Written by
Robert William Service |
Some carol of the banjo, to its measure keeping time;
Of viol or of lute some make a song.
My battered old accordion, you're worthy of a rhyme,
You've been my friend and comforter so long.
Round half the world I've trotted you, a dozen years or more;
You've given heaps of people lots of fun;
You've set a host of happy feet a-tapping on the floor . . .
Alas! your dancing days are nearly done.
I've played you from the palm-belt to the suburbs of the Pole;
From the silver-tipped sierras to the sea.
The gay and gilded cabin and the grimy glory-hole
Have echoed to your impish melody.
I've hushed you in the dug-out when the trench was stiff with dead;
I've lulled you by the coral-laced lagoon;
I've packed you on a camel from the dung-fire on the bled,
To the hell-for-breakfast Mountains of the Moon.
I've ground you to the shanty men, a-whooping heel and toe,
And the hula-hula graces in the glade.
I've swung you in the igloo to the lousy Esquimau,
And the Haussa at a hundred in the shade.
The ****** on the levee, and the Dinka by the Nile
have shuffled to your insolent appeal.
I've rocked with glee the chimpanzee, and mocked the crocodile,
And shocked the pompous penquin and the seal.
I've set the yokels singing in a little Surrey pub,
Apaches swinging in a Belville bar.
I've played an obligato to the tom-tom's rub-a-dub,
And the throb of Andalusian guitar.
From the Horn to Honolulu, from the Cape to Kalamazoo,
From Wick to Wicklow, Samarkand to Spain,
You've roughed it with my kilt-bag like a comrade tried and true. . . .
Old pal! We'll never hit the trail again.
Oh I know you're cheap and vulgar, you're an instrumental crime.
In drawing-rooms you haven't got a show.
You're a musical abortion, you're the voice of grit and grime,
You're the spokesman of the lowly and the low.
You're a democratic devil, you're the darling of the mob;
You're a wheezy, breezy blasted bit of glee.
You're the headache of the high-bow, you're the horror of the snob,
but you're worth your weight in ruddy gold to me.
For you've chided me in weakness and you've cheered me in defeat;
You've been an anodyne in hours of pain;
And when the slugging jolts of life have jarred me off my feet,
You've ragged me back into the ring again.
I'll never go to Heaven, for I know I am not fit,
The golden harps of harmony to swell;
But with asbestos bellows, if the devil will permit,
I'll swing you to the fork-tailed imps of Hell.
Yes, I'll hank you, and I'll spank you,
And I'll everlasting yank you
To the cinder-swinging satellites of Hell.
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Written by
Rg Gregory |
18
if you want a revolution attack
symbols not systems - the simple forms
that (blithely) give the truth away
tying down millions to their terms
quietly with no one answering back
where the stage is makes the play
keeps actors (meanings) to those norms
stability requires - change tack
(remove the stage) violent storms
will sweep the old regime away
eventually there'll be no going back
once new symbols breed new germs
and strange hopes redesign the day
29
fresh hope stems from a dead conclusion
high art is a fraud - a provider of pap
for suckers happy to give up their own
longings to beauty in a cellophane wrap
spending their rights for a rich illusion
people demean themselves before a throne
but sooner or later have to let the sap
earthed in them rise to a new extrusion
art's not in the show (a lovely touch of clap)
but in the tough fusion of blood and bone
dreams may be soured in the drab confusion
but everywhere's the making of a map
charting today's unimaginable zone
42
what appals me daily is the unintelligence of those
who sit on the commodes of power debowelling scented ****
public- and grammar-school yokels wet-nursed oxbridge bums
(meet them where your own world breathes you'd have the urge to spit)
their great debates are full of puff their insights comatose
but they concoct the standards in their painted kingdom-comes
they pass down the judgments draped in tongues of holy writ
the people are a mass disease an untissued runny nose
disdained (but somehow soared above) as they subscribe their wit
to the culture of the stately tree (and to pilfering its plums)
they've got there by a rancid myth - that a nation's wisdom blows
from the arseholes of the clever (the odiferously fit)
as they guzzle in their spotlit windows tossing off the crumbs
65
far deeper than the wounds on egdon heath
its proud moroseness scales across the time
tinting all after-thought - where hardy gloomed
(wringing ironic bloodtones from sublime)
a host of worms have nibbled through belief
faith-riddled souls have other faiths exhumed
a pagan dissonance has reached for rhyme
a void (dismissed) has sprouted from the wreath
that science laid - a self-inflicted crime
unknifes itself and bleaker hope has bloomed
what hardy touched on sombre egdon heath
the wasted world now touches - midnights prime
the last condition be frugal or be doomed
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Written by
Andrew Barton Paterson |
There came a stranger to Walgett town,
To Walgett town when the sun was low,
And he carried a thirst that was worth a crown,
Yet how to quench it he did not know;
But he thought he might take those yokels down,
The guileless yokels of Walgett town.
