.
Brennbaum.
The sky-like limpid eyes,
The circular infant's face,
The stiffness from spats to collar
Never relaxing into grace;
The heavy memories of Horeb, Sinai and the forty years,
Showed only when the daylight fell
Level across the face
Of Brennbaum "The Impeccable".
Mr.
Nixon
In the cream gilded cabin of his steam yacht
Mr.
Nixon advised me kindly, to advance with fewer
Dangers of delay.
"Consider
Carefully the reviewer.
"I was as poor as you are;
"When I began I got, of course,
"Advance on royalties, fifty at first", said Mr.
Nixon,
"Follow me, and take a column,
"Even if you have to work free.
"Butter reviewers.
From fifty to three hundred
"I rose in eighteen months;
"The hardest nut I had to crack
"Was Dr.
Dundas.
"I never mentioned a man but with the view
"Of selling my own works.
"The tip's a good one, as for literature
"It gives no man a sinecure.
"
And no one knows, at sight a masterpiece.
And give up verse, my boy,
There's nothing in it.
"
* * *
Likewise a friend of Bloughram's once advised me:
Don't kick against the pricks,
Accept opinion.
The "Nineties" tried your game
And died, there's nothing in it.
X.
Beneath the sagging roof
The stylist has taken shelter,
Unpaid, uncelebrated,
At last from the world's welter
Nature receives him,
With a placid and uneducated mistress
He exercises his talents
And the soil meets his distress.
The haven from sophistications and contentions
Leaks through its thatch;
He offers succulent cooking;
The door has a creaking latch.
XI.
"Conservatrix of Milésien"
Habits of mind and feeling,
Possibly.
But in Ealing
With the most bank-clerkly of Englishmen?
No, "Milésian" is an exaggeration.
No instinct has survived in her
Older than those her grandmother
Told her would fit her station.
XII.
"Daphne with her thighs in bark
Stretches toward me her leafy hands", --
Subjectively.
In the stuffed-satin drawing-room
I await The Lady Valentine's commands,
Knowing my coat has never been
Of precisely the fashion
To stimulate, in her,
A durable passion;
Doubtful, somewhat, of the value
Of well-gowned approbation
Of literary effort,
But never of The Lady Valentine's vocation:
Poetry, her border of ideas,
The edge, uncertain, but a means of blending
With other strata
Where the lower and higher have ending;
A hook to catch the Lady Jane's attention,
A modulation toward the theatre,
Also, in the case of revolution,
A possible friend and comforter.
* * *
Conduct, on the other hand, the soul
"Which the highest cultures have nourished"
To Fleet St.
where
Dr.
Johnson flourished;
Beside this thoroughfare
The sale of half-hose has
Long since superseded the cultivation
Of Pierian roses.
|
Written by
Peter Orlovsky |
Morning again, nothing has to be done,
maybe buy a piano or make fudge.
At least clean the room up for sure like my farther I've done flick
the ashes & butts over the bed side on the floor.
But frist of all wipe my glasses and drink the water
to clean the smelly mouth.
A nock on the door, a cat walks in, behind her the Zoo's baby
elephant demanding fresh pancakes-I cant stand these
hallucinations aney more.
Time for another cigerette and then let the curtains rise, then I
knowtice the dirt makes a road to the garbage pan
No ice box so a dried up grapefruit.
Is there any one saintly thing I can do to my room, paint it pink
maybe or instal an elevator from the bed to the floor,
maybe take a bath on the bed?
Whats the use of liveing if I cant make paradise in my own
room-land?
For this drop of time upon my eyes
like the endurance of a red star on a cigerate
makes me feel life splits faster than sissors.
I know if I could shave myself the bugs around my face would
disappear forever.
The holes in my shues are only temporary, I understand that.
My rug is dirty but whose that isent?
There comes a time in life when everybody must take a piss in
the sink -here let me paint the window black for a minute.
