Written by
Robert Frost |
Brown lived at such a lofty farm
That everyone for miles could see
His lantern when he did his chores
In winter after half-past three.
And many must have seen him make
His wild descent from there one night,
’Cross lots, ’cross walls, ’cross everything,
Describing rings of lantern light.
Between the house and barn the gale
Got him by something he had on
And blew him out on the icy crust
That cased the world, and he was gone!
Walls were all buried, trees were few:
He saw no stay unless he stove
A hole in somewhere with his heel.
But though repeatedly he strove
And stamped and said things to himself,
And sometimes something seemed to yield,
He gained no foothold, but pursued
His journey down from field to field.
Sometimes he came with arms outspread
Like wings, revolving in the scene
Upon his longer axis, and
With no small dignity of mien.
Faster or slower as he chanced,
Sitting or standing as he chose,
According as he feared to risk
His neck, or thought to spare his clothes,
He never let the lantern drop.
And some exclaimed who saw afar
The figures he described with it,
”I wonder what those signals are
Brown makes at such an hour of night!
He’s celebrating something strange.
I wonder if he’s sold his farm,
Or been made Master of the Grange.
”
He reeled, he lurched, he bobbed, he checked;
He fell and made the lantern rattle
(But saved the light from going out.
)
So half-way down he fought the battle
Incredulous of his own bad luck.
And then becoming reconciled
To everything, he gave it up
And came down like a coasting child.
“Well—I—be—” that was all he said,
As standing in the river road,
He looked back up the slippery slope
(Two miles it was) to his abode.
Sometimes as an authority
On motor-cars, I’m asked if I
Should say our stock was petered out,
And this is my sincere reply:
Yankees are what they always were.
Don’t think Brown ever gave up hope
Of getting home again because
He couldn’t climb that slippery slope;
Or even thought of standing there
Until the January thaw
Should take the polish off the crust.
He bowed with grace to natural law,
And then went round it on his feet,
After the manner of our stock;
Not much concerned for those to whom,
At that particular time o’clock,
It must have looked as if the course
He steered was really straight away
From that which he was headed for—
Not much concerned for them, I say:
No more so than became a man—
And politician at odd seasons.
I’ve kept Brown standing in the cold
While I invested him with reasons;
But now he snapped his eyes three times;
Then shook his lantern, saying, “Ile’s
’Bout out!” and took the long way home
By road, a matter of several miles.
|
Written by
John Lindley |
“I’d rather make $700 a week playing a maid than earn $7 a day being a maid”.
Hattie McDaniel.
I’m the savage in the jungle
and the busboy in the town.
I’m the one who jumps the highest
when the Boss man comes around.
I’m the maid who wields the wooden broom.
I’m the black boot polish cheeks.
I’m the big fat Lawdy Mama
who always laughs before she speaks.
I’m the plaintive sound of spirituals
on the mighty Mississip’.
I’m the porter in the club car
touching forelock for a tip.
I’m the bent, white-whiskered ol’ Black Joe
with the stick and staggered walk.
I’m the barefoot boy in dungarees
with a stammer in my talk.
I’m the storytelling Mr.
Bones
with a jangling tambourine.
I’m the North’s excuse for novelty
and the South’s deleted scene.
I’m the one who takes his lunch break
with the extras and the grips.
I’m the funny liquorice coils of hair
and the funny looking lips.
I’m the white wide eyes and pearly teeth.
I’m the jet black skin that shines.
I’m the soft-shoe shuffling Uncle Tom
for your nickels and your dimes.
I’m the Alabami Mammy
for a state I’ve never seen.
I’m the bona fide Minstrel Man
whose blackface won’t wash clean.
I’m the banjo playing Sambo
with a fixed and manic grin.
I’m the South’s defiant answer
that the Yankees didn’t win.
I’m the inconvenient nigrah
that no one can let go.
I’m the cutesy picaninny
with my hair tied up in bows.
I’m the funny little shoeshine boy.
I’m the convict on the run;
the ****** in the woodpile
when the cotton pickin’s done.
I’m a blacklist in Kentucky.
I’m the night when hound dogs bay.
I’m the cut-price, easy light relief
growing darker by the day.
I’m the “yessir, Massa, right away”
that the audience so enjoys.
I’m the full-grown man of twenty-five
but still they call me ‘boy’.
