Get Your Premium Membership

Famous Long Daffodils Poems

Famous Long Daffodils Poems. Long Daffodils Poetry by Famous Poets. A collection of the all-time best Daffodils long poems

See also: Long Member Poems

 
by Lascelles Abercrombie

The Voices in the Dream (Ryton Firs)

Follow my heart, my dancing feet,
Dance as blithe as my heart can beat.
Only can dancing understand
What a heavenly way we pass
Treading the green and golden land,
Daffodillies and grass.

I had a song, too, on my road,
But mine was in my eyes;
For Malvern Hills were with me all the way,
Singing loveliest visible melodies
Blue as a south-sea bay;
And ruddy as wine of France
Breadths of new-turn'd ploughland under them glowed.
'Twas my heart then must dance
To dwell in my delight;
No need to sing when all in song my sight
Moved over hills so musically made
And with such colour played. —
And only yesterday it was I saw
Veil'd in streamers of grey wavering smoke
My shapely Malvern Hills.
That was the last hail-storm to trouble spring:
He came in gloomy haste,
Pusht in front of the white clouds quietly basking,
In such a hurry he tript against the hills
And stumbling forward spilt over his shoulders
All his black baggage held,
Streaking downpour of hail.
Then fled dismayed, and the sun in golden glee
And the high white clouds laught down his dusky ghost.

For all that's left of winter
Is moisture in the ground.
When I came down the valley last, the sun
Just thawed the grass and made me gentle turf,
But still the frost was bony underneath.
Now moles take burrowing...
Read the rest of this poem...

Poems are below...



by Barry Tebb

AN EVENING WITH JOHN HEATH-STUBBS

 Alone in Sutton with Fynbos my orange cat

A long weekend of wind and rain drowning

The tumultuous flurry of mid-February blossom

A surfeit of letters to work through, a mountain

Of files to sort, some irritation at the thought

Of travelling to Kentish Town alone when

My mind was flooded with the mellifluous voice

Of Heath-Stubbs on tape reading ‘The Divided Ways’

In memory of Sidney Keyes.



“He has gone down into the dark cellar

To talk with the bright faced Spirit with silver hair

But I shall never know what word was spoken there.”



The best reader of the century, if not the best poet.

Resonant, mesmeric, his verse the anti-type of mine,

Classical, not personal, Apollonian not Dionysian

And most unconfessional but nonetheless a poet

Deserving honour in his eighty-fifth year.



Thirty people crowded into a room

With stacked chairs like a Sunday School

A table of pamphlets looked over but not bought

A lacquered screen holding court, a century’s junk.

An ivory dial telephone, a bowl of early daffodils

To focus on.



I was the first to read, speaking of James Simmons’ death,

My anguish at the year long silence from his last letter

To the Christmas card in Gaelic Nollaig Shona -

With the message “Jimmy’s doing better than expected.”

The difficulty I had in finding his publisher’s address -

Salmon Press,...
Read the rest of this poem...
by Sylvia Plath

Berck-Plage

(1)

This is the sea, then, this great abeyance.
How the sun's poultice draws on my inflammation.

Electrifyingly-colored sherbets, scooped from the freeze
By pale girls, travel the air in scorched hands.

Why is it so quiet, what are they hiding?
I have two legs, and I move smilingly..

A sandy damper kills the vibrations;
It stretches for miles, the shrunk voices

Waving and crutchless, half their old size.
The lines of the eye, scalded by these bald surfaces,

Boomerang like anchored elastics, hurting the owner.
Is it any wonder he puts on dark glasses?

Is it any wonder he affects a black cassock?
Here he comes now, among the mackerel gatherers

Who wall up their backs against him.
They are handling the black and green lozenges like the parts of a body.

The sea, that crystallized these, 
Creeps away, many-snaked, with a long hiss of distress.


