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by
Lewis Carroll
I
There was an ancient City, stricken down
With a strange frenzy, and for many a day
They paced from morn to eve the crowded town,
And danced the night away.
I asked the cause: the aged man grew sad:
They pointed to a building gray and tall,
And hoarsely answered "Step inside, my lad,
And then you'll see it all."
Yet what are all such gaieties to me
Whose thoughts are full of indices and surds?
x*x + 7x + 53 = 11/3
But something whispered "It will soon be done:
Bands cannot always play, nor ladies smile:
Endure with patience the distasteful fun
For just a little while!"
A change came o'er my Vision - it was night:
We clove a pathway through a frantic throng:
The steeds, wild-plunging, filled us with affright:
The chariots whirled along.
Within a marble hall a river ran -
A living tide, half muslin and half cloth:
And here one mourned a broken wreath or fan,
Yet swallowed down her wrath;
And here one offered to a thirsty fair
(His words half-drowned amid those thunders tuneful)
Some frozen viand (there were many there),
A tooth-ache in each spoonful.
There comes a happy pause, for human strength
Will not endure to dance without cessation;
And every one must reach the point at length
Of...
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by
Anne Bradstreet
1 Sometime now past in the Autumnal Tide,
2 When Ph{oe}bus wanted but one hour to bed,
3 The trees all richly clad, yet void of pride,
4 Were gilded o're by his rich golden head.
5 Their leaves and fruits seem'd painted but was true
6 Of green, of red, of yellow, mixed hew,
7 Rapt were my senses at this delectable view.
2
8 I wist not what to wish, yet sure thought I,
9 If so much excellence abide below,
10 How excellent is he that dwells on high?
11 Whose power and beauty by his works we know.
12 Sure he is goodness, wisdom, glory, light,
13 That hath this under world so richly dight.
14 More Heaven than Earth was here, no winter and no night.
3
15 Then on a stately Oak I cast mine Eye,
16 Whose ruffling top the Clouds seem'd to aspire.
17 How long since thou wast in thine Infancy?
18 Thy strength and stature, more thy years admire,
19 Hath hundred winters past since thou wast born?
20 Or thousand since thou brakest thy shell of horn?
21 If so, all these as nought, Eternity doth scorn.
4
22 Then higher on the glistering Sun I gaz'd,
23 Whose beams was shaded by the leafy Tree.
24 The...
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by
Walt Whitman
1
AFTER all, not to create only, or found only,
But to bring, perhaps from afar, what is already founded,
To give it our own identity, average, limitless, free;
To fill the gross, the torpid bulk with vital religious fire;
Not to repel or destroy, so much as accept, fuse, rehabilitate;
To obey, as well as command—to follow, more than to lead;
These also are the lessons of our New World;
—While how little the New, after all—how much the Old, Old World!
Long, long, long, has the grass been growing,
Long and long has the rain been falling,
Long has the globe been rolling round.
2
Come, Muse, migrate from Greece and Ionia;
Cross out, please, those immensely overpaid accounts,
That matter of Troy, and Achilles’ wrath, and Eneas’, Odysseus’ wanderings;
Placard “Removed†and “To Let†on the rocks of your snowy
Parnassus;
Repeat at Jerusalem—place the notice high on Jaffa’s gate, and on Mount Moriah;
The same on the walls of your Gothic European Cathedrals, and German, French and Spanish
Castles;
For know a better, fresher, busier sphere—a wide, untried domain awaits, demands you.
3
Responsive to our summons,
Or rather to her long-nurs’d inclination,
Join’d with an irresistible, natural gravitation,
She comes! this...
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by
Jorge Manrique
The Introit
Let from its dream the soul awaken,
And reason mark with open eyes
The scene unfolding,—
How lightly life away is taken,
How cometh Death in stealthy guise,—
At last beholding;
What swiftness hath the flight of pleasure
That, once attained, seems nothing more
Than respite cold;
How fain is memory to measure
Each latter day inferior
To those of old.
Beholding how each instant flies
So swift, that, as we count, 'tis gone
Beyond recover,
Let us resolve to be more wise
Than stake our future lot upon
What soon is over.
