Famous Long Education Poems

Famous Long Education Poems. Long Education Poetry by Famous Poets. A collection of the all-time best Education long poems

See also: Long Member Poems

 I've known ere now an interfering branch
Of alder catch my lifted ax behind me.
But that was in the woods, to hold my hand
From striking at another alder's roots,
And that was, as I say, an alder branch.
This was a man, Baptiste, who stole one day
Behind me on the snow in my own yard
Where I was working at the chopping block,
And cutting nothing not cut down already.
He caught my ax expertly on the rise,
When all my strength put forth was in his favor,
Held it a moment where it was, to calm me,
Then took it from me — and I let him take it.
I didn't know him well enough to know
What it was all about. There might be something
He had in mind to say to a bad neighbor
He might prefer to say to him disarmed.
But all he had to tell me in French-English
Was what he thought of— not me, but my ax;
Me only as I took my ax to heart.
It was the bad ax-helve some one had sold me —
“Made on machine,' he said, plowing the grain
With a thick thumbnail to show how it ran
Across the handle's long-drawn serpentine,
Like the two strokes across a dollar sign.
“You give her 'one good crack, she's...
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 It is stuffy in the steerage where the second-classers sleep, 
For there's near a hundred for'ard, and they're stowed away like sheep, -- 
They are trav'lers for the most part in a straight 'n' honest path; 
But their linen's rather scanty, an' there isn't any bath -- 
Stowed away like ewes and wethers that is shore 'n' marked 'n' draft. 
But the shearers of the shearers always seem to travel aft; 
In the cushioned cabins, aft, 
With saloons 'n' smoke-rooms, aft -- 
There is sheets 'n' best of tucker for the first-salooners, aft. 

Our beef is just like scrapin's from the inside of a hide, 
And the spuds were pulled too early, for they're mostly green inside; 
But from somewhere back amidships there's a smell o' cookin' waft, 
An' I'd give my earthly prospects for a real good tuck-out aft -- 
Ham an' eggs 'n' coffee, aft, 
Say, cold fowl for luncheon, aft, 
Juicy grills an' toast 'n' cutlets -- tucker a-lor-frongsy, aft. 

They feed our women sep'rate, an' they make a blessed fuss, 
Just as if they couldn't trust 'em for to eat along with us! 
Just because our hands are horny an' our hearts are rough with...
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 The lawyer, are you?
Well! I ain't got nothin' to say.
Nothin'!
I told the perlice I hadn't nothin'.
They know'd real well 'twas me.
Ther warn't no supposin',
Ketchin' me in the woods as they did,
An' me in my house dress.
Folks don't walk miles an' miles
In the drifted snow,
With no hat nor wrap on 'em
Ef everythin's all right, I guess.
All right? Ha! Ha! Ha!
Nothin' warn't right with me.
Never was.
Oh, Lord! Why did I do it?
Why ain't it yesterday, and Ed here agin?
Many's the time I've set up with him nights
When he had cramps, or rheumatizm, or somethin'.
I used ter nurse him same's ef he was a baby.
I wouldn't hurt him, I love him!
Don't you dare to say I killed him. 'Twarn't me!
Somethin' got aholt o' me. I couldn't help it.
Oh, what shall I do! What shall I do!
Yes, Sir.
No, Sir.
I beg your pardon, I -- I --
Oh, I'm a wicked woman!
An' I'm desolate, desolate!
Why warn't I struck dead or paralyzed
Afore my hands done it.
Oh, my God, what shall I do!
No, Sir, ther ain't no extenuatin' circumstances,
An' I don't want none.
I want a bolt o' lightnin'
To strike me dead right now!
Oh, I'll tell yer.
But it won't make no diff'rence.
Nothin' will.
Yes, I killed him.
Why do yer...
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 Mary sat musing on the lamp-flame at the table
Waiting for Warren. When she heard his step,
She ran on tip-toe down the darkened passage
To meet him in the doorway with the news
And put him on his guard. 'Silas is back.'
She pushed him outward with her through the door
And shut it after her. "Be kind,' she said.
She took the market things from Warren's arms
And set them on the porch, then drew him down
To sit beside her on the wooden steps.
'When was I ever anything but kind to him?
But I'll not have the fellow back,' he said.
'I told him so last haying, didn't I?
"If he left then," I said, "that ended it."
What good is he? Who else will harbour him
At his age for the little he can do?
What help he is there's no depending on.
Off he goes always when I need him most.
'He thinks he ought to earn a little pay,
Enough at least to buy tobacco with,
won't have to beg and be beholden."
"All right," I say "I can't afford to pay
Any fixed wages, though I wish I could."
"Someone else can."
"Then someone else will have to.
I shouldn't mind his bettering himself
If that was what it was. You can be certain,
When he begins like...
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 1
AS a strong bird on pinions free, 
Joyous, the amplest spaces heavenward cleaving, 
Such be the thought I’d think to-day of thee, America, 
Such be the recitative I’d bring to-day for thee. 