For I’m the myth in Griffith’s movie.
I’m the steamboat whistle’s cry.
I’m the dust of dead plantations
and the proof of Lincoln’s lie.
I’m the skin upon the leg iron.
I’m the blood upon the club.
I’m the deep black stain you can’t erase
no matter how you scrub.
John Lindley
|
Written by
Andrew Barton Paterson |
We've travelled per Joe Gardiner, a humping of our swag
In the country of the Gidgee and Belar.
We've swum the Di'mantina with our raiment in a bag,
And we've travelled per superior motor car,
But when we went to Germany we hadn't any choice,
No matter what our training or pursuits,
For they gave us no selection 'twixt a Ford or Rolls de Royce
So we did it in our good Australian boots.
They called us "mad Australians"; they couldn't understand
How officers and men could fraternise,
Thay said that we were "reckless", we were "wild, and out of hand",
With nothing great or sacred to our eyes.
But on one thing you could gamble, in the thickest of the fray,
Though they called us volunteers and raw recruits,
You could track us past the shell holes, and the tracks were all one way
Of the good Australian ammunition boots.
The Highlanders were next of kin, the Irish were a treat,
The Yankees knew it all and had to learn,
The Frenchmen kept it going, both in vict'ry and defeat,
Fighting grimly till the tide was on the turn.
And our army kept beside 'em, did its bit and took its chance,
And I hailed our newborn nation and its fruits,
As I listened to the clatter on the cobblestones of France
Of the good Australian military boots.
|
Written by
David Lehman |
Wisteria, hysteria is as obvious a rhyme
as Viagra and Niagara there must be a reason
honeymooners traditionally went to the Falls
which were, said the divine Oscar,
an American bride's second biggest disappointment
tell me which do you like better,
the American Falls or the Horseshoe Falls,
I say the Horseshoe Falls, Joe says,
because its magnificence surpasses the American Falls
thank you, Joe, and did you know
when Casey Stengel managed the Yankees
he sat next to Bob Cerv on the bench one day,
put his arm around the big outfielder, and said,
"One of us has just been traded to Kansas City"
I don't know what put that in my mind
except that it backs up Michael Malinowitz's line
about John Ashbery being the Casey Stengel of poetry
meanwhile the Yankees are playing like the Bronx Bombers of old
and though I used to hate the Yankees I'm just enough
of a New York chauvinist to feel gleeful about it
wait a minute I'll be right back I am back that's
another line I've always wanted to put in a poem
what it will say on Johnny Carson's gravestone
"I'll be right back"
|
Written by
Andrew Barton Paterson |
By the far Samoan shore,
Where the league-long rollers pour
All the wash of the Pacific on the coral-guarded bay,
Riding lightly at their ease,
In the calm of tropic seas,
The three great nations' warships at their anchors proudly lay.
Riding lightly, head to wind,
With the coral reefs behind,
Three German and three Yankee ships were mirrored in the blue;
And on one ship unfurled
Was the flag that rules the world --
For on the old Calliope the flag of England flew.
When the gentle off-shore breeze,
That had scarcely stirred the trees,
Dropped down to utter stillness, and the glass began to fall,
Away across the main
Lowered the coming hurricane,
And far away to seaward hung the cloud-wrack like a pall.
If the word had passed around,
"Let us move to safer ground;
Let us steam away to seaward" -- then his tale were not to tell!
But each Captain seemed to say
"If the others stay, I stay!"
And they lingered at their moorings till the shades of evening fell.
Then the cloud-wrack neared them fast,
And there came a sudden blast,
And the hurricane came leaping down a thousand miles of main!
Like a lion on its prey,
Leapt the storm fiend on the bay,
And the vessels shook and shivered as their cables felt the strain.
As the surging seas came by,
That were running mountains high,
The vessels started dragging, drifting slowly to the lee;
And the darkness of the night
Hid the coral reefs from sight,
And the Captains dared not risk the chance to grope their way to sea.
In the dark they dared not shift!
They were forced to wait and drift;
All hands stood by uncertain would the anchors hold or no.
But the men on deck could see,
If a chance for them might be,
There was little chance of safety for the men who were below.
Through that long, long night of dread,
While the storm raged overhead,
They were waiting by their engines, with the furnace fires aroar;
So they waited, staunch and true,
Though they knew, and well they knew,
They must drown like rats imprisoned if the vessel touched the shore.
