Long Palaces Poems
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I’m stealing through a twilit realm, the ancient pale of Whereis,
passing chambers of an Heiress
(though no need to feel embarrassed)
through a magic mystic mirror hanging curtainless.
A glimpse near naked alleyways (denuded by the moon) ex-
poses Ghosts in gauzy tunics
carving symbols, round and runic,
in distended dingy dungeons of uncertainness.
Down misty streets of cobblestone – ancestral avenues –
patchwork paths consume my shoes
(chasing foggy curlicues
twisting, twirling by in twos,
floating anywhere they choose),
leaving footprints that confuse
vagrant wispy retinues
of the threaded wooden sticks that stalk a Puppet wandering.
Condensed in drops of fantasy, distilled in evening dew,
shifting Shadows I pursue
(wearing faces I once knew,
slipping slowly from my view)
turn their backs to bid adieu
leaving stars to tempt me through
Awful Tower residues
mocking treasures time outgrew
in the birth of old from new
framing pageants in review
midst the visions of the painted past I can’t help pondering.
Contorted candelabra claw the skyline’s walled suspension
caught in twilight’s intervention
– still unlit (in stark dissension),
therefore seething with a tension
in the quiet apprehension
of the Watchman’s inattention
to the night-time’s bold pretension
to her power, not to mention,
to her hyperspace extension
(far beyond my comprehension
of the sundown’s bleak dimension) –
on exhausted beaten boulevards of foolish fretfulness.
Oblivion depletes me, voiding haste and hurried hassles,
me, a simple abject vassal,
trailing moonlit floating castles,
– fickle feet, but fingers facile
grasping straws and pendant tassels –
as I stumble through the rubble of forgetfulness.
I think I must be dreaming as I seem to see these things,
neath a sky alive with wings
(hear the Nightingale, she sings),
midst the whispered murmurings
soughed by Phantoms clad as Kings
pacing palaces in rings,
while their hapless footfall clings
to the sagging sinking sands of midnight’s splintered splattered ruins.
Entangled in the swirling leaves that spin in dizzy flurries,
(while the wind beside me scurries
as an ermined hermit hurries)
lurk my sleepy woes and worries
(glowing faint’ but growing blurry)
which, when plundered by the demon dusk, I’d left behind me strewn.
Continued in Part 2
Herr Heinrich Schneider and his spouse
Felt the need to wander,
And for once to leave their house
For a land that lay far yonder.
Japan at cherry-blossom time!
No better place than this
Enthralled the German couple’s mind.
The chance they would not miss.
"But what of Spezi", Heidi cried,
"We can’t leave him behind."
"Ach! unser Spezi," Heinrich sighed.
"There’s a way we’ll find."
They gave him anti-rabies shots
And medicines galore.
All that red tape, and lots and lots
Of paper-mountains more.
Off to the orient they flew
With hopeful joy and glee.
Oh what wonders bright and new
Would soon enthral all three?
Imperial palaces they saw
And Fuji’s snow-capped summit,
Ornate gardens stirring awe.
You name it, they had done it.
Immersed in culture and in art
They sensed a certain lack.
And so it was that they took heart
To leave the beaten track.
They hired a car and off they went
To some far-distant by-way.
And many a pleasant hour they spent
Till the dying light of day.
They found a cosy place to rest.
On the price they made a deal.
At last a chance to have a "Fest".
The time came for a meal.
The menu was in Japanese,
As well one might expect.
The waiter clearly meant to please
And bowed with great respect.
Of English, German and of French
He had no scrap of knowledge.
He gave each ear a nervous clench.
No, he’d never been to college.
Herr Schneider felt like sauerkraut
And Heidi felt like veal,
Food of this kind they’d do without
Until another meal.
But Spezi’s hunger would not wait.
Herr Schneider eyed the waiter.
"Wuff, Wuff, our Spezi wants a plate.
For dogs one has to cater."
While they sat there, a full hour passed.
Then the waiter brought some dishes.
The Schneiders ate their strange repast,
Which fell short of their wishes.
It was now time to pay the bill,
Which ran to many a yen.
Both were feeling somewhat ill.
and hardly spoke a word, but then -
Heidi cried "Is Spezi back yet?"
