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Best Famous Ye Poems

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Written by Percy Bysshe Shelley | Create an image from this poem

Ozymandias

I met a traveller from an antique land,
Who said—“Two vast and trunkless legs of stone
Stand in the desert. . . . Near them, on the sand,
Half sunk a shattered visage lies, whose frown,
And wrinkled lip, and sneer of cold command,
Tell that its sculptor well those passions read
Which yet survive, stamped on these lifeless things,
The hand that mocked them, and the heart that fed;
And on the pedestal, these words appear:
My name is Ozymandias, King of Kings;
Look on my Works, ye Mighty, and despair!
Nothing beside remains. Round the decay
Of that colossal Wreck, boundless and bare
The lone and level sands stretch far away.”


Written by Charles Baudelaire | Create an image from this poem

The Dance Of Death

 CARRYING bouquet, and handkerchief, and gloves, 
Proud of her height as when she lived, she moves 
With all the careless and high-stepping grace, 
And the extravagant courtesan's thin face. 

Was slimmer waist e'er in a ball-room wooed? 
Her floating robe, in royal amplitude, 
Falls in deep folds around a dry foot, shod 
With a bright flower-like shoe that gems the sod. 

The swarms that hum about her collar-bones 
As the lascivious streams caress the stones, 
Conceal from every scornful jest that flies, 
Her gloomy beauty; and her fathomless eyes 

Are made of shade and void; with flowery sprays 
Her skull is wreathed artistically, and sways, 
Feeble and weak, on her frail vertebrae. 
O charm of nothing decked in folly! they 

Who laugh and name you a Caricature, 
They see not, they whom flesh and blood allure, 
The nameless grace of every bleached, bare bone, 
That is most dear to me, tall skeleton! 

Come you to trouble with your potent sneer 
The feast of Life! or are you driven here, 
To Pleasure's Sabbath, by dead lusts that stir 
And goad your moving corpse on with a spur? 

Or do you hope, when sing the violins, 
And the pale candle-flame lights up our sins, 
To drive some mocking nightmare far apart, 
And cool the flame hell lighted in your heart? 

Fathomless well of fault and foolishness! 
Eternal alembic of antique distress! 
Still o'er the curved, white trellis of your sides 
The sateless, wandering serpent curls and glides. 

And truth to tell, I fear lest you should find, 
Among us here, no lover to your mind; 
Which of these hearts beat for the smile you gave? 
The charms of horror please none but the brave. 

Your eyes' black gulf, where awful broodings stir, 
Brings giddiness; the prudent reveller 
Sees, while a horror grips him from beneath, 
The eternal smile of thirty-two white teeth. 

For he who has not folded in his arms 
A skeleton, nor fed on graveyard charms, 
Recks not of furbelow, or paint, or scent, 
When Horror comes the way that Beauty went. 

O irresistible, with fleshless face, 
Say to these dancers in their dazzled race: 
"Proud lovers with the paint above your bones, 
Ye shall taste death, musk scented skeletons! 

Withered Antino?s, dandies with plump faces, 
Ye varnished cadavers, and grey Lovelaces, 
Ye go to lands unknown and void of breath, 
Drawn by the rumour of the Dance of Death. 

From Seine's cold quays to Ganges' burning stream, 
The mortal troupes dance onward in a dream; 
They do not see, within the opened sky, 
The Angel's sinister trumpet raised on high. 

In every clime and under every sun, 
Death laughs at ye, mad mortals, as ye run; 
And oft perfumes herself with myrrh, like ye 
And mingles with your madness, irony!"
Written by Anne Bradstreet | Create an image from this poem

To My Dear And Loving Husband

If ever two were one, then surely we.
If ever man were loved by wife, then thee;
If ever wife was happy in a man,
Compare with me ye women if you can.
I prize thy love more than whole mines of gold,
Or all the riches that the East doth hold.
My love is such that rivers cannot quench,
Nor ought but love from thee give recompense.
Thy love is such I can no way repay;
The heavens reward thee manifold, I pray.
Then while we live, in love let’s so persever,
That when we live no more we may live ever.
Written by Eliza Cook | Create an image from this poem

Song of the Worm

 THE worm, the rich worm, has a noble domain
In the field that is stored with its millions of slain ;
The charnel-grounds widen, to me they belong,
With the vaults of the sepulchre, sculptured and strong.
The tower of ages in fragments is laid,
Moss grows on the stones, and I lurk in its shade ;
And the hand of the giant and heart of the brave
Must turn weak and submit to the worm and the grave.

