Known for Venus is Bottecelli
With hair so very carefree
A birth so imaginatively interpretative
rightly an conic superlative
UNENDING INTERPRETATION
conspicuous
convictions
hidden
in
qualitative
affinities
meaning
visible signs
of
interpretative
figured
patterns
simultaneously
enigmatically
thinking aloud
kindred
affinities
pursuing
the
lucid
autonomous
PLURALITY OF STYLES
deserving
representation
&advocated
design
symbolically
interpretative
complex
& dedicated
breaths
demanding
mature
congruent
principles
of
detailed
form
content
in
detailed
continuity
of
inseparable
elements
ASPIRATIONS
intuitive
observations
&moods
rendering
conceptions
&stimuli
with
insistent
interpretative
hints
in
contrasting
frissons
of
the subliminal
reflections
tinged
with
audacious
appeal
sheer
brilliance
of
anecdotal
embellishments
in
conventional
colouring
convincingly
reproduced
anticipation
of
the
evolutionary
essence
of
aesthetic
connections
EXPLORATIONS
transformed
harmony
manifold
in
appearance
an
unthinkable
observance
steeped
in
sensibility
rigorous
intimations
actualized
in
allegory
of
deliberate
oracles
in
interpretative
openess
discrete
& unmistakable
manoeuvred
immobility
of
single
moments
pure
essence
in
visual
contemplations
SOPHISTICATIONS
universal
interpretative
feelings
curiously
corrected
connections
of
coherence
reconciled
by
chance
suspended
reflections
opaque
sensory
preceptions
in
plausible
paraphrased
lyical
notations
intense
tacit
private
&personified
with
vivid
fluid
spatial
imaginations
my
abstractions
rainbow
my perspective
with
left - field
&
avant-garde
unpredictable
& unknowable
always provocative
instinctive
& interpretative
is this
enigmatic
inspiration
OPEN one breath
phonetic aspects
primarily
for performance
bridging
literary
& musical
rhythm
slack or strong
high or low
taut or loose
in
one-breath
length
verse
sans
visual
stanzas
coalesce
in
openness
on
the
page
field
of
spaces&breaks
sans grammatical
symbols
in
intuitive
cadence
an interpretative
interplay
unique
to the happening
ART
never
merely a self-expressive spring
ever
an interpretative
of another's
ego experience
always
a changing
two-way thing
ABSTRACT DREAM
An
abstracted blur
in flashbacks
of
yesteryear
caught
in a daydream
illusions
symbols
of childhood
coloured
filled swathes
of painterly
hues
A private
fantasy
in slow motion
suspended
in space
OPEN VERSE using spaces&breaks/no grammatical symbols /relying on 'the one breath limitation'/this intuitive cadence permits the 'reader' (reciter)to respond in an interpretative-interplay unique** to the ' happening moment'
IMAGININGS *
a mischievous
appearance
& disconcerting
expressions
undress the night
unconscious smiles
for
every dream
in
uprooted shadows
the day
does not
sleep
in great
weariness
where we
lock ourselves
hidden
softly
in its virtues
upon
in
a
field
of reflections
a
hand
to caresse
&
playful eyes
to
share
their clarity
lids
cast down
trace
temptations
lost
in
the dull
shadowed
skies
of leisure
whede innocence
facez
crippled
torment
in
laughter
wrinkles
OPEN VERSE using spaces&breaks/no grammatical symbols /relying on 'the one breath limitation'/this intuitive cadence permits the 'reader' (reciter)to respond in an interpretative-interplay unique** to the ' happening moment'
..
.
.
.
.
.Stand out from the crowd**
Read your posting aloud*
.
.
.
*Due to the one breath limitation' the intuitive cadence thereof permits the 'reader' (reciter)to respond in an interpretative-interplay unique** to the ' happening moment'
ARTISTA
prosaic
reality
in footnotes
to history
aspirations
flowering
experience
expressed
as emotions
flourish
&expound
in potent
awareness
particularised
addressed
articulated
literally
in
conscious
concepts
made credible
the improbable
contextualized
filling
space
visited
viewed
revered
or
reviled
relevant
& irrelevant
vacuous
ostentatious
left - field
avant-garde
conventional
traditional
yet
unpredictable
&
unknowable
always
personal
&individual
ever
provocative
objective
instinctive
& interpretative
the enigma
made
manifestto
to
taste or touch
see
&feel
absorb
in
a unique
moment
CREDO-POETRY IS AN ORAL ART AT ITS BEST WHEN RECITED
it then becomes a two-way unique one-off.experience .
TRADITIONAL LINE CAPITALISATION RHYME ..in tetrameter (ABBA).YES..
but NOT otherwise as it creates a natural pause (ie it stilts) & thus disrupts the flow
WRAP AROUND LINES are a no-no
they are not visually conducive to read digitally or otherwise!
POETIC NO NO s -acrostic,kyrielle terzanelle villanelle ,pantoum & the 'syllablics'
they can be good for a learning exercise,a bit like scales are important when learning the piano but are too contrived & mechanical IMHO for our art form
PROSE POETRY ok if visually shaped in open form style*
FORMS THAT ALWAYS RING MY BELL shape,emagi & ekphrasis ,imagist Rhyme,alliteration,clerihew,footle&hiku*(both in the singular especially)
*OPEN VERSE uses spaces&breaks without grammatical symbols relies upon 'the one breath limitation' this intuitive cadence pemits the 'reader' (reciter) to respond in an interpretative - interplay unique to the ' happening
OPEN VERSE
using
spaces&breaks
without grammatical symbols
relies upon 'the one breath limitation'
this intuitive cadence
pemits the 'reader' (reciter)
to respond
in an interpretative - interplay
unique
to the ' happening
moment'
Sub Categories
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