Thro a plate & brake it out of naughtiness-or maybe just
innocently accidentally drop it wile walking around the
tabol.
Before the mirror I look like a sahara desert gost,
or on the bed I resemble a crying mummey hollaring for air,
or on the tabol I feel like Napoleon.
But now for the main task of the day - wash my underwear -
two months abused - what would the ants say about that?
How can I wash my clothes - why I'd, I'd, I'd be a woman if I did
that.
No, I'd rather polish my sneakers than that and as for the floor
its more creative to paint it then clean it up.
As for the dishes I can do that for I am thinking of getting a job in
a lunchenette.
My life and my room are like two huge bugs following me
around the globe.
Thank god I have an innocent eye for nature.
I was born to remember a song about love - on a hill a butterfly
makes a cup that I drink from, walking over a bridge of
flowers.
Dec.
27th, 1957, Paris
|
Written by
Lewis Carroll |
From his shoulder Hiawatha
Took the camera of rosewood,
Made of sliding, folding rosewood;
Neatly put it all together.
In its case it lay compactly,
Folded into nearly nothing;
But he opened out the hinges,
Pushed and pulled the joints and hinges,
Till it looked all squares and oblongs,
Like a complicated figure
In the Second Book of Euclid.
This he perched upon a tripod -
Crouched beneath its dusky cover -
Stretched his hand, enforcing silence -
Said, "Be motionless, I beg you!"
Mystic, awful was the process.
All the family in order
Sat before him for their pictures:
Each in turn, as he was taken,
Volunteered his own suggestions,
His ingenious suggestions.
First the Governor, the Father:
He suggested velvet curtains
Looped about a massy pillar;
And the corner of a table,
Of a rosewood dining-table.
He would hold a scroll of something,
Hold it firmly in his left-hand;
He would keep his right-hand buried
(Like Napoleon) in his waistcoat;
He would contemplate the distance
With a look of pensive meaning,
As of ducks that die ill tempests.
Grand, heroic was the notion:
Yet the picture failed entirely:
Failed, because he moved a little,
Moved, because he couldn't help it.
Next, his better half took courage;
SHE would have her picture taken.
She came dressed beyond description,
Dressed in jewels and in satin
Far too gorgeous for an empress.
Gracefully she sat down sideways,
With a simper scarcely human,
Holding in her hand a bouquet
Rather larger than a cabbage.
All the while that she was sitting,
Still the lady chattered, chattered,
Like a monkey in the forest.
"Am I sitting still?" she asked him.
"Is my face enough in profile?
Shall I hold the bouquet higher?
Will it came into the picture?"
And the picture failed completely.
Next the Son, the Stunning-Cantab:
He suggested curves of beauty,
Curves pervading all his figure,
Which the eye might follow onward,
Till they centered in the breast-pin,
Centered in the golden breast-pin.
He had learnt it all from Ruskin
(Author of 'The Stones of Venice,'
'Seven Lamps of Architecture,'
'Modern Painters,' and some others);
And perhaps he had not fully
Understood his author's meaning;
But, whatever was the reason,
All was fruitless, as the picture
Ended in an utter failure.
Next to him the eldest daughter:
She suggested very little,
Only asked if he would take her
With her look of 'passive beauty.
'
Her idea of passive beauty
Was a squinting of the left-eye,
Was a drooping of the right-eye,
Was a smile that went up sideways
To the corner of the nostrils.
Hiawatha, when she asked him,
Took no notice of the question,
Looked as if he hadn't heard it;
But, when pointedly appealed to,
Smiled in his peculiar manner,
Coughed and said it 'didn't matter,'
Bit his lip and changed the subject.
Nor in this was he mistaken,
As the picture failed completely.
So in turn the other sisters.
Last, the youngest son was taken:
Very rough and thick his hair was,
Very round and red his face was,
Very dusty was his jacket,
Very fidgety his manner.
And his overbearing sisters
Called him names he disapproved of:
Called him Johnny, 'Daddy's Darling,'
Called him Jacky, 'Scrubby School-boy.
