Long Piece of writing Poems
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The art of creating a visual response to a piece of writing is known as a reverse ekphrasis ie the inverse of the centuries old poetic form of ekphrasis.
The most well known example being Charles Demuth 'Figure 5' based upon a W C Williams Poem.(see link in notes above)
EMAGI is a recent (fun) variation of a reverse ekphrasis derived by the advent of the widespread use of hand held digital communication devices -where words in digital symbols /letters can be represented as a shape
and uses a poet's poem to inspire the digitised 'drawing'
Edward Thomas 'HAYMAKING'
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along came a flood of ebullient emotions,
when an unexpected letter arrived in the mail,
as if from far away in the priceless precious past,
a resonant rhapsody ~ crooned my mellifluous Koel.
The poignant message made my heart throb and tremble,
not many ornamental words adorned the paper,
I could feel the care concealed and hidden pain,
the perpetual soul-searching - layer after layer.
life was a murmuring meandering tide ...
time transpired for both of us,
with jade jubilation and lilac laughter,
experienced bitter days of sadness and sorrows,
as well as bleak, gloomy, loneliness hollow.
A letter brought a flood of ebullient emotions,
a topaz torrent of waterfall gushed
downward embracing mountaintops,
ringing a bell of coral hopes and lavender longings,
telling truth ~ nothing treasured had been lost!
My Darling, you stayed and weathered
with me all the tempestuous nights,
My Love, you clasped my hands
in yours when winds were wild!
March 19, 2022
Edited From My Poem "Along Comes A Flood"
For My Love Lost And Found Poetry Contest
Sponsor: JCB BRUL
Notes: Alliteration is the repetition of the same sound at the start of a series of words in succession whose purpose is to provide an audible pulse that gives a piece of writing a lulling, lyrical, and/or emotive effect.
(this is another throw-back - a piece of writing, from high school, used in my Yale applications)
I pound the pillow, curse the clock and mock injunctions to rest.
The sun finally rises and its rays slantwise fall through the curtains as I dry my hair.
A meal, like a forced dose, we soak ourselves in wasted, nervous time.
Finally! We arrive at the competition...
Tension is here and tireless pressure.
The players waiting stiff as straw, tongues playing over dry lips.
Teachers and coaches unapologetic in their pallor.
Music drifts behind us and occasionally gasps as imperfections play like daring circus tricks.
The sparkling prodigy returns disappointed, grimace of a smile, stricken, he stares away as we search for words, oh! clumsy, unrepairable prince!
Suddenly, its time and I wonder why we are hurrying, feeling weak, momentarily frightened to go there.
On this stage in this great, hushed hall, enormity suddenly dawns with mass enough to crush me.
At last, I sit before this odd Steinway music machine - my dearest mechanical friend.
A tremble resisted - the reward of mortal afternoons - endless practices fruit.
Eyes closed I prepare my best self - pushing all fear, all doubt, to the margins - and begin.
I hope, to recreate, one note at a time, Chopin's ancient impact - with hands flying, like tethered birds, I hammer out his timeless melody explosions, his streams of crazily exact math exam fiery semiquaver motions.. then, almost suddenly, I'm done.
I stand, joyously, nearly crying.. The world hasn't ended.
.
.
A song for this:
12 Etudes, Op. 10: No. 4 in C-Sharp Minor by Vladimir Ashkenazy
Part of Your World by Emile Pandolfi
We gather together by Emile Pandolfi
.
.
I thought I was going to be a concert pianist once - before covid.
Did you know there are piano recital competitions?
I wasn't a prodigy, I practiced endlessly, only to lose, eventually to one of the prodigies.
I competed in 7 'big ones,' two were international, and I came in second every time.
My joke was, "I'm the second-best pianist in any room.
I only switched my goals (to medicine - sort of the family business) when that fell through (Thanks, one more time, covid).
a new
perspective
think
unconventionally
from
a fresh
point of view
with
less constraints
break out
challenge
assumptions
sidestep the dangers
with
a novel
point of view
slant
vista
angle
alternatives
conceived
birthed
in
a bigger
picture
revealed
set
upon
the left field
The art of creating a visual response to a piece of writing is known as a reverse ekphrasis ie the inverse of the centuries old poetic form of ekphrasis.The most well known example being Charles Demuth 'Figure 5' based upon a W C Williams poem.
EMAGI is a recent variation of a reverse ekphrasis derived by the advent of the widespread use of hand held digital communication devices -where words in digital symbols /letters can be represented as a shape
and uses a poet's poem to inspire the digitised 'drawing'
2026.04.01
Recently, I was glad to be told.
There was an old model piano.
