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Best Famous Xi Poems

Here is a collection of the all-time best famous Xi poems. This is a select list of the best famous Xi poetry. Reading, writing, and enjoying famous Xi poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of xi poems.

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Written by John Drinkwater | Create an image from this poem

Persuasion

Persuasion

I 	At any moment love unheralded
Comes, and is king.
Then as, with a fall Of frost, the buds upon the hawthorn spread Are withered in untimely burial, So love, occasion gone, his crown puts by, And as a beggar walks unfriended ways, With but remembered beauty to defy The frozen sorrows of unsceptred days.
Or in that later travelling he comes Upon a bleak oblivion, and tells Himself, again, again, forgotten tombs Are all now that love was, and blindly spells His royal state of old a glory cursed, Saying 'I have forgot', and that's the worst.
II If we should part upon that one embrace, And set our courses ever, each from each, With all our treasure but a fading face And little ghostly syllables of speech; Should beauty's moment never be renewed, And moons on moons look out for us in vain, And each but whisper from a solitude To hear but echoes of a lonely pain, — Still in a world that fortune cannot change Should walk those two that once were you and I, Those two that once when moon and stars were strange Poets above us in an April sky, Heard a voice falling on the midnight sea, Mute, and for ever, but for you and me.
III This nature, this great flood of life, this cheat That uses us as baubles for her coat, Takes love, that should be nothing but the beat Of blood for its own beauty, by the throat, Saying, you are my servant and shall do My purposes, or utter bitterness Shall be your wage, and nothing come to you But stammering tongues that never can confess.
Undaunted then in answer here I cry, 'You wanton, that control the hand of him Who masquerades as wisdom in a sky Where holy, holy, sing the cherubim, I will not pay one penny to your name Though all my body crumble into shame.
' IV Woman, I once had whimpered at your hand, Saying that all the wisdom that I sought Lay in your brain, that you were as the sand Should cleanse the muddy mirrors of my thought; I should have read in you the character Of oracles that quick a thousand lays, Looked in your eyes, and seen accounted there Solomons legioned for bewildered praise.
Now have I learnt love as love is.
I take Your hand, and with no inquisition learn All that your eyes can tell, and that's to make A little reckoning and brief, then turn Away, and in my heart I hear a call, 'I love, I love, I love'; and that is all.
V When all the hungry pain of love I bear, And in poor lightless thought but burn and burn, And wit goes hunting wisdom everywhere, Yet can no word of revelation learn; When endlessly the scales of yea and nay In dreadful motion fall and rise and fall, When all my heart in sorrow I could pay Until at last were left no tear at all; Then if with tame or subtle argument Companions come and draw me to a place Where words are but the tappings of content, And life spreads all her garments with a grace, I curse that ease, and hunger in my heart Back to my pain and lonely to depart.
VI Not anything you do can make you mine, For enterprise with equal charity In duty as in love elect will shine, The constant slave of mutability.
Nor can your words for all their honey breath Outsing the speech of many an older rhyme, And though my ear deliver them from death One day or two, it is so little time.
Nor does your beauty in its excellence Excel a thousand in the daily sun, Yet must I put a period to pretence, And with my logic's catalogue have done, For act and word and beauty are but keys To unlock the heart, and you, dear love, are these.
VII Never the heart of spring had trembled so As on that day when first in Paradise We went afoot as novices to know For the first time what blue was in the skies, What fresher green than any in the grass, And how the sap goes beating to the sun, And tell how on the clocks of beauty pass Minute by minute till the last is done.
But not the new birds singing in the brake, And not the buds of our discovery, The deeper blue, the wilder green, the ache For beauty that we shadow as we see, Made heaven, but we, as love's occasion brings, Took these, and made them Paradisal things.
VIII The lilacs offer beauty to the sun, Throbbing with wonder as eternally For sad and happy lovers they have done With the first bloom of summer in the sky; Yet they are newly spread in honour now, Because, for every beam of beauty given Out of that clustering heart, back to the bough My love goes beating, from a greater heaven.
So be my love for good or sorry luck Bound, it has virtue on this April eve That shall be there for ever when they pluck Lilacs for love.
And though I come to grieve Long at a frosty tomb, there still shall be My happy lyric in the lilac tree.
IX When they make silly question of my love, And speak to me of danger and disdain, And look by fond old argument to move My wisdom to docility again; When to my prouder heart they set the pride Of custom and the gossip of the street, And show me figures of myself beside A self diminished at their judgment seat; Then do I sit as in a drowsy pew To hear a priest expounding th' heavenly will, Defiling wonder that he never knew With stolen words of measured good and ill; For to the love that knows their counselling, Out of my love contempt alone I bring.
X Not love of you is most that I can bring, Since what I am to love you is the test, And should I love you more than any thing You would but be of idle love possessed, A mere love wandering in appetite, Counting your glories and yet bringing none, Finding in you occasions of delight, A thief of payment for no service done.
But when of labouring life I make a song And bring it you, as that were my reward, To let what most is me to you belong, Then do I come of high possessions lord, And loving life more than my love of you I give you love more excellently true.
XI What better tale could any lover tell When age or death his reckoning shall write Than thus, 'Love taught me only to rebel Against these things, — the thieving of delight Without return; the gospellers of fear Who, loving, yet deny the truth they bear, Sad-suited lusts with lecherous hands to smear The cloth of gold they would but dare not wear.
And love gave me great knowledge of the trees, And singing birds, and earth with all her flowers; Wisdom I knew and righteousness in these, I lived in their atonement all my hours; Love taught me how to beauty's eye alone The secret of the lying heart is known.
' XII This then at last; we may be wiser far Than love, and put his folly to our measure, Yet shall we learn, poor wizards that we are, That love chimes not nor motions at our pleasure.
We bid him come, and light an eager fire, And he goes down the road without debating; We cast him from the house of our desire, And when at last we leave he will be waiting.
And in the end there is no folly but this, To counsel love out of our little learning.
For still he knows where rotten timber is, And where the boughs for the long winter burning; And when life needs no more of us at all, Love's word will be the last that we recall.