'
And, so awful was the picture,
In comparison the others
Seemed, to one's bewildered fancy,
To have partially succeeded.
Finally my Hiawatha
Tumbled all the tribe together,
('Grouped' is not the right expression),
And, as happy chance would have it
Did at last obtain a picture
Where the faces all succeeded:
Each came out a perfect likeness.
Then they joined and all abused it,
Unrestrainedly abused it,
As the worst and ugliest picture
They could possibly have dreamed of.
'Giving one such strange expressions -
Sullen, stupid, pert expressions.
Really any one would take us
(Any one that did not know us)
For the most unpleasant people!'
(Hiawatha seemed to think so,
Seemed to think it not unlikely).
All together rang their voices,
Angry, loud, discordant voices,
As of dogs that howl in concert,
As of cats that wail in chorus.
But my Hiawatha's patience,
His politeness and his patience,
Unaccountably had vanished,
And he left that happy party.
Neither did he leave them slowly,
With the calm deliberation,
The intense deliberation
Of a photographic artist:
But he left them in a hurry,
Left them in a mighty hurry,
Stating that he would not stand it,
Stating in emphatic language
What he'd be before he'd stand it.
Hurriedly he packed his boxes:
Hurriedly the porter trundled
On a barrow all his boxes:
Hurriedly he took his ticket:
Hurriedly the train received him:
Thus departed Hiawatha.
|
Written by
Anne Bradstreet |
A ship that bears much sail, and little ballast, is easily
overset; and that man, whose head hath great abilities, and his
heart little or no grace, is in danger of foundering.
The finest bread has the least bran; the purest honey, the
least wax; and the sincerest Christian, the least self-love.
Sweet words are like honey; a little may refresh, but too much
gluts the stomach.
Divers children have their different natures: some are like
flesh which nothing but salt will keep from putrefaction; some
again like tender fruits that are best preserved with sugar.
Those
parents are wise that can fit their nurture according to their
nature.
Authority without wisdom is like a heavy axe without an edge,
fitter to bruise than polish.
The reason why Christians are so loath to exchange this world
for a better, is because they have more sense than faith: they see
what they enjoy, they do but hope for that which is to come.
Dim eyes are the concomitants of old age; and short-
sightedness, in those that are the eyes of a Republic, foretells a
declining State.
Wickedness comes to its height by degrees.
He that dares say
of a less sin, Is it not a little one? will erelong say of a
greater, Tush, God regards it not.
Fire hath its force abated by water, not by wind; and anger
must be allayed by cold words and not by blustering threats.
The gifts that God bestows on the sons of men, are not only
abused, but most commonly employed for a clean contrary end than
that which they were given for; as health, wealth, and honor, which
might be so many steps to draw men to God in consideration of his
bounty towards them, but have driven them the further from him,
that they are ready to say, We are lords, we will come no more at
thee.
If outward blessings be not as wings to help us mount
upwards, they will certainly prove clogs and weights that will pull
us lower downward.
|
Written by
Lewis Carroll |
Last, the youngest son was taken:
Very rough and thick his hair was,
Very round and red his face was,
Very dusty was his jacket,
Very fidgety his manner.
And his overbearing sisters
Called him names he disapproved of:
Called him Johnny, 'Daddy's Darling,'
Called him Jacky, 'Scrubby School-boy.
'
And, so awful was the picture,
In comparison the others
Seemed, to one's bewildered fancy,
To have partially succeeded.
Finally my Hiawatha
Tumbled all the tribe together,
('Grouped' is not the right expression),
And, as happy chance would have it,
Did at last obtain a picture
Where the faces all succeeded:
Each came out a perfect likeness.
Then they joined and all abused it,
Unrestrainedly abused it,
As the worst and ugliest picture
They could possibly have dreamed of.
'Giving one such strange expressions--
Sullen, stupid, pert expressions.