They made him a bet in a private bar,
In a private bar when the talk was high,
And they bet him some pounds no matter how far
He could pelt a stone, yet he could not shy
A stone right over the river so brown,
The Darling River at Walgett town.
He knew that the river from bank to bank
Was fifty yards, and he smiled a smile
As he trundled down; but his hopes they sank,
For there wasn’t a stone within fifty mile;
For the saltbush plain and the open down
Produce no quarries in Walgett town.
The yokels laughed at his hopes o’erthrown,
And he stood awhile like a man in a dream;
Then out of his pocket he fetched a stone,
And pelted it over the silent stream –
He’d been there before; he had wandered down
On a previous visit to Walgett town.
|
Written by
Andrew Barton Paterson |
The sun strikes down with a blinding glare;
The skies are blue and the plains are wide,
The saltbush plains that are burnt and bare
By Walgett out on the Barwon side --
The Barwon River that wanders down
In a leisurely manner by Walgett Town.
There came a stranger -- a "Cockatoo" --
The word means farmer, as all men know,
Who dwell in the land where the kangaroo
Barks loud at dawn, and the white-eyed crow
Uplifts his song on the stock-yard fence
As he watches the lambkins passing hence.
The sunburnt stranger was gaunt and brown,
But it soon appeared that he meant to flout
The iron law of the country town,
Which is -- that the stranger has got to shout:
"If he will not shout we must take him down,"
Remarked the yokels of Walgett Town.
They baited a trap with a crafty bait,
With a crafty bait, for they held discourse
Concerning a new chum who there of late
Had bought such a thoroughly lazy horse;
They would wager that no one could ride him down
The length of the city of Walgett Town.
The stranger was born on a horse's hide;
So he took the wagers, and made them good
With his hard-earned cash -- but his hopes they died,
For the horse was a clothes-horse, made of wood! --
'Twas a well-known horse that had taken down
Full many a stranger in Walgett Town.
The stranger smiled with a sickly smile --
'Tis a sickly smile that the loser grins --
And he said he had travelled for quite a while
A-trying to sell some marsupial skins.
"And I thought that perhaps, as you've took me down,
You would buy them from me, in Walgett Town!"
He said that his home was at Wingalee,
At Wingalee, where he had for sale
Some fifty skins and would guarantee
They were full-sized skins, with the ears and tail
Complete; and he sold them for money down
To a venturesome buyer in Walgett Town.
Then he smiled a smile as he pouched the pelf,
"I'm glad that I'm quit of them, win or lose:
You can fetch them in when it suits yourself,
And you'll find the skins -- on the kangaroos!"
Then he left -- and the silence settled down
Like a tangible thing upon Walgett Town.
|
Written by
Edgar Lee Masters |
Out of the lights and roar of cities,
Drifting down like a spark in Spoon River,
Burnt out with the fire of drink, and broken,
The paramour of a woman I took in self-contempt,
But to hide a wounded pride as well.
To be judged and loathed by a village of little minds --
I, gifted with tongues and wisdom,
Sunk here to the dust of the justice court,
A picker of rags in the rubbage of spites and wrongs, --
I, whom fortune smiled on! I in a village,
Spouting to gaping yokels pages of verse,
Out of the lore of golden years,
Or raising a laugh with a flash of filthy wit
When they bought the drinks to kindle my dying mind.
To be judged by you,
The soul of me hidden from you,
With its wound gangrened
By love for a wife who made the wound,
With her cold white bosom, treasonous, pure and hard,
Relentless to the last, when the touch of her hand,
At any time, might have cured me of the typhus,
Caught in the jungle of life where many are lost.
And only to think that my soul could not react,
Like Byron's did, in song, in something noble,
But turned on itself like a tortured snake --
Judge me this way, O world!
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