Famous Undertones Poems by Famous Poets
These are examples of famous Undertones poems written by some of the greatest and most-well-known modern and classical poets. PoetrySoup is a great educational poetry resource of famous undertones poems. These examples illustrate what a famous undertones poem looks like and its form, scheme, or style (where appropriate).
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by
Seeger, Alan
...Give me the treble of thy horns and hoofs,
The ponderous undertones of 'bus and tram,
A garret and a glimpse across the roofs
Of clouds blown eastward over Notre Dame,
The glad-eyed streets and radiant gatherings
Where I drank deep the bliss of being young,
The strife and sweet potential flux of things
I sought Youth's dream of happiness among!
It walks here aureoled with the city-light,
Forever through th...Read more of this...
by
Service, Robert William
...nd each
Is what I wait to hear you say.
The pattern that your lips reveal,
How does it measure with your mind?
What undertones do you conceal?
Your smile is sweet - but what's behind?
I speak to you, but do I tell
The secret working of my brain?
Frank honesty would make life hell,
And truth be tantamount to pain.
When deep into the mind one delves,
Appalling verities we view;
If we betrayed our inner selves,
Would you hate man and I hate you?
Are we not strangers ea...Read more of this...
by
Aiken, Conrad
...nderstand them—which you've never had—
You'd know it too . . . ' So went this colloquy,
Half humorous, with undertones of pathos,
Half grave, half flippant . . . while her fingers, softly,
Felt for this tune, played it and let it fall,
Now note by singing note, now chord by chord,
Repeating phrases with a kind of pleasure . . .
Was it symbolic of the woman's weakness
That she could neither break it—nor conclude?
It paused . . . ...Read more of this...
by
Aiken, Conrad
...nderstand them—which you've never had—
You'd know it too . . . ' So went this colloquy,
Half humorous, with undertones of pathos,
Half grave, half flippant . . . while her fingers, softly,
Felt for this tune, played it and let it fall,
Now note by singing note, now chord by chord,
Repeating phrases with a kind of pleasure . . .
Was it symbolic of the woman's weakness
That she could neither break it—nor conclude?
It paused . . . ...Read more of this...
by
Aiken, Conrad
...What shall we talk of? Li Po? Hokusai?
You narrow your long dark eyes to fascinate me;
You smile a little. . . .Outside, the night goes by.
I walk alone in a forest of ghostly trees . . .
Your pale hands rest palm downwards on your knees.
'These lines—converging, they suggest such distance!
The soul is drawn away, beyon...Read more of this...
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