Written by William Wordsworth | Create an image from this poem

Resolution And Independence

 I 

There was a roaring in the wind all night; 
The rain came heavily and fell in floods; 
But now the sun is rising calm and bright; 
The birds are singing in the distant woods; 
Over his own sweet voice the Stock-dove broods; 
The Jay makes answer as the Magpie chatters; 
And all the air is filled with pleasant noise of waters.
II All things that love the sun are out of doors; The sky rejoices in the morning's birth; The grass is bright with rain-drops;--on the moors The hare is running races in her mirth; And with her feet she from the plashy earth Raises a mist, that, glittering in the sun, Runs with her all the way, wherever she doth run.
III I was a Traveller then upon the moor, I saw the hare that raced about with joy; I heard the woods and distant waters roar; Or heard them not, as happy as a boy: The pleasant season did my heart employ: My old remembrances went from me wholly; And all the ways of men, so vain and melancholy.
IV But, as it sometimes chanceth, from the might Of joy in minds that can no further go, As high as we have mounted in delight In our dejection do we sink as low; To me that morning did it happen so; And fears and fancies thick upon me came; Dim sadness--and blind thoughts, I knew not, nor could name.
V I heard the sky-lark warbling in the sky; And I bethought me of the playful hare: Even such a happy Child of earth am I; Even as these blissful creatures do I fare; Far from the world I walk, and from all care; But there may come another day to me-- Solitude, pain of heart, distress, and poverty.
VI My whole life I have lived in pleasant thought, As if life's business were a summer mood; As if all needful things would come unsought To genial faith, still rich in genial good; But how can He expect that others should Build for him, sow for him, and at his call Love him, who for himself will take no heed at all? VII I thought of Chatterton, the marvellous Boy, The sleepless Soul that perished in his pride; Of Him who walked in glory and in joy Following his plough, along the mountain-side: By our own spirits are we deified: We Poets in our youth begin in gladness; But thereof come in the end despondency and madness.
VIII Now, whether it were by peculiar grace, A leading from above, a something given, Yet it befell, that, in this lonely place, When I with these untoward thoughts had striven, Beside a pool bare to the eye of heaven I saw a Man before me unawares: The oldest man he seemed that ever wore grey hairs.
IX As a huge stone is sometimes seen to lie Couched on the bald top of an eminence; Wonder to all who do the same espy, By what means it could thither come, and whence; So that it seems a thing endued with sense: Like a sea-beast crawled forth, that on a shelf Of rock or sand reposeth, there to sun itself; X Such seemed this Man, not all alive nor dead, Nor all asleep--in his extreme old age: His body was bent double, feet and head Coming together in life's pilgrimage; As if some dire constraint of pain, or rage Of sickness felt by him in times long past, A more than human weight upon his frame had cast.
XI Himself he propped, limbs, body, and pale face, Upon a long grey staff of shaven wood: And, still as I drew near with gentle pace, Upon the margin of that moorish flood Motionless as a cloud the old Man stood, That heareth not the loud winds when they call And moveth all together, if it move at all.
XII At length, himself unsettling, he the pond Stirred with his staff, and fixedly did look Upon the muddy water, which he conned, As if he had been reading in a book: And now a stranger's privilege I took; And, drawing to his side, to him did say, "This morning gives us promise of a glorious day.
" XIII A gentle answer did the old Man make, In courteous speech which forth he slowly drew: And him with further words I thus bespake, "What occupation do you there pursue? This is a lonesome place for one like you.
" Ere he replied, a flash of mild surprise Broke from the sable orbs of his yet-vivid eyes, XIV His words came feebly, from a feeble chest, But each in solemn order followed each, With something of a lofty utterance drest-- Choice word and measured phrase, above the reach Of ordinary men; a stately speech; Such as grave Livers do in Scotland use, Religious men, who give to God and man their dues.
XV He told, that to these waters he had come To gather leeches, being old and poor: Employment hazardous and wearisome! And he had many hardships to endure: From pond to pond he roamed, from moor to moor; Housing, with God's good help, by choice or chance, And in this way he gained an honest maintenance.
XVI The old Man still stood talking by my side; But now his voice to me was like a stream Scarce heard; nor word from word could I divide; And the whole body of the Man did seem Like one whom I had met with in a dream; Or like a man from some far region sent, To give me human strength, by apt admonishment.
XVII My former thoughts returned: the fear that kills; And hope that is unwilling to be fed; Cold, pain, and labour, and all fleshly ills; And mighty Poets in their misery dead.
--Perplexed, and longing to be comforted, My question eagerly did I renew, "How is it that you live, and what is it you do?" XVIII He with a smile did then his words repeat; And said, that, gathering leeches, far and wide He travelled; stirring thus about his feet The waters of the pools where they abide.
"Once I could meet with them on every side; But they have dwindled long by slow decay; Yet still I persevere, and find them where I may.
" XIX While he was talking thus, the lonely place, The old Man's shape, and speech--all troubled me: In my mind's eye I seemed to see him pace About the weary moors continually, Wandering about alone and silently.
While I these thoughts within myself pursued, He, having made a pause, the same discourse renewed.
XX And soon with this he other matter blended, Cheerfully uttered, with demeanour kind, But stately in the main; and when he ended, I could have laughed myself to scorn to find In that decrepit Man so firm a mind.
"God," said I, "be my help and stay secure; I'll think of the Leech-gatherer on the lonely moor!"
Written by Mary Darby Robinson | Create an image from this poem