The conceits of the poets of other lands I bring thee not,
Nor the compliments that have served their turn so long, 
Nor rhyme—nor the classics—nor perfume of foreign court, or indoor library; 
But an odor I’d bring to-day as from forests of pine in the north, in Maine—or
 breath
 of an Illinois prairie, 
With open airs of Virginia, or Georgia, or Tennessee—or from Texas uplands, or
 Florida’s glades, 
With presentment of Yellowstone’s scenes, or Yosemite;
And murmuring under, pervading all, I’d bring the rustling sea-sound, 
That endlessly sounds from the two great seas of the world. 

And for thy subtler sense, subtler refrains, O Union! 
Preludes of intellect tallying these and thee—mind-formulas fitted for
 thee—real, and
 sane, and large as these and thee; 
Thou, mounting higher, diving deeper than we knew—thou transcendental Union!
By thee Fact to be justified—blended with Thought; 
Thought of Man justified—blended with God: 
Through thy Idea—lo! the immortal Reality! 
Through thy Reality—lo! the immortal Idea! 

2
Brain of the New World! what a task is thine!
To...
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 George was lying in his trailer, flat on his back, watching a small portable T.V. His
dinner dishes were undone, his breakfast dishes were undone, he needed a shave, and ash
from his rolled cigarettes dropped onto his undershirt. Some of the ash was still burning.
Sometimes the burning ash missed the undershirt and hit his skin, then he cursed, brushing
it away. There was a knock on the trailer door. He got slowly to his feet and answered the
door. It was Constance. She had a fifth of unopened whiskey in a bag. 
"George, I left that son of a bitch, I couldn't stand that son of a bitch
anymore." 
"Sit down."
George opened the fifth, got two glasses, filled each a third with whiskey, two thirds
with water. He sat down on the bed with Constance. She took a cigarette out of her purse
and lit it. She was drunk and her hands trembled. 
"I took his damn money too. I took his damn money and split while he was at work.
You don't know how I've suffered with that son of a bitch." "
Lemme have a smoke," said George. She handed it to him and as she leaned near,
George put his arm around her, pulled her...
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 So you're writing for a paper? Well, it's nothing very new 
To be writing yards of drivel for a tidy little screw; 
You are young and educated, and a clever chap you are, 
But you'll never run a paper like the CAMBAROORA STAR. 
Though in point of education I am nothing but a dunce, 
I myself -- you mayn't believe it -- helped to run a paper once 
With a chap on Cambaroora, by the name of Charlie Brown, 
And I'll tell you all about it if you'll take the story down. 

On a golden day in summer, when the sunrays were aslant, 
Brown arrived in Cambaroora with a little printing plant 
And his worldly goods and chattels -- rather damaged on the way -- 
And a weary-looking woman who was following the dray. 
He had bought an empty humpy, and, instead of getting tight, 
Why, the diggers heard him working like a lunatic all night: 
And next day a sign of canvas, writ in characters of tar, 
Claimed the humpy as the office of the CAMBAROORA STAR. 

Well, I cannot read, that's honest, but I had a digger friend 
Who would read the paper to me from the...
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 I've paid for your sickest fancies; I've humoured your crackedest whim --
Dick, it's your daddy, dying; you've got to listen to him!
Good for a fortnight, am I? The doctor told you? He lied.
I shall go under by morning, and -- Put that nurse outside.
'Never seen death yet, Dickie? Well, now is your time to learn,
And you'll wish you held my record before it comes to your turn.
Not counting the Line and the Foundry, the yards and the village, too,
I've made myself and a million; but I'm damned if I made you.
Master at two-and-twenty, and married at twenty-three --
Ten thousand men on the pay-roll, and forty freighters at seal
Fifty years between'em, and every year of it fight,
And now I'm Sir Anthony Gloster, dying, a baronite:
For I lunched with his Royal 'Ighness -- what was it the papers had?
"Not the least of our merchant-princes." Dickie, that's me, your dad!
I didn't begin with askings. I took my job and I stuck;
I took the chances they wouldn't, an' now they're calling it luck.
Lord, what boats I've handled -- rotten and leaky and old --
Ran 'em, or -- opened the bilge-cock, precisely as I was told.
Grub that 'ud bind you crazy, and crews that...
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 For a Man is to be looked upon in that which he excells as on a prospect. 