Daughters of earth, if I happen to meet
Your bloom-plucking fingers and sod-treading feet--
Oh ! turn not away with the shriek of disgust
From the thing you must mate with in darkness and dust.
Your eyes may be flashing in pleasure and pride,
'Neath the crown of a Queen or the wreath of a bride ;
Your lips may be fresh and your cheeks may be fair--
Let a few years pass over, and I shall be there.

Cities of splendour, where palace and gate,
Where the marble of strength and the purple of state ;
Where the mart and arena, the olive and vine,
Once flourished in glory ; oh ! are ye not mine ?
Go look for famed Carthage, and I shall be found
In the desolate ruin and weed-covered mound ;
And the slime of my trailing discovers my home,
'Mid the pillars of Tyre and the temples of Rome.

I am sacredly sheltered and daintily fed
Where the velvet bedecks, and the white lawn is spread ;
I may feast undisturbed, I may dwell and carouse
On the sweetest of lips and the smoothest of brows.
The voice of the sexton, the chink of the spade,
Sound merrily under the willow's dank shade.
They are carnival notes, and I travel with glee
To learn what the churchyard has given to me.

Oh ! the worm, the rich worm, has a noble domain,
For where monarchs are voiceless I revel and reign ;
I delve at my ease and regale where I may ;
None dispute with the worm in his will or his way.
The high and the bright for my feasting must fall--
Youth, Beauty, and Manhood, I prey on ye all :
The Prince and the peasant, the despot and slave ;
All, all must bow down to the worm and the grave.
Written by Lewis Carroll | Create an image from this poem

Four Riddles

 I 

There was an ancient City, stricken down
With a strange frenzy, and for many a day
They paced from morn to eve the crowded town,
And danced the night away. 

I asked the cause: the aged man grew sad:
They pointed to a building gray and tall,
And hoarsely answered "Step inside, my lad,
And then you'll see it all." 


Yet what are all such gaieties to me
Whose thoughts are full of indices and surds? 

x*x + 7x + 53 = 11/3 

But something whispered "It will soon be done:
Bands cannot always play, nor ladies smile:
Endure with patience the distasteful fun
For just a little while!" 

A change came o'er my Vision - it was night:
We clove a pathway through a frantic throng:
The steeds, wild-plunging, filled us with affright:
The chariots whirled along. 

Within a marble hall a river ran -
A living tide, half muslin and half cloth:
And here one mourned a broken wreath or fan,
Yet swallowed down her wrath; 

And here one offered to a thirsty fair
(His words half-drowned amid those thunders tuneful)
Some frozen viand (there were many there),
A tooth-ache in each spoonful. 

There comes a happy pause, for human strength
Will not endure to dance without cessation;
And every one must reach the point at length
Of absolute prostration. 

At such a moment ladies learn to give,
To partners who would urge them over-much,
A flat and yet decided negative -
Photographers love such. 

There comes a welcome summons - hope revives,
And fading eyes grow bright, and pulses quicken:
Incessant pop the corks, and busy knives
Dispense the tongue and chicken. 

Flushed with new life, the crowd flows back again:
And all is tangled talk and mazy motion -
Much like a waving field of golden grain,
Or a tempestuous ocean. 

And thus they give the time, that Nature meant
For peaceful sleep and meditative snores,
To ceaseless din and mindless merriment
And waste of shoes and floors. 

And One (we name him not) that flies the flowers,
That dreads the dances, and that shuns the salads,
They doom to pass in solitude the hours,
Writing acrostic-ballads. 

How late it grows! The hour is surely past
That should have warned us with its double knock?
The twilight wanes, and morning comes at last -
"Oh, Uncle, what's o'clock?" 

The Uncle gravely nods, and wisely winks.
It MAY mean much, but how is one to know?
He opens his mouth - yet out of it, methinks,
No words of wisdom flow. 


II 

Empress of Art, for thee I twine
This wreath with all too slender skill.
Forgive my Muse each halting line,
And for the deed accept the will! 


O day of tears! Whence comes this spectre grim,
Parting, like Death's cold river, souls that love?
Is not he bound to thee, as thou to him,
By vows, unwhispered here, yet heard above? 