The ***** Girl

 I.
Dark was the dawn, and o'er the deep The boist'rous whirlwinds blew; The Sea-bird wheel'd its circling sweep, And all was drear to view-- When on the beach that binds the western shore The love-lorn ZELMA stood, list'ning the tempest's roar.
II.
Her eager Eyes beheld the main, While on her DRACO dear She madly call'd, but call'd in vain, No sound could DRACO hear, Save the shrill yelling of the fateful blast, While ev'ry Seaman's heart, quick shudder'd as it past.
III.
White were the billows, wide display'd The clouds were black and low; The Bittern shriek'd, a gliding shade Seem'd o'er the waves to go ! The livid flash illum'd the clam'rous main, While ZELMA pour'd, unmark'd, her melancholy strain.
IV.
"Be still!" she cried, "loud tempest cease! "O ! spare the gallant souls: "The thunder rolls--the winds increase-- "The Sea, like mountains, rolls! "While, from the deck, the storm worn victims leap, "And o'er their struggling limbs, the furious billows sweep.
V.
"O! barb'rous Pow'r! relentless Fate! "Does Heav'n's high will decree "That some should sleep on beds of state,-- "Some, in the roaring Sea ? "Some, nurs'd in splendour, deal Oppression's blow, "While worth and DRACO pine--in Slavery and woe! VI.
"Yon Vessel oft has plough'd the main "With human traffic fraught; "Its cargo,--our dark Sons of pain-- "For worldly treasure bought ! "What had they done?--O Nature tell me why-- "Is taunting scorn the lot, of thy dark progeny? VII.
"Thou gav'st, in thy caprice, the Soul "Peculiarly enshrin'd; "Nor from the ebon Casket stole "The Jewel of the mind! "Then wherefore let the suff'ring *****'s breast "Bow to his fellow, MAN, in brighter colours drest.
VIII.
"Is it the dim and glossy hue "That marks him for despair?-- "While men with blood their hands embrue, "And mock the wretch's pray'r? "Shall guiltless Slaves the Scourge of tyrants feel, "And, e'en before their GOD ! unheard, unpitied kneel.
IX.
"Could the proud rulers of the land "Our Sable race behold; "Some bow'd by torture's Giant hand "And others, basely sold ! "Then would they pity Slaves, and cry, with shame, "Whate'er their TINTS may be, their SOULS are still the same! X.
"Why seek to mock the Ethiop's face? "Why goad our hapless kind? "Can features alienate the race-- "Is there no kindred mind? "Does not the cheek which vaunts the roseate hue "Oft blush for crimes, that Ethiops never knew? XI.
"Behold ! the angry waves conspire "To check the barb'rous toil! "While wounded Nature's vengeful ire-- "Roars, round this trembling Isle! "And hark ! her voice re-echoes in the wind-- "Man was not form'd by Heav'n, to trample on his kind! XII.
"Torn from my Mother's aching breast, "My Tyrant sought my love-- "But, in the Grave shall ZELMA rest, "E'er she will faithless prove-- "No DRACO!--Thy companion I will be "To that celestial realm, where Negros shall be free! XIII.
"The Tyrant WHITE MAN taught my mind-- "The letter'd page to trace;-- "He taught me in the Soul to find "No tint, as in the face: "He bade my Reason, blossom like the tree-- "But fond affection gave, the ripen'd fruits to thee.
XIV.
"With jealous rage he mark'd my love "He sent thee far away;-- "And prison'd in the plantain grove-- "Poor ZELMA pass'd the day-- "But ere the moon rose high above the main, "ZELMA, and Love contriv'd, to break the Tyrant's chain.
XV.
"Swift, o'er the plain of burning Sand "My course I bent to thee; "And soon I reach'd the billowy strand "Which bounds the stormy Sea.
-- "DRACO! my Love! Oh yet, thy ZELMA'S soul "Springs ardently to thee,--impatient of controul.
XVI.
"Again the lightning flashes white-- "The rattling cords among! "Now, by the transient vivid light, "I mark the frantic throng! "Now up the tatter'd shrouds my DRACO flies-- While o'er the plunging prow, the curling billows rise.
XVII.
"The topmast falls--three shackled slaves-- "Cling to the Vessel's side! "Now lost amid the madd'ning waves-- "Now on the mast they ride-- "See ! on the forecastle my DRACO stands "And now he waves his chain, now clasps his bleeding hands.
XVIII.
"Why, cruel WHITE-MAN! when away "My sable Love was torn, "Why did you let poor ZELMA stay, On Afric's sands to mourn? "No ! ZELMA is not left, for she will prove "In the deep troubled main, her fond--her faithful LOVE.
" XIX.
The lab'ring Ship was now a wreck, The shrouds were flutt'ring wide! The rudder gone, the lofty deck Was rock'd from side to side-- Poor ZELMA'S eyes now dropp'd their last big tear, While, from her tawny cheek, the blood recoil'd with fear.
XX.
Now frantic, on the sands she roam'd, Now shrieking stop'd to view Where high the liquid mountains foam'd, Around the exhausted crew-- 'Till, from the deck, her DRACO'S well known form Sprung mid the yawning waves, and buffetted the Storm.
XXI.
Long, on the swelling surge sustain'd Brave DRACO sought the shore, Watch'd the dark Maid, but ne'er complain'd, Then sunk, to gaze no more! Poor ZELMA saw him buried by the wave-- And, with her heart's true Love, plung'd in a wat'ry grave.
Written by Edwin Arlington Robinson | Create an image from this poem

Octaves

 I 

We thrill too strangely at the master's touch;
We shrink too sadly from the larger self
Which for its own completeness agitates
And undetermines us; we do not feel -- 
We dare not feel it yet -- the splendid shame
Of uncreated failure; we forget,
The while we groan, that God's accomplishment
Is always and unfailingly at hand.
II Tumultuously void of a clean scheme Whereon to build, whereof to formulate, The legion life that riots in mankind Goes ever plunging upward, up and down, Most like some crazy regiment at arms, Undisciplined of aught but Ignorance, And ever led resourcelessly along To brainless carnage by drunk trumpeters.
III To me the groaning of world-worshippers Rings like a lonely music played in hell By one with art enough to cleave the walls Of heaven with his cadence, but without The wisdom or the will to comprehend The strangeness of his own perversity, And all without the courage to deny The profit and the pride of his defeat.
IV While we are drilled in error, we are lost Alike to truth and usefulness.
We think We are great warriors now, and we can brag Like Titans; but the world is growing young, And we, the fools of time, are growing with it: -- We do not fight to-day, we only die; We are too proud of death, and too ashamed Of God, to know enough to be alive.
V There is one battle-field whereon we fall Triumphant and unconquered; but, alas! We are too fleshly fearful of ourselves To fight there till our days are whirled and blurred By sorrow, and the ministering wheels Of anguish take us eastward, where the clouds Of human gloom are lost against the gleam That shines on Thought's impenetrable mail.
VI When we shall hear no more the cradle-songs Of ages -- when the timeless hymns of Love Defeat them and outsound them -- we shall know The rapture of that large release which all Right science comprehends; and we shall read, With unoppressed and unoffended eyes, That record of All-Soul whereon God writes In everlasting runes the truth of Him.
VII The guerdon of new childhood is repose: -- Once he has read the primer of right thought, A man may claim between two smithy strokes Beatitude enough to realize God's parallel completeness in the vague And incommensurable excellence That equitably uncreates itself And makes a whirlwind of the Universe.
VIII There is no loneliness: -- no matter where We go, nor whence we come, nor what good friends Forsake us in the seeming, we are all At one with a complete companionship; And though forlornly joyless be the ways We travel, the compensate spirit-gleams Of Wisdom shaft the darkness here and there, Like scattered lamps in unfrequented streets.
IX When one that you and I had all but sworn To be the purest thing God ever made Bewilders us until at last it seems An angel has come back restigmatized, -- Faith wavers, and we wonder what there is On earth to make us faithful any more, But never are quite wise enough to know The wisdom that is in that wonderment.
X Where does a dead man go? -- The dead man dies; But the free life that would no longer feed On fagots of outburned and shattered flesh Wakes to a thrilled invisible advance, Unchained (or fettered else) of memory; And when the dead man goes it seems to me 'T were better for us all to do away With weeping, and be glad that he is gone.
XI So through the dusk of dead, blank-legended, And unremunerative years we search To get where life begins, and still we groan Because we do not find the living spark Where no spark ever was; and thus we die, Still searching, like poor old astronomers Who totter off to bed and go to sleep, To dream of untriangulated stars.
XII With conscious eyes not yet sincere enough To pierce the glimmered cloud that fluctuates Between me and the glorifying light That screens itself with knowledge, I discern The searching rays of wisdom that reach through The mist of shame's infirm credulity, And infinitely wonder if hard words Like mine have any message for the dead.
XIII I grant you friendship is a royal thing, But none shall ever know that royalty For what it is till he has realized His best friend in himself.
'T is then, perforce, That man's unfettered faith indemnifies Of its own conscious freedom the old shame, And love's revealed infinitude supplants Of its own wealth and wisdom the old scorn.
XIV Though the sick beast infect us, we are fraught Forever with indissoluble Truth, Wherein redress reveals itself divine, Transitional, transcendent.
Grief and loss, Disease and desolation, are the dreams Of wasted excellence; and every dream Has in it something of an ageless fact That flouts deformity and laughs at years.
XV We lack the courage to be where we are: -- We love too much to travel on old roads, To triumph on old fields; we love too much To consecrate the magic of dead things, And yieldingly to linger by long walls Of ruin, where the ruinous moonlight That sheds a lying glory on old stones Befriends us with a wizard's enmity.
XVI Something as one with eyes that look below The battle-smoke to glimpse the foeman's charge, We through the dust of downward years may scan The onslaught that awaits this idiot world Where blood pays blood for nothing, and where life Pays life to madness, till at last the ports Of gilded helplessness be battered through By the still crash of salvatory steel.
XVII To you that sit with Sorrow like chained slaves, And wonder if the night will ever come, I would say this: The night will never come, And sorrow is not always.
But my words Are not enough; your eyes are not enough; The soul itself must insulate the Real, Or ever you do cherish in this life -- In this life or in any life -- repose.
XVIII Like a white wall whereon forever breaks Unsatisfied the tumult of green seas, Man's unconjectured godliness rebukes With its imperial silence the lost waves Of insufficient grief.
This mortal surge That beats against us now is nothing else Than plangent ignorance.
Truth neither shakes Nor wavers; but the world shakes, and we shriek.
XIX Nor jewelled phrase nor mere mellifluous rhyme Reverberates aright, or ever shall, One cadence of that infinite plain-song Which is itself all music.
Stronger notes Than any that have ever touched the world Must ring to tell it -- ring like hammer-blows, Right-echoed of a chime primordial, On anvils, in the gleaming of God's forge.
XX The prophet of dead words defeats himself: Whoever would acknowledge and include The foregleam and the glory of the real, Must work with something else than pen and ink And painful preparation: he must work With unseen implements that have no names, And he must win withal, to do that work, Good fortitude, clean wisdom, and strong skill.
XXI To curse the chilled insistence of the dawn Because the free gleam lingers; to defraud The constant opportunity that lives Unchallenged in all sorrow; to forget For this large prodigality of gold That larger generosity of thought, -- These are the fleshly clogs of human greed, The fundamental blunders of mankind.
XXII Forebodings are the fiends of Recreance; The master of the moment, the clean seer Of ages, too securely scans what is, Ever to be appalled at what is not; He sees beyond the groaning borough lines Of Hell, God's highways gleaming, and he knows That Love's complete communion is the end Of anguish to the liberated man.
XXIII Here by the windy docks I stand alone, But yet companioned.
There the vessel goes, And there my friend goes with it; but the wake That melts and ebbs between that friend and me Love's earnest is of Life's all-purposeful And all-triumphant sailing, when the ships Of Wisdom loose their fretful chains and swing Forever from the crumbled wharves of Time.
Written by Robert Southey | Create an image from this poem

