America is sick. It's a country that worships basketball players and supermodels as deities and treats the poor as an enemy. You can see a human being shot to death on network television, but a human breast is too obscene to make the cut. We love war, we love our country, but we hate each other. Our entire society is structured around making money, often at the expense of another, and 'entertainment' assures us that it's all normal. Families are almost nonexistent, and the only safe neighborhoods are patrolled by armed guards with attack dogs. In short, we're heading for a huge Crash. Crash Site is attempting to accelerate the decline any way it can, and hopes to position itself somewhere in the middle of the New Republic once America is rebuilt. We're not conservatives, we're not liberals. We're Common Sense Hardliners.
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Our belief at the beginning of a doubtful undertaking is the one thing that assures the successful outcome of any venture.
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Now the work of art also represents a state of final equilibrium, of accomplished order and maximum relative entropy, and there are those who resent it. But art is not meant to stop the stream of life. Within a narrow span of duration and space the work of art concentrates a view of the human condition; and sometimes it marks the steps of progression, just as a man climbing the dark stairs of a medieval tower assures himself by the changing sights glimpsed through its narrow windows that he is getting somewhere after all.
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We pay a heavy price for our fear of failure. It is a powerful obstacle to growth. It assures the progressive narrowing of the personality and prevents exploration and experimentation. There is no learning without some difficulty and fumbling. If you want to keep on learning, you must keep on risking failure all your life.
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Both marriage and death ought to be welcome: The one promises happiness, doubtless the other assures it.
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