"Wuff wuff" did Heinrich bark.
"Please, waiter, tell us, where’s our pet?
In the kitchen? In the park?
A piece of fur the waiter brought.
Then Heidi’s face went pale.
She had a grim and horrid thought
On seeing Spezi’s tail.
What is the moral of this tale?
Down under be a dingo.
Where e’er you roam you should not fail
To understand the lingo.
When she was just fifteen…
She was but a child
But a sweet teen
She was kind of wild
Full of desire
Excited about love
In the ivory palaces of her mind
Which rose a white dove:
With a fury
Flawless in a never changing
World ...
She was just fifteen….
When she was twenty one
She was an adult
Unfolding splendor in the shades of heaven
Which she bought
To place a kiss that multiplied seven
With her sweet rapture
With beauty that glistens
With every rainbow
That played in with a light that shines
Looking for love
Like a delicate flower
With a heart of amorous whispers
So pleasing to her design
She was but twenty one….
When she was just thirty two
She had children
Her lovely face never hidden
With simple stories of heaven
With letters of praise
But still looking for love
Where love burns brilliantly
But all in the wrong places
Where the fullness of sweetness
Surrounds her with such wonders
She was but thirty two
When she was just forty five
She was abounding in glory
With hands holding
But she couldn’t say the words
With the sun bulging
Pulsating in her throat
Nothing could escape her sweet star
The word is love but still looking
With sweet air that turns
Mournful into light rain
Of her mind
She was just forty five...
When she was just fifty
Heaven was just beyond her door
Looking in the mirror
Where she didn’t know anymore
She thought she found love
In the winds of her chariot
But he went away
Her passion the most mindful of her soul
With grace and beauty in its divine power
She was just fifty...
When she was fifty five
The winds of time
On a hot summer night
Then she saw the light
And that
Took away the right
Of sweet love she thought
Where a scared space of the world
Let go and she sought
She was only fifty five...
When she was just sixty years old
She had lost love
It was not always so
A star she couldn’t resist
And found love
Her love was earth rising
With the most remarkable being
With a noble soul
Of denying love to be
Sought a different oblivion
Now all that remain are memories
Drowning the already dead
She was just sixty
Sweet letters of her soul from the beginning to the end; her lovely face never ending:
With scared looks and noble gesture her eyes were inflamed with the sun, basting in the glory of night.
Reaching for the one that she truly loves:
DIFFERENT AGES AND HER DIFFERENT LOVES
Brooke Dyan 2014
DOES CHANGE CHANGE?
For history is wont to repeat itself
Ever reneging, constant turning on the hinges
For the old in nature’s obeisance
Enter oblivious existence
That the present may succeed the past
For things now visible and feasible
Were once formless vision, thoughts and whispered words
Does change change?
Will there be housing unit or tourist centre in the moon?
Will a white smoke produce a black pope
Will monarchy be separated from British democracy
Will Christian and Muslim find a common ground?
For the present order and scheme
Were the embryonic idea in the belly of the past
For just above some 1oo years ago
Popular commerce was the transatlantic slave trade
The equivalent of 21st century crude oil and narcotics
Long before Wilberforce crossed Hull’s bridge
Does change change?
Will terrorism go the way of the dead and forgotten
Will Palestine find Stately peace?
Will Osama ever find the salaam in Islam
Will Hamas and Zionists find a common factor of human race
For barely 15 years ago
Apartheid’s spectre stood stoically in South Africa
The Black now reign where they once toiled like lesser humans
For small-pox once held terror court
Near and far, leaving more casualties than wars
Dreaded like its 21st century incarnation –HIV
Less than 50 years ago
Black lived as slaves in sugarcane plantations across US
Now US first family is full blooded black
Does change change?
Will HIV become a mere word of old English
Will guns and nuclear weapons
Enrich and adorn our museum in 25 years now
Would Iran be rich in Uranium or people?
Will peace find a permanent seat in security council?
For it was Kings and Princes some time before
Reigned over lesser mortals as Lords and Masters
of the known world called empires and kingdoms
Now the emerging relics of our collective past
Wall-posters of where we have been, and regal tourist attractions
Government houses now in place of kingly courts; parliaments for palaces
Does change change?