Mary - A Ballad

 Author Note: The story of the following ballad was related to me, when a school boy, as a fact which had really happened in the North of England.
I have adopted the metre of Mr.
Lewis's Alonzo and Imogene--a poem deservedly popular.
I.
Who is she, the poor Maniac, whose wildly-fix'd eyes Seem a heart overcharged to express? She weeps not, yet often and deeply she sighs, She never complains, but her silence implies The composure of settled distress.
II.
No aid, no compassion the Maniac will seek, Cold and hunger awake not her care: Thro' her rags do the winds of the winter blow bleak On her poor withered bosom half bare, and her cheek Has the deathy pale hue of despair.
III.
Yet chearful and happy, nor distant the day, Poor Mary the Maniac has been; The Traveller remembers who journeyed this way No damsel so lovely, no damsel so gay As Mary the Maid of the Inn.
IV.
Her chearful address fill'd the guests with delight As she welcomed them in with a smile: Her heart was a stranger to childish affright, And Mary would walk by the Abbey at night When the wind whistled down the dark aisle.
V.
She loved, and young Richard had settled the day, And she hoped to be happy for life; But Richard was idle and worthless, and they Who knew him would pity poor Mary and say That she was too good for his wife.
VI.
'Twas in autumn, and stormy and dark was the night, And fast were the windows and door; Two guests sat enjoying the fire that burnt bright, And smoking in silence with tranquil delight They listen'd to hear the wind roar.
VII.
"Tis pleasant," cried one, "seated by the fire side "To hear the wind whistle without.
" "A fine night for the Abbey!" his comrade replied, "Methinks a man's courage would now be well tried "Who should wander the ruins about.
VIII.
"I myself, like a school-boy, should tremble to hear "The hoarse ivy shake over my head; "And could fancy I saw, half persuaded by fear, "Some ugly old Abbot's white spirit appear, "For this wind might awaken the dead!" IX.
"I'll wager a dinner," the other one cried, "That Mary would venture there now.
" "Then wager and lose!" with a sneer he replied, "I'll warrant she'd fancy a ghost by her side, "And faint if she saw a white cow.
" X.
"Will Mary this charge on her courage allow?" His companion exclaim'd with a smile; "I shall win, for I know she will venture there now, "And earn a new bonnet by bringing a bough "From the elder that grows in the aisle.
" XI.
With fearless good humour did Mary comply, And her way to the Abbey she bent; The night it was dark, and the wind it was high And as hollowly howling it swept thro' the sky She shiver'd with cold as she went.
XII.
O'er the path so well known still proceeded the Maid Where the Abbey rose dim on the sight, Thro' the gate-way she entered, she felt not afraid Yet the ruins were lonely and wild, and their shade Seem'd to deepen the gloom of the night.
XIII.
All around her was silent, save when the rude blast Howl'd dismally round the old pile; Over weed-cover'd fragments still fearless she past, And arrived in the innermost ruin at last Where the elder tree grew in the aisle.
XIV.
Well-pleas'd did she reach it, and quickly drew near And hastily gather'd the bough: When the sound of a voice seem'd to rise on her ear, She paus'd, and she listen'd, all eager to hear, Aud her heart panted fearfully now.
XV.
The wind blew, the hoarse ivy shook over her head, She listen'd,--nought else could she hear.
The wind ceas'd, her heart sunk in her bosom with dread For she heard in the ruins distinctly the tread Of footsteps approaching her near.
XVI.
Behind a wide column half breathless with fear She crept to conceal herself there: That instant the moon o'er a dark cloud shone clear, And she saw in the moon-light two ruffians appear And between them a corpse did they bear.
XVII.
Then Mary could feel her heart-blood curdle cold! Again the rough wind hurried by,-- It blew off the hat of the one, and behold Even close to the feet of poor Mary it roll'd,-- She felt, and expected to die.
XVIII.
"Curse the hat!" he exclaims.
"Nay come on and first hide "The dead body," his comrade replies.
She beheld them in safety pass on by her side, She seizes the hat, fear her courage supplied, And fast thro' the Abbey she flies.
XIX.
She ran with wild speed, she rush'd in at the door, She gazed horribly eager around, Then her limbs could support their faint burthen no more, And exhausted and breathless she sunk on the floor Unable to utter a sound.
XX.
Ere yet her pale lips could the story impart, For a moment the hat met her view;-- Her eyes from that object convulsively start, For--oh God what cold horror then thrill'd thro' her heart, When the name of her Richard she knew! XXI.
Where the old Abbey stands, on the common hard by His gibbet is now to be seen.
Not far from the road it engages the eye, The Traveller beholds it, and thinks with a sigh Of poor Mary the Maid of the Inn.