Really any one would take us
(Any one that did not know us)
For the most unpleasant people!'
(Hiawatha seemed to think so,
Seemed to think it not unlikely).
All together rang their voices,
Angry, loud, discordant voices,
As of dogs that howl in concert,
As of cats that wail in chorus.
|
Written by
George Herbert |
O do not use me
After my sins! look not on my dessert,
But on your glory! Then you will reform
And not refuse me: for you only art
The mighty God, but I a silly worm;
O do not bruise me!
O do not urge me!
For what account can your ill steward make?
I have abused your stock, destroyed your woods,
Sucked all your storehouses: my head did ache,
Till it found out how to consume your goods:
O do not scourge me!
O do not blind me!
I have deserved that an Egyptian night
Should thicken all my powers; because my lust
Has still sewed fig-leaves to exclude your light:
But I am frailty, and already dust;
O do not grind me!
O do not fill me
With the turned vial of your bitter wrath!
For you have other vessels full of blood,
A part whereof my Savior emptied hath,
Even unto death: since he died for my good,
O do not kill me!
But O reprieve me!
For you have life and death at your command;
You are both Judge and Savior, feast and rod,
Cordial and Corrosive: put not your hand
Into the bitter box; but O my God,
My God, relieve me!
|
Written by
Friedrich von Schiller |
Laura! a sunrise seems to break
Where'er thy happy looks may glow.
Joy sheds its roses o'er thy cheek,
Thy tears themselves do but bespeak
The rapture whence they flow;
Blest youth to whom those tears are given--
The tears that change his earth to heaven;
His best reward those melting eyes--
For him new suns are in the skies!
Thy soul--a crystal river passing,
Silver-clear, and sunbeam-glassing,
Mays into bloom sad Autumn by thee;
Night and desert, if they spy thee,
To gardens laugh--with daylight shine,
Lit by those happy smiles of thine!
Dark with cloud the future far
Goldens itself beneath thy star.
Smilest thou to see the harmony
Of charm the laws of Nature keep?
Alas! to me the harmony
Brings only cause to weep!
Holds not Hades its domain
Underneath this earth of ours?
Under palace, under fame,
Underneath the cloud-capped towers?
Stately cities soar and spread
O'er your mouldering bones, ye dead!
From corruption, from decay,
Springs yon clove-pink's fragrant bloom;
Yon gay waters wind their way
From the hollows of a tomb.
From the planets thou mayest know
All the change that shifts below,
Fled--beneath that zone of rays,
Fled to night a thousand Mays;
Thrones a thousand--rising--sinking,
Earth from thousand slaughters drinking
Blood profusely poured as water;--
Of the sceptre--of the slaughter--
Wouldst thou know what trace remaineth?
Seek them where the dark king reigneth!
Scarce thine eye can ope and close
Ere life's dying sunset glows;
Sinking sudden from its pride
Into death--the Lethe tide.
Ask'st thou whence thy beauties rise?
Boastest thou those radiant eyes?--
Or that cheek in roses dyed?
All their beauty (thought of sorrow!)
From the brittle mould they borrow.
Heavy interest in the tomb
For the brief loan of the bloom,
For the beauty of the day,
Death the usurer, thou must pay,
In the long to-morrow!
Maiden!--Death's too strong for scorn;
In the cheek the fairest, He
But the fairest throne doth see
Though the roses of the morn
Weave the veil by beauty worn--
Aye, beneath that broidered curtain,
Stands the Archer stern and certain!
Maid--thy Visionary hear--
Trust the wild one as the sear,
When he tells thee that thine eye,
While it beckons to the wooer,
Only lureth yet more nigh
Death, the dark undoer!
Every ray shed from thy beauty
Wastes the life-lamp while it beams,
And the pulse's playful duty,
And the blue veins' merry streams,
Sport and run into the pall--
Creatures of the Tyrant, all!