And still it lives, that keen and heavenward flame,
Lives in his eye, and trembles in his tone:
And these wild words of fury but proclaim
A heart that beats for thee, for thee alone! 

But all is lost: that mighty mind o'erthrown,
Like sweet bells jangled, piteous sight to see!
"Doubt that the stars are fire," so runs his moan,
"Doubt Truth herself, but not my love for thee!" 

A sadder vision yet: thine aged sire
Shaming his hoary locks with treacherous wile!
And dost thou now doubt Truth to be a liar?
And wilt thou die, that hast forgot to smile? 

Nay, get thee hence! Leave all thy winsome ways
And the faint fragrance of thy scattered flowers:
In holy silence wait the appointed days,
And weep away the leaden-footed hours. 


III. 

The air is bright with hues of light
And rich with laughter and with singing:
Young hearts beat high in ecstasy,
And banners wave, and bells are ringing:
But silence falls with fading day,
And there's an end to mirth and play.
Ah, well-a-day 

Rest your old bones, ye wrinkled crones!
The kettle sings, the firelight dances.
Deep be it quaffed, the magic draught
That fills the soul with golden fancies!
For Youth and Pleasance will not stay,
And ye are withered, worn, and gray.
Ah, well-a-day! 

O fair cold face! O form of grace,
For human passion madly yearning!
O weary air of dumb despair,
From marble won, to marble turning!
"Leave us not thus!" we fondly pray.
"We cannot let thee pass away!"
Ah, well-a-day! 


IV. 

My First is singular at best:
More plural is my Second:
My Third is far the pluralest -
So plural-plural, I protest
It scarcely can be reckoned! 

My First is followed by a bird:
My Second by believers
In magic art: my simple Third
Follows, too often, hopes absurd
And plausible deceivers. 

My First to get at wisdom tries -
A failure melancholy!
My Second men revered as wise:
My Third from heights of wisdom flies
To depths of frantic folly. 

My First is ageing day by day:
My Second's age is ended:
My Third enjoys an age, they say,
That never seems to fade away,
Through centuries extended. 

My Whole? I need a poet's pen
To paint her myriad phases:
The monarch, and the slave, of men -
A mountain-summit, and a den
Of dark and deadly mazes - 

A flashing light - a fleeting shade -
Beginning, end, and middle
Of all that human art hath made
Or wit devised! Go, seek HER aid,
If you would read my riddle!


Written by Victor Hugo | Create an image from this poem

A Sunset

 I love the evenings, passionless and fair, I love the evens, 
Whether old manor-fronts their ray with golden fulgence leavens, 
In numerous leafage bosomed close; 
Whether the mist in reefs of fire extend its reaches sheer, 
Or a hundred sunbeams splinter in an azure atmosphere 
On cloudy archipelagos. 

Oh, gaze ye on the firmament! a hundred clouds in motion, 
Up-piled in the immense sublime beneath the winds' commotion, 
Their unimagined shapes accord: 
Under their waves at intervals flame a pale levin through, 
As if some giant of the air amid the vapors drew 
A sudden elemental sword. 

The sun at bay with splendid thrusts still keeps the sullen fold; 
And momently at distance sets, as a cupola of gold, 
The thatched roof of a cot a-glance; 
Or on the blurred horizon joins his battle with the haze; 
Or pools the blooming fields about with inter-isolate blaze, 
Great moveless meres of radiance. 

Then mark you how there hangs athwart the firmament's swept track, 
Yonder a mighty crocodile with vast irradiant back, 
A triple row of pointed teeth? 
Under its burnished belly slips a ray of eventide, 
The flickerings of a hundred glowing clouds in tenebrous side 
With scales of golden mail ensheathe. 

Then mounts a palace, then the air vibrates--the vision flees. 
Confounded to its base, the fearful cloudy edifice 
Ruins immense in mounded wrack; 
Afar the fragments strew the sky, and each envermeiled cone 
Hangeth, peak downward, overhead, like mountains overthrown 
When the earthquake heaves its hugy back. 

These vapors, with their leaden, golden, iron, bronzèd glows, 
Where the hurricane, the waterspout, thunder, and hell repose, 
Muttering hoarse dreams of destined harms,-- 
'Tis God who hangs their multitude amid the skiey deep, 
As a warrior that suspendeth from the roof-tree of his keep 
His dreadful and resounding arms! 

