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To Avoid Carnal Knowledge, Daphne Turns into an Oak
What’s happening is clearly understood.
Apollo has one hand around her waist,
one predator, one quarry, interlaced.
He’s coming up behind her (which is good),
but she’s a tree (two lovers, getting wood!)
She’d rather change her state than be disgraced,
preferring to be chaste than to be chased.
She’s choosing abstinence, above life's blood.
Is love a trauma, to be undergone?
Arousal something ugly, to be faced?
Should Nature’s process be looked down upon?
The carnal act, a tactless lapse of taste?
Or might the thing be ardently embraced?
We, formless fragments, merging in The One?
Copyright ©
Michael Coy
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