Let none be self-deluding, none,—
Imagining some longer stay
For his own treasure
Than what today he sees undone;
For everything must pass away
In equal measure.
Our lives are fated as the rivers
That gather downward to the sea
We know as Death;
And thither every flood delivers
The pride and pomp of seigniory
That forfeiteth;
Thither, the rivers in their splendor;
Thither, the streams of modest worth,—
The rills beside them;
Till there all equal they surrender;
And so with those who toil on earth,
And those who guide them.
The Invocation
I turn me from the praise and singing
Of panegyrists, and the proud
Old poets' stories;
I would not have them hither bringing
Their artful potions that but cloud
His honest glories;
On Him Alone I lay my burden—
Him only do I now implore
In my distress,—
Who came on earth and had for guerdon
The scorn of...
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by
Sylvia Plath
A Poem for Three Voices
Setting: A Maternity Ward and round about
FIRST VOICE:
I am slow as the world. I am very patient,
Turning through my time, the suns and stars
Regarding me with attention.
The moon's concern is more personal:
She passes and repasses, luminous as a nurse.
Is she sorry for what will happen? I do not think so.
She is simply astonished at fertility.
When I walk out, I am a great event.
I do not have to think, or even rehearse.
What happens in me will happen without attention.
The pheasant stands on the hill;
He is arranging his brown feathers.
I cannot help smiling at what it is I know.
Leaves and petals attend me. I am ready.
SECOND VOICE:
When I first saw it, the small red seep, I did not believe it.
I watched the men walk about me in the office. They were so flat!
There was something about them like cardboard, and now I had caught it,
That flat, flat, flatness from which ideas, destructions,
Bulldozers, guillotines, white chambers of shrieks proceed,
Endlessly proceed--and the cold angels, the abstractions.
I sat at my desk in my stockings, my high heels,
And the man I work for laughed: 'Have you seen something awful?
You are so white, suddenly.' And I said nothing.
I saw death in the...
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by
Andrew Marvell
After two sittings, now our Lady State
To end her picture does the third time wait.
But ere thou fall'st to work, first, Painter, see
If't ben't too slight grown or too hard for thee.
Canst thou paint without colors? Then 'tis right:
For so we too without a fleet can fight.
Or canst thou daub a signpost, and that ill?
'Twill suit our great debauch and little skill.
Or hast thou marked how antic masters limn
The aly-roof with snuff of candle dim,
Sketching in shady smoke prodigious tools?
'Twill serve this race of drunkards, pimps and fools.
But if to match our crimes thy skill presumes,
As th' Indians, draw our luxury in plumes.
Or if to score out our compendious fame,
With Hooke, then, through the microscope take aim,
Where, like the new Comptroller, all men laugh
To see a tall louse brandish the white staff.
Else shalt thou oft thy guiltless pencil curse,
Stamp on thy palette, not perhaps the worse.
The painter so, long having vexed his cloth--
Of his hound's mouth to feign the raging froth--
His desperate pencil at the work did dart:
His anger reached that rage which passed his art;...
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by
John Milton
Of that sort of Dramatic Poem which is call'd Tragedy.
TRAGEDY, as it was antiently compos'd, hath been ever held the
gravest, moralest, and most profitable of all other Poems:
therefore said by Aristotle to be of power by raising pity and fear,
or terror, to purge the mind of those and such like passions, that is
to temper and reduce them to just measure with a kind of delight,
stirr'd up by reading or seeing those passions well imitated. Nor is
Nature wanting in her own effects to make good his assertion: for
so in Physic things of melancholic hue and quality are us'd against
melancholy, sowr against sowr, salt to remove salt humours.
Hence Philosophers and other gravest Writers, as Cicero, Plutarch
and others, frequently cite out of Tragic Poets, both to adorn and
illustrate thir discourse. The Apostle Paul himself thought it not
unworthy to insert a verse of Euripides into the Text of Holy
Scripture, I Cor. 15. 33. and Paraeus commenting on the
Revelation, divides the whole Book as a Tragedy, into Acts
distinguisht each by a Chorus of Heavenly Harpings and Song
between. Heretofore Men in highest dignity have labour'd not a
little to be thought able to compose a Tragedy. Of that honour
Dionysius the elder was no less ambitious, then...
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