As she came up to the arch Elizabeth saw with a start that it was written on. She went closer. She peered at the stone. There were names on it. Every grain of the surface had been carved with British names; their chiselled capitals rose from the level of her ankles to the height of the great arch itself; on every surface of every column as far as her eyes eyes could see there were names teeming, reeling, over surfaces of yards, of hundreds of yards, over furlongs of stone. She moved through the space beneath the arch where the man was sweeping. She found the other pillas identically marked, their faces obliterated on all sides by the names that were carved on them. 'Who are these, these ...?; She gestured with her hand.' 'These?' The man with the brush sounded surprised. 'The lost.' 'Men who died in battle?' 'No. The lost, the ones they did not find. The others are in cemetries.' 'These are just the ... unfound?' She looked at the vault above her head and then around in panic at the endless writing, as though the surface of the sky had been papered in footnotes. When she could speak again, she said, 'from the whole war?' The man shook his head. 'Just these fields.' He gestured with his arm. Elizabeth went and sat on the steps on the other side of the monument. Beneath her was a formal garden with some rows of white headstones, each with a tended plant or flower at its base, each cleaned and beautiful in the weak winter sunlight. 'Nobody told me.' She ran her fingers with their red-painted nails back through her thick dark hair. 'My God, nobody told me.
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The role of the artist I now understood as that of revealing through the world-surfaces the implicit forms of the soul, and the great agent to assist the artist was the myth.
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Painting The art of protecting flat surfaces from the weather and exposing them to the critic.
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My kitchen is a mystical place, a kind of temple for me. It is a place where the surfaces seem to have significance, where the sounds and odors carry meaning that transfers from the past and bridges to the future.
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Everything you've learned in school as obvious becomes less and less obvious as you begin to study the universe. For example, there are no solids in the universe. There's not even a suggestion of a solid. There are no absolute continuums. There are no surfaces. There are no straight lines.
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Painting, n.: The art of protecting flat surfaces from the weather, and exposing them to the critic.
Art
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If you stand right fronting and face to face to a fact, you will see the sun glimmer on both its surfaces, as if it were a cimeter, and feel i...
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