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Best Poems Written by Jon Hopwood

Below are the all-time best Jon Hopwood poems as chosen by PoetrySoup members

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The Druid & the Bard

Lights come up slowly to reveal a bare stage, undressed except for a backdrop on which is
painted the impression of an orchard; the painting is so light that it suggests a
water-colour. Two men enter, a young man dressed in a plain white robe, the BARD, and a
considerably older man dressed in a robe of six colours, the DRUID. They walk slowly to
STAGE CENTER, the slowness indicative of the older man' advanced years and the younger
man's respect for him.

BARD: Must the actor always play a role?

DRUID: What is an actor?

BARD: Must the actor always play a role, even off stage?

DRUID: The apple trees look sore tired this season. I've no longer the strength to prune
them properly.

BARD: Oh. Aye, aye. (Pause) What of the actor's contention that we are all actors, that
all intercourse whether within the dyad, the community, or merely with ourselves 'tis but
an act?

DRUID: Who put the words in the actor's mouth? The 'wright?

BARD: I think it was extemporaneous, miLord. (Pause) It was an improvisation class.

Copyright © Jon Hopwood | Year Posted 2009



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Amphibians

How much lower could I go?
How much more could I take?
Hadn't I had my fill, 
my share
more than my share?
And you held my head underneath
the water in the wooden trough
you, gestapo god
and by christ
you did not let me
come up for air.
You willed me to be a new thing
an aquatic creature
gilled and with a cold cold heart
through which beat the freon
that was the inguement of your
universe.
You left me for dead in the trough
this new terrible thing
neither human nor emboweled
with a soul of its own.
You didn't have the decency
to leave me in a goodly sized pool
in which I could stretch my fins '˜n
flippers and relax a moment
and glom sleek-bottomed
tadpoles metamorphosing
into another kind of life --
Amphibian....

We're just another 
fire alarm for you, ain't we
tripping off warnings of the coming
apocalypse --
I hear many bells and alarums
all over the world --
you took my sight, 
and my speech
but you left me hearing
goddamnit
and a watery
life in death
set to a soundtrack
filled with music that's
little better than buzz saw
noise
from a new
generation
I can understand
only too well -
The Damned.
Amphibians.

Copyright © Jon Hopwood | Year Posted 2009

Details | Jon Hopwood Poem

Madonna Lionessa (Part I)

--Before meeting with her father & sisters, Cordelia is dealt a card depicting Woodwose by
Mor-Ríoghain, in the guise of a gypsy hag.

i.

As my sister's once-beautiful gray cat looks at me
She wasted now by a thyroid condition
I wonder what she sees in me today.
I think it would be nice to have a cat
Too bad I'm so allergic
Worse case of it we ever seen
They said at Walter Reed
And they'd given me just half a dose
On the arm during the allergy test
As I had warned '˜em.
I wouldn't want a house cat
A cat should be out-of-doors
In a barn killing mice and vermin
Stalking song-birds and eliminating
The timid humor of the chipmunk
A tiny lion.
Predator.

The sweetest thing I ever saw
Was a particoloured tabby 
Crouched on a lawn
A tiny lion for sure
A beautiful hunting stalking machine.
She had a bell around her neck
And it was funny
This middle class hausfrau attempt
To deprive Tabby not of her powers
But of her reward.

They belled you, my tiny lion
So they could claim your rewards.
But you are courageous, nimble,
And you fear no pain.
With your jackrabbit hind legs
And your fierce forepaws
You manipulated the 
Constraining leather collar,
Yanked and pulled and pushed
Yourself away from the executioner's yoke; 
Impossible but that's your genius
To do what can't be done.
And when it was over
Claws cracked
Your neck scratched and bleeding
Drying blood stiffening the matted fur
Your coat no longer lustrous due to the
Enormity of your labour
You lay in the grass on your side 
One eye glancing a peal-less heaven at an oblique angle
Over the tops of trees dancing together in a flying grove
Their purpose forgotten by the once-born.
They thought they could defeat you 
And you vowed after surviving your small Shoah
'Never again.'

Copyright © Jon Hopwood | Year Posted 2009

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Madonna Lionessa (Part Ii)

ii.

And the glands beside your heart
Some secret of evolution they couldn't understand
So they never troubled themselves to puzzle
Out why you, their sphinx, remained silent
Now begin to purr.
It frightens you.
You had purred after they scratched your proud head
And petted your belly after you had been collared,
The jingling of the bells firstly sounding delightful
Until they became the tolling mournful keening of
The jester's hat, Lear's Fool, sitting sadly at the
Stage Door Canteen in a new costume, 
Half-drunk on weak yet cheap well scotch,
Waiting for the sound of the buzzer
To go on as Cordelia, another cat at the end of her rope
Who forfeited a crown, was hunted down, soon to dance
To the satisfied grunts and faux horror of the groundlings.

And now you purr against your will as you 
Look at your new owner; you had been
Discarded, abandoned, dumped,
A sad case, this cat,
Who would no longer hunt 
But lay in the grass motionless
While mouse and chipmunk and songbird
Who once feared her now jeer her
On their way to larder and nest; 
She did not care and was cast behind 
Prison bars among contemptible cats 
Driven reasonless by indifference
Which was never the source of your problem.

He approaches you at the shelter now;
He has friendly eyes and a soothing voice
But he approaches you with an encompassing hand
You can imagine around your neck 
Like a constricting steel collar --
You won't be garroted again.

You hiss, rear back, ready to strike, would strike now
But for the confusing cacophony inside your pricked ears from 
The audible purring beating seducing quickening inside your breast.
Can you ever be free of him?

Copyright © Jon Hopwood | Year Posted 2009

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Berlin

An Excerpt from the Poem "The Man Who Sold the World"

ii.

Meanwhile
In the American Sector
A small cermaic 
Statue of The Christ
Hidden by muscular
Candelabra arrogantly
Thrusting toward the vault,
A post-war knockoff
To replace a priceless
Treasure survived the
Allied Bombing to fall
Liquidated by the 
Battle of Berlin
Begins shedding real 
Tears of
Blood.

And the assistant
Sacristan: 

Young priest/Father 
Confessor,
Believes
And keeps the secret
As his Soviet handler
Has taught him:

"Never talk.
Think, but don't speak.
Never trust, but 
Believe in me."

He keeps his trap
Shut.

A sign from heaven
Yes, he believes,
From heaven above:

Just for him
To comfort this
Judas on the 
Journey to the Tree
In the orchard.

Copyright © Jon Hopwood | Year Posted 2009




Book: Reflection on the Important Things