Will semantics of poverty change to… say… property or plenty?
Will there be equality of the classes
Will woman truly be equal to man
Will there come a time when the day will nor break?
Will science conquer death?
Some time ago
Women were best house-keeping, voteless second class citizens
15th Saturday October 2009.
“Phoenix Dreams in the Realm of Crows”
wake up
shake up
kaleidoscope girl
jigsaw
see saw
fit the pieces
she
another world
away
the in-betweeen
flows easily
through the veil
safe harbour
opening
portals
for ocean steering
curious kaleidoscope
stories to sew
the slip stitch
love knot cast
anchor’s raised
time’s racing
discharge fear
or remain
feathers spreading
in the realm
of crows
poetic
messengers
casting their spells
for opening
tombs turning
dead leaves to tomes
in the crowded hideaway
where shorthand, fixed tight to masts,
swings suspended for transcribing
dark nights,
where soft and fierce
treasure dwells
feathers spreading
cunning cuneiform for ghosts
who speak in tongues
transformative
strange letters
unfurling
spreading
deep indigo and
jesserant jet feathers
swords and keys
for plundering
and opening
impromptu places
mysterious better nests
for hidden golden eggs
broken yoked,
freed
spilling silver spoons,
curl love drunk
into warm skinned
velvet embryos
hugging new bodies
of work, slick palaces
for bedding
better never-endings
never ending,
electric muses
flocked
and kissing
sated singing
dreams
in the realm
of crows
the in-betweeen
flows easily
through the veil
safe harbour
opening
portals
for ocean steering
bejewelled St Elmo
phoenix fire stories lit, to sew
the slip stitch
love knot cast
anchor’s raised
astral charting
glossy winged stars
albatross angels
waxing lyrical
follies and flights
ignited, illuminating
phoenix dreams
in the realm
of crows
(LadyLabyrinth / 2022)
“Hideaway”/ Queens of the Stone Age
https://youtu.be/2dcbcic06vw
"Let It Happen" / Tame Impala
https://youtu.be/NMRhx71bGo4
"Nothing That Has Happened So Far Has Been Anything We Could Control"/Tame Impala
https://youtu.be/C1VelTQ3hdY
Crow Symbolism
https://www.onthefeeder.com/crow-symbolism/
LYRICS/ “Hideaway”, Queens of the Stone Age
https://www.azlyrics.com/lyrics/queensofthestoneage/hideaway.html
LYRICS/"Let It Happen", Tame Impala
https://genius.com/Tame-impala-let-it-happen-lyrics
MY QUEST
I lost my heart. Where can it be? There is sadness and despair.
If I were to search for all eternity, I may never find it anywhere.
I've delved beneath oceans deep, on beaches when tides are low.
In canyon crevices, I did sweep; into giant forests I dared to go.
I've combed deserts made of sand. Where else should I scour?
Ancient ruins and palaces grand, I've searched them all for hours.
Quest over. No where else to look. How do I live without my heart?
No answer I find in a book. For my heart is lost and I'm torn apart.
THE END OF MY QUEST
For many months I traveled, in search of my heart, I thought lost,
Upon return the mystery unraveled, in great fury my temper tossed.
In all the months I'd spent away, my heart had remained at home.
Stolen by my swain who'd gone astray; his libido decided to roam.
I want my heart back! I said in a huff. No longer will you hurt me!
You've had it long enough. You said you don't want it, so set it free.
You shot me down; the act of a friend? You should've used a gun.
This is where our dreams end. Face reality. It's over, and I'm done.
When I walk out on you for good, I wonder if you'll miss me at all.
I wasn't sure I could, but you've given me reasons to make the call.
You don't always say what you think. You like being a vague mystery.
You change moods quick as a wink. You're such a frustration to me.
You talk in circles and go nowhere. It's just so much idle chatter.
Frankly, it's more than I can bear. It's your actions that matter.
I've always known where my heart has been. Given to you long ago.
I searched like the man of tin; I needed a brain like the scarecrow.
I'm taking my heart back today. It's broken and in need of repair.
You never wanted it anyway, stop pretending that you really care.
No warranty comes with a heart. I know what's wrong with it; I do.
But I've no spare part, because the part I need lies deep inside of you.