(2)

This black boot has no mercy for anybody.
Why should it, it is the hearse of a dad foot,

The high, dead, toeless foot of this priest
Who plumbs the well of his book,

The bent print bulging before him like scenery.
Obscene bikinis hid in the dunes,

Breasts and hips a confectioner's sugar
Of little crystals, titillating the light,

While a green pool opens its eye,
Sick with what it has swallowed----

Limbs, images, shrieks. Behind the concrete bunkers
Two lovers...
Read the rest of this poem...
by Lascelles Abercrombie

Ryton Firs

The Dream
All round the knoll, on days of quietest air,
Secrets are being told; and if the trees
Speak out — let them make uproar loud as drums — 
'Tis secrets still, shouted instead of whisper'd.

There must have been a warning given once:
No tree, on pain of withering and sawfly,
To reach the slimmest of his snaky toes
Into this mounded sward and rumple it;
All trees stand back: taboo is on this soil. — 

The trees have always scrupulously obeyed.
The grass, that elsewhere grows as best it may
Under the larches, countable long nesh blades,
Here in clear sky pads the ground thick and close
As wool upon a Southdown wether's back;
And as in Southdown wool, your hand must sink
Up to the wrist before it find the roots.
A bed for summer afternoons, this grass;
But in the Spring, not too softly entangling
For lively feet to dance on, when the green
Flashes with daffodils. From Marcle way,
From Dymock, Kempley, Newent, Bromesberrow,
Redmarley, all the meadowland daffodils seem
Running in golden tides to Ryton Firs,
To make the knot of steep little wooded hills
Their brightest show: O bella età de l'oro!
Now I breathe you again, my woods of Ryton:
Not only golden with your daffodil-fires
Lying in pools on the loose dusky ground
Beneath the larches, tumbling...
Read the rest of this poem...
by Barry Tebb

Bridge Over The Aire Book 4

 THE LANDS OF MY CHILDHOOD



1



I am leaving the holy city of Leeds

For the last time for the first time

Leaded domes of minarets in Kirkgate

Market, the onion-dome of Ellerby Lane

School, the lands of my childhood empty

Or gone. Market stalls under wrought

Iron balconies strewn with roses and

Green imitation grass, a girl as beautiful

As the sun who might be Margaret’s

Daughter or Margaret herself half a

Lifetime earlier, with straw-gold hair

The colour of lank February grass.





2



Cook’s Moor End Works with three broken

Windows, lathes and benches open to the

Wind of my eyes this Sunday morning as I

Fly over the cobbles of Leeds nine to the

Aire’s side, the steps broken under the weight

Of the Transpennine Trail; forty years ago

I stood here with Margaret who whispered

In my ear, “I love you, I love you”.

Margaret, Margaret, where are you?





3



Great timbered escarpments over green and grey

Terraces to the rolling sky following the shiny way

To the Cimarron in the purple distance.



4



Margaret, I am making you of sun and shadow,

Of harp and violin, silk and satin skin,

Bluebell and harebell, sand and wave, grass

On the hillocks of the Hollows, the violet

Tears of your eyes.



Breath and rhythm

Now and always

Heart and head

Sister, lover,

Bride and mother.

5



The heron on high stilts through the sky

Over the Band...
Read the rest of this poem...

Poems are below...



by Barry Tebb

Bridge Over The Aire Book 2

 STANDING IN EDEN





1



Poetry claimed me young on Skegness beach

Before I was born I answered her cry

For a lost child still in the womb still

As the seawave journeying green upon green

Swollen in my mother’s side lashed and

Tongue-tied on a raft of premonition

Trying to survive my birth as the soul

Survives death turned in on the tide high

Watermarked as a bride to my beginning.



In April rain the banks were white narcissi

Yellow daffodils in Chapeltown alyssum at the

Foot of every tree white bands round the boles

Against the blackout still after fifty years

In the copse at Chapeltown the fences down the

Undergrowth cleared the bark exposed with scars

Like stars.



I am grounded in Chapeltown from dawn to dusk

Curfewed by my body’s husk I dream of ‘Swan Lake’

Car after car swan after swan across the stage

The mad conductor’s baton raised dying swans

Flying from the wings fading on the last chords

In the hyaline air by the crystal river where

We surrendered to its flow.