For there be twelve cardinal virtues -- three to the East -- Greatness, Valour, Piety. 

For there be three to the West -- Goodness, Purity and Sublimity. 

For there be three to the North -- Meditation, Happiness, Strength. 

For there be three to the South -- Constancy, Pleasantry and Wisdom. 

For the Argument A PRIORI is GOD in every man's CONSCIENCE. 

For the Argument A POSTERIORI is God before every man's eyes. 

For the Four and Twenty Elders of the Revelation are Four and Twenty Eternities. 

For their Four and Twenty Crowns are their respective Consummations. 

For a CHARACTER is the votes of the Worldlings, but the seal is of Almighty GOD alone. 

For there is no musick in flats and sharps which are not in God's natural key. 

For where Accusation takes the place of encouragement a man of Genius is driven to act the vices of a fool. 

For the Devil can set a house on fire, when the inhabitants find combustibles. 

For the old account of time is the true -- Decr 28th 1759-60 -- -- -- 

For Faith...
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 1 Adios, Carenage

In idle August, while the sea soft,
and leaves of brown islands stick to the rim
of this Carribean, I blow out the light
by the dreamless face of Maria Concepcion
to ship as a seaman on the schooner Flight.
Out in the yard turning gray in the dawn,
I stood like a stone and nothing else move
but the cold sea rippling like galvanize
and the nail holes of stars in the sky roof,
till a wind start to interfere with the trees.
I pass me dry neighbor sweeping she yard
as I went downhill, and I nearly said:
"Sweep soft, you witch, 'cause she don't sleep hard,"
but the bitch look through me like I was dead.
A route taxi pull up, park-lights still on.
The driver size up my bags with a grin:
"This time, Shabine, like you really gone!"
I ain't answer the ass, I simply pile in
the back seat and watch the sky burn
above Laventille pink as the gown
in which the woman I left was sleeping,
and I look in the rearview and see a man
exactly like me, and the man was weeping
for the houses, the street, that whole fucking island.

Christ have mercy on all sleeping things!
>From that dog rotting down Wrightson Road
to when I was a dog on these...
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 1.1 Lo now! four other acts upon the stage,
1.2 Childhood, and Youth, the Manly, and Old-age.
1.3 The first: son unto Phlegm, grand-child to water,
1.4 Unstable, supple, moist, and cold's his Nature.
1.5 The second: frolic claims his pedigree;
1.6 From blood and air, for hot and moist is he.
1.7 The third of fire and choler is compos'd,
1.8 Vindicative, and quarrelsome dispos'd.
1.9 The last, of earth and heavy melancholy,
1.10 Solid, hating all lightness, and all folly.
1.11 Childhood was cloth'd in white, and given to show,
1.12 His spring was intermixed with some snow.
1.13 Upon his head a Garland Nature set:
1.14 Of Daisy, Primrose, and the Violet.
1.15 Such cold mean flowers (as these) blossom betime,
1.16 Before the Sun hath throughly warm'd the clime.
1.17 His hobby striding, did not ride, but run,
1.18 And in his hand an hour-glass new begun,
1.19 In dangers every moment of a fall,
1.20 And when 'tis broke, then ends his life and all.
1.21 But if he held till it have run its last,
1.22 Then may he live till threescore years or past.
1.23 Next, youth came up in gorgeous attire
1.24 (As that fond age, doth most of all desire),
1.25 His Suit of Crimson, and his Scarf of Green.
1.26 In's countenance, his pride...
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 THE PROLOGUE.


WHEN folk had laughed all at this nice case
Of Absolon and Hendy Nicholas,
Diverse folk diversely they said,
But for the more part they laugh'd and play'd;* *were diverted
And at this tale I saw no man him grieve,
But it were only Osewold the Reeve.
Because he was of carpenteres craft,
A little ire is in his hearte laft*; *left
He gan to grudge* and blamed it a lite.** *murmur **little.
"So the* I," quoth he, "full well could I him quite** *thrive **match
With blearing* of a proude miller's eye, *dimming 
If that me list to speak of ribaldry.
But I am old; me list not play for age; 
Grass time is done, my fodder is now forage.
This white top* writeth mine olde years; *head
Mine heart is also moulded* as mine hairs; *grown mouldy
And I do fare as doth an open-erse*; *medlar 
That ilke* fruit is ever longer werse, *same
Till it be rotten *in mullok or in stre*. *on the ground or in straw*
We olde men, I dread, so fare we;
Till we be rotten, can we not be ripe;
We hop* away, while that the world will pipe; *dance
For in our will there sticketh aye a nail,
To have an hoary head and a green tail,
As hath a...
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