In Germany, Gunther Burpus remained wedged in his front-door cat flap for two days because passers-by thought he was a piece of installation art. Mr Burpus, 41, of Bremen, was using the flap because he had mislaid his keys. Unfortunately he was spotted by a group of student pranksters who removed his trousers and pants, painted his bottom bright blue, stuck a daffodil between his buttocks and erected a sign saying 'Germany Resurgent, an Essay in Street Art. Please give Generously'. Passers-by assumed Mr Burpus' screams were part of the act and it was only when an old woman complained to the police that he was finally freed. 'I kept calling for help,' he said, 'but people just said 'Very good! Very clever!' and threw coins at me.'
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I shall speak of how melancholy and utopia preclude one another. How they fertilize one another... of the revulsion that follows one insight and precedes the next... of superabundance and surfeit. Of stasis in progress. And of myself, for whom melancholy and utopia are heads and tails of the same coin.
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The human head is bigger than the globe. It conceives itself as containing more. It can think and rethink itself and ourselves from any desired point outside the gravitational pull of the earth. It starts by writing one thing and later reads itself as something else. The human head is monstrous.
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Information networks straddle the world. Nothing remains concealed. But the sheer volume of information dissolves the information. We are unable to take it all in.
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Art is uncompromising and life is full of compromises.
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Art is so wonderfully irrational, exuberantly pointless, but necessary all the same. Pointless and yet necessary, that's hard for a puritan to understand.
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He was trying to save both his faces.
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Count Hermann Keyserling once said truly that the greatest American superstition was belief in facts.
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