As the wind the rainbow shatters,
Death thy bright smiles rends and scatters,
Smile and rainbow leave no traces;--
From the spring-time's laughing graces,
From all life, as from its germ,
Grows the revel of the worm!
Woe, I see the wild wind wreak
Its wrath upon thy rosy bloom,
Winter plough thy rounded cheek,
Cloud and darkness close in gloom;
Blackening over, and forever,
Youth's serene and silver river!
Love alike and beauty o'er,
Lovely and beloved no more!
Maiden, an oak that soars on high,
And scorns the whirlwind's breath
Behold thy Poet's youth defy
The blunted dart of Death!
His gaze as ardent as the light
That shoots athwart the heaven,
His soul yet fiercer than the light
In the eternal heaven,
Of Him, in whom as in an ocean-surge
Creation ebbs and flows--and worlds arise and merge!
Through Nature steers the poet's thought to find
No fear but this--one barrier to the mind?
And dost thou glory so to think?
And heaves thy bosom?--Woe!
This cup, which lures him to the brink,
As if divinity to drink--
Has poison in its flow!
Wretched, oh, wretched, they who trust
To strike the God-spark from the dust!
The mightiest tone the music knows,
But breaks the harp-string with the sound;
And genius, still the more it glows,
But wastes the lamp whose life bestows
The light it sheds around.
Soon from existence dragged away,
The watchful jailer grasps his prey:
Vowed on the altar of the abused fire,
The spirits I raised against myself conspire!
Let--yes, I feel it two short springs away
Pass on their rapid flight;
And life's faint spark shall, fleeting from the clay,
Merge in the Fount of Light!
And weep'st thou, Laura?--be thy tears forbid;
Would'st thou my lot, life's dreariest years amid,
Protract and doom?--No: sinner, dry thy tears:
Would'st thou, whose eyes beheld the eagle wing
Of my bold youth through air's dominion spring,
Mark my sad age (life's tale of glory done)--
Crawl on the sod and tremble in the sun?
Hear the dull frozen heart condemn the flame
That as from heaven to youth's blithe bosom came;
And see the blind eyes loathing turn from all
The lovely sins age curses to recall?
Let me die young!--sweet sinner, dry thy tears!
Yes, let the flower be gathered in its bloom!
And thou, young genius, with the brows of gloom,
Quench thou life's torch, while yet the flame is strong!
Even as the curtain falls; while still the scene
Most thrills the hearts which have its audience been;
As fleet the shadows from the stage--and long
When all is o'er, lingers the breathless throng!
|
Written by
Lewis Carroll |
From his shoulder Hiawatha
Took the camera of rosewood,
Made of sliding, folding rosewood;
Neatly put it all together.
In its case it lay compactly,
Folded into nearly nothing;
But he opened out the hinges,
Pushed and pulled the joints and hinges,
Till it looked all squares and oblongs,
Like a complicated figure
In the Second Book of Euclid.
This he perched upon a tripod -
Crouched beneath its dusky cover -
Stretched his hand, enforcing silence -
Said, "Be motionless, I beg you!"
Mystic, awful was the process.
All the family in order
Sat before him for their pictures:
Each in turn, as he was taken,
Volunteered his own suggestions,
His ingenious suggestions.
First the Governor, the Father:
He suggested velvet curtains
Looped about a massy pillar;
And the corner of a table,
Of a rosewood dining-table.
He would hold a scroll of something,
Hold it firmly in his left-hand;
He would keep his right-hand buried
(Like Napoleon) in his waistcoat;
He would contemplate the distance
With a look of pensive meaning,
As of ducks that die ill tempests.
Grand, heroic was the notion:
Yet the picture failed entirely:
Failed, because he moved a little,
Moved, because he couldn't help it.
Next, his better half took courage;
SHE would have her picture taken.
She came dressed beyond description,
Dressed in jewels and in satin
Far too gorgeous for an empress.
Gracefully she sat down sideways,
With a simper scarcely human,
Holding in her hand a bouquet
Rather larger than a cabbage.
