Through that aired, for arms and legs
More so, and higher winged
For a depiction of grace
Its danced artistry
Look up. On a roof and sky
Effortless outlined.
Figurante's, flamingo's.
Who's is mimicry?
ambivalence
recognising
opportunity
craving
significance
in ASPECTS OF THE SENSORY
emotional
desires
&needs
simuli
perceived
in AN ALLEGORY
tangible
functional
personifications
aware
&discovered
insights
intuition
unthinkable
yet
certain
fluent
rhetorical
illusion
silhouetted
in
palpable
perception
contrasted
plenitudes
flickering
resonance
suggested
in
enhanced
if
hesitant
intricacies
cryptic
&
intriguing
imbued
phenomena
DEPICTIONS
reality
identified
the compact
entitled
reflected
looking confused
a
deconstructed
legend
rendered
&proclaimed
perhaps a
disconnect
in retrospective
on showing
the perils
of verbosity
in
explanatory notes
exacting
a
symbolic revenge
in
unexpected
directions
DIPICTIONS
an
inauspicious
distorting
suspicion
with
a
frightening
determination
but
with
a
profound
belonging
stricken
shielding
a
remembered
entitlement
an
aptitude
emphasised
by
cariacture
&
parody
a distorted
arrogance
so
prominent
so
invalid
&
bewitching
DEPICTIONS
canlelight
a soft glow
displays hidden
effects
moving reflections
glimmering
flickering
imprints the eye
with fragility
artistry in depth
elements to mimic
to replicate
in
a soft light
THIS IS AN OPEN(organic) FORM VERSE without grammatical symbols the ' open' relies upon 'the one breath limitation' & so inherently requires the 'reader' (reciter) to input and respond thus making the form a two way interplay and often a unique interpretation by the enigma so derived
DEPICTIONS
canlelight
a soft glow
displays hidden
effects
moving reflections
glimmering
flickering
imprints the eye
with fragility
artistry in depth
elements to mimic
to replicate
in
a soft light
THIS IS AN OPEN(organic) FORM VERSE without grammatical symbols the ' open' relies upon 'the one breath limitation' & so inherently requires the 'reader' (reciter) to input and respond thus making the form a two way interplay and often a unique interpretation by the enigma so derived
superficial
serialized
& depersonalised
stencilised
depictions
deminishments of
unpredictable
abstractions
on a grand scale
simplified repetitions
unpredictable
heightened
& deliberate
identical
&
yet
different
pervasive
images
of
images
familiar
reflections
refracted
reality
in space
representations
of perspectives
perceived
exposures
of idiosyncratic
questions
without answers
intent to disturb
or calm
the art of making
not judging
fragments flattened
in two dimensions
it is what it is
..just ways & means
depictions
sans
explanations
what whispers make you smile
and who is your secret
that you wish a world to wonder
what awaits him who wishes
to love you
what allows him to have you
as person
tell me your secrets
that i might make them a script to
have you mine
what do you what from a woman
is it to couple and procreate
do you demand loyalty
and command obedience
are men against you being loved
and wish to unravel your happiness
which methods fo you use to acquire submissiveness
and are you chored by the labors
of being together
what have you done to
be so wise
or are your wisdoms from ways of gaining trust
to then make victum of them that
have trusted you
am I the fool
to be crazy for someone
who wishes for me
to be satisfied and then
love scorn by
your turning
from good to evil
why are we then gaming
to create rules as we go along
the way.
what am I
who am I
and then
who are we
There's a movement down South
where sound comes creeping
from beneath our feet, emptying
pockets which never had much.
You can see what we've written-
our bathroom stalls read
'Do something for the hell of it... anything...'
The messages are clustered around depictions
of stick-figures having gay intercourse.
Money- the ways they lied to us
unintentionally, believing
just like we do it’s a means to safety
or luxury cars with ass-warming seats.
But it's just an enhancer of methods
for questioning, down with the pill,
all cost and no lasting.
What gives weight to the want
for lingering? Beauty was,
and thus she is, now
and *** tomorrows.
Today, though form
and seasons change,
we have the means for loving.
‘Til the presently mysterious fabric
of time collapses, returning
to whatever it was
that caused it to begin.
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