A bird doesn't sing because it has an answer, it sings because it has a song.
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Draw a crazy picture,Write a nutty poem,Sing a mumble-gumble song,Whistle through your comb.Do a loony-goony dance'Cross the kitchen floor,Put something silly in the worldThat ain't been there before.
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Silence is more musical than any song.
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Eagerly, musician,Sweep your string,So we may sing,Elated, optative,Our several voicesInterblending,Playfully contending,Not interferingBut co-inhering,For all withinThe cincture of the soundIs holy ground,Where all are Brothers,None faceless Others. Let mortals bewareOf words, forWith words we lie,Can say peaceWhen we mean war,Foul thought speak fairAnd promise falsely,But song is true:Let music for peaceBe the paradigm,For peace means to changeAt the right time,As the World-Clock,Goes Tick and Tock. So may the storyOf our human cityPresently moveLike music, whenBegotten notesNew notes beget,Making the flowingOf time a growing,Till what it could be,At last it is,Where even sadnessIs a form of gladness,Where Fate is Freedom,Grace and Surprise.
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A bird doesn’t sing because it has an answer, it sings because it has a song.
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In the swamp in secluded recesses, A shy and hidden bird is warbling a song....
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Take my love, take my land Take me where I cannot stand I don't care, I'm still free You can't take the sky from me Take me out to the black Tell 'em I ain't comin' back Burn the land and boil the sea You can't take the sky from me There's no place I can be Since I found serenity But you can't take the sky from me
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Separated lovers cheat absence by a thousand fancies which have their own reality. They are prevented from seeing one another and they cannot write nevertheless they find countless mysterious ways of corresponding, by sending each other the song of birds, the scent of flowers, the laughter of children, the light of the sun, the sighing of the wind, and the gleam of the stars-all the beauties of creation.
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I never thought that heav'n would lose its blue And sullen storm-clouds mask the gentle sky; I never thought the rose's velvet hue Would pale and sicken, though we said good-by. I never dreamed the lark would hush its note As day succeeded ever-drearier day, Nor knew the song that swelled the robin's throat Would fade to silence, when you went away. I never knew the sun's irradiant beams Upon the brooding earth no more would shine, Nor thought that only in my mocking dreams Would happiness that once I knew be mine. I never thought the slim moon, mournfully, Would shroud her pallid self in murky night. Dear heart, I never thought these things would be- I never thought they would, and I was right.
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Let me tell you a story. The day after Columbine, I was interviewed for the Tom Brokaw news program. The reporter had been assigned a theory and was seeking sound bites to support it. Wouldn't you say, she asked, that killings like this are influenced by violent movies? No, I said, I wouldn't say that. But what about 'Basketball Diaries'? She asked. Doesn't that have a scene of a boy walking into a school with a machine gun? The obscure 1995 Leonardo Di Caprio movie did indeed have a brief fantasy scene of that nature, I said, but the movie failed at the box office, and it's unlikely the Columbine killers saw it. The reporter looked disappointed, so I offered her my theory. Events like this, I said, if they are influenced by anything, are influenced by news programs like your own. When an unbalanced kid walks into a school and starts shooting, it becomes a major media event. Cable news drops ordinary programming and goes around the clock with it. The story is assigned a logo and a theme song; These two kids were packaged as the Trench Coat Mafia. The message is clear to other disturbed kids around the country: If I shoot up my school, I can be famous. The TV will talk about nothing else but me. Experts will try to figure out what I was thinking. The kids and teachers at school will see they shouldn't have messed with me. I'll go out in a blaze of glory.
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Think, In mounting higher, The angels would press on us, and aspire To drop some golden orb of perfect song Into our deep, dear silence.
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For a hundred years I breathe and live, the flower of beauty and the bread of kindness. I am your friendly shade in the noonday heat of summer, and I stand pencilled against the winter twilight, a silhouette for dreams. At dawning in the spring I am filled with song, the host to a thousand birds, and I decorate the autumn with pageantry and colour. Then comes the woodsman with his axe. And still I serve. I am the timber that builds your boat; the rafters of your cathedrals; the choirstalls of your church enriched by the magic of the carver's fingers. I am the beam that holds your house; the door of your homestead, and the lintel too. I am the handle of your hoe; the wood of your cradle; the bed on which you lie; the board of your table and the board for your bread. When I am living, harm me not. When I am dead, respect me and use me kindly.