All the while that she was sitting,
Still the lady chattered, chattered,
Like a monkey in the forest.
"Am I sitting still?" she asked him.
"Is my face enough in profile?
Shall I hold the bouquet higher?
Will it came into the picture?"
And the picture failed completely.
Next the Son, the Stunning-Cantab:
He suggested curves of beauty,
Curves pervading all his figure,
Which the eye might follow onward,
Till they centered in the breast-pin,
Centered in the golden breast-pin.
He had learnt it all from Ruskin
(Author of 'The Stones of Venice,'
'Seven Lamps of Architecture,'
'Modern Painters,' and some others);
And perhaps he had not fully
Understood his author's meaning;
But, whatever was the reason,
All was fruitless, as the picture
Ended in an utter failure.
Next to him the eldest daughter:
She suggested very little,
Only asked if he would take her
With her look of 'passive beauty.
'
Her idea of passive beauty
Was a squinting of the left-eye,
Was a drooping of the right-eye,
Was a smile that went up sideways
To the corner of the nostrils.
Hiawatha, when she asked him,
Took no notice of the question,
Looked as if he hadn't heard it;
But, when pointedly appealed to,
Smiled in his peculiar manner,
Coughed and said it 'didn't matter,'
Bit his lip and changed the subject.
Nor in this was he mistaken,
As the picture failed completely.
So in turn the other sisters.
Last, the youngest son was taken:
Very rough and thick his hair was,
Very round and red his face was,
Very dusty was his jacket,
Very fidgety his manner.
And his overbearing sisters
Called him names he disapproved of:
Called him Johnny, 'Daddy's Darling,'
Called him Jacky, 'Scrubby School-boy.
'
And, so awful was the picture,
In comparison the others
Seemed, to one's bewildered fancy,
To have partially succeeded.
Finally my Hiawatha
Tumbled all the tribe together,
('Grouped' is not the right expression),
And, as happy chance would have it
Did at last obtain a picture
Where the faces all succeeded:
Each came out a perfect likeness.
Then they joined and all abused it,
Unrestrainedly abused it,
As the worst and ugliest picture
They could possibly have dreamed of.
'Giving one such strange expressions -
Sullen, stupid, pert expressions.
Really any one would take us
(Any one that did not know us)
For the most unpleasant people!'
(Hiawatha seemed to think so,
Seemed to think it not unlikely).
All together rang their voices,
Angry, loud, discordant voices,
As of dogs that howl in concert,
As of cats that wail in chorus.
But my Hiawatha's patience,
His politeness and his patience,
Unaccountably had vanished,
And he left that happy party.
Neither did he leave them slowly,
With the calm deliberation,
The intense deliberation
Of a photographic artist:
But he left them in a hurry,
Left them in a mighty hurry,
Stating that he would not stand it,
Stating in emphatic language
What he'd be before he'd stand it.
Hurriedly he packed his boxes:
Hurriedly the porter trundled
On a barrow all his boxes:
Hurriedly he took his ticket:
Hurriedly the train received him:
Thus departed Hiawatha.
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Written by
Robert Burns |
ALL villain as I am—a damn?d wretch,
A hardened, stubborn, unrepenting villain,
Still my heart melts at human wretchedness;
And with sincere but unavailing sighs
I view the helpless children of distress:
With tears indignant I behold the oppressor
Rejoicing in the honest man’s destruction,
Whose unsubmitting heart was all his crime.
—
Ev’n you, ye hapless crew! I pity you;
Ye, whom the seeming good think sin to pity;
Ye poor, despised, abandoned vagabonds,
Whom Vice, as usual, has turn’d o’er to ruin.
Oh! but for friends and interposing Heaven,
I had been driven forth like you forlorn,
The most detested, worthless wretch among you!
O injured God! Thy goodness has endow’d me
With talents passing most of my compeers,
Which I in just proportion have abused—
As far surpassing other common villains
As Thou in natural parts has given me more.
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