The Devil Came To Aspen, Part I

In eighteen hundred ninety-three, back in those silver-mining days, a figure walked into Aspen town, and it was the devil they say, come looking for new souls to take. He didn’t look like you would think, the first time he appeared. He was dressed like any old cow-poke, and spend hours in saloons drinking beer, a rough figure, but not much to fear. They say he spoke with some miners, and stirred up their jealousy. Got them so mad they burned the house of their foreman Bud McKenzie. That night all heard poor Bud scream. Most folk would’ve written if off as drunken fools losing their heads. But in the firelight dozens saw the devil’s face shift, and grow red, his sick laugh filling folk with dread. He vanished that night, and for two days things seemed to return to form. But then he appeared as a three-year old in young Maggie Delgado’s arms, and she did not seem too alarmed. She didn’t know her baby lay dead her body left in the woods for the crows. The devil took her form and that morning went everywhere Maggie would go, ‘till ‘she’ jumped down and ran in the road. Maggie cried out and ran for ‘her,’ when a horse came riding, lickety-split It slammed into Maggie, trampled her down, heavy hooves ending her in a lick. The rider looked down, and was sick. And then in the street many did see, Maggie’s daughter grown rather tall. Transforming into the unknown cowboy who had lead the foreman to his fall. He laughed again, having a ball. Folks started to panic, leaving town, a few stayed and found the sherriff. Abner Gidden was his full name a middle-aged man of quick wits, would not sit still and put up with this. He went to a priest of Catholic faith, who instructed him to God to pray. He spent a whole day seeking advise, while many in town fled away, to be free of the devil’s sick games. When Abner emerged, he headed up the slopes of Ajax with his gun. Spent the day searching abandoned shafts looking for perdition’s dark son. Then at nightfall, he found the right one... CONCLUDES IN PART II.