The stage is a concrete physical place which asks to be filled, and to be given its own concrete language to speak. I say that this concrete language, intended for the senses and independent of speech, has first to satisfy the senses, that there is a poetry of the senses as there is a poetry of language, and that this concrete physical language to which I refer is truly theatrical only to the degree that the thoughts it expresses are beyond the reach of the spoken language. These thoughts are what words cannot express and which, far more than words, would find their ideal expression in the concrete physical language of the stage. It consists of everything that occupies the stage, everything that can be manifested and expressed materially on a stage and that is addressed first of all to the senses instead of being addressed primarily to the mind as is the language of words...creating beneath language a subterranean current of impressions, correspondences, and analogies. This poetry of language, poetry in space will be resolved precisely in the domain which does not belong strictly to words...Means of expression utilizable on the stage, such as music, dance, plastic art, pantomime, mimicry, gesticulation, intonation, architecture, lighting, and scenery...The physical possibilities of the stage offers, in order to substitute, for fixed forms of art, living and intimidating forms by which the sense of old ceremonial magic can find a new reality in the theater; to the degree that they yield to what might be called the physical temptation of the stage. Each of these means has its own intrinsic poetry.
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The prevailing attunement is at any given time the condition of our openness for perceiving and dealing with what we encounter; the pitch at which our existence is vibrating. What we call moods, feelings, affects, emotions, and states are the concrete modes in which the possibilities for being open are fulfilled. They are at the same time the modes in which this perceptive openness can be narrowed, distorted, or closed off.
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We are all hungry and thirsty for concrete images. Abstract art will have been good for one thing: to restore its exact virginity to figurative art.
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The Media is an abstraction (because a newspaper is not concrete and only in an abstract sense can be considered an individual), which in association with the passionlessness and reflection of the times creates that abstract phantom, the public, which is the actual leveler. . . . More and more individuals will, because of their indolent bloodlessness, aspire to become nothing, in order to become the public, this abstract whole, which forms in this ridiculous manner: the public comes into existence because all its participants become third parties. This lazy mass, which understands nothing and does nothing, this public gallery seeks some distraction, and soon gives itself over to the idea that everything which someone does, or achieves, has been done to provide the public something to gossip about. . . . The public has a dog for its amusement. That dog is the Media. If there is someone better than the public, someone who distinguishes himself, the public sets the dog on him and all the amusement begins. This biting dog tears up his coat-tails, and takes all sort of vulgar liberties with his leg--until the public bores of it all and calls the dog off. That is how the public levels.
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There was a blithe certainty that came from first comprehending the full Einstein field equations, arabesques of Greek letters clinging tenuously to the page, a gossamer web. They seemed insubstantial when you first saw them, a string of squiggles. Yet to follow the delicate tensors as they contracted, as the superscripts paired with subscripts, collapsing mathematically into concrete classical entities-- potential; mass; forces vectoring in a curved geometry-- that was a sublime experience. The iron fist of the real, inside the velvet glove of airy mathematics.
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Everyone has his own specific vocation or mission in life everyone must carry out a concrete assignment that demands fulfillment. Therein he cannot be replaced, nor can his life be repeated, thus, everyone's task is unique as his specific opportunity to implement it.
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Art always opts for the individual, the concrete; art is not Platonic.
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Money is human happiness in the abstract he, then, who is no longer capable of enjoying human happiness in the concrete devotes himself utterly to money.
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That is what the highest criticism really is, the record of one's own soul. It is more fascinating than history, as it is concerned simply with oneself. It is more delightful than philosophy, as its subject is concrete and not abstract, real and not vague. It is the only civilized form of autobiography.
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The genius of Man in our time has gone into jet-propulsion, atom-splitting, penicillin-curing, etc. There is none over for works of imagination; of spiritual insight or mystical enlightenment. I asked for bread and was given a tranquilizer. It is important to recognize that in our time man has not written one word, thought one thought, put two notes or two bricks together, splashed color on to canvas or concrete into space, in a manner which will be of any conceivable imaginative interest to posterity.
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Physicists have determined that even the most solid and heavy mass of matter we see is mostly empty space. But at the submicroscopic level, specks of matter scattered through a vast emptiness have such incredible density and weight, and are linked to one another by such powerful forces, that together they produce all the properties of concrete, cast iron and solid rock. In much the same way, specks of knowledge are scattered through a vast emptiness of ignorance, and everything depends upon how solid the individual specks of knowledge are, and on how powerfully linked and coordinated they are with one another.
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I would suggest that teachers show their students concrete examples of the negative effects of the actions that gangsta rappers glorify.
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Total loyalty is possible only when fidelity is emptied of all concrete content, from which changes of mind might naturally arise.
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The only truly secure system is one that is powered off, cast in a block of concrete and sealed in a lead-lined room with armed guards -- and even then I have my doubts.
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The very first law in advertising is to avoid the concrete promise and cultivate the delightfully vague.
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You've got your phenomenon on one hand. Concrete and knowable. On the other hand you've got the incomprehensible. You call it God, but to me, God or no, it remains just that, the unknowable.
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The city is not a concrete jungle. It is a human zoo.
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Looking out of my window this lovely spring morning I see an azalea in full bloom. No, no! I do not see that; though that is the only way I can describe what I see. That is a proposition, a sentence, a fact; but what I perceive is not proposition, sentence, fact, but only an image which I make intelligible in part by means of a statement of fact. This statement is abstract; but what I see is concrete.
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At least believe this many humans, who are interested obviously in this topic. Many of them visited me after lectures and meetings, in hope that I can give concrete answers to their questions. For it was clear: If that does not know it, who is to then know it?
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No matter how full a reservoir of maxims one may possess, and no matter how good one's sentiments may be, if one have not taken advantage of every concrete opportunity to act, one's character may remain entirely unaffected for the better. With good intentions, hell proverbially is paved.
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Desire will in due time externalize itself as concrete fact.
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The distance is great from the firm belief to the realization from concrete experience.
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Our national flower is the concrete cloverleaf.
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No matter how full a reservoir of maxims one may possess, and no matter how good one's sentiments may be, if one has not taken advantage of every concrete opportunity to act, one's character may remain entirely unaffected for the better.
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We cannot seek or attain health, wealth, learning, justice or kindness in general. Action is always specific, concrete, individualized, unique.
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The city is not a concrete jungle, it is a human zoo.
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We were given clear concrete tools. The course did a great job demystifying the art of fiction writing and fostering confidence. The instructor brought complex concepts down to earth. I will miss coming here every week.
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Physiologically less violent and psychologically more suitable to a concrete type of mind.
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What we are expecting from Pakistan is concrete, serious, substantive steps to deal with cross-border terrorism, and the question of terrorists who operate from Pakistan soil.
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Action is only coarsened thought-thought becomes concrete, obscure, and unconscious.
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