Written by William Butler Yeats | Create an image from this poem

Supernatural Songs

 I.
Ribh at the Tomb of Baile and Aillinn Because you have found me in the pitch-dark night With open book you ask me what I do.
Mark and digest my tale, carry it afar To those that never saw this tonsured head Nor heard this voice that ninety years have cracked.
Of Baile and Aillinn you need not speak, All know their tale, all know what leaf and twig, What juncture of the apple and the yew, Surmount their bones; but speak what none have heard.
The miracle that gave them such a death Transfigured to pure substance what had once Been bone and sinew; when such bodies join There is no touching here, nor touching there, Nor straining joy, but whole is joined to whole; For the intercourse of angels is a light Where for its moment both seem lost, consumed.
Here in the pitch-dark atmosphere above The trembling of the apple and the yew, Here on the anniversary of their death, The anniversary of their first embrace, Those lovers, purified by tragedy, Hurry into each other's arms; these eyes, By water, herb and solitary prayer Made aquiline, are open to that light.
Though somewhat broken by the leaves, that light Lies in a circle on the grass; therein I turn the pages of my holy book.
II.
Ribh denounces Patrick An abstract Greek absurdity has crazed the man - Recall that masculine Trinity.
Man, woman, child (daughter or son), That's how all natural or supernatural stories run.
Natural and supernatural with the self-same ring are wed.
As man, as beast, as an ephemeral fly begets, Godhead begets Godhead, For things below are copies, the Great Smaragdine Tablet said.
Yet all must copy copies, all increase their kind; When the conflagration of their passion sinks, damped by the body or the mind, That juggling nature mounts, her coil in their embraces twined.
The mirror-scaled serpent is multiplicity, But all that run in couples, on earth, in flood or air, share God that is but three, And could beget or bear themselves could they but love as He.
III.
Ribh in Ecstasy What matter that you understood no word! Doubtless I spoke or sang what I had heard In broken sentences.
My soul had found All happiness in its own cause or ground.
Godhead on Godhead in sexual spasm begot Godhead.
Some shadow fell.
My soul forgot Those amorous cries that out of quiet come And must the common round of day resume.
IV.
There There all the barrel-hoops are knit, There all the serpent-tails are bit, There all the gyres converge in one, There all the planets drop in the Sun.
V.
Ribh considers Christian Love insufficient Why should I seek for love or study it? It is of God and passes human wit.
I study hatred with great diligence, For that's a passion in my own control, A sort of besom that can clear the soul Of everything that is not mind or sense.
Why do I hate man, woman or event? That is a light my jealous soul has sent.
From terror and deception freed it can Discover impurities, can show at last How soul may walk when all such things are past, How soul could walk before such things began.
Then my delivered soul herself shall learn A darker knowledge and in hatred turn From every thought of God mankind has had.
Thought is a garment and the soul's a bride That cannot in that trash and tinsel hide: Hatred of God may bring the soul to God.
At stroke of midnight soul cannot endure A bodily or mental furniture.
What can she take until her Master give! Where can she look until He make the show! What can she know until He bid her know! How can she live till in her blood He live! VI.
He and She As the moon sidles up Must she sidle up, As trips the scared moon Away must she trip: 'His light had struck me blind Dared I stop".
She sings as the moon sings: 'I am I, am I; The greater grows my light The further that I fly.
' All creation shivers With that sweet cry.
VII.
What Magic Drum? He holds him from desire, all but stops his breathing lest primordial Motherhood forsake his limbs, the child no longer rest, Drinking joy as it were milk upon his breast.
Through light-obliterating garden foliage what magic drum? Down limb and breast or down that glimmering belly move his mouth and sinewy tongue.
What from the forest came? What beast has licked its young? VIII.
Whence had they come? Eternity is passion, girl or boy Cry at the onset of their sexual joy 'For ever and for ever'; then awake Ignorant what Dramatis personae spake; A passion-driven exultant man sings out Sentences that he has never thought; The Flagellant lashes those submissive loins Ignorant what that dramatist enjoins, What master made the lash.
Whence had they come, The hand and lash that beat down frigid Rome? What sacred drama through her body heaved When world-transforming Charlemagne was conceived? IX.
The Four Ages of Man He with body waged a fight, But body won; it walks upright.
Then he struggled with the heart; Innocence and peace depart.
Then he struggled with the mind; His proud heart he left behind.
Now his wars on God begin; At stroke of midnight God shall win.
X.
Conjunctions If Jupiter and Saturn meet, What a cop of mummy wheat! The sword's a cross; thereon He died: On breast of Mars the goddess sighed.
XI.
A Needle's Eye All the stream that's roaring by Came out of a needle's eye; Things unborn, things that are gone, From needle's eye still goad it on.
XII.
Meru Civilisation is hooped together, brought Under a mle, under the semblance of peace By manifold illusion; but man's life is thought, And he, despite his terror, cannot cease Ravening through century after century, Ravening, raging, and uprooting that he may come Into the desolation of reality: Egypt and Greece, good-bye, and good-bye, Rome! Hermits upon Mount Meru or Everest, Caverned in night under the drifted snow, Or where that snow and winter's dreadful blast Beat down upon their naked bodies, know That day brings round the night, that before dawn His glory and his monuments are gone.
Written by Aleister Crowley | Create an image from this poem