When the grey dawn broke at last,
And the long, long night was past,
While the hurricane redoubled, lest its prey should steal away,
On the rocks, all smashed and strown,
Were the German vessels thrown,
While the Yankees, swamped and helpless, drifted shorewards down the bay.
Then at last spoke Captain Kane,
"All our anchors are in vain,
And the Germans and the Yankees they have drifted to the lee!
Cut the cables at the bow!
We must trust the engines now!
Give her steam, and let her have it, lads! we'll fight her out to sea!"
And the answer came with cheers
From the stalwart engineers,
From the grim and grimy firemen at the furnaces below;
And above the sullen roar
Of the breakers on the shore
Came the throbbing of the engines as they laboured to and fro.
If the strain should find a flaw,
Should a bolt or rivet draw,
Then -- God help them! for the vessel were a plaything in the tide!
With a face of honest cheer
Quoth an English engineer,
"I will answer for the engiines that were built on old Thames-side!
"For the stays and stanchions taut,
For the rivets truly wrought,
For the valves that fit their faces as a glove should fit the hand.
Give her every ounce of power;
If we make a knot an hour
Then it's way enough to steer her, and we'll drive her from the land.
"
Life a foam-flake tossed and thrown,
She could barely hold her own,
While the other ships all helplessly were drifting to the lee.
Through the smother and the rout
The Calliope steamed out --
And they cheered her from the Trenton that was foundering in the sea.
Ay! drifting shoreward there,
All helpless as they were,
Their vessel hurled upon the reefs as weed ashore is hurled,
Without a thought of fear
The Yankees raised a cheer --
A cheer that English-speaking folk should echo round the world.
|
Written by
Robert Frost |
I've known ere now an interfering branch
Of alder catch my lifted ax behind me.
But that was in the woods, to hold my hand
From striking at another alder's roots,
And that was, as I say, an alder branch.
This was a man, Baptiste, who stole one day
Behind me on the snow in my own yard
Where I was working at the chopping block,
And cutting nothing not cut down already.
He caught my ax expertly on the rise,
When all my strength put forth was in his favor,
Held it a moment where it was, to calm me,
Then took it from me — and I let him take it.
I didn't know him well enough to know
What it was all about.
There might be something
He had in mind to say to a bad neighbor
He might prefer to say to him disarmed.
But all he had to tell me in French-English
Was what he thought of— not me, but my ax;
Me only as I took my ax to heart.
It was the bad ax-helve some one had sold me —
“Made on machine,' he said, plowing the grain
With a thick thumbnail to show how it ran
Across the handle's long-drawn serpentine,
Like the two strokes across a dollar sign.
“You give her 'one good crack, she's snap raght off.
Den where's your hax-ead flying t'rough de hair?”
Admitted; and yet, what was that to him?
“Come on my house and I put you one in
What's las' awhile — good hick'ry what's grow crooked,
De second growt' I cut myself—tough, tough!”
Something to sell? That wasn't how it sounded.
“Den when you say you come? It's cost you nothing.
To-naght?”
As well to-night as any night.
Beyond an over-warmth of kitchen stove
My welcome differed from no other welcome.
Baptiste knew best why I was where I was.
So long as he would leave enough unsaid,
I shouldn't mind his being overjoyed
(If overjoyed he was) at having got me
Where I must judge if what he knew about an ax
That not everybody else knew was to count
For nothing in the measure of a neighbor.
Hard if, though cast away for life with Yankees,
A Frenchman couldn't get his human rating!
Mrs.
Baptiste came in and rocked a chair
That had as many motions as the world:
One back and forward, in and out of shadow,
That got her nowhere; one more gradual,
Sideways, that would have run her on the stove
In time, had she not realized her danger
And caught herself up bodily, chair and all,
And set herself back where she ,started from.
“She ain't spick too much Henglish— dat's too bad.
”
I was afraid, in brightening first on me,
Then on Baptiste, as if she understood
What passed between us, she was only reigning.
Baptiste was anxious for her; but no more
Than for himself, so placed he couldn't hope
To keep his bargain of the morning with me
In time to keep me from suspecting him
Of really never having meant to keep it.
