Tre ringar för älvkonungarnas makt högt i det blå, sju för dvärgarnas furstar i salar av sten, nio för de dödliga, som köttets väg skall gå, en för mörkrets herre i ondskans dunkla sken i Mordorslandets hisnande gruva. En ring att sämja dem, en ring att främja dem, en ring att djupt i mörkrets vida riken tämja dem - i Mordors land, där skuggorna ruva.
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When the great white silence comes and fills the boughs of the trees with a thickening, glistening brilliance, and all is cold and barren, where be the blossom? It is in the memory. It is in the wisdom. It is in the growth of last spring, and it is coming forth again. For when the season has turned and winter is gone, the buds come again, and behold, there is another blossom. If the ongoingeness of life is beheld in a single blossom, why do you think that you are less that its life? Do you think that you only bloom in sping, produce your fruit in summer, drop your leaves in autumn and then die in winter? But are you not greater than the greatest blossom? Is not your life more important? Indeed it is. And as the blossoms continue to bloom every spring, so will you live, life after life. What a story your blossoms could tell of all the seasons you've seen.
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What do you mean? Do you wish me a good morning, or mean that it is a good morning whether I want it or not; or that you feel good on this morning; or that it is a morning to be good on?
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His house was perfect, whether you liked food, or sleep, or work, or story-telling, or singing, or just sitting and thinking, best, or a pleasant mixture of them all.
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Faithless is he that says farewell when the road darkens.
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If more of us valued food and cheer and song above hoarded gold, it would be a merrier world
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He always looked forward to the evening drives through the centre of Shanghai, this electric and lurid city, more exciting than any other in the world. As they reached the Bubbling Well Road he pressed his face to the windshield and gazed at the pavements lined with night-clubs and gambling dens, crowded with bar-girls and gangsters and rich beggars with their bodyguards. Crowds of gamblers pushed their way into the jai alai stadiums, blocking the traffic in the Bubbling Well Road. An armoured police van with two Thompson guns mounted in a steel turret above the driver swung in front of the Packard and cleared the pavement. A party of young Chinese women in sequinned dresses tripped over a child's coffin decked with paper flowers. Arms linked together, they lurched against the radiator grille of the Packard and swayed past Jim's window, slapping the windshield with their small hands and screaming obscenities. Nearby, along the windows of the Sun Sun department store in the Nanking Road, a party of young European jews were fighting in and out of the strolling crowds with a gang of older German boys in the swastika armbands of the Graf Zeppelin Club. Chased by the police sirens, they ran through the entrance of the Cathay Theatre, the world's largest cinema, where a crowd of Chinese shopgirls and typists, beggars and pickpockets spilled in the street to watch people arriving for the evening performance. As they stepped from their limousines the women steered their long skirts through the honour guard of fifty hunchbacks in mediaeval costume. Three months earlier, when his parents had taken Jim to the premiere of The Hunchback of Notre Dame, there had been two hundred hunchbacks, recruited by the management of the theatre from every back alley in Shanghai. As always, the spectacle outside the theatre for exceeded anything shown on its screen.
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Not all who wander are lost.
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Do not meddle in the affairs of wizards, for they are subtle and quick to anger.
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Nearly all marriages, even happy ones, are mistakes: in the sense that almost certainly (in a more perfect world, or even with a little more care in this very imperfect one) both partners might be found more suitable mates. But the real soul-mate is the one you are actually married to.
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Courage is found in unlikely places.
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He should not vow to walk in the dark, who has not seen the nightfall.
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...for advice is a dangerous gift, even from the wise to the wise, and all courses may run ill.
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I cordially dislike allegory in all its manifestations, and always have done since I grew old and wary enough to detect its presence.
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The car as we know it is on the way out. To a large extent, I deplore its passing, for as a basically old-fashioned machine, it enshrines a basically old-fashioned idea: freedom. In terms of pollution, noise and human life, the price of that freedom may be high, but perhaps the car, by the very muddle and confusion it causes, may be holding back the remorseless spread of the regimented, electronic society.
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Elves seldom give unguarded advice, for advice is a dangerous gift, even from the wise to the wise, and all courses may run ill. But what would you? You have not told me all concerning yourself; and how then shall I choose better than you?