The Garden of Janus

 I

The cloud my bed is tinged with blood and foam.
The vault yet blazes with the sun Writhing above the West, brave hippodrome Whose gladiators shock and shun As the blue night devours them, crested comb Of sleep's dead sea That eats the shores of life, rings round eternity! II So, he is gone whose giant sword shed flame Into my bowels; my blood's bewitched; My brain's afloat with ecstasy of shame.
That tearing pain is gone, enriched By his life-spasm; but he being gone, the same Myself is gone Sucked by the dragon down below death's horizon.
III I woke from this.
I lay upon the lawn; They had thrown roses on the moss With all their thorns; we came there at the dawn, My lord and I; God sailed across The sky in's galleon of amber, drawn By singing winds While we wove garlands of the flowers of our minds.
IV All day my lover deigned to murder me, Linking his kisses in a chain About my neck; demon-embroidery! Bruises like far-ff mountains stain The valley of my body of ivory! Then last came sleep.
I wake, and he is gone; what should I do but weep? V Nay, for I wept enough --- more sacred tears! --- When first he pinned me, gripped My flesh, and as a stallion that rears, Sprang, hero-thewed and satyr-lipped; Crushed, as a grape between his teeth, my fears; Sucked out my life And stamped me with the shame, the monstrous word of wife.
VI I will not weep; nay, I will follow him Perchance he is not far, Bathing his limbs in some delicious dim Depth, where the evening star May kiss his mouth, or by the black sky's rim He makes his prayer To the great serpent that is coiled in rapture there.
VII I rose to seek him.
First my footsteps faint Pressed the starred moss; but soon I wandered, like some sweet sequestered saint, Into the wood, my mind.
The moon Was staggered by the trees; with fierce constraint Hardly one ray Pierced to the ragged earth about their roots that lay.
VIII I wandered, crying on my Lord.
I wandered Eagerly seeking everywhere.
The stories of life that on my lips he squandered Grew into shrill cries of despair, Until the dryads frightened and dumfoundered Fled into space --- Like to a demon-king's was grown my maiden face! XI At last I came unto the well, my soul In that still glass, I saw no sign Of him, and yet --- what visions there uproll To cloud that mirror-soul of mine? Above my head there screams a flying scroll Whose word burnt through My being as when stars drop in black disastrous dew.
X For in that scroll was written how the globe Of space became; of how the light Broke in that space and wrapped it in a robe Of glory; of how One most white Withdrew that Whole, and hid it in the lobe Of his right Ear, So that the Universe one dewdrop did appear.
IX Yea! and the end revealed a word, a spell, An incantation, a device Whereby the Eye of the Most Terrible Wakes from its wilderness of ice To flame, whereby the very core of hell Bursts from its rind, Sweeping the world away into the blank of mind.
XII So then I saw my fault; I plunged within The well, and brake the images That I had made, as I must make - Men spin The webs that snare them - while the knee Bend to the tyrant God - or unto Sin The lecher sunder! Ah! came that undulant light from over or from under? XIII It matters not.
Come, change! come, Woe! Come, mask! Drive Light, Life, Love into the deep! In vain we labour at the loathsome task Not knowing if we wake or sleep; But in the end we lift the plumed casque Of the dead warrior; Find no chaste corpse therein, but a soft-smiling whore.
XIV Then I returned into myself, and took All in my arms, God's universe: Crushed its black juice out, while His anger shook His dumbness pregnant with a curse.
I made me ink, and in a little book I wrote one word That God himself, the adder of Thought, had never heard.
XV It detonated.
Nature, God, mankind Like sulphur, nitre, charcoal, once Blended, in one annihilation blind Were rent into a myriad of suns.
Yea! all the mighty fabric of a Mind Stood in the abyss, Belching a Law for "That" more awful than for "This.
" XVI Vain was the toil.
So then I left the wood And came unto the still black sea, That oily monster of beatitude! ('Hath "Thee" for "Me," and "Me" for "Thee!") There as I stood, a mask of solitude Hiding a face Wried as a satyr's, rolled that ocean into space.
XVII Then did I build an altar on the shore Of oyster-shells, and ringed it round With star-fish.
Thither a green flame I bore Of phosphor foam, and strewed the ground With dew-drops, children of my wand, whose core Was trembling steel Electric that made spin the universal Wheel.
XVIII With that a goat came running from the cave That lurked below the tall white cliff.
Thy name! cried I.
The answer that gave Was but one tempest-whisper - "If!" Ah, then! his tongue to his black palate clave; For on soul's curtain Is written this one certainty that naught is certain! XIX So then I caught that goat up in a kiss.
And cried Io Pan! Io Pan! Io Pan! Then all this body's wealth of ambergris, (Narcissus-scented flesh of man!) I burnt before him in the sacrifice; For he was sure - Being the Doubt of Things, the one thing to endure! XX Wherefore, when madness took him at the end, He, doubt-goat, slew the goat of doubt; And that which inward did for ever tend Came at the last to have come out; And I who had the World and God to friend Found all three foes! Drowned in that sea of changes, vacancies, and woes! XXI Yet all that Sea was swallowed up therein; So they were not, and it was not.
As who should sweat his soul out through the skin And find (sad fool!) he had begot All that without him that he had left in, And in himself All he had taken out thereof, a mocking elf! XXII But now that all was gone, great Pan appeared.
Him then I strove to woo, to win, Kissing his curled lips, playing with his beard, Setting his brain a-shake, a-spin, By that strong wand, and muttering of the weird That only I Knew of all souls alive or dead beneath the sky.
XXIII So still I conquered, and the vision passed.
Yet still was beaten, for I knew Myself was He, Himself, the first and last; And as an unicorn drinks dew From under oak-leaves, so my strength was cast Into the mire; For all I did was dream, and all I dreamt desire.
XXIV More; in this journey I had clean forgotten The quest, my lover.
But the tomb Of all these thoughts, the rancid and the rotten, Proved in the end to be my womb Wherein my Lord and lover had begotten A little child To drive me, laughing lion, into the wanton wild! XXV This child hath not one hair upon his head, But he hath wings instead of ears.
No eyes hath he, but all his light is shed Within him on the ordered sphere Of nature that he hideth; and in stead Of mouth he hath One minute point of jet; silence, the lightning path! XXVI Also his nostrils are shut up; for he Hath not the need of any breath; Nor can the curtain of eternity Cover that head with life or death.
So all his body, a slim almond-tree, Knoweth no bough Nor branch nor twig nor bud, from never until now.
XXVII This thought I bred within my bowels, I am.
I am in him, as he in me; And like a satyr ravishing a lamb So either seems, or as the sea Swallows the whale that swallows it, the ram Beats its own head Upon the city walls, that fall as it falls dead.
XXVIII Come, let me back unto the lilied lawn! Pile me the roses and the thorns, Upon this bed from which he hath withdrawn! He may return.
A million morns May follow that first dire daemonic dawn When he did split My spirit with his lightnings and enveloped it! XXIX So I am stretched out naked to the knife, My whole soul twitching with the stress Of the expected yet surprising strife, A martyrdom of blessedness.
Though Death came, I could kiss him into life; Though Life came, I Could kiss him into death, and yet nor live nor die! *** Yet I that am the babe, the sire, the dam, Am also none of these at all; For now that cosmic chaos of I AM Bursts like a bubble.
Mystical The night comes down, a soaring wedge of flame Woven therein To be a sign to them who yet have never been.
XXXI The universe I measured with my rod.
The blacks were balanced with the whites; Satan dropped down even as up soared God; Whores prayed and danced with anchorites.
So in my book the even matched the odd: No word I wrote Therein, but sealed it with the signet of the goat.
XXXII This also I seal up.
Read thou herein Whose eyes are blind! Thou may'st behold Within the wheel (that alway seems to spin All ways) a point of static gold.
Then may'st thou out therewith, and fit it in That extreme spher Whose boundless farness makes it infinitely near.
Written by Wallace Stevens | Create an image from this poem