Needlessly soon he had his ax-helves out,
A quiverful to choose from, since he wished me
To have the best he had, or had to spare —
Not for me to ask which, when what he took
Had beauties he had to point me out at length
To ensure their not being wasted on me.
He liked to have it slender as a whipstock,
Free from the least knot, equal to the strain
Of bending like a sword across the knee.
He showed me that the lines of a good helve
Were native to the grain before the knife
Expressed them, and its curves were no false curves
Put on it from without.
And there its strength lay
For the hard work.
He chafed its long white body
From end to end with his rough hand shut round it.
He tried it at the eye-hold in the ax-head.
“Hahn, hahn,” he mused, “don't need much taking down.
”
Baptiste knew how to make a short job long
For love of it, and yet not waste time either.
Do you know, what we talked about was knowledge?
Baptiste on his defense about the children
He kept from school, or did his best to keep —
Whatever school and children and our doubts
Of laid-on education had to do
With the curves of his ax-helves and his having
Used these unscrupulously to bring me
To see for once the inside of his house.
Was I desired in friendship, partly as someone
To leave it to, whether the right to hold
Such doubts of education should depend
Upon the education of those who held them.
But now he brushed the shavings from his knee
And stood the ax there on its horse's hoof,
Erect, but not without its waves, as when
The snake stood up for evil in the Garden—
Top-heavy with a heaviness his short,
Thick hand made light of, steel-blue chin drawn down
And in a little — a French touch in that.
Baptiste drew back and squinted at it, pleased:
“See how she's cock her head!”
|
Written by
Mercy Otis Warren |
Your pardon first I crave for this intrusion.
The topic's such it looks like a delusion;
And next your candour, for I swear and vow,
Such an attempt I never made till now.
But constant laughing at the Desp'rate fate,
The bastard sons of Mars endur'd of late,
Induc'd me thus to minute down the notion,
Which put my risibles in such commotion.
By yankees frighted too! oh, dire to say!
Why yankees sure at red-coats faint away!
Oh, yes—They thought so too—for lack-a-day,
Their gen'ral turned the blockade to a play:
Poor vain poltroons—with justice we'll retort,
And call them blockheads for their idle sport.
|
Written by
Paul Muldoon |
My eldest sister arrived home that morning
In her white muslin evening dress.
'Who the hell do you think you are
Running out to dances in next to nothing?
As though we hadn't enough bother
With the world at war, if not at an end.
'
My father was pounding the breakfast-table.
'Those Yankees were touch and go as it was—
If you'd heard Patton in Armagh—
But this Kennedy's nearly an Irishman
So he's not much better than ourselves.
And him with only to say the word.
If you've got anything on your mind
Maybe you should make your peace with God.
'
I could hear May from beyond the curtain.
'Bless me, Father, for I have sinned.
I told a lie once, I was disobedient once.
And, Father, a boy touched me once.
'
'Tell me, child.
Was this touch immodest?
Did he touch your breasts, for example?'
'He brushed against me, Father.
Very gently.
'
|
Written by
Philip Freneau |
Though skilled in Latin and in Greek,
And earning fifty cents a week,
Such knowledge, and the income, too,
Should teach you better what to do:
The meanest drudges, kept in pay,
Can pocket fifty cents a day.
Why stay in such a tasteless land,
Where all must on a level stand,
(Excepting people, at their ease,
Who choose the level where they please:)
See Irving gone to Britain's court
To people of another sort,
He will return, with wealth and fame,
While Yankees hardly know your name.
Lo! he has kissed a Monarch's--hand!
Before a prince I see him stand,
And with the glittering nobles mix,
Forgetting times of seventy-six,
While you with terror meet the frown
Of Bank Directors of the town,
The home-made nobles of our times,
Who hate the bard, and spurn his rhymes.
Why pause?--like Irving, haste away,
To England your addresses pay;
And England will reward you well,
Of British feats, and British arms,
The maids of honor, and their charms.
Dear bard, I pray you, take the hint,
In England what you write and print,
Republished here in shop, or stall,
Will perfectly enchant us all:
It will assume a different face,
And post your name at every place,
From splendid domes of first degree
Where ladies meet, to sip their tea;
From marble halls, where lawyers plead,
Or Congress-men talk loud, indeed,
To huts, where evening clubs appear,
And 'squires resort--to guzzle Beer.
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