Written by
Billy Collins |
In the usual iconography of the temple or the local Wok
you would never see him doing such a thing,
tossing the dry snow over a mountain
of his bare, round shoulder,
his hair tied in a knot,
a model of concentration.
Sitting is more his speed, if that is the word
for what he does, or does not do.
Even the season is wrong for him.
In all his manifestations, is it not warm or slightly humid?
Is this not implied by his serene expression,
that smile so wide it wraps itself around the waist of the universe?
But here we are, working our way down the driveway,
one shovelful at a time.
We toss the light powder into the clear air.
We feel the cold mist on our faces.
And with every heave we disappear
and become lost to each other
in these sudden clouds of our own making,
these fountain-bursts of snow.
This is so much better than a sermon in church,
I say out loud, but Buddha keeps on shoveling.
This is the true religion, the religion of snow,
and sunlight and winter geese barking in the sky,
I say, but he is too busy to hear me.
He has thrown himself into shoveling snow
as if it were the purpose of existence,
as if the sign of a perfect life were a clear driveway
you could back the car down easily
and drive off into the vanities of the world
with a broken heater fan and a song on the radio.
All morning long we work side by side,
me with my commentary
and he inside his generous pocket of silence,
until the hour is nearly noon
and the snow is piled high all around us;
then, I hear him speak.
After this, he asks,
can we go inside and play cards?
Certainly, I reply, and I will heat some milk
and bring cups of hot chocolate to the table
while you shuffle the deck.
and our boots stand dripping by the door.
Aaah, says the Buddha, lifting his eyes
and leaning for a moment on his shovel
before he drives the thin blade again
deep into the glittering white snow.
|
Written by
Thomas Moore |
Dear Goddess of Corn, whom the ancients we know,
(Among other odd whims of those comical bodies,)
Adorn'd with somniferous poppies, to show,
Thou wert always a true Country-gentleman's Goddess.
Behold in his best, shooting-jacket, before thee,
An eloquent 'Squire, who most humbly beseeches,
Great Queen of the Mark-lane (if the thing doesn't bore thee),
Thou'lt read o'er the last of his -- never-last speeches.
Ah! Ceres, thou know'st not the slander and scorn
Now heap'd upon England's 'Squirearchy, so boasted;
Improving on Hunt, 'tis no longer the Corn,
'Tis the growers of Corn that are now, alas! roasted.
In speeches, in books, in all shapes they attack us --
Reviewers, economists - fellows, no doubt,
That you, my dear Ceres, and Venus, and Bacchus,
And Gods of high fashion know little about.
There's B-nth-m, whose English is all his own making --
Who thinks just as little of settling a nation
As he would of smoking his pipe, or of taking
(What he, himself, calls) his "post-prandial vibration."
There are two Mr. M---lls, too, whom those that love reading
Through all that's unreadable, call very clever; --
And whreas M---ll Senior makes war on good breeding,
M---ll Junio makes war on all breeding whatever!
In short, my dear Goddess, Old England's divided
Between ultra blockheads and superfine sages; --
With which of these classes we, landlords, have sided
Thou'lt find in my Speech, if thou'lt read a few pages.
For therein I've prov'd, to my own satisfaction,
And that of all 'Squires I've the honour of meeting,
That 'tis the most senseless and foul-mouth'd detraction
To say that poor people are fond of cheap eating.
On the contrary, such the "chaste notions" of food
that dwell in each pale manufacturer's heart,
They would scorn any law, be it every so good,
That would make thee, dear Goddess, less dear than thou art!
And, oh! for Monopoly what a blest day,
When the Land and the Silk shall, in fond combination,
(Like Sulky and Silky, that pair in the play)
Cry out, with one voice, High Rents and Starvation!
Long life to the Minister! -- no matter who,
Or how dull he may be, if, with dignified spirit, he
Keeps the ports shut -- and the people's mouth too, --
We shall all have a long run of Freddy's prosperity.
And, as for myself, who've like Hannibal, sworn
To hate the whole crew who would take our rents from us,
Had England but One to stand by thee, Dear Corn,
That last, honest Uni-Corn would be Sir Th-m-s!
|
Written by
Barry Tebb |
We had a new house
And split the decorating.
You took the piled rolls of paper,
While I stacked the cans of gloss,
One to each corner-white-what else?
And when we began our slow labour
We did not even sigh except in some relief
In being there at last.
There were no spaces for our children’s visits
Nor for the children they would never bring.
All rooms sat square and small, but with
Every outside wall a window. There was light
Enough for a studio wherever you went,
And for the tiny hall you chose
A glazed blue bowl of your own making.
The house stood on a hill, just a little
Inaccessible but, in view of our age, others
Had to be near and there they were, paired like
Dominoes in black and white, or chequer board
Squares with a neat red pillar-box
Anchored on the corner.
All the day of the moving I longed to be alone
With you; for the men in their old-fashioned aprons
To finish and be off and make space for you to squat
And with your nimble fingers light the one real fire
We had been allowed, so I could sit in my winged
Windsor chair and decipher the text of the flames
And savour the smoke before the up-draft caught;
And for a few days there might seem little to say,
The clay wet in the bin, the canvases heaped in the studio,
And the faces in our children’s photographs stranger
Than strangers.
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