Thirteen Ways of Looking at a Blackbird

I 
Among twenty snowy mountains, 
The only moving thing 
Was the eye of the blackbird.
II I was of three minds, Like a tree In which there are three blackbirds.
III The blackbird whirled in the autumn winds.
It was a small part of the pantomime.
IV A man and a woman Are one.
A man and a woman and a blackbird Are one.
V I do not know which to prefer, The beauty of inflections Or the beauty of innuendoes, The blackbird whistling Or just after.
VI Icicles filled the long window With barbaric glass.
The shadow of the blackbird Crossed it, to and fro.
The mood Traced in the shadow An indecipherable cause.
VII O thin men of Haddam, Why do you imagine golden birds? Do you not see how the blackbird Walks around the feet Of the women about you? VIII I know noble accents And lucid, inescapable rhythms; But I know, too, That the blackbird is involved In what I know.
IX When the blackbird flew out of sight, It marked the edge Of one of many circles.
X At the sight of blackbirds Flying in a green light, Even the bawds of euphony Would cry out sharply.
XI He rode over Connecticut In a glass coach.
Once, a fear pierced him, In that he mistook The shadow of his equipage For blackbirds.
XII The river is moving.
The blackbird must be flying.
XIII It was evening all afternoon.
It was snowing And it was going to snow.
The blackbird sat In the cedar-limbs.
Written by Ezra Pound | Create an image from this poem

Hugh Selwyn Mauberly (Part I)

 "Vocat aestus in umbram" 
Nemesianus Es.
IV.
E.
P.
Ode pour l'élection de son sépulchre For three years, out of key with his time, He strove to resuscitate the dead art Of poetry; to maintain "the sublime" In the old sense.
Wrong from the start -- No, hardly, but, seeing he had been born In a half savage country, out of date; Bent resolutely on wringing lilies from the acorn; Capaneus; trout for factitious bait: "Idmen gar toi panth, os eni Troie Caught in the unstopped ear; Giving the rocks small lee-way The chopped seas held him, therefore, that year.
His true Penelope was Flaubert, He fished by obstinate isles; Observed the elegance of Circe's hair Rather than the mottoes on sun-dials.
Unaffected by "the march of events", He passed from men's memory in l'an trentiesme De son eage; the case presents No adjunct to the Muses' diadem.
II.
The age demanded an image Of its accelerated grimace, Something for the modern stage, Not, at any rate, an Attic grace; Not, not certainly, the obscure reveries Of the inward gaze; Better mendacities Than the classics in paraphrase! The "age demanded" chiefly a mould in plaster, Made with no loss of time, A prose kinema, not, not assuredly, alabaster Or the "sculpture" of rhyme.
III.
The tea-rose, tea-gown, etc.
Supplants the mousseline of Cos, The pianola "replaces" Sappho's barbitos.
Christ follows Dionysus, Phallic and ambrosial Made way for macerations; Caliban casts out Ariel.
All things are a flowing, Sage Heracleitus says; But a tawdry cheapness Shall reign throughout our days.
Even the Christian beauty Defects -- after Samothrace; We see to kalon Decreed in the market place.
Faun's flesh is not to us, Nor the saint's vision.
We have the press for wafer; Franchise for circumcision.
All men, in law, are equals.
Free of Peisistratus, We choose a knave or an eunuch To rule over us.
A bright Apollo, tin andra, tin eroa, tina theon, What god, man, or hero Shall I place a tin wreath upon? IV.
These fought, in any case, and some believing, pro domo, in any case .
.
Some quick to arm, some for adventure, some from fear of weakness, some from fear of censure, some for love of slaughter, in imagination, learning later .
.
.
some in fear, learning love of slaughter; Died some pro patria, non dulce non et decor" .
.
walked eye-deep in hell believing in old men's lies, then unbelieving came home, home to a lie, home to many deceits, home to old lies and new infamy; usury age-old and age-thick and liars in public places.
Daring as never before, wastage as never before.
Young blood and high blood, Fair cheeks, and fine bodies; fortitude as never before frankness as never before, disillusions as never told in the old days, hysterias, trench confessions, laughter out of dead bellies.
V.
There died a myriad, And of the best, among them, For an old ***** gone in the teeth, For a botched civilization.
Charm, smiling at the good mouth, Quick eyes gone under earth's lid, For two gross of broken statues, For a few thousand battered books.
Yeux Glauques Gladstone was still respected, When John Ruskin produced "Kings Treasuries"; Swinburne And Rossetti still abused.
Fœtid Buchanan lifted up his voice When that faun's head of hers Became a pastime for Painters and adulterers.
The Burne-Jones cartons Have preserved her eyes; Still, at the Tate, they teach Cophetua to rhapsodize; Thin like brook-water, With a vacant gaze.
The English Rubaiyat was still-born In those days.
The thin, clear gaze, the same Still darts out faun-like from the half-ruin'd face, Questing and passive .
.
.
.
"Ah, poor Jenny's case" .
.
.
Bewildered that a world Shows no surprise At her last maquero's Adulteries.
"Siena Mi Fe', Disfecemi Maremma" Among the pickled fœtuses and bottled bones, Engaged in perfecting the catalogue, I found the last scion of the Senatorial families of Strasbourg, Monsieur Verog.
For two hours he talked of Gallifet; Of Dowson; of the Rhymers' Club; Told me how Johnson (Lionel) died By falling from a high stool in a pub .
.
.
But showed no trace of alcohol At the autopsy, privately performed -- Tissue preserved -- the pure mind Arose toward Newman as the whiskey warmed.
Dowson found harlots cheaper than hotels; Headlam for uplift; Image impartially imbued With raptures for Bacchus, Terpsichore and the Church.
So spoke the author of "The Dorian Mood", M.
Verog, out of step with the decade, Detached from his contemporaries, Neglected by the young, Because of these reveries.
Brennbaum.
The sky-like limpid eyes, The circular infant's face, The stiffness from spats to collar Never relaxing into grace; The heavy memories of Horeb, Sinai and the forty years, Showed only when the daylight fell Level across the face Of Brennbaum "The Impeccable".
Mr.
Nixon In the cream gilded cabin of his steam yacht Mr.
Nixon advised me kindly, to advance with fewer Dangers of delay.
"Consider Carefully the reviewer.
"I was as poor as you are; "When I began I got, of course, "Advance on royalties, fifty at first", said Mr.
Nixon, "Follow me, and take a column, "Even if you have to work free.
"Butter reviewers.
From fifty to three hundred "I rose in eighteen months; "The hardest nut I had to crack "Was Dr.
Dundas.
"I never mentioned a man but with the view "Of selling my own works.
"The tip's a good one, as for literature "It gives no man a sinecure.
" And no one knows, at sight a masterpiece.
And give up verse, my boy, There's nothing in it.
" * * * Likewise a friend of Bloughram's once advised me: Don't kick against the pricks, Accept opinion.
The "Nineties" tried your game And died, there's nothing in it.
X.
Beneath the sagging roof The stylist has taken shelter, Unpaid, uncelebrated, At last from the world's welter Nature receives him, With a placid and uneducated mistress He exercises his talents And the soil meets his distress.
The haven from sophistications and contentions Leaks through its thatch; He offers succulent cooking; The door has a creaking latch.
XI.
"Conservatrix of Milésien" Habits of mind and feeling, Possibly.
But in Ealing With the most bank-clerkly of Englishmen? No, "Milésian" is an exaggeration.
No instinct has survived in her Older than those her grandmother Told her would fit her station.
XII.
"Daphne with her thighs in bark Stretches toward me her leafy hands", -- Subjectively.
In the stuffed-satin drawing-room I await The Lady Valentine's commands, Knowing my coat has never been Of precisely the fashion To stimulate, in her, A durable passion; Doubtful, somewhat, of the value Of well-gowned approbation Of literary effort, But never of The Lady Valentine's vocation: Poetry, her border of ideas, The edge, uncertain, but a means of blending With other strata Where the lower and higher have ending; A hook to catch the Lady Jane's attention, A modulation toward the theatre, Also, in the case of revolution, A possible friend and comforter.
* * * Conduct, on the other hand, the soul "Which the highest cultures have nourished" To Fleet St.
where Dr.
Johnson flourished; Beside this thoroughfare The sale of half-hose has Long since superseded the cultivation Of Pierian roses.
Written by William Wordsworth | Create an image from this poem