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In our world of big names, our true heroes tend to be anonymous. In this life of illusion and quasi-illusion, the person of solid virtues who can be admired for something more substantial than his well-knowness often proves to be the unsung hero: the teacher, the nurse, the mother, the honest cop, the hard worker at lonely, underpaid, unglamorous, unpublicized jobs.
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To me, the irony of this involvement with size, as I observed earlier, is the unwillingness or inability of so many Americans to identify themselves with something as vast as the United States. Bigger cars, bigger parking lots, bigger corporate structures, bigger farms, bigger drug stores, bigger supermarkets, bigger motion-picture screens. The tangible and the functional expand, while the intangible and the beautiful shrink. Left to wither is the national purpose, national educational needs, literature and theater, and our critical faculties. The national dialogue is gradually being lost in a froth of misleading self-congratulation and cliche. National needs and interests are slowly being submerged by the national preoccupation with the irrelevant.
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It seems to me that it is these extremists who are advocating a soft approach. Their oversimplifications and their baseless generalizations reflect the softness of those who cannot bear to face the burdens of a continuing struggle against a powerful and resourceful enemy. A truly tough approach, in my judgment, is one which accepts the challenge of communism with the courage and determination to meet it with every instrumentality of foreign policypolitical and economic as well as military, and with the willingness to see the struggle through as far into the future as may be necessary. Those who seek to meet the challengeor, in reality, to evade itby bold adventures abroad and witch hunts at home are the real devotees of softnessthe softness of seeking escape from painful realities by resort to illusory panaceas.
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Hell is out of fashion -- institutional hells at any rate. The populated infernos of the 20th century are more private affairs, the gaps between the bars are the sutures of one's own skull. A valid hell is one from which there is a possibility of redemption, even if this is never achieved, the dungeons of an architecture of grace whose spires point to some kind of heaven. The institutional hells of the present century are reached with one-way tickets, marked Nagasaki and Buchenwald, worlds of terminal horror even more final than the grave.
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Crazy people who are productive are geniuses. Crazy people who are rich are eccentric. Crazy people who are neither productive nor rich are just plain crazy. Geniuses and crazy people are both out in the middle of a deep ocean geniuses swim, crazy people drown. Most of us are sitting safely on the shore. Take a chance and get your feet wet.
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Antipathy, dissimilarity of views, hate, contempt, can accompany true love.
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How can we hope to remain economically competitive in a world in which... 90% of Dutch high-school students take advanced math courses and 100% of teachers in Germany have double majors, while the best we can say about our pocket of excellence is that 75% of American students have learned to critique tactfully?
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In the old days, one married a wife; now one forms a company with a female partner, or moves in to live with a friend. And then one seduces the partner, or defiles the friend.
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It's the job that's never started takes longest to finish.
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Majority rule is a precious, sacred thing worth dying for. But -- like other precious, sacred things, such as the home and the family -- it's not only worth dying for; it can make you wish you were dead. Imagine if all of life were determined by majority rule. Every meal would be a pizza. Every pair of pants, even those in a Brooks Brothers suit, would be stonewashed denim. Celebrity diet and exercise books would be the only thing on the shelves at the library. And -- since women are a majority of the population -- we'd all be married to Mel Gibson.
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You know that children are growing up when they start asking questions that have answers.
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We live in a world ruled by fictions of every kind -- mass merchandising, advertising, politics conducted as a branch of advertising, the instant translation of science and technology into popular imagery, the increasing blurring and intermingling of identities within the realm of consumer goods, the preempting of any free or original imaginative response to experience by the television screen. We live inside an enormous novel. For the writer in particular it is less and less necessary for him to invent the fictional content of his novel. The fiction is already there. The writer's task is to invent the reality.
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Many that live deserve death. And some die that deserve life. Can you give it to them? Then be not too eager to deal out death in the name of justice, fearing for your own safety. Even the wise cannot see all ends.
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Celebrity-worship and hero-worship should not be confused. Yet we confuse them every day, and by doing so we come dangerously close to depriving ourselves of all real models. We lose sight of the men and women who do not simply seem great because they are famous but are famous because they are great. We come closer and closer to degrading all fame into notoriety.
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