Competing Voices
When two or more Yang Dominants
are in the same room,
noticing each other,
it may be time to leave that room.
We have issues curtailing our co-arising competition
to reveal who can win
our CoElational Wealth Game.
All Yang-voices inside
and outside
clamoring EgoSapiens
hungry for EcoRights
optimizing Elational AnthroLight,
a smile of Namaste recognition,
we know each other from inside
compassion now,
yet only unusually from outside
pleasure rooted here.
Then we go back to our CoInhaled Win/Lose
dark and disempowering
political
and economic game of life,
but this despite I-Thou moments,
unsustained iconic monuments
within cooperative co-arising
sacred grace remembering.
Even so,
more and more of us are slowing our competition
for Ego's well-intended
but perhaps not always full-health and therapy
hunger for love is joy,
mind passion is body pleasure
synergy,
integrity;
slow enough toward MidWay Tipping Point Non(0)
1 Whole Root Systemic embrace
Other's loving eco-lights and brights
and hugs and smiles,
knowing them for our own,
bipartisan together.
Winning together
Yang/Yin bicamerally balancing
Internal ego recentering
away from a bit too competitively dominant
over
External EcoPolitical Wokeness,
Yin's full CoRelational ElationFlow
DoubleBinding Balance
RightBrain conserving feelings
for/within/of/without Yintegrity
Left as Yang verbal dominance,
listening in Yang's languaged yammering AnthroUniverse
to breathe out sacred Yintegrity's
in-out-ductive Prime CoElational Time
in TaoHarmonic two-faced fractal-octave +Yang/(-,-)Yin
WinWin co-reiterative
dialectical compassioned pleasure paradigms
Crown and Rooted
Anthro/Earth
Mind/Body
bicameral Tree of LiveBranches v. eviLRoots
as Win cannot be LoseLose 0sum equity
as +1/(-,-)0 Bicameral
ConvexYang/ConcaveYinFormating CoElation
AnthroMind/EarthEmbodied
Enlightened/Empowering
Sacred Unitarian/Secular Earth-Universal
CoPassion/Pleasure.
When YangEgo and YinEco CoElationals share a room,
ecopolitical outcomes
are passionately pleasant heaven.
Copyright © Gerald Dillenbeck | Year Posted 2016
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