2



In Roundhay’s Canal Gardens go a pair of black swans

Scarlet beak to scarlet beak bend by the willow

Necks arched like the great bow of Odysseus;

Ithaca, I have returned, my Penelope lost, the tapestry

Of my journey torn, Troy long gone, a blind memory

In Homer’s song: I sing...
Read the rest of this poem...
by Amy Lowell

The Book of Hours of Sister Clotilde

 The Bell in the convent tower swung.
High overhead the great sun hung,
A navel for the curving sky.
The air was a blue clarity.
Swallows flew,
And a cock crew.
The iron clanging sank through the light air,
Rustled over with blowing branches. A flare
Of spotted green, and a snake had gone
Into the bed where the snowdrops shone
In green new-started,
Their white bells parted.
Two by two, in a long brown line,
The nuns were walking to breathe the fine
Bright April air. They must go in soon
And work at their tasks all the afternoon.
But this time is theirs!
They walk in pairs.
First comes the Abbess, preoccupied
And slow, as a woman often tried,
With her temper in bond. Then the oldest nun.
Then younger and younger, until the last one
Has a laugh on her lips,
And fairly skips.
They wind about the gravel walks
And all the long line buzzes and talks.
They step in time to the ringing bell,
With scarcely a shadow. The sun is well
In the core of a sky
Domed silverly.
Sister Marguerite said: "The pears will 
soon bud."
Sister Angelique said she must get her spud
And free the earth round the jasmine roots.
Sister Veronique said: "Oh, look at those shoots!
There's a crocus up,
With a purple cup."
But Sister Clotilde said nothing at all,
She looked up and...
Read the rest of this poem...
by Tony Harrison

V

 'My father still reads the dictionary every day. 
He says your life depends on your power to master words.'

 Arthur Scargill
 Sunday Times, 10 January 1982

Next millennium you'll have to search quite hard
to find my slab behind the family dead, 
butcher, publican, and baker, now me, bard
adding poetry to their beef, beer and bread.

With Byron three graves on I'll not go short
of company, and Wordsworth's opposite.
That's two peers already, of a sort,
and we'll all be thrown together if the pit,

whose galleries once ran beneath this plot,
causes the distinguished dead to drop 
into the rabblement of bone and rot,
shored slack, crushed shale, smashed prop.

Wordsworth built church organs, Byron tanned
luggage cowhide in the age of steam,
and knew their place of rest before the land
caves in on the lowest worked-out seam.

This graveyard on the brink of Beeston Hill's
the place I may well rest if there's a spot
under the rose roots and the daffodils
by which dad dignified the family plot.

If buried ashes saw then I'd survey
the places I learned Latin, and learned Greek,
and left, the ground where Leeds United play
but disappoint their fans week after week,

which makes them lose their sense of self-esteem
and taking a short cut home through these graves here
they reassert...
Read the rest of this poem...
by Amy Lowell

Pickthorn Manor

 I
How fresh the Dartle's little waves that day! A 
steely silver, underlined with blue,
And flashing where the round clouds, blown away, Let drop the 
yellow sunshine to gleam through
And tip the edges of the waves with shifts And spots of whitest 
fire, hard like gems
Cut from the midnight moon they were, and sharp As 
wind through leafless stems.
The Lady Eunice walked between the drifts
Of blooming cherry-trees, and watched the rifts
Of clouds drawn through the river's azure warp.

II
Her little feet tapped softly down the path. Her 
soul was listless; even the morning breeze
Fluttering the trees and strewing a light swath Of fallen petals 
on the grass, could please
Her not at all. She brushed a hair aside With a 
swift move, and a half-angry frown.
She stopped to pull a daffodil or two, And 
held them to her gown
To test the colours; put them at her side,
Then at her breast, then loosened them and tried
Some new arrangement, but it would not do.

III
A lady in a Manor-house, alone, Whose husband 
is in Flanders with the Duke
Of Marlborough and Prince Eugene, she's grown Too apathetic 
even to rebuke
Her idleness. What is she on this Earth? No woman 
surely, since she neither can
Be wed nor...
Read the rest of this poem...
by Oscar Wilde

CHARMIDES

 I.