All vanishes! The Sun, from topmost heaven precipitated, 
Like a globe of iron which is tossed back fiery red 
Into the furnace stirred to fume, 
Shocking the cloudy surges, plashed from its impetuous ire, 
Even to the zenith spattereth in a flecking scud of fire 
The vaporous and inflamèd spaume. 

O contemplate the heavens! Whenas the vein-drawn day dies pale, 
In every season, every place, gaze through their every veil? 
With love that has not speech for need! 
Beneath their solemn beauty is a mystery infinite: 
If winter hue them like a pall, or if the summer night 
Fantasy them starre brede.
Written by Homer | Create an image from this poem

THE ILIAD (excerpt)

  Achilles' wrath, to Greece the direful spring
  Of woes unnumber'd, heavenly goddess, sing!
  That wrath which hurl'd to Pluto's gloomy reign
  The souls of mighty chiefs untimely slain;
  Whose limbs unburied on the naked shore,
  Devouring dogs and hungry vultures tore.(41)
  Since great Achilles and Atrides strove,
  Such was the sovereign doom, and such the will of Jove!(42)

  Declare, O Muse! in what ill-fated hour(43)
  Sprung the fierce strife, from what offended power
  Latona's son a dire contagion spread,(44)
  And heap'd the camp with mountains of the dead;
  The king of men his reverent priest defied,(45)
  And for the king's offence the people died.

  For Chryses sought with costly gifts to gain
  His captive daughter from the victor's chain.
  Suppliant the venerable father stands;
  Apollo's awful ensigns grace his hands
  By these he begs; and lowly bending down,
  Extends the sceptre and the laurel crown
  He sued to all, but chief implored for grace
  The brother-kings, of Atreus' royal race(46)

  "Ye kings and warriors! may your vows be crown'd,
  And Troy's proud walls lie level with the ground.
  May Jove restore you when your toils are o'er
  Safe to the pleasures of your native shore.
  But, oh! relieve a wretched parent's pain,
  And give Chryseis to these arms again;
  If mercy fail, yet let my presents move,
  And dread avenging Phoebus, son of Jove."

  The Greeks in shouts their joint assent declare,
  The priest to reverence, and release the fair.
  Not so Atrides; he, with kingly pride,
  Repulsed the sacred sire, and thus replied:

  "Hence on thy life, and fly these hostile plains,
  Nor ask, presumptuous, what the king detains
  Hence, with thy laurel crown, and golden rod,
  Nor trust too far those ensigns of thy god.
  Mine is thy daughter, priest, and shall remain;
  And prayers, and tears, and bribes, shall plead in vain;
  Till time shall rifle every youthful grace,
  And age dismiss her from my cold embrace,
  In daily labours of the loom employ'd,
  Or doom'd to deck the bed she once enjoy'd
  Hence then; to Argos shall the maid retire,
  Far from her native soil and weeping sire."
Written by Thomas Campbell | Create an image from this poem

Ode to Winter

 When first the fiery-mantled sun 
His heavenly race begun to run; 
Round the earth and ocean blue, 
His children four the Seasons flew. 
First, in green apparel dancing, 
The young Spring smiled with angel grace; 
Rosy summer next advancing, 
Rushed into her sire's embrace:- 
Her blue-haired sire, who bade her keep 
For ever nearest to his smile, 
On Calpe's olive-shaded steep, 
On India's citron-covered isles: 
More remote and buxom-brown, 
The Queen of vintage bowed before his throne, 
A rich pomegranate gemmed her gown, 
A ripe sheaf bound her zone. 
But howling Winter fled afar, 
To hills that prop the polar star, 
And lives on deer-borne car to ride 
With barren darkness at his side, 
Round the shore where loud Lofoden 
Whirls to death the roaring whale, 
Round the hall where runic Odin 
Howls his war-song to the gale; 
Save when adown the ravaged globe 
He travels on his native storm, 
Deflowering Nature's grassy robe, 
And trampling on her faded form:- 
Till light's returning lord assume 
The shaft the drives him to his polar field, 
Of power to pierce his raven plume 
And crystal-covered shield. 
Oh, sire of storms! whose savage ear 
The Lapland drum delights to hear, 
When frenzy with her blood-shot eye 
Implores thy dreadful deity, 
Archangel! power of desolation! 
Fast descending as thou art, 
Say, hath mortal invocation 
Spells to touch thy stony heart? 
Then, sullen Winter, hear my prayer, 
And gently rule the ruined year; 
Nor chill the wanders bosom bare, 
Nor freeze the wretch's falling tear;- 
To shuddering Want's unmantled bed 
Thy horror-breathing agues cease to lead, 
And gently on the orphan head 
Of innocence descend.- 
But chiefly spare, O king of clouds! 
The sailor on his airy shrouds; 
When wrecks and beacons strew the steep, 
And specters walk along the deep. 
Milder yet thy snowy breezes 
Pour on yonder tented shores, 
Where the Rhine's broad billow freezes, 
Or the Dark-brown Danube roars. 
Oh, winds of winter! List ye there 
To many a deep and dying groan; 
Or start, ye demons of the midnight air, 
At shrieks and thunders louder than your own. 
Alas! Even unhallowed breath 
May spare the victim fallen low; 
But man will ask no truce of death,- 
No bounds to human woe.
Written by William Wordsworth | Create an image from this poem