I'm taking my heart back! I need it to live. I'm tired of trying to cope.
I've nothing left to give. I'm putting an end to my foolish false hope.
No more excuses for the way I was treated. I've heard them all before.
Quest over. I'm defeated, but I have my heart and I'm closing the door.
Written: September 2006
Nine lives removed from royal dignity
Five days after
getting acquainted with darling cats
pampered like queens courtesy
thee eldest daughter
and her partner acquired as kittens
reminiscence occurred regarding
one particular four footed feline
my late mother doted over.
Lion eyes hide predatory wage
sharp retractable sharp claw
never did the late Sage
exhibit talon nor ferocious jaw
even when getting his nails clipped,
said gentle cat infrequently
sunk daggers into soft human skin,
but upon completion
of aforementioned onerous task,
he voicelessly, soundlessly, passively,
manly, joyfully did withdraw.
Aye attest tubby reincarnated
(as well mine eldest daughter's beau)
from one male Russian Blue
species Felis silvestris catus
named Morris if that gives
a handy dandy clue,
and during my fuzzy past
hence, asthma “Cats Cradle”
segued and Atlas
shrugged off kitten hood
fur hum lee established
type cats as (tin pan) alley cat,
a rather litter boxed gritty debut
t'wood become (later in life) tabby
quick as greased lightning
snatching in the air,
when tender vittles flew,
technically got fired (acquiring
appropriate nicknames)
as fame (like a bushy cat tail) grew
viz perfect back up crooner
for “Cat Stevens”,
or lead singer for
the "Stray Cats" oddly
coupled, featured, and
incorporated with the guru
Horton Hears A Hoo,
yes him Elephant resembling
a humongous mandrake
from the, "Animals"
whose body heat could
easily melt an igloo,
whereby Inuits accepted charity from
Korean philanthropists named Joo
(founders of Palaces for Pachyderms)
these lumbering creatures possessed
an exemplary photographic memory
(rivaling that of the amazing
deceased idiot savant
Kim Peek), he knew
practically every detail
incorporating page number, punctuation
plus citing word for word
never truncating, omitting,
nor jumbling... any lines,
and could track missing link,
when felines shared common ancestor
but,...such petty files
would most likely boar
and go way off course, and hence
will shy away being extempore
favoring a deliberate fore
ray padding around basically ignore
ring any rhyme or reason
suddenly ending this persiflage,
and thence to thee bon jour,
cuz yours truly off
in a huff to bang a lore.
Cast Down
I am a young girl with a delicate mind
to be molded,
Sitting in the front row with a pressed sundress
and hands in dainty white gloves gently folded.
My society is a cast system that allow me to go
no further than this station.
There is no upward mobility, no promotion.
The government genocide my girls,
saying there are too many in our world.
They are not as important as the males
that are pushed forward to assail.
My husband died,
therefore I must be ostracized
and live in the City of Viridian, on the streets outside.
I’m only 15 and the law is the blame,
that when my husband died I am to be shamed.
I’ve been here since the beginning of time put here by
The Master of birth,
creator of earth.
In my land singing songs in my voice
Can be a deadly choice.
I have dwelled in caves, houses, palaces, and shanty huts
I live in the hottest and coldest of lands
I’m a queen of nations
with many challenging vocations.
I’m suppressed by Taliban regimes
I am too one of God’s most prized creations
Living in depressed nations
Man forgot how special, delicate
and strong I am. But if I smile
it could mean my exile.
I must go through body mutilation
Only to rise up as a tribal creation.
My mother sold me
for a month’s supply of tea.
My husband suppresses me,
ignore me like I’m an invisible shadow,
a fly on his shoulder.
I the woman, have to break up boulders.
Not allowed to speak to move about with the free
spirit I am.
Used only for whispers and closeness at night,
Not for my mind or my insight.
To bring about the birth of another that will
stifle my flight.
who will ignore me while learning
the unequal culture of this place,
judging me if I am in the sunlight showing my face.
I sit in boardrooms among the tailored made suits,
dictating the plans of the day.
They stare at me with silent harsh words.
I’m one of the brightest recruits.
Being strong, intellectual and watching my back,
climbing the ladder pass the glass ceiling
Working with small minds being ever unyielding.