Resolution And Independence

 I 

There was a roaring in the wind all night; 
The rain came heavily and fell in floods; 
But now the sun is rising calm and bright; 
The birds are singing in the distant woods; 
Over his own sweet voice the Stock-dove broods; 
The Jay makes answer as the Magpie chatters; 
And all the air is filled with pleasant noise of waters.
II All things that love the sun are out of doors; The sky rejoices in the morning's birth; The grass is bright with rain-drops;--on the moors The hare is running races in her mirth; And with her feet she from the plashy earth Raises a mist, that, glittering in the sun, Runs with her all the way, wherever she doth run.
III I was a Traveller then upon the moor, I saw the hare that raced about with joy; I heard the woods and distant waters roar; Or heard them not, as happy as a boy: The pleasant season did my heart employ: My old remembrances went from me wholly; And all the ways of men, so vain and melancholy.
IV But, as it sometimes chanceth, from the might Of joy in minds that can no further go, As high as we have mounted in delight In our dejection do we sink as low; To me that morning did it happen so; And fears and fancies thick upon me came; Dim sadness--and blind thoughts, I knew not, nor could name.
V I heard the sky-lark warbling in the sky; And I bethought me of the playful hare: Even such a happy Child of earth am I; Even as these blissful creatures do I fare; Far from the world I walk, and from all care; But there may come another day to me-- Solitude, pain of heart, distress, and poverty.
VI My whole life I have lived in pleasant thought, As if life's business were a summer mood; As if all needful things would come unsought To genial faith, still rich in genial good; But how can He expect that others should Build for him, sow for him, and at his call Love him, who for himself will take no heed at all? VII I thought of Chatterton, the marvellous Boy, The sleepless Soul that perished in his pride; Of Him who walked in glory and in joy Following his plough, along the mountain-side: By our own spirits are we deified: We Poets in our youth begin in gladness; But thereof come in the end despondency and madness.
VIII Now, whether it were by peculiar grace, A leading from above, a something given, Yet it befell, that, in this lonely place, When I with these untoward thoughts had striven, Beside a pool bare to the eye of heaven I saw a Man before me unawares: The oldest man he seemed that ever wore grey hairs.
IX As a huge stone is sometimes seen to lie Couched on the bald top of an eminence; Wonder to all who do the same espy, By what means it could thither come, and whence; So that it seems a thing endued with sense: Like a sea-beast crawled forth, that on a shelf Of rock or sand reposeth, there to sun itself; X Such seemed this Man, not all alive nor dead, Nor all asleep--in his extreme old age: His body was bent double, feet and head Coming together in life's pilgrimage; As if some dire constraint of pain, or rage Of sickness felt by him in times long past, A more than human weight upon his frame had cast.
XI Himself he propped, limbs, body, and pale face, Upon a long grey staff of shaven wood: And, still as I drew near with gentle pace, Upon the margin of that moorish flood Motionless as a cloud the old Man stood, That heareth not the loud winds when they call And moveth all together, if it move at all.
XII At length, himself unsettling, he the pond Stirred with his staff, and fixedly did look Upon the muddy water, which he conned, As if he had been reading in a book: And now a stranger's privilege I took; And, drawing to his side, to him did say, "This morning gives us promise of a glorious day.
" XIII A gentle answer did the old Man make, In courteous speech which forth he slowly drew: And him with further words I thus bespake, "What occupation do you there pursue? This is a lonesome place for one like you.
" Ere he replied, a flash of mild surprise Broke from the sable orbs of his yet-vivid eyes, XIV His words came feebly, from a feeble chest, But each in solemn order followed each, With something of a lofty utterance drest-- Choice word and measured phrase, above the reach Of ordinary men; a stately speech; Such as grave Livers do in Scotland use, Religious men, who give to God and man their dues.
XV He told, that to these waters he had come To gather leeches, being old and poor: Employment hazardous and wearisome! And he had many hardships to endure: From pond to pond he roamed, from moor to moor; Housing, with God's good help, by choice or chance, And in this way he gained an honest maintenance.
XVI The old Man still stood talking by my side; But now his voice to me was like a stream Scarce heard; nor word from word could I divide; And the whole body of the Man did seem Like one whom I had met with in a dream; Or like a man from some far region sent, To give me human strength, by apt admonishment.
XVII My former thoughts returned: the fear that kills; And hope that is unwilling to be fed; Cold, pain, and labour, and all fleshly ills; And mighty Poets in their misery dead.
--Perplexed, and longing to be comforted, My question eagerly did I renew, "How is it that you live, and what is it you do?" XVIII He with a smile did then his words repeat; And said, that, gathering leeches, far and wide He travelled; stirring thus about his feet The waters of the pools where they abide.
"Once I could meet with them on every side; But they have dwindled long by slow decay; Yet still I persevere, and find them where I may.
" XIX While he was talking thus, the lonely place, The old Man's shape, and speech--all troubled me: In my mind's eye I seemed to see him pace About the weary moors continually, Wandering about alone and silently.
While I these thoughts within myself pursued, He, having made a pause, the same discourse renewed.
XX And soon with this he other matter blended, Cheerfully uttered, with demeanour kind, But stately in the main; and when he ended, I could have laughed myself to scorn to find In that decrepit Man so firm a mind.
"God," said I, "be my help and stay secure; I'll think of the Leech-gatherer on the lonely moor!"

Book: Reflection on the Important Things