Inside the building 14 of RMIT.
"CHOWTIME" In the centre food court.
Not only the piano was old,
Lost many top cover of keys
But also, just because the piano,
Looks old fashion, dirty and unattractive,
The rubbish bins right behind it.
They stood back to back together.
It shows how much people keen,
On the surrounding and the hygene,
For the audiences and the pianists.
What about the image of RMIT?
All the premises in it complex,
Whether classrooms, canteneens or even corridors.
Should it not display a cleanliness
From the floor up the wall.
I am just an occassional visitor,
Who just loves travelling around,
To enjoy the piano beautiful sound.
Sure it didn't have perfect pitch,
It has seven keys surface stripped
G, F, D, B, C, A, C.
I hope this piece of writing,
Soon reach the RMIT's management,
Seriously get their attention and involvement.
Put the rubbish bins and piano,
Apart and away from each other.
Get all the damaged piano fixed,
At least by staff at Makerspace.
If I was allowed to enter it,
What I will do "repair it".
By the 3 D printing machine.
Which only available to RMIT students .
Could not be part of it.
The art of creating a visual response to a piece of writing is known as a reverse ekphrasis ie the inverse of the centuries old poetic form of ekphrasis.
The most well known example being Charles Demuth 'Figure 5' based upon a W C Williams Poem.
EMAGI is a recent variation of a reverse ekphrasis derived by the advent of the widespread use of hand held digital communication devices -where words in digital symbols /letters can be represented as a shape
and uses a poet's poem to inspire the digitised 'drawing'
AN EXAMPLE
EMAGI reverse. ekphrasis VAN GOGH starry night
x x x
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x x x
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Wallace Stevens'ICE CREAM'
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The art of creating a visual response to a piece of writing is known as a reverse ekphrasis ie the inverse of the centuries old poetic form of ekphrasis.
The most well known example being Charles Demuth 'Figure 5' based upon a W C Williams Poem.(see link in notes above)
EMAGI is a recent (fun) variation of a reverse ekphrasis derived by the advent of the widespread use of hand held digital communication devices -where words in digital symbols /letters can be represented as a shape
and uses a poet's poem to inspire the digitised 'drawing'
and an EMAGI as entered Sep 7 in this weeks VISUAL POETRY STUDIO
Wallace Stevens'ICE CREAM' a 99
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Once a poet is done psychically with his or her craft
With the vernacular of his or her masterpieces
It’s the role of the readers to add mentally missing pieces
Parts, ideas, images, a few words and a sophisticated shaft
To mechanize, modernize or upgrade the messages
A poem is, of course, a piece of writing in process
It’s a bubbling melting pot, where many things are amiss
For many logical or purposeful reasons and for excuses
Which are existentially beyond the scope of countless texts
Poets are generally perplexed and write under pretenses or pretexts.
Copyright © March 2020, Hébert Logerie, All rights reserved.
Hébert Logerie is the author of several collections of poems.
Always treasure what you write
Have your pencil and pad with you at all times
you might think of a subject
or a verse
write it down so you won't forget
Get all your ideas down
then try to rearrange them to make them flow and give them ultimate impact
to reflect the tone or slant of the piece of writing
Move words around in your sentences and see which sounds better
Capture a moment or an emotion always put your thoughts into words in whatever way you think most adequately displays them
Be alerted by nature and images you see around you
focus on the way it moves
Describe your subject
Find all sorts of descriptive words
Follow your insight; transport yourself to a location you want to write
Put yourself in its place and use all your senses
What do you
See,
Hear,
Smell,
Feel,
Taste,
Title is so very important in capturing the reader’s attention
It predicts content
It catches the reader’s interest
Truly valued verses of inspiration
Your heart is your guide
Encourage yourself
When you read others work, please be kind we all love to hear inspiring encouragement that motivates to keep writing
If critiquing is done in a nice way we don't mind hearing it, that is how we learn and grow.
5/17/2015
Contest: Advice for New Writers: Words of Wisdom in Verse
Sponsored by: Tyshawn Knight
The art of creating a visual response to a piece of writing is known as a reverse ekphrasis ie the inverse of the centuries old poetic form of ekphrasis.
The most well known example being Charles Demuth 'Figure 5' based upon a W C Williams Poem.(see link in notes above)
EMAGI is a recent (fun) variation of a reverse ekphrasis derived by the advent of the widespread use of hand held digital communication devices -where words in digital symbols /letters can be represented as a shape
and uses a poet's poem to inspire the digitised 'drawing'
and an EMAGI as entered Sep 14 in this weeks VISUAL POETRY STUDIO
Wallace Stevens Valley Candle
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