Still at times suppressed and cast down.
I refuse to walk with my eyes on the ground.
I thank those before me
that had the strength, patience and endurance that led us to be free.
Wired mortal from the English Art
Banished from his home, spotted from a distance
Noble amongst scrawling African inscriptions
First veneration of mystical minds
Take a bow, take a bow.
Obliterating deliberate disregard
From interrupters of our histories,
With trophies, allays a regret and loss
So little for so great a heart,
Take a bow, take a bow.
Liberal lord of limpid looks
Grand philosophy too many for little minds,
Art of African arts
Impenetrable obscurity to the impatient,
Take a bow, take a bow.
Entangled genus in the darkest harbor,
Found in a waste howling wilderness,
Left to die in the gaols like their many kills,
And death too weak, spewed him in his flowers
Take a bow, take a bow.
Scrupulous dexterity of the bearded laurel
Multitudinous nobility and countless soothing saccharine
A restoration of our dignity not celebrated, and un-sung.
Tyrannous candor engulfed intelligential
Take a bow, take a bow.
Obdurate at the palaces of murderers
Smiling at military cavalcades, the terror of comrades.
Where barrels pacify the wrangling of children men.
A beholding bluff like Ogun’s iron garb
Take a bow, take a bow.
Yea, the snow-like signature in scraggy form
Impresses nature’s validity on his authority,
Corroding flesh lacerate aptness from his brow
Gyrating orbits of unmatched intelligence
Take a bow, take a bow.
Invisible man from the “kongi” kingdom
Imposing trepidation on pharaohs in the jungle,
Brawny penchant where others retire,
On Lagos streets and London’s courtyard
Take a bow, take a bow.
Nibble in niggle, stripping rogues of honor
Loathing unsavory milk unlike sycophants
Discarding opulence to mediate for the poor
With no reward or crown in intention
Take a bow, take a bow.
Knack for wars with imperious monsters
A constant blustery of unrepentant “Vagabonds”
Dusk till dawn, yearning for Justice.
Crying still, for murdered motherland
Take a bow, take a bow.
And if he dies tomorrow,
As death to all must come,
His posture, a statue for ever,
On our minds and in those rulers of the jungle.
Take a bow, take a bow.
Dedicated to Prof. Wole Soyinka
Nobel Laurate 1986
Botched Artwork Saves Town
Sometime last year, in late August 2015, something unusual went viral..
It was an ancient picture on the wall, vastly unlike its original art..
A piece of botched artwork, unfinished, and yet all over the world it enthralled..
People, the tourist kind, they made a quick bee line, to see for themselves..
Ecce Homo, a seemingly priceless ancient painting in a church , upon one of its wall..
Time has ravaged its brilliant colours , and its paintwork well flaked off the wall..
One artistic old lady of 83, she took it upon herself to try restore its beauty..
Painstakingly she laboured upon days on end, as expertly as she can..
She meant well, it hurts her artistic soul to see the priceless artwork fade..
She tried her best, but the colours, they ran and it was a difficult task..
She had to go away for a short while, she left behind a half restored art...
Someone in church, horrified no doubt, took a picture of it as a matter of fact..
The uploaded picture in the internet, it was shared and quickly it went viral..
Many found it amusing, there was so much scorn, it was soundly ridiculed..
The Ecce *****fresno, or Behold The Man, it now looks like a monkey or a porcupine…
A picture of a mournful Jesus is no more, in its place is an artwork that is one of its kind…
Poor Cecilia, a widow and amateur painter, she never had a chance to finish her effort..
Her failed restoration effort rocketed around the globe and then a miracle of sorts..
People started thronging to this church in Borja, Spain, it was a pilgrimage of some kind...
After the viral picture on the internet, people just had to see and view this new find…..
Now that 150,000 visitors have come and gone, Borja is a town rejuvenated and restored..
In this village of medieval palaces and winding lanes, this botched artwork has the town resurrected…
All the free publicity from a botched artpiece, it has been a breath of life to the local economy..
God works in mysterious ways, it explains the good fortunes that follows from the smudgy renderings..
http://www.nytimes.com/2014/12/15/world/a-town-if-not-a-painting-is-restored.html?_r=0