Reality is wrong. Dreams are for real.
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Separated lovers cheat absence by a thousand fancies which have their own reality. They are prevented from seeing one another and they cannot write nevertheless they find countless mysterious ways of corresponding, by sending each other the song of birds, the scent of flowers, the laughter of children, the light of the sun, the sighing of the wind, and the gleam of the stars-all the beauties of creation.
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Respect human talent, respond to genius, recognize reality, admire truth and beauty, realize the meaning of the rare flower Reason.
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In no sense do I advocate evading or defying the law ... That would lead to anarchy. An individual who breaks a law that his conscience tells him is unjust, and who willingly accepts the penalty of imprisonment in order to arouse the conscience of the community over its injustice, is in reality expressing the highest respect for law.
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Five senses; an incurably abstract intellect; a haphazardly selective memory; a set of preconceptions and assumptions so numerous that I can never examine more than minority of them - never become conscious of them all. How much of total reality can such an apparatus let through?
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Because systems of mass communication can communicate only officially acceptable levels of reality, no one can know the extent of the secret unconscious life. No one in America can know what will happen. No one is in real control.
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The stage is a concrete physical place which asks to be filled, and to be given its own concrete language to speak. I say that this concrete language, intended for the senses and independent of speech, has first to satisfy the senses, that there is a poetry of the senses as there is a poetry of language, and that this concrete physical language to which I refer is truly theatrical only to the degree that the thoughts it expresses are beyond the reach of the spoken language. These thoughts are what words cannot express and which, far more than words, would find their ideal expression in the concrete physical language of the stage. It consists of everything that occupies the stage, everything that can be manifested and expressed materially on a stage and that is addressed first of all to the senses instead of being addressed primarily to the mind as is the language of words...creating beneath language a subterranean current of impressions, correspondences, and analogies. This poetry of language, poetry in space will be resolved precisely in the domain which does not belong strictly to words...Means of expression utilizable on the stage, such as music, dance, plastic art, pantomime, mimicry, gesticulation, intonation, architecture, lighting, and scenery...The physical possibilities of the stage offers, in order to substitute, for fixed forms of art, living and intimidating forms by which the sense of old ceremonial magic can find a new reality in the theater; to the degree that they yield to what might be called the physical temptation of the stage. Each of these means has its own intrinsic poetry.
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My name is `Abdu'l-Bahá [literally, Servant of Baha]. My qualification is `Abdu'l-Bahá. My reality is `Abdu'l-Bahá. My praise is `Abdu'l-Bahá. Thraldom to the Blessed Perfection [Bahá'u'lláh] is my glorious and refulgent diadem, and servitude to all the human race my perpetual religion... No name, no title, no mention, no commendation have I, nor will ever have, except `Abdu'l-Bahá. This is my longing. This is my greatest yearning. This is my eternal life. This is my everlasting glory.
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We can make truth ours by actively modulating its inter-relations. This is the work of art; for reality is not based in the substance of things but in the principle of relationship. Truth is the infinite pursued by metaphysics; fact is the infinite p
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Reality is a cliche from which we escape by metaphor.
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The first responsibility of a leader is to define reality. The last is to say thank you. In between, the leader is a servant.
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When we honestly ask ourselves which person in our lives mean the most to us, we often find that it is those who, instead of giving advice, solutions, or cures, have chosen rather to share our pain and touch our wounds with a warm and tender hand. The friend who can be silent with us in a moment of despair or confusion, who can stay with us in an hour of grief and bereavement, who can tolerate not knowing, not curing, not healing and face with us the reality of our powerlessness, that is a friend who cares.
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The most important kind of freedom is to be what you really are. You trade in your reality for a role. You give up your ability to feel, and in exchange, put on a mask.
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No matter how hard it is, true love is also the result of an accident in the dream of our life, and that accident is an event that happens in our soul. This event can be in another transcendental reality a volcano, a butterfly, a mountain or any other possible image we cannot even imagine.
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To be young is all there is in the world. They talk so beautifully about work and having a family and a home (and I do, too, sometimes) --but it's all worry and head-aches and respectable poverty and forced gushing. Telling people how nice it is, when, in reality, you would give all of your last thirty years for one of your first thirty. Old people are tremendous frauds.
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Delores breezed along the surface of her life like a flat stone forever skipping along smooth water, rippling reality sporadically but oblivious to it consistently, until she finally lost momentum, sank, and due to an over- dose of flouride as a child which caused her to suffer from chronic apathy, doomed herself to lie forever on the floor of her life as useless as an appendix and as lonely as a five-hundred pound barbell in a steroid-free fitness center.
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Mother is putting my new secondhand clothes in order. She prays now, she says, that I may learn in my own life and away from home and friends what the heart is and what it feels. Amen. So be it. Welcome, O life! I go to encounter for the millionth time the reality of experience and to forge in the smithy of my soul the uncreated conscience of my race.
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Technology is not an image of the world but a way of operating on reality. The nihilism of technology lies not only in the fact that it is the most perfect expression of the will to power... but also in the fact that it lacks meaning.
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A good poem is a contribution to reality. The world is never the same once a good poem has been added to it. A good poem helps to change the shape of the universe, helps to extend everyone's knowledge of himself and the world around him.
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Do continue to believe that with your feeling and your work you are taking part in the greatest the more strongly you cultivate this belief, the more will reality and the world go forth from it.
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I submit that an individual who breaks a law that conscience tells him is unjust, and who willingly accepts the penalty of imprisonment in order to arouse the conscience of the community over its injustice, is in reality expressing the highest respect for the law.
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Reality is a prison, where one vegetates and always will. All the rest --thought, action --is just a pastime, mental or physical. What counts then, is to come to grips with reality. The rest can go.
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We can learn to rejoice in even the smallest blessings our life holds. It is easy to miss our own good fortune; often happiness comes in ways we don't even notice. It's like a cartoon I saw of an astonished-looking man saying, ' What was that ?' The caption below read, ' Bob experiences a moment of well-being .' The ordinariness of our good fortune can make it hard to catch. The key is to be here, fully connected with the moment, paying attention to the details of ordinary life. By taking care of ordinary things - our pots and pans, our clothing, our teeth - we rejoice in them. When we scrub a vegetable or brush our hair, we are expressing appreciation: friendships toward ourselves and toward the living quality that is found in everything. This combination of mindfulness and appreciation connects us fully with reality and brings us joy.
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Reality is not always probable, or likely.
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There is no abstract art. You must always start with something. Afterward you can remove all traces of reality.
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Our psychological reality, which lies below the surface, frightens us because it endlessly surprises us and drives us in a direction which society's rules and organizations define as wrong or dangerous.
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It is not heroin or cocaine that makes one an addict, it is the need to escape from a harsh reality. There are more television addicts, more baseball and football addicts, more movie addicts, and certainly more alcohol addicts in this country than there are narcotics addicts.
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We are like sculptors, constantly carving out of others the image we long for, need, love or desire, often against reality, against their benefit, and always, in the end, a disappointment, because it does not fit them.
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One of the most important-and most neglected-elements in the beginning of the interior life is the ability to respond to reality, to see the value and the beauty in ordinary things, to come alive to the splendour that is all around us.
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I want to write about people I love, and put them into a fictional world spun out of my own mind, not the world we actually have, because the world we actually have does not meet my standards. Okay, so I should revise my standards; I'm out of step. I should yield to reality. I have never yielded to reality. That's what SF is all about. If you wish to yield to reality, go read Philip Roth; read the New York literary establishment mainstream bestselling writers
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