Symbols In Flight: 1941

I'd have loved to see the bluebirds fly above the white chalk-cliffs of Dover-- and as they were blithely soaring over, immersed in thought I'd lie in calm repose upon that beach, admiring their swooping forms, evanescent, in fleeting storms, like ballet ... far beyond my reach. Frisking, fragile, carefree birds, symbolic through intrinsic meaning -- like sterling hope and freedom's words light English springs, forever greening: while England fought the bitter fight to hold at bay the 'fall of night.' Author notes November 20, 2004 - approx 112 words What makes Britain great? The entire world would be speaking German and Japanese right now if not for British courage in the face of overwhelming adversity. Setting, approximately June, 1941, Dover Beach, immediately following the Battle of Britain. This is a published poem, copyrighted, and it takes you to a specific place as well as a specific time, when the world was at war and the fate of all mankind hung in the balance. It is relevant because we are fast approaching another such time. Bluebirds are not found in the British Isles, but I wrote the poem before I became aware of the fact. The curator at the Dover Museum said I should just leave it that way, as bluebirds, since the song, The White Cliffs of Dover, specifically named bluebirds. Update: BLUEBIRD is an old country name for swallows and house martins, which have a blue sheen to their plumage. These migrants arrive from the continent in spring and leave in autumn, crossing the English Channel. So these bluebirds appear at least twice a year over the white cliffs and no doubt many spend the entire summer in the vicinity of Dover. As portents of improving weather, swallows and martins are traditionally believed to bring good fortune. The poem, a quasi-Petrarchean sonnet, is being archived with other writings about Dover and The Second World War by the Dover Museum, in Dover, England. This sonnet was published in Sonneto Poesia, Volume 3, Number 1, Winter, 2003-2004 Written July 20th, 2003