He was a Grecian lad, who coming home
With pulpy figs and wine from Sicily
Stood at his galley's prow, and let the foam
Blow through his crisp brown curls unconsciously,
And holding wave and wind in boy's despite
Peered from his dripping seat across the wet and stormy night.

Till with the dawn he saw a burnished spear
Like a thin thread of gold against the sky,
And hoisted sail, and strained the creaking gear,
And bade the pilot head her lustily
Against the nor'west gale, and all day long
Held on his way, and marked the rowers' time with measured song.

And when the faint Corinthian hills were red
Dropped anchor in a little sandy bay,
And with fresh boughs of olive crowned his head,
And brushed from cheek and throat the hoary spray,
And washed his limbs with oil, and from the hold
Brought out his linen tunic and his sandals brazen-soled,

And a rich robe stained with the fishers' juice
Which of some swarthy trader he had bought
Upon the sunny quay at Syracuse,
And was with Tyrian broideries inwrought,
And by the questioning merchants made his way
Up through the soft and silver woods, and when the labouring day

Had spun its tangled web of crimson cloud,
Clomb the high hill, and with swift silent feet
Crept to the fane...
Read the rest of this poem...
by John Keats

Endymion: Book I

 ENDYMION.

A Poetic Romance.

"THE STRETCHED METRE OF AN AN ANTIQUE SONG."
INSCRIBED TO THE MEMORY OF THOMAS CHATTERTON.


Book I


A thing of beauty is a joy for ever:
Its loveliness increases; it will never
Pass into nothingness; but still will keep
A bower quiet for us, and a sleep
Full of sweet dreams, and health, and quiet breathing.
Therefore, on every morrow, are we wreathing
A flowery band to bind us to the earth,
Spite of despondence, of the inhuman dearth
Of noble natures, of the gloomy days,
Of all the unhealthy and o'er-darkened ways
Made for our searching: yes, in spite of all,
Some shape of beauty moves away the pall
From our dark spirits. Such the sun, the moon,
Trees old and young, sprouting a shady boon
For simple sheep; and such are daffodils
With the green world they live in; and clear rills
That for themselves a cooling covert make
'Gainst the hot season; the mid forest brake,
Rich with a sprinkling of fair musk-rose blooms:
And such too is the grandeur of the dooms
We have imagined for the mighty dead;
All lovely tales that we have heard or read:
An endless fountain of immortal drink,
Pouring unto us from the heaven's brink.

 Nor do we merely feel these essences
For one short hour; no, even as the trees
That whisper round a...
Read the rest of this poem...
by John Milton

Comus

 A Masque Presented At Ludlow Castle, 1634, Before 

The Earl Of Bridgewater, Then President Of Wales.

The Persons

 The ATTENDANT SPIRIT, afterwards in the habit of THYRSIS.
COMUS, with his Crew.
The LADY.
FIRST BROTHER.
SECOND BROTHER.
SABRINA, the Nymph.

The Chief Persons which presented were:—

The Lord Brackley;
Mr. Thomas Egerton, his Brother;
The Lady Alice Egerton.


The first Scene discovers a wild wood.
The ATTENDANT SPIRIT descends or enters.


BEFORE the starry threshold of Jove's court
My mansion is, where those immortal shapes
Of bright aerial spirits live insphered
In regions mild of calm and serene air,
Above the smoke and stir of this dim spot
Which men call Earth, and, with low-thoughted care,
Confined and pestered in this pinfold here,
Strive to keep up a frail and feverish being,
Unmindful of the crown that Virtue gives,
After this mortal change, to her true servants
Amongst the enthroned gods on sainted seats.
Yet some there be that by due steps aspire
To lay their just hands on that golden key
That opes the palace of eternity.
To Such my errand is; and, but for such,
I would not soil these pure ambrosial weeds
With the rank vapours of this sin-worn mould.
 But to my task. Neptune, besides the sway
Of every salt flood and each ebbing stream,
Took in by lot, 'twixt high and nether Jove,
Imperial rule of...
Read the rest of this poem...

Book: Shattered Sighs