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Half close your eyelids, loosen your hair,And dream about the great and their pride;They have spoken against you everywhere,But weigh this song with the great and their pride;I made it out of a mouthful of air,Their children's children shall say they have lied.
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'Tis easy enough to be pleasant, When life flows along like a song; But the man worth while is the one who will smile when everything goes dead wrong.
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I have spent my days stringing and unstringing my instrument while the song I came to sing remains unsung.
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That's the wise thrush; he sings each song twice over, lest you should think he never could recapture the first fine careless rapture!
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In summer, the song sings itself.
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One ought, every day at least, to hear a little song, read a good poem, see a fine picture and, if possible, speak a few reasonable words.
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Fools are my theme, let satire be my song.
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If more of us valued food and cheer and song above hoarded gold, it would be a merrier world
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Sunrays, leaning on our southern hills and lighting Wild cloud-mountains that drag the hills along, Oft ends the day of your shifting brilliant laughter Chill as a dull face frowning on a song. Ay, but shows the South-west a ripple-feathered bosom Blown to silver while the clouds are shaken and ascend Scaling the mid-heavens as they stream, there comes a sunset Rich, deep like love in beauty without end.
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My life has been one great big joke A dance that's walked A song that's spoke, I laugh so hard I almost choke When I think about myself.
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There is not a flower or bird in sight, only a small screen on which lines are moving, while the child sits almost motionless, pushing at the keyboard with one finger. As a learning environment, it may be mentally rich, but it is perceptually extremely impoverished. No smells or tastes, no wind or bird song (unless the computer is programmed to produce electronic tweets), no connection with soil, water, sunlight, warmth, the actual learning environment is almost autistic in quality, impoverished sensually, emotionally, and socially.
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O, but Everyone Was a bird; and the song was wordless; the singing will never be done.
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Music has often been compared with language itself, and the comparison is quite legitimate. While it combines easily with actual language, it also speaks a language of its own, which it has become a platitude to call universal. To understand the significance of the organizing factors of rhythm, melody, harmony, tone color and form, the analogy of a familiar language is helpful. Music has its own alphabet of only seven letters, as compared with the twenty-six of the English alphabet. Each of these letters represents a note, and just as certain letters are complete words in themselves, so certain notes may stand alone, with the force of a whole word. Generally, however, a note of music implies a certain harmony, and in most modern music the notes take the form of actual chords. So it may be said that a chord in music is analogous to a word in language. Several words form a phrase, and several phrases a complete sentence, and the same thing is true in music. Measured music corresponds to poetry, while the old unmeasured plain-song might be compared with prose.
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And the song she was singing ever since In my ear sounds on:—...
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The very idea of a bird is a symbol and a suggestion to the poet. A bird seems to be at the top of the scale, so vehement and intense his life. . . . The beautiful vagabonds, endowed with every grace, masters of all climes, and knowing no bounds -- how many human aspirations are realised in their free, holiday-lives -- and how many suggestions to the poet in their flight and song!
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Modred, whose magic song Made huge Plinlimmon bow his cloud-topped head.
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The original story, whatever it was, was told to those who forgot some details and substituted others. The original is long lost in the restorations. They have had the composer accompanied by a gifted sister, who, the inflexible record shows, died years before the song was written. They have seated him at the prim old spindle-legged mahogany desk in the hall at Federal Hill and had him dash it off in the frenzy of inspiration. Or they have followed him to the rocks of the old spring house, whither they have sent him, pencil in hand, and counted the frowns of agony with which he laboriously set down now a strain of melody and again a phrase of words. They have heard him trying it out with the deep booming bass voice of him who had never more than a weak but sweet light baritone. Every writer of it has himself for the hero and has described it as he would himself have acted it before the grand audience of posterity. These various stories cling about Federal Hill, the outgrowth of the human desire for contact with the vague figures of the past.
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My life has been one great big joke, a dance that's walked a song that's spoke, I laugh so hard I almost choke when I think about myself.
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