We Are Seven

  A simple child, dear brother Jim,  That lightly draws its breath,  And feels its life in every limb,  What should it know of death?

  I met a little cottage girl,  She was eight years old, she said;  Her hair was thick with many a curl  That cluster'd round her head.

  She had a rustic, woodland air,  And she was wildly clad;  Her eyes were fair, and very fair,  —Her beauty made me glad.

  "Sisters and brothers, little maid,  How many may you be?"  "How many? seven in all," she said,  And wondering looked at me.

  "And where are they, I pray you tell?"  She answered, "Seven are we,  And two of us at Conway dwell,  And two are gone to sea."

  "Two of us in the church-yard lie,  My sister and my brother,  And in the church-yard cottage, I  Dwell near them with my mother."

  "You say that two at Conway dwell,  And two are gone to sea,  Yet you are seven; I pray you tell  Sweet Maid, how this may be?"

  Then did the little Maid reply,  "Seven boys and girls are we;  Two of us in the church-yard lie,  Beneath the church-yard tree."

  "You run about, my little maid,  Your limbs they are alive;  If two are in the church-yard laid,  Then ye are only five."

  "Their graves are green, they may be seen,"  The little Maid replied,  "Twelve steps or more from my mother's door,  And they are side by side."

  "My stockings there I often knit,  My 'kerchief there I hem;  And there upon the ground I sit—  I sit and sing to them."

  "And often after sunset, Sir,  When it is light and fair,  I take my little porringer,  And eat my supper there."

  "The first that died was little Jane;  In bed she moaning lay,  Till God released her of her pain,  And then she went away."

  "So in the church-yard she was laid,  And all the summer dry,  Together round her grave we played,  My brother John and I."

  "And when the ground was white with snow,  And I could run and slide,  My brother John was forced to go,  And he lies by her side."

  "How many are you then," said I,  "If they two are in Heaven?"  The little Maiden did reply,  "O Master! we are seven."

  "But they are dead; those two are dead!  Their spirits are in heaven!"  'Twas throwing words away; for still  The little Maid would have her will,  And said, "Nay, we are seven!"

ANECDOTE for FATHERS,   Shewing how the practice of Lying may be taught.

  I have a boy of five years old,  His face is fair and fresh to see;  His limbs are cast in beauty's mould,  And dearly he loves me.

  One morn we stroll'd on our dry walk,  Our quiet house all full in view,  And held such intermitted talk  As we are wont to do.

  My thoughts on former pleasures ran;  I thought of Kilve's delightful shore,  My pleasant home, when Spring began,  A long, long year before.

  A day it was when I could bear  To think, and think, and think again;  With so much happiness to spare,  I could not feel a pain.

  My boy was by my side, so slim  And graceful in his rustic dress!  And oftentimes I talked to him  In very idleness.

  The young lambs ran a pretty race;  The morning sun shone bright and warm;  "Kilve," said I, "was a pleasant place,  And so is Liswyn farm."

  "My little boy, which like you more,"  I said and took him by the arm—  "Our home by Kilve's delightful shore,  Or here at Liswyn farm?"

  "And tell me, had you rather be,"  I said and held-him by the arm,  "At Kilve's smooth shore by the green sea,  Or here at Liswyn farm?"

  In careless mood he looked at me,  While still I held him by the arm,  And said, "At Kilve I'd rather be  Than here at Liswyn farm."

  "Now, little Edward, say why so;  My little Edward, tell me why;"  "I cannot tell, I do not know."  "Why this is strange," said I.

  "For, here are woods and green hills warm:  There surely must some reason be  Why you would change sweet Liswyn farm,  For Kilve by the green sea."

  At this, my boy hung down his head,  He blush'd with shame, nor made reply;  And five times to the child I said,  "Why, Edward, tell me, why?"

  His head he raised—there was in sight,  It caught his eye, he saw it plain—  Upon the house-top, glittering bright,  A broad and gilded vane.

  Then did the boy his tongue unlock,  And thus to me he made reply;  "At Kilve there was no weather-cock,  And that's the reason why."

  Oh dearest, dearest boy! my heart  For better lore would seldom yearn  Could I but teach the hundredth part  Of what from thee I learn.

LINES  Written at a small distance from my House, and sent by  my little boy to the person to whom they are addressed.

  It is the first mild day of March:  Each minute sweeter than before,  The red-breast sings from the tall larch  That stands beside our door.

  There is a blessing in the air,  Which seems a sense of joy to yield  To the bare trees, and mountains bare,  And grass in the green field.

  My Sister! ('tis a wish of mine)  Now that our morning meal is done,  Make haste, your morning task resign;  Come forth and feel the sun.

  Edward will come with you, and pray,  Put on with speed your woodland dress,  And bring no book, for this one day  We'll give to idleness.

  No joyless forms shall regulate  Our living Calendar:  We from to-day, my friend, will date  The opening of the year.

  Love, now an universal birth,  From heart to heart is stealing,  From earth to man, from man to earth,  —It is the hour of feeling.

  One moment now may give us more  Than fifty years of reason;  Our minds shall drink at every pore  The spirit of the season.

  Some silent laws our hearts may make,  Which they shall long obey;  We for the year to come may take  Our temper from to-day.

  And from the blessed power that rolls  About, below, above;  We'll frame the measure of our souls,  They shall be tuned to love.

  Then come, my sister I come, I pray,  With speed put on your woodland dress,  And bring no book; for this one day  We'll give to idleness.

Written by John Keats | Create an image from this poem

Ode on a Grecian Urn

THOU still unravish'd bride of quietness  
Thou foster-child of Silence and slow Time  
Sylvan historian who canst thus express 
A flowery tale more sweetly than our rhyme: 
What leaf-fringed legend haunts about thy shape 5 
Of deities or mortals or of both  
In Tempe or the dales of Arcady? 
What men or gods are these? What maidens loth? 
What mad pursuit? What struggle to escape? 
What pipes and timbrels? What wild ecstasy? 10 

Heard melodies are sweet but those unheard 
Are sweeter; therefore ye soft pipes play on; 
Not to the sensual ear but more endear'd  
Pipe to the spirit ditties of no tone: 
Fair youth beneath the trees thou canst not leave 15 
Thy song nor ever can those trees be bare; 
Bold Lover never never canst thou kiss  
Though winning near the goal¡ªyet do not grieve; 
She cannot fade though thou hast not thy bliss  
For ever wilt thou love and she be fair! 20 

Ah happy happy boughs! that cannot shed 
Your leaves nor ever bid the Spring adieu; 
And happy melodist unweari¨¨d  
For ever piping songs for ever new; 
More happy love! more happy happy love! 25 
For ever warm and still to be enjoy'd  
For ever panting and for ever young; 
All breathing human passion far above  
That leaves a heart high-sorrowful and cloy'd  
A burning forehead and a parching tongue. 30 

Who are these coming to the sacrifice? 
To what green altar O mysterious priest  
Lead'st thou that heifer lowing at the skies  
And all her silken flanks with garlands drest? 
What little town by river or sea-shore 35 
Or mountain-built with peaceful citadel  
Is emptied of its folk this pious morn? 
And little town thy streets for evermore 
Will silent be; and not a soul to tell 
Why thou art desolate can e'er return. 40 

O Attic shape! fair attitude! with brede 
Of marble men and maidens overwrought  
With forest branches and the trodden weed; 
Thou silent form! dost tease us out of thought 
As doth eternity: Cold Pastoral! 45 
When old age shall this generation waste  
Thou shalt remain in midst of other woe 
Than ours a friend to man to whom thou say'st  
'Beauty is truth truth beauty ¡ªthat is all 
Ye know on earth and all ye need to know.' 50 

Book: Radiant Verses: A